Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is an amazing book about Piedmont in Northern Italy! Guide book, history book, cookery book, anthology of short stories - this book is none of those, yet all of those. It is a story of how a passion was gratified, a dream fulfilled. The rest somehow just follows naturally. It is a recollection of how an ambition to own a house in northern Italy came to fruition. From the first sinking feelings in the stomach at seeing an apparent ruin to the transformation to an elegant summer residence - and all the joys and nightmares it entailed. And all the people that were encountered in the process. The Bjorn family did what many non-Italians dream about but very few dare undertake. They bought an old ruin in Piedmont and completely restored it. This book tells their story and offers good advice and tips for how to make that dream come true. Jesper Remo and Erik Bjorn have produced a classic combination of stunning photography and compelling human stories about an area of Italy nestling in the foothills of the Alps. Stories that are haunting in their authenticity, the printed equivalent of a documentary film. The book is 304 pages of which approx. half is beautiful pictures of the landscape, the people, the food and the wine in the area. If you love Italy - and perhaps even daydream about it - you will love this book. If you're planning to go to Piedmont - this book is a must! The book was initially published in Denmark where it has become a bestseller!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In this stunning new book, style visionaries Tommy Hilfiger and Dee Ocleppo Hilfiger invite readers inside their seven uniquely designed homes – each a bold expression of their iconic approach to living.

“I’ve so enjoyed vicariously visiting Tommy just about everywhere in the world by poring over this book, which makes clear that he gives as much creative consideration to his interiors as he does to his runway collections.” - Anna Wintour, from the Foreword

What makes a house a home? Is it the setting, the architecture, the interior design, the selection of objects and art carefully collected over many decades? In the case of Tommy Hilfiger and Dee Ocleppo Hilfiger’s homes, it is all these elements, but most importantly, it is the couple’s exceptional warmth and hospitality, combined with their innate sense of style. The Hilfigers have lived in many places, from Manhattan to Mustique, and though each home is different, every one exudes their unique approach to design―and life. Their tropical Palm Beach paradise is a world away from their bespoke Greenwich manor, their retro-glam, 1970s-style Miami home, their idyllic vacation house on Mustique, and their sleek Feadship yacht, Flag.

In Hilfiger Homes, Tommy and Dee open the doors to seven of their most remarkable properties, superbly photographed by Douglas Friedman, a longtime creative partner of the Hilfigers, with dozens of intimate family photos scattered throughout. Our guide is James Reginato, the veteran chronicler of tastemakers and their lifestyle, and Anna Wintour, a defining force in global fashion, has contributed the foreword.

Kelmscott Manor is forever linked with the name of William Morris, pioneer conservationist and utopian socialist, designer and father of the Arts and Crafts tradition. The manor played a crucial role in shaping his thought: at the climactic moment of his futuristic novel, News from Nowhere, Morris lifts the latch of the Manors garden gate and finds his personal holy grail. Morris was drawn by the organic relationship between Kelmscott and its landscape: the linkage of stone walls and roof tiles to the geology and the soil, and the honest toil of the people to the agricultural cycle . The fruits of the Kelmscott Landcape Project established in 1996 by the Society of Antiquaries of London, the owners of Kelmscott Manor today, this book is a multi-faceted examination of Kelmscotts history. Archaeology, from prehistory to the present day, the architectural development of the Manor before and after Morris knew it, and the art that the village and Manor have inspiredall received rich, illustrated coverage. The result is a vivid portrait of a Thames-side village transformed by its association with Morris, a book which demonstrates the rich connections between culture and landscape in a particular place.

The purpose of this volume is to discuss some of the problems incident to the construction of a stone building in ancient Egypt.

The purpose of this volume is to discuss some of the problems incident to the construction of a stone building in ancient Egypt.

Singapore Good Class Bungalow traces the development of stand-alone residential architecture in Singapore from its early days as a colony to the present. Expertly researched by noted academic and author Robert Powell, it is also a partial history of the architectural profession in Singapore, mentioning many of its eminent practitioners and their works. Alongside the iconic Singapore Shophouse and the 'Black and White' house, Singapore Good Class Bungalow brings the history of the island's detached residential architecture up to date. A detailed introduction is followed by a study of the evolution of the bungalow - from early plantation residences, through the late Victorian and Edwardian styles, Arts and Crafts and Art Deco inspired bungalows to post-Independence residences. The latter includes a history of how the Good Class Bungalow emerged through a planning and preservation initiative into a triumph for the architectural profession in Singapore. Featured in this ambitious book are singular examples of Modern Tropical Bungalow design together with sympathetic and expert restoration projects, linking architectural heritage with modern best practice. Singapore Good Class Bungalow showcases over 100 bungalows, mostly extant, and contains references to all the major phases of construction in the city-state. Beautifully photographed by award-winning photographer, Albert Lim KS, this is a welcome addition to the historical literature on Modern Singapore. This book is an illustrated history of Singapore viewed from the verandas of a cornucopia of personalities including East India Company employees, revolutionaries, politicians, plantation owners, governors, entrepreneurs, towkays, diplomats, colonial civil servants, architects, as well as a plethora of ordinary people. It is also a partial history of the architectural profession in Singapore, with histories of many of its eminent practitioners including R A J Bidwell, Frank Wilmin Brewer, Swan & Maclaren, Ho Kwong Yew, Ng Sek Siang, James Ferrie, Lim Chong Keat, Alfred Wong, William Lim Siew Wai, Victor Chew, Tay Kheng Soon, Sonny Chan Sau Yan and, more recently, Mok Wei Wei, Ernesto Bedmar, Chan Soo Khian, Wong Mun Summ, Richard Hassell and Teh Joo Heng.

With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols - they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life - the spiritualism, moralism and the wit - within the carvings still found in churches today.