In this fascinating and richly illustrated book, John Henderson takes us into the Renaissance hospitals of Florence, recreating the enormous barn-like wards and exploring the lives of those who received and those who administered treatment there. Drawing on an exceptional range of visual and documentary evidence, Henderson overturns the popular view of the pre-industrial hospital as a hellish destination for the dying poor. To the contrary, hospitals of the era developed specialized, professional care; became important centers of artistic patronage; and served a large patient population, only ten percent of whom died during their stay. The book explores the civic role of Renaissance hospitals, their beautiful architecture and interior design, and their methods of medical treatment that continue to influence healthcare practices today.

"A career in music ... is a calling with such a strong pull; you'd think a tide was sucking you under. It becomes an intense obsession of such great intensity that you can almost think of nothing else, it drives you with a fever and fervor."

In the early 70s, an idealistic young man - Brian Torff - arrived in New York to pursue his passion for music. During an excursion to Long Island, Brian found his dream instrument: a 1775 re-built Nicola Galliano bass.

Such was the beginning of a career that led Torff from Cafe Carlyle to Carnegie Hall, Lincoln Center, the Kennedy Center, and the White House. He has toured worldwide with the greatest: from Frank Sinatra, Mel Torme, George Shearing, and Erroll Garner to Stephane Grappelli, Benny Goodman, Mary Lou Williams, and Marian McPartland.

As Brian notes, "bass players do a lot of observing from the back of the bandstand." It is this supportive role that qualifies Torff to share his insight into jazz music, and its many personalities. Torff takes us beyond the music by adding depth with his vision of American music, and paints vivid portraits of the musicians with whom he played.

Torff's memoir is one of creativity, and determination mixed with timing, and plain good luck. His sharp narrative not only brings the legends of jazz to life, but reading about them here will certainly motivate you to add some music to your collection.

Originally published in 1914, it is the authors desire and intent; to cover the subject of Architectural drawing, comprehensively, practically and clearly. Despite its age, this works contains much information that is still practical and useful today. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

The materials are mostly unpublished, and Renzo Piano comments on them with sketches made for this special publication. The story of the project evolves from the origins to the first conceptual ideas, revealing the hard research process through sketches, drawings, study and presentation models, but also scientific experiments on light, sound and materials, to finally arrive to the construction site, the architecture built and the space lived. Few brief comment captions and some phrases by Renzo Piano bring a deeper understanding of the project stages, extracted from the story of the architect's adventure. A text at the end of the book provides the reader with a "behind the scene" view, from the relationship with the curators and the client to the choice of the materials, to the research of the most suitable solution for that museum and the specific context in which it was build. A conception of the museum that starts from the work of art to arrive at the architectural project. A journey that takes the reader through time and space during its realisation.

Originally published in 1904, this early work on Brickwork and Masonry is both expensive and hard to find in its first edition. This is a fascinating read and contains much information that is still useful and practical today. With chapters on Foundations, Vaulting, Arches and many more as well as illustrations this work is thoroughly recommended for inclusion on the bookshelf of all Masioners. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Thomas D. Wilson's Charleston and Savannah is the first comprehensive history of Charleston and Savannah in a single volume that weaves together the influences and parallels of their intrinsic stories. As two of the earliest English-speaking cities founded in America, Charleston and Savannah are among the nation's top historic sites. Their historic characters, which attract millions of visitors each year, are each a rich blend of cultural, environmental, and socioeconomic elements. Yet even with this popularity, both cities now face a challenge in preserving their authentic historic character, natural beauty, and environmental quality. Wilson charts the ebb and flow of the progress and development of the cities using various through lines running within each chapter, constructing an overall character assessment of each. Wilson charts the economic rise of these port cities, beginning with their British foundations and transatlantic trade in the colonies through to their twentieth-century economic declines and resurgences. He examines the cultural and economic aspects of their Lowcountry landscapes and their evolution as progress and industrialization made their mark. Employing both quantitative and qualitative methodologies in his comparisons of the two cities, he considers their histories, natural landscapes, weather patterns, economies, demographics, culture, architecture, city planning, and infrastructure. While each has its own civic and cultural strengths and weaknesses, both are positioned as historically significant southern cities, even as they assess aspects of their problematic pasts.