Design consists of the solution proposals put forward by the designer for the target audience. The changing needs of the target audience cause the designer to change the solutions. Although the act of designing seems to take place in the triangle of mass-object-designer, it is also affected by the period it is in, independently of these components. The changing perception of taste with the change of the period, the adoption of fast consumption, the advancement of technology, the attempt to establish the real world in the virtual with this progress, and the widespread use of social media causes different effects on different user groups. Some users, who feel this effect, adapt to it and try to meet their needs in parallel, while the other part shows a conscious resistance to this effect and prefers to maintain a perception of "liking" from the past. It is important to share these views to break the resistance and ensure the construction of a new agenda. Contemporary Manifests on Design Thinking and Practice reveals the current problems, practices, and research of the period in design disciplines. It gives readers the opportunity to see the impact of the ever-present change and transformation in design as a whole. Covering topics such as alternative design models, social media interaction, and urban social sustainability, this premier reference source is a dynamic resource for designers, architects, industrial designers, business leaders and executives, students and faculty of higher education, librarians, researchers, and academicians.

In this essential TASCHEN introduction to Tadao Ando we explore the hybrid of tradition, modernism, and function that allows his buildings to enchant architects, designers, fashion designers, and beyond. Through key projects including private homes, churches, museums, apartment complexes, and cultural spaces, we explore a uniquely monumental yet comforting aesthetic that draws as much on the calm restraint of Japanese tradition as the compelling modernist vocabularies of Bauhaus and Le Corbusier. With featured projects in Japan, France, Italy, Spain, and the United States, we see not only Ando's global reach but also his refined sensitivity for the environs: the play of light through windows, and, in particular, the interaction of buildings with water. From the mesmerizing Church of the Light in Osaka to the luminous Punta della Dogana Contemporary Art Center in Venice, this is a radiant tour through a distinctly contemporary form as much as a timeless appeal of light, elements, and equilibrium. About the series Born back in 1985, the Basic Art Series has evolved into the best-selling art book collection ever published. Each book in TASCHEN's Basic Architecture series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts, and plans)

After Suburbia presents a cross-section of state-of-the-art scholarship in critical global suburban research and provides an in-depth study of the planet's urban peripheries to grasp the forms of urbanization in the twenty-first century. Based on cutting-edge conceptual thought and steeped in richly detailed empirical work conducted over the past decade, After Suburbia draws on research from Asia, Africa, Australia, Europe, and the Americas to showcase comprehensive global scholarship on the urban periphery. Contributors explicitly reject the traditional centre-periphery dichotomy and the prioritization of epistemologies that favour the Global North, especially North American cases, over other experiences. In doing so, the book strongly advances the notion of a post-suburban reality in which traditional dynamics of urban extension outward from the centre are replaced by a set of complex contradictory developments. After Suburbia examines multiple centralities and diverse peripheries which mesh to produce a surprisingly contradictory and diverse metropolitan landscape.

Challenging existing political analyses of the state of emergency in Turkey, this volume argues that such states are not merely predetermined by policy and legislation but are produced, regulated, distributed and contested through the built environment in both embodied and symbolic ways. Contributors use empirical critical-spatial research carried out in Turkey over the past decade, exploring heritage, displacement and catastrophes. Contributing to the broader literature on the related concepts of exception, risk, crisis and uncertainty, the book discusses the ways in which these phenomena shape and are shaped by the built environment, and provides context-specific empirical substance to it by focusing on contemporary Turkey. In so doing, it offers nuanced insight into the debate around emergency as well as into recent urban-architectural affairs in Turkey.