Microclimate for Cultural Heritage: Measurement, Risk Assessment, Conservation, Restoration, and Maintenance of Indoor and Outdoor Monuments, Third Edition, presents the latest on microclimates, environmental issues and the conservation of cultural heritage. It is a useful treatise on microphysics, acting as a practical handbook for conservators and specialists in physics, chemistry, architecture, engineering, geology and biology who focus on environmental issues and the conservation of works of art. It fills a gap between the application of atmospheric sciences, like the thermodynamic processes of clouds and dynamics of planetary boundary layer, and their application to a monument surface or a room within a museum. Sections covers applied theory, environmental issues and conservation, practical utilization, along with suggestions, examples, common issues and errors.

This title discusses the work of two of the most eminent contemporary British architects, Edward Jones and Sir Jeremy Dixon. With distinguished careers spanning four decades, their works separately and, since 1989, in partnership range from the Royal Opera House in London to Mississauga City Hall in Canada and from the Henry Moore Institute in Leeds to the Business School for Oxford University. Although they have built throughout the UK, it is to London above all that Dixon Jones have devoted their energies - and it is on London that they have made the greatest impact. Some of the capital's most important public buildings - the Royal Opera House, the National Portrait Gallery, the courtyard of Somerset House - have been given a new life by their deft interventions, transforming what were previously somewhat austere institutions into vital and valued components of the public realm. In this publication, the buildings and projects of Jeremy Dixon and Edward Jones, from their student days to the present, are fully documented with drawings, photographs and essays by critics and clients, as well as comments by the architects. Alan Colquhoun, Robert Maxwell and Kenneth Powell provide an in-depth critical interpretation while Sir Jeremy Isaacs and Charles Saumarez Smith - clients for the Royal Opera House and National Portrait Gallery respectively - offer a unique insight into the process of working with Dixon Jones.

Numerical Modeling of Masonry and Historical Structures: From Theory to Application provides detailed information on the theoretical background and practical guidelines for numerical modeling of unreinforced and reinforced (strengthened) masonry and historical structures. The book consists of four main sections, covering seismic vulnerability analysis of masonry and historical structures, numerical modeling of unreinforced masonry, numerical modeling of FRP-strengthened masonry, and numerical modeling of TRM-strengthened masonry. Each section reflects the theoretical background and current state-of-the art, providing practical guidelines for simulations and the use of input parameters.

Approved Document E: Resistance to the passage of sound (this is the current edition: it is the 2003 edition, reprinted 2011 with slight revisions to references). 1. Following the "James Review of Education Capital" in 2011, DfE have been reviewing their library of design guidance for school buildings with the objective of simplification. 2. The revised Building Bulletin 93, "Acoustic design of schools: performance standards" was published on 18th December 2014. 3. The new edition is designed to: (a) Make the Building Regulations easier to apply and remove the minor problems that have been identified during their 10 years of existence; (b) Revise effective minimum standards for refurbishment work. These standards will also be compliance standards for changes of use, e.g. from an office to a school; (c) Reduce design time and make building control approval easier, by setting refurbishment standards as a baseline for alternative performance standards and removing the need for building control bodies to make qualitative judgements about open-plan spaces. Contracts and Management Publications Update Service: To ensure that you have the most up-to-date Approved Document or Amendment to an Approved Document to hand, you can now join our CAMPUS service. RIBA Bookshops will automatically send you copies of new releases as and when they are published. Visit our CAMPUS page for further details.

This guidance is intended for anyone interested in or responsible for the care of war memorials. This might include parish, local and district councils, conservation professionals, contractors, statutory bodies, volunteer groups or private owners. Although the guidance covers the setting of war memorials, more detailed information on landscape issues can be found in the publication The Conservation and Management of War Memorial Landscapes. When it refers to `custodians', the document is addressing anyone who has taken on formal responsibility for a war memorial, whether or not they are its legal owner. The guidance describes current best practice on the understanding, assessment, planning and implementation of conservation work to memorials as well as their ongoing maintenance and protection. It also outlines the legal frameworks and statutory duties that relate to their ownership and care. War memorials have always had a deep emotional resonance with the people of this country. Whether on a national, civic or local level, they act as constant reminders of the ultimate price of war - collective monuments to the many lives lost as well as a means of remembering the names of the individual servicemen and women who paid that price. The majority of war memorials date from the 20th century, and most of those from the years after the First World War. National and city memorials were generally monumental in concept and size but in towns and villages they tended to be more modest in style. Whatever their appearance, they continue to act as focal points for the commemoration of those killed and affected by war and as places for reflection on the effects of their loss on a community and society as a whole. In addition to their continuing commemorative role, many war memorials are of significant architectural, historic or artistic quality and have become key parts of the historic environment; it is therefore important that their physical condition should be safeguarded for the benefit of future generations as well as our own.

Performing Architectures offers a coherent introduction to the fields of performance and contemporary architecture, exploring the significance of architecture for performance theory and theatre and performance practice. It maps the diverse relations that exist between these disciplines and demonstrates how their aims, concerns and practices overlap through shared interests in space, action and event. Through a wide range of international examples and contributions from scholars and practitioners, it offers readers an analytical survey of current practices and equips them with the tools for analyzing site-specific and immersive theatre and performance. The essays in this volume, contributed by leading theorists and practitioners from both disciplines, focus on three key sites of encounter: * Projects: examines recent trends in architecture for performance; * Practices: looks at cross-currents in artistic practice, including spatial dramaturgies, performance architectonics and performative architectures; and * Pedagogies: considers the uses of performance in architectural education and architecture in teaching performance. The volume provides an essential introduction to the ways in which performance and architecture, as socio-spatial processes and as things made or constructed, operate as generating, shaping and steering forces in understanding and performing the other.