In Building A Low Impact Roundhouse Tony Wrench shares his many years of experience, his skills and techniques, his ups and downs, always in a witty and inspiring manner. The book covers the process of visualising and designing a house through to the practical side of lifting the living roof, infilling the walls, laying out rooms and adding renewable, autonomous technology. Building A Low Impact Roundhouse has become a classic text. Tonys home and lifestyle have attracted the interest of the media and he and his partner continue to inspire many individuals and communities to seek out ways of living more sustainably. Now in its fourth edition, with a fascinating 2014 update. Tony also includes sections on the physical design and writes about the lifestyle required for living in a roundhouse. He offers advice on roofs, floors, walls, compost toilets, wood stoves, kitchens, windows and on planning permission. There are additional photographs of life in and around the dwelling and illustrations from the construction plans for one of the UK's most unique of homes. This true and captivating story covers the realisation of a lifetime s dream as well as being a practical how to manual for anyone who loves the idea of low impact living and wants to self-build an affordable, organic home.

In Central Asia, Muslim shrines have served as community centers for centuries, particularly the large urban shrines that seem, in many cases, to have served as the inspiration as well for a city's architectural development. In Four Central Asian Shrines: A Socio-Political History of Architecture R. D. McChesney documents the histories of four such long-standing shrines-Gur-i Mir at Samarqand, Khwajah Abu Nasr Parsa Mazar at Balkh, the Noble Rawzah at Mazar-i Sharif, and the Khirqat al-Nabi at Qandahar. In all four cases the creation and evolution of the architecture of these shrines is traced through narratives about their social and political histories and in the past century and a half, through the photographic record.

Great buildings are those that ignite the imagination and elevate us beyond reality, and - by those standards - Coromandel House in South Africa is truly a masterpiece. This unique farmhouse, which sits in a spectacular valley in Lydenburg, 275kms north-east of Pretoria, was built in 1975 and has since developed a cult following for its unusual aesthetic - part building, part ruin, part wilderness - inspiring anyone with an interest in building within a natural context. It is something explored by Creating Coromandel: Marco Zanuso in South Africa. Coromandel House was designed by the Milanese architect Marco Zanuso (1916-2001), who was commissioned by the South African fashion retailer Sydney Arnold Press (1919-97) and Press's wife Victoria de Luria Press (1927-2015). They met in 1969, and their shared design passions sparked a decade-long partnership that yielded not only Coromandel House, a structure on the Press family's vast farm, but also Edgardale (1978), their business headquarters. Creating Coromandel explores the association between the clients, the architect and prominent personalities, including photographers David Goldblatt (1930-2018) and Margaret Courtney-Clarke (born 1949), German-born architect Steffen Ahrends (1907-1992), Brazilian landscape architect Roberto Burle Marx (1909-1994) and Italian landscape architect Pietro Porcinai (1910-1986). Through impressive photos, sketches and testimonials, this monograph narrates and records an unknown period in Zanuso's portfolio. He designed small-scale products (in the field of industrial design) as well as large-scale architecture (warehousing for IBM and Olivetti) but, with Coromandel House, Zanuso competently mediated both scales. Creating Coromandel documents Zanuso's extraordinary responses to landscape and his sensational interiors, but also offers a glimpse into the design process and amount of collaboration it involves. For fans of Coromandel it provides a single reference source; for architects, designers, historians, photographers and anyone interested in design and architecture it provides an inspirational story behind the process of building a legacy.

Constructing Gardens, Cultivating the City is the first cultural history of major new parks developed in Paris in the late twentieth century, as part of the city's program of adaptive reuse of industrial spaces. Thanks to laws that gave the city more political autonomy, Paris's local government launched a campaign of park creation in the late 1970s that continued to the turn of the millennium. The parks in this book represent this campaign and illustrate different facets of their cultural and historical context. Archival research, interviews, and analyses of the parks reveal how postmodern debates about urban planning, the historic city, public space, and nature's presence in an urban setting influenced their designs. In sum, the city adopted the garden as a model for public parks, investing in complex, richly symbolic and representational spaces. These parks were intended to represent contemporary twists on traditional designs and serve local residents as much as they would contribute to Paris's role as a world city. The parks' development process often included points of conflict, pointing to differing views on what Parisian space should represent and fundamental contradictions between the characteristics of public space and the garden as it is traditionally defined. These parks demonstrate the ongoing cultivation of the city over time, in which transformed sites not only fulfil new functions but also engage with history and their surroundings to create new meaning. They stand for landscape as a form of signifying cultural production that directly engages with other art forms and ways of knowing. Just as the Luxembourg Gardens, the Tuileries, and the Buttes-Chaumont parks exemplify their eras' cultural dynamics, such parks as the Jardin Atlantique, Parc Andre-Citroen, and the Jardin des Halles express contemporary French culture within the archetypal space of their era, the city. Finally, they point the way to current trends in landscape architecture, such as citizen gardening and ecological initiatives.

A stunning celebration of Ralph Lauren’s signature home collections—including the designer’s own homes—which have inspired the world of interior design for nearly half a century.

The cinematic vision of Ralph Lauren is brought to life with a stunning and intimately written book that spans decades of innovation and influence by the iconic American designer. Ralph Lauren: A Way of Living, published by Rizzoli New York, commemorates the 40th anniversary of the home collection with the first comprehensive volume dedicated to the signature style of Ralph Lauren and his pioneering lifestyle approach to design. From trailblazing innovations that revolutionized the home industry to conceptualizing residential retailing and perfecting the art of hospitality, Lauren has created a multifaceted world that evokes emotion and inspires a more beautiful way of life.

This special volume presents a visual timeline of Ralph Lauren’s remarkable history as a lifestyle innovator. Lauren’s unparalleled ability to seamlessly blend fashion and the home is illustrated with the groundbreaking designs and innovative use of materials that have distinguished the home collection since its inception in 1983: menswear-inspired Oxford Cloth bedding that required the creation of special looms and took two years to refine; the sleek RL-CF1 chair, crafted of carbon fiber and inspired by Lauren’s McLaren F1 racecar; and an appreciation for a timeworn, weathered aesthetic, as exemplified in the iconic Writer’s Chair with its hand-burnished leather and rich patina. Historic achievements such as the opening of his first New York City flagship on Madison Avenue – which invited guests to experience the complete World of Ralph Lauren in a residential environment – and his renowned restaurants that offer the epitome of gracious hospitality, demonstrate the magnitude of Ralph Lauren’s influence on the worlds of lifestyle design and hospitality. The timeline is complete with quotes from distinguished members of the design world and prominent figures of our culture including Oprah Winfrey, Hillary Rodham Clinton, and architecture critic Paul Goldberger.

Ralph Lauren’s signature ability to create transportive environments begins with his private homes that inspire his iconic lifestyle collections. Ralph Lauren: A Way of Living offers an in-depth look at all the places Lauren calls home, from a sprawling ranch in Colorado and an island retreat in Jamaica, to a Fifth Avenue penthouse overlooking Manhattan’s Central Park, a seaside home in Montauk and a country estate in Bedford. Lauren’s homes are deeply personal expressions of his vision for living; captivating imagery is complemented by essays and descriptions written in his own words that intimately express the meaning of home and share inspiration and anecdotes for each residence. The photos of Lauren’s captivating homes are followed by a celebration of Ralph Lauren Home’s lifestyle collections – cinematic worlds that are brought to life with iconic imagery showcasing Lauren’s pioneering lifestyle approach and all-encompassing home collection.

Ralph Lauren: A Way of Living honors the life and work of a true visionary and innovator. Ralph Lauren’s monumental impact on the way we live is as recognizable today as it was groundbreaking 40 years ago. His vision is not about trends of the moment, but is built upon values and things that last, and his legacy will continue to shape the places we call home.

Cover photo by Richard Corman.

In recent years, smart cities have been an emerging area of interest across the world. Due to this, numerous technologies and tools, such as building information modeling (BIM) and digital twins, have been developed to help achieve smart cities. To ensure research is continuously up to date and new technologies are considered within the field, further study is required. The Research Anthology on BIM and Digital Twins in Smart Cities considers the uses, challenges, and opportunities of BIM and digital twins within smart cities. Covering key topics such as data, design, urban areas, technology, and sustainability, this major reference work is ideal for industry professionals, government officials, computer scientists, policymakers, researchers, scholars, practitioners, instructors, and students.

In early modern times scholars and architects investigated age-old buildings in order to look for useful sources of inspiration. They too, occasionally misinterpreted younger buildings as proofs of majestic Roman or other ancient glory, such as the buildings of the Carolingian, Ottonian and Stauffer emperors. But even if the correct age of a certain building was known, buildings from c. 800-1200 were sometimes regarded as 'Antique' architecture, since the concept of 'Antiquity' was far more stretched than our modern periodisation allows. This was a Europe-wide phenomenon. The results are rather diverse in style, but they all share an intellectual and artistic strategy: a conscious revival of an 'ancient' architecture - whatever the date and origin of these models. Contributors: Barbara Arciszewska, Lex Bosman, Ian Campbell, Eliana Carrara, Bianca de Divitiis, Krista De Jonge, Emanuela Ferretti, Emanuela Garofalo, Stefaan Grieten, Hubertus Gunther, Stephan Hoppe, Sanne Maekelberg, Kristoffer Neville, Marco Rosario Nobile, Konrad Ottenheym, Stefano Piazza, and Richard Schofield.

In this paradigm shifting study, developed through close textual readings and sensitive analysis of artworks, Clare Lapraik Guest re-evaluates the central role of ornament in pre-modern art and literature. Moving from art and thought in antiquity to the Italian Renaissance, she examines the understandings of ornament arising from the Platonic, Aristotelian and Sophistic traditions, and the tensions which emerged from these varied meanings. The book views the Renaissance as a decisive point in the story of ornament, when its subsequent identification with style and historicism are established. It asserts ornament as a fundamental, not an accessory element in art and presents its restoration to theoretical dignity as essential to historical scholarship and aesthetic reflection.