The start of a brand new series from bestselling author Fay Keenan.Life in London has lost its sparkle for Stella Simpson. So when she gets the opportunity to escape to the country for a year, it seems too good a chance to miss. In the beautiful Somerset countryside, the majestic Roseford Hall has been painstakingly restored and is now ready for its grand opening. And as the writer in residence, Stella gets to see it all - from the rowdy resident peacocks, the hidden secrets of the Hall, to befriending the Lord of the Manor himself. At the other end of Roseford, single father, Chris Charlton is facing his own refurbishment woes. Rocked by a tragedy two years previously, his plans for crumbling Victorian wreck Halstead House are as stuck as he is. As Roseford Hall prepares to welcome a new era, and Halstead House's future is under threat, Chris and Stella find themselves drawn to one another. Can they finally leave their pasts behind, and will Chris and Stella be able to embrace their new beginnings together - or apart... Escape to the beautiful, idyllic English countryside with Fay Keenan. Romantic, feel-good and utterly charming, this is perfect for all fans of Julie Houston, Cathy Bramley and Holly Martin. What authors and readers say about Fay Keenan's novels: 'This novel has such a gorgeous setting. A lovely light read and the perfect book to pack in your suitcase and take on holiday. Recommended.' Della Galton 'A gorgeous rural romance full of warmth and charm.' Victoria Connelly 'Guaranteed to put a spring in your step. Feel-good, frisky and great fun with a hearty dash of romance and intrigue.' Julie Houston 'Moving, funny, thoughtful and romantic. Bring on the next one!' Jenny Kane 'This is a lovely and heart-warming story, that has a serious side hidden within the romance.' Amazon reviewer 'It was a wonderful book, guaranteed to put a smile on your face.' Amazon reviewer 'I was so engrossed in the storyline, which is thoroughly heart-warming, that I read the entire book without stopping. I always enjoy Keenan's books and am looking forward to the next one!' Amazon reviewer

Mysterious ghost stations forgotten beneath the cities of Paris and London; desolate grand rail hubs in the Pyrenean mountains; metro stations in China that terminate in a wasteland; Abandoned Train Stations looks at some of the thousands of disused station buildings, platforms, lines, tunnels, and rail yards left behind by modernity. Organised by continent, this book takes the reader to every corner of the globe. Explore Canfranc International Railway Station, once a busy mountain hub of international travel between France and Spain; see the eerily empty platform at Kings Cross Thameslink, London, today a service tunnel following the station's closure in the early 2000s; examine the grandiose Michigan Central Train Station in Detroit, an historic Amtrak rail depot, and once the tallest rail station in the world; marvel at the dusty, overgrown shell of Abkhazia's once beautiful railway station in Psyrtskha, a physical legacy of the former Soviet era in the Caucasus; see the disused Tiwanaku train station, situated almost 4,000 metres above sea level in the Bolivian Andes; or learn about the fascinating Istvantelek Train Yard, in the Hungarian capital of Budapest, better known as the 'Red Star train graveyard' because of its many Soviet-era engine wrecks. Illustrated with more than 200 photographs, Abandoned Train Stations provides a fascinating pictorial journey through the little-known remnants of rail transport infrastructure from every part of the world.

This guidance is intended for anyone interested in or responsible for the care of war memorials. This might include parish, local and district councils, conservation professionals, contractors, statutory bodies, volunteer groups or private owners. Although the guidance covers the setting of war memorials, more detailed information on landscape issues can be found in the publication The Conservation and Management of War Memorial Landscapes. When it refers to `custodians', the document is addressing anyone who has taken on formal responsibility for a war memorial, whether or not they are its legal owner. The guidance describes current best practice on the understanding, assessment, planning and implementation of conservation work to memorials as well as their ongoing maintenance and protection. It also outlines the legal frameworks and statutory duties that relate to their ownership and care. War memorials have always had a deep emotional resonance with the people of this country. Whether on a national, civic or local level, they act as constant reminders of the ultimate price of war - collective monuments to the many lives lost as well as a means of remembering the names of the individual servicemen and women who paid that price. The majority of war memorials date from the 20th century, and most of those from the years after the First World War. National and city memorials were generally monumental in concept and size but in towns and villages they tended to be more modest in style. Whatever their appearance, they continue to act as focal points for the commemoration of those killed and affected by war and as places for reflection on the effects of their loss on a community and society as a whole. In addition to their continuing commemorative role, many war memorials are of significant architectural, historic or artistic quality and have become key parts of the historic environment; it is therefore important that their physical condition should be safeguarded for the benefit of future generations as well as our own.

The role of cultural memory in American identity Terrorism in American Memory argues that the terrorist attacks of 9/11 and all that followed in its wake were the primary force shaping United States politics and culture in the post-9/11 era. Marita Sturken maintains that during the past two decades, when the country was subjected to terrorist attacks and promulgated ongoing wars of aggression, we have veered into increasingly polarized factions and been extraordinarily preoccupied with memorialization and the politics of memory. The post-9/11 era began with a hunger for memorialization and it ended with massive protests over police brutality that demanded the destruction of historical monuments honoring racist historical figures. Sturken argues that memory is both the battleground and the site for negotiations of national identity because it is a field through which the past is experienced in the present. The paradox of these last two decades is that it gave rise to an era of intensely nationalistic politics in response to global terrorism at the same time that it released the containment of the ghosts of terrorism embedded within US history. And within that disruption, new stories emerged, new memories were unearthed, and the story of the nation is being rewritten. For these reasons, this book argues that the post-9/11 era has come to an end, and we are now in a new still undefined era with new priorities and national demands. An era preoccupied with memory thus begins with the memorial projects of 9/11 and ends with the radical intervention of the National Memorial for Peace and Justice, informally known as the Lynching Memorial, in Montgomery, Alabama, a project that, unlike the nationalistic 9/11 Memorial and Museum in New York, dramatically rewrites the national script of American history. Woven within analyses of memorialization, memorials, memory museums, art projects on memory, and architectural projects is a discussion about design and architecture, the increased creation of memorials as experiences, and the role of architecture as national symbolism and renewal. Terrorism in American Memory sheds light on the struggles over who is memorialized, who is forgotten, and what that politics of memory reveals about the United States as an imaginary and a nation.