Martha Banta reaches across several disciplines to investigate America's early quest to shape an aesthetic equal to the nation's belief in its cultural worth. Marked by an unusually wide-ranging sweep, the book focuses on three major "testing grounds" where nineteenth-century Americans responded to Ralph Waldo Emerson's call to embrace "everything" in order to uncover the theoretical principles underlying "the idea of creation." The interactions of those who rose to this urgent challenge--artists, architects, writers, politicians, and the technocrats of scientific inquiry--brought about an engrossing tangle of achievements and failures. The first section of the book traces efforts to advance the status of the arts in the face of the aspersion that America lacked an Art Soul as deep as Europe's. Following that is a hard look at heated political debates over how to embellish the architecture of Washington, D.C., with the icons of cherished republican ideals. The concluding section probes novels in which artists' lives are portrayed and aesthetic principles tested.

In An Arena for Higher Powers Olof Sundqvist investigates ceremonial buildings and religious ruler strategies in Late Iron Age Scandinavia (i.e. AD 550-1050/1100). The author offers here an account of the role played by religion in political undertakings among the pre-Christian ruling elites at halls and cultic buildings. Sundqvist applies a regional approach, so as to be able to account for the specific historical, cultural and social contexts. The focus is mainly on three regions, the Lake Malaren area in Sweden, Trondelag in Norway, and Iceland. Since the political structure and other contextual aspects partly differed in the three regions, the religious strategies for gaining legitimacy and authorization at the sanctuaries also varied to some extent in these areas.

Architecture and Control makes a collective critical intervention into the relationship between architecture, including virtual architectures, and practices of control since the turn of the twentieth to twenty-first centuries. Authors from the fields of architectural theory, literature, film and cultural studies come together here with visual artists to explore the contested sites at which, in the present day, attempts at gaining control give rise to architectures of control as well as the potential for architectures of resistance. Together, these contributions make clear how a variety of post-2000 architectures enable control to be established, all the while observing how certain architectures and infrastructures allow for alternative, progressive modes of control, and even modes of the unforeseen and the uncontrolled, to arise. Contributors are: Pablo Bustinduy, Rafael Dernbach, Alexander R. Galloway, Hans Ulrich Gumbrecht, Maria Finn, Runa Johannessen, Natalie Koerner, Michael Krause, Samantha Martin-McAuliffe, Lorna Muir, Mikkel Bolt Rasmussen, Anne Elisabeth Sejten and Joey Whitfield

Dear reader, if you are holding in your hands the book "Legends of the Phoenix" by A.V.Trehlebov, then in just a moment a magnificent journey awaits you filled with fascinating knowledge about the hidden history of our world and some of the most fascinating societal processes to ever occur. If you have already read a few dozen books on the subject but are still asking yourself the questions "Who am i?" "What is my purpose here?" or "Why do we die?" then this book will become a treasure within your library. If you are still searching for the answers to the age old questions of the origins of life on earth, the origins and evolution of our modern civilization, the origins of different races, the true history of the people on earth, our spiritual growth as humans, or the universal laws of the universe, then this book has come to you at the right time. Through years of scientific study, this non-fiction tractate is written in a simple yet fascinating manner and is suitable for all readers. The phoenix, as in the title of the book, is an ancient Russian symbol symbolizing the rebirth of Russia and the Slavic people. From folk tales it is written that these birds rise from their ashes, are then reborn in a magical flame and appear in a purer form. Since history has always been written by, and for the benefit of the current rulers, disregarding any previous facts or knowledge, we use the experience and heritage of our ancestors which have been laid out in the "Legends of the Phoenix." "Legends of the Phoenix" is devoted to the revival of the ancient, million year old culture and heritage of the Slavic people. The information in this book has deep roots from the Slavic Vedas dating back hundreds of thousands of years with knowledge not yet fully discovered by our modern civilization. Consisting of two parts, the first part "Origin of the Slavic-Aryans" discusses the root origins of the Slavic people, the ancient texts and archaeological monuments, the eon old Slavic ancestry, our beliefs, morals, commandments, and the answers to the mysterious wise tales of the Slavs. The second part called "The Path to Light" discusses the connection and meaning of the Slavic and Hindu Vedas, the stages of the ancient Slavic spiritual belief "Rodoveriye," the meaning of spiritual development, the paths and goals of our ancient societies, the wisdom behind each stage of life and how to get ready for and create virtuous offspring, the nature of divine and demonic entities and their purpose, the importance of understanding your inner self and past lives, the structure of all our energy bodies, the origins of the Vedas, what it means to have a non-dualistic view of the universe, and the secrets of the Golden Path.

This new volume addresses the lasting contribution made by Central European emigre designers to twentieth-century American design and architecture. The contributors examine how oppositional stances in debates concerning consumption and modernism's social agendas taken by designers such as Felix Augenfeld, Joseph Binder, Josef Frank, Paul T. Frankl, Frederick Kiesler, Richard Neutra, and R. M. Schindler in Europe prefigured their later adoption or rejection by American culture. They argue that emigres and refugees from fascist Europe such as Gyoergy Kepes, Paul Laszlo, Victor Papanek, Bernard Rudofsky, Xanti Schawinsky, and Eva Zeisel drew on the particular experiences of their home countries, and networks of emigre and exiled designers in the United States, to develop a humanist, progressive, and socially inclusive design culture which continues to influence design practice today.

For the last 50 years, we have been building communities for the wrong reason. "How to Build a VillageTown" proposes to turn real estate development upside down, so that people may regain control of their lives, their communities and their future. Instead of building communities to sell cars, "How to Build a VillageTown" proposes people build communities that provide for their needs and aspirations... places to live that are places they love. The idea is not new. Over 2,000 years ago, Aristotle wrote that when several villages come together so they may become economically self-supporting, the purpose for their continuance is to enable their citizens to enjoy a good life, understood as the social pursuits of conviviality, citizenship, artistic, intellectual and spiritual growth. In almost every place and time, except our own, every aspect of community design, from the central plaza with its meeting places, cafes, taverns and shops, to their support for the artistic, educational and holy places followed these timeless patterns and principles of design. The people who live there help shape its design which is what gives it its character and authenticity. Beginning after World-War II, starting in America and spreading to other parts of the world, we radically redesigned how people live based on a different intent: to perpetually boom national economies. We invented suburbs to sell cars. We reshaped life based on this plan that came to be known as suburban sprawl. The core principle was that of separation. We separated destinations, generations and stages of life. The design principle became that of standardization. If we look at everything that surrounds us in daily life, we notice the extent to which our physical environment has become generic and bland. We redefined citizens as consumers, and in the process lost sight of why we build communities. This radical experiment in suburban sprawl failed to deliver on its promise. We now face a host of new and serious problems our ancestors knew not. For the most part, our response to these problems is either denial or investing substantial energy trying to fix broken and broke systems. In "How to Build a VillageTown," you are invited to take a different approach. Called a VillageTown - a town made of villages - it proposes people come together to form villages, about 500 people in each, with about twenty villages side by side to create the necessary economic and social critical mass of a town of 10,000 people. The optimal size proposes a 150 acre urban core surrounded by a 300 acre greenbelt and a 50 acre industrial park. Within the urban core, all is walkable - no cars within. This rescales everything, permitting a secure, stimulating place for all ages and stages of life. Human-scaled, it more resembles the market-town of yore; only it takes advantage of modern technology, most notably Telepresence that permits one to be in two places at once. It proposes creating its own local economy that enables its citizens to regain control over their own lives and enjoy a Good Life. The purpose of the series of VillageTown books is to put forth a proposal to build a new, timeless form of community to replace suburbs. All profits from book sales go to raise the funds required to build VillageTowns.The author takes no royalties, the publisher charges no fees. To support the idea, to help make it go from a good idea to real built communities, buy books, give them as gifts, leave them in cafes or anywhere else folks gather. This is not a drill. If you like the idea and want to live in a VillageTown, please go to the web site, VillageForum.com and become involved.

How to Read Buildings is a practical introduction to looking at and appreciating architecture. It is a guide to reading the historical and architectural clues that are embedded in every building. Small enough to carry in your pocket and serious enough to provide real answers, this comprehensive guide: - Explores key characteristics of structures dating from every period from the ancient Greeks to the present day. - Gives expert advice on how to identify any building and put it in historical context. - Provides an accessible visual guide, using detailed engravings and text, to architectural styles and structural elements.