Religion in Britain after the Reformation was remarkably unstable and places of worship were the focus of dispute and regular change. This book is the first substantial synoptic account of Nonconformist church architecture in England and aims to provide a history of Nonconformist architecture, using existing buildings wherever possible. It includes examples from the 17th century to the present day, covering all parts of the country and each of the main religious traditions within Nonconformity. Despite the loss of very large numbers of chapels in the past half-century, there are still around 20,000 Nonconformist congregations in England. The book includes some of the smallest wayside chapels as well as some grand urban structures and aims to mention the most influential Nonconformist buildings as well as giving examples of the most common types. These examples are set in the architectural, religious and cultural context of the development of English Nonconformity. The chronological arrangement allows the reader to follow the main architectural development in the Nonconformist world The range and varied nature of the architecture is illustrated with new photographs of both interiors and exteriors.

Edward Jenner is perhaps the world's most famous doctor. He developed a vaccination for smallpox beginning in 1796, long before the world knew about bacteria and viruses. He has been described as `the man who saved more lives than anyone else'. He bought The Chantry at Berkeley in 1785 and modified it to make a home fit for his beloved wife, Catherine. This book is the result of a three-year investigation that set out to discover the house that Jenner prepared for Catherine. It traces the origin of the house, which was built in 1707, and the many changes throughout the next 300 years. It turns out that the site has a history going back to Anglo-Saxon times. Edward Jenner lived there for only thirty-six years, but the house has been much changed since. The investigation set out to define the house that Edward Jenner lived in, separating it from the original and many changes afterwards. The book includes a great deal of information and stories about the people involved, including Edward Jenner and his family and estate. It also includes the inventory of Jenner's goods in 1823 and profiles of the internal plasterwork, which may be of interest to restorers and historians.

We are living in a new urban age and its most tangible expression is the "supertall": megastructures that are dramatically bigger, higher, and more ambitious than any in history. In Supertall, TED Resident Stefan Al-himself an experienced architect who has worked on some of the largest buildings in the world-reveals the advancements in engineering, design, and data science that have led to this worldwide boom. Using examples from the past (the Empire State Building, St. Paul's Cathedral, the Eiffel Tower) and present (Dubai's Burj Khalifa, London's Shard, Shanghai Tower), he describes how the most remarkable skyscrapers have been designed and built. He explores the ingenious technological innovations-in cement, wind resistance, elevator design, and air-conditioning-that make the latest megastructures a reality. And he examines the risks of wealth inequality, carbon emissions, and contagion they yield while arguing for a more sustainable, resilient, and equitable built environment for everyone.

This work uses drawings, sketches and computer images to capture a moment in the life of one of the world's busiest - and most creative - architectural offices. For three decades a leading figure in UK architecture, Terry Farrell enjoys a worldwide reputation, with major architectural and urban design projects in the UK and Asia. Best known for his exuberant London buildings of the 1980s - notably TV-am, Embankment Place at Charing Cross and the MI6 building - Farrell has now moved into a freely expressive mode of design, with the emphasis on sensuous forms and accessible imagery, influenced by working much more overseas. This snapshot of work comprises evocative drawings, models and collages, ranging from first concepts through exploratory investigations to presentation images. By showing the way in which ideas are elaborated, explored and developed, it offers insight into the creative processes of the architect. In a trenchant personal essay, Terry Farrell sets out his artistic credo, presenting the city as man's greatest work of art and attacking the cult of the minimal. In a foreword Professor Robert Maxwell of Princeton University appraises and applauds Farrell's special contribution to the art of making cities.

In this stunning new book, style visionaries Tommy Hilfiger and Dee Ocleppo Hilfiger invite readers inside their seven uniquely designed homes – each a bold expression of their iconic approach to living.

“I’ve so enjoyed vicariously visiting Tommy just about everywhere in the world by poring over this book, which makes clear that he gives as much creative consideration to his interiors as he does to his runway collections.” - Anna Wintour, from the Foreword

What makes a house a home? Is it the setting, the architecture, the interior design, the selection of objects and art carefully collected over many decades? In the case of Tommy Hilfiger and Dee Ocleppo Hilfiger’s homes, it is all these elements, but most importantly, it is the couple’s exceptional warmth and hospitality, combined with their innate sense of style. The Hilfigers have lived in many places, from Manhattan to Mustique, and though each home is different, every one exudes their unique approach to design―and life. Their tropical Palm Beach paradise is a world away from their bespoke Greenwich manor, their retro-glam, 1970s-style Miami home, their idyllic vacation house on Mustique, and their sleek Feadship yacht, Flag.

In Hilfiger Homes, Tommy and Dee open the doors to seven of their most remarkable properties, superbly photographed by Douglas Friedman, a longtime creative partner of the Hilfigers, with dozens of intimate family photos scattered throughout. Our guide is James Reginato, the veteran chronicler of tastemakers and their lifestyle, and Anna Wintour, a defining force in global fashion, has contributed the foreword.

This innovative book defines the concept of immured spaces across time, space and culture and investigates various categories of restricted places such as divided, segregated and protected spaces. Drawing on examples from across the world, this book analyses not only what separates and divides space, but also the wide variety of impacts that the imposition of new barriers and boundaries or the opening of existing ones has on places, people and surrounding areas. Contributors integrate case studies with theoretical analysis to draw conclusions and advance an analytical framework of immured spaces. The chapters present a point of reference to highlight areas of significance and also to encourage further detailed work in this important area. The book has a strong research dimension and will therefore be of interest to academic communities in planning, cultural heritage, psychology, architecture and urban studies. In addition, the use of case studies to develop a common framework will appeal to practitioners and policy makers.

After many visits to Wales to photograph some of the castles I decided to produce this book, I selected 20 castles, not the biggest or grandest, to represent the spirit of these old structures. Steve Howe, a local writer, researched and wrote a potted history of each castle, I think between us we have created not only a picture book but also a history book.