Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is an amazing book about Piedmont in Northern Italy! Guide book, history book, cookery book, anthology of short stories - this book is none of those, yet all of those. It is a story of how a passion was gratified, a dream fulfilled. The rest somehow just follows naturally. It is a recollection of how an ambition to own a house in northern Italy came to fruition. From the first sinking feelings in the stomach at seeing an apparent ruin to the transformation to an elegant summer residence - and all the joys and nightmares it entailed. And all the people that were encountered in the process. The Bjorn family did what many non-Italians dream about but very few dare undertake. They bought an old ruin in Piedmont and completely restored it. This book tells their story and offers good advice and tips for how to make that dream come true. Jesper Remo and Erik Bjorn have produced a classic combination of stunning photography and compelling human stories about an area of Italy nestling in the foothills of the Alps. Stories that are haunting in their authenticity, the printed equivalent of a documentary film. The book is 304 pages of which approx. half is beautiful pictures of the landscape, the people, the food and the wine in the area. If you love Italy - and perhaps even daydream about it - you will love this book. If you're planning to go to Piedmont - this book is a must! The book was initially published in Denmark where it has become a bestseller!

In this stunning new book, style visionaries Tommy Hilfiger and Dee Ocleppo Hilfiger invite readers inside their seven uniquely designed homes – each a bold expression of their iconic approach to living.

“I’ve so enjoyed vicariously visiting Tommy just about everywhere in the world by poring over this book, which makes clear that he gives as much creative consideration to his interiors as he does to his runway collections.” - Anna Wintour, from the Foreword

What makes a house a home? Is it the setting, the architecture, the interior design, the selection of objects and art carefully collected over many decades? In the case of Tommy Hilfiger and Dee Ocleppo Hilfiger’s homes, it is all these elements, but most importantly, it is the couple’s exceptional warmth and hospitality, combined with their innate sense of style. The Hilfigers have lived in many places, from Manhattan to Mustique, and though each home is different, every one exudes their unique approach to design―and life. Their tropical Palm Beach paradise is a world away from their bespoke Greenwich manor, their retro-glam, 1970s-style Miami home, their idyllic vacation house on Mustique, and their sleek Feadship yacht, Flag.

In Hilfiger Homes, Tommy and Dee open the doors to seven of their most remarkable properties, superbly photographed by Douglas Friedman, a longtime creative partner of the Hilfigers, with dozens of intimate family photos scattered throughout. Our guide is James Reginato, the veteran chronicler of tastemakers and their lifestyle, and Anna Wintour, a defining force in global fashion, has contributed the foreword.

What is the difference between ratio and proportion? When is a harmonic rectangle also geometric? Do pentagons, hexagons and heptagons really each have their own characters? Is there a secret to great art? In this beautiful little book, art educator Michael Schneider presents a groundbreaking synthesis of proportion in the ancient world. From temples to dinner plates, paintings to pots, archways to jewellery, discover the eternally useful tools and techniques of the masters.

Singapore Good Class Bungalow traces the development of stand-alone residential architecture in Singapore from its early days as a colony to the present. Expertly researched by noted academic and author Robert Powell, it is also a partial history of the architectural profession in Singapore, mentioning many of its eminent practitioners and their works. Alongside the iconic Singapore Shophouse and the 'Black and White' house, Singapore Good Class Bungalow brings the history of the island's detached residential architecture up to date. A detailed introduction is followed by a study of the evolution of the bungalow - from early plantation residences, through the late Victorian and Edwardian styles, Arts and Crafts and Art Deco inspired bungalows to post-Independence residences. The latter includes a history of how the Good Class Bungalow emerged through a planning and preservation initiative into a triumph for the architectural profession in Singapore. Featured in this ambitious book are singular examples of Modern Tropical Bungalow design together with sympathetic and expert restoration projects, linking architectural heritage with modern best practice. Singapore Good Class Bungalow showcases over 100 bungalows, mostly extant, and contains references to all the major phases of construction in the city-state. Beautifully photographed by award-winning photographer, Albert Lim KS, this is a welcome addition to the historical literature on Modern Singapore. This book is an illustrated history of Singapore viewed from the verandas of a cornucopia of personalities including East India Company employees, revolutionaries, politicians, plantation owners, governors, entrepreneurs, towkays, diplomats, colonial civil servants, architects, as well as a plethora of ordinary people. It is also a partial history of the architectural profession in Singapore, with histories of many of its eminent practitioners including R A J Bidwell, Frank Wilmin Brewer, Swan & Maclaren, Ho Kwong Yew, Ng Sek Siang, James Ferrie, Lim Chong Keat, Alfred Wong, William Lim Siew Wai, Victor Chew, Tay Kheng Soon, Sonny Chan Sau Yan and, more recently, Mok Wei Wei, Ernesto Bedmar, Chan Soo Khian, Wong Mun Summ, Richard Hassell and Teh Joo Heng.

The purpose of this volume is to discuss some of the problems incident to the construction of a stone building in ancient Egypt.

The purpose of this volume is to discuss some of the problems incident to the construction of a stone building in ancient Egypt.

Lost Futures looks in detail at the wide range of buildings constructed in Britain between 1945 and 1979. Although their bold architectural aspirations reflected the forward-looking social ethos of the postwar era, many have since been either demolished or altered beyond recognition.Photographs taken at the time of their completion are accompanied by expertly researched captions that examine the buildings' design, creation, the ideals they embodied and the reasons for their eventual destruction. Lost Futures covers many building types, from housing to factories, commercial spaces and power stations, and presents the work of both iconic and lesser-known architects. The author charts the complex reasons that led to the loss of these projects' ambitious futures, and assesses whether some might one day be recaptured.

Norwich is blessed with more surviving medieval churches than any other city north of the Alps. Architect David Luckhurst worked in the city for more than 40 years before turning to painting and drawing in his retirement, and many buildings he designed are to be seen there. This high-quality paperback reproduces his 32 paintings of Norwich's medieval churches (including the lone surviving tower of the bombed St Benedict), with an emphasis on their street setting. Each painting is accompanied by David's handwritten notes on the surrounding buildings and how the church interacts with them. The book is completed by David's hand-drawn map showing the location of each church and his pen drawing of their combined towers.

Livable Luxe is the first-ever monograph on acclaimed Los Angeles–based interior designer Brigette Romanek.

Brigette Romanek is one of the most sought-after interior designers working today, and her high-profile client and partner list is extensive, from celebrities like Demi Moore, Beyoncé and Jay-Z, and Christian Bale, to brands like Mitchell Gold + Bob Williams, Crate and Barrel, and Audemars Piguet. Her beautiful interior designs highlight her distinct luxurious yet casual aesthetic, on a range of residential and commercial projects from Los Angeles to New York.

In Livable Luxe, Romanek shares an insider’s glimpse into her lush and aspirational collection of interior design projects for the first time, through over 150 photographs that capture and reflect the personality and lifestyle of her clients. Additionally, Romanek shares her insightful approach to design and interiors through personal essays and anecdotes.

In her introduction, Romanek charts her unique upbringing on the road with her super-talented, single mother, Paulette McWilliams, who sang with the likes of Marvin Gaye, David Bowie, Michael Jackson, Aretha Franklin, and many others. What grounded Romanek throughout her peripatetic childhood was her ability to make any new space "home" by decorating and personalizing it with special treasures and mementos that had meaning in her life.

As a designer, she has elevated that same instinct by bringing together an eclectic mix of design elements that create a sense of ease, comfort, and style. Her aesthetic blend of both the high-end and the accessible, or as she calls it, "Gucci meets Gap," is a refreshing approach and fully apparent in her own beautiful home in Laurel Canyon in Los Angeles.

Extensively featured in Livable Luxe are the homes of her well-known clients, including Gwyneth Paltrow and Molly Sims, to name a few, who admire and seek her design expertise in creating spaces that evoke a laid-back-yet-elegant feel. Paltrow is a close friend and client, and she has also penned the foreword. Romanek has created stunning designs for several of Paltrow's homes, including her lovely Montecito home featured on the cover.

Livable Luxe is a gorgeous coffee-table book worthy of its name, filled with detailed design moments, personal stories, and inspiring interiors that look luxe but feel livable. It makes the perfect gift for interior designers and home décor enthusiasts, and a splendid addition to any coffee table, tabletop, or book collection.

In 1921 Blair Mountain in southern West Virginia was the site of the country's bloodiest armed insurrection since the Civil War, a battle pitting miners led by Frank Keeney against agents of the coal barons intent on quashing organized labor. It was the largest labor uprising in US history. Ninety years later, the site became embroiled in a second struggle, as activists came together to fight the coal industry, state government, and the military- industrial complex in a successful effort to save the battlefield-sometimes dubbed 'labor's Gettysburg'-from destruction by mountaintop removal mining. The Road to Blair Mountain is the moving and sometimes harrowing story of Charles Keeney's fight to save this irreplaceable landscape. Beginning in 2011, Keeney-a historian and great-grandson of Frank Keeney-led a nine-year legal battle to secure the site's placement on the National Register of Historic Places. His book tells a David-and-Goliath tale worthy of its own place in West Virginia history. A success story for historic preservation and environmentalism, it serves as an example of how rural, grassroots organizations can defeat the fossil fuel industry.

Elected the architectural book of the year by the International Artbook and Film Festival in Perpignan, France, Frederic Chaubin's Cosmic Communist Constructions Photographed explores 90 buildings in 14 former Soviet Republics. Each of these structures expresses what Chaubin considers the fourth age of Soviet architecture, an unknown burgeoning that took place from 1970 until 1990. Contrary to the 1920s and 1950s, no "school" or main trend emerges here. These buildings represent a chaotic impulse brought about by a decaying system. Taking advantage of the collapsing monolithic structure, architects went far beyond modernism, going back to the roots or freely innovating. Some of the daring ones completed projects that the Constructivists would have dreamt of (Druzhba Sanatorium, Yalta), others expressed their imagination in an expressionist way (Palace of Weddings, Tbilisi). A summer camp, inspired by sketches of a prototype lunar base, lays claim to Suprematist influence (Prometheus youth camp, Bogatyr). Then comes the "speaking architecture" widespread in the last years of the USSR: a crematorium adorned with concrete flames (Crematorium, Kiev), a technological institute with a flying saucer crashed on the roof (Institute of Scientific Research, Kiev), a political center watching you like Big Brother (House of Soviets, Kaliningrad). In their puzzle of styles, their outlandish strategies, these buildings are extraordinary remnants of a collapsing system.In their diversity and local exoticism, they testify both to the vast geography of the USSR and its encroaching end of the Soviet Union, the holes in a widening net. At the same time, they immortalize many of the ideological dreams of the country and its time, from an obsession with the cosmos to the rebirth of identity. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

Neurodivergence and Architecture, Volume Five, the latest release in the Developments in Neuroethics and Bioethics series, focuses on the new and fascinating ethical and legal challenges posed by neurotechnology and its global regulation. Topics in this new release cover STS on architecture, Embodied Rhetoric/ Disability Studies, Autoethnography, Bioethics/Materialist Feminism, Advocacy, Cultural Commentary: Being Autistic Together, An autistic perspective on built spaces, Empty spaces and refrigerator boxes: making autistic spaces, On the Losing Myself Project, Neither Use nor Ornament (NUNO) project, Madness and (Be)coming Out Within and Through Spaces of Confinement, and more.