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Books > Arts & Architecture > Architecture
Cathedrals and abbeys are the most beautiful and iconic buildings of the British Isles, and have formed the bedrock of our nation for centuries. This absorbing collection of amazing and extraordinary facts opens the doors of these fascinating structures to reveal their rich historical and architectural heritage. From stories of English Popes, martyred archbishops and renegade bishops to iconoclastic kings, power-hungry nobles and architectural dynasties, as well as the role of the Romans, Anglo-Saxons and Vikings, we explore how the people and religion in Britain have shaped these buildings over the last 2,000 years. Also read about the architectural heritage of British cathedrals, from troublesome spires, stained glass wonders and buy-a-brick campaigns to abbeys in the sea, fortified castle-cathedrals and mass graves. Along with tales of famous memorials and artefacts, fascinating folklore and architectural feats, these intriguing and diverse facts will provide something for every enthusiast to dip into and relish.
An introduction to the medieval cathedral, those churches that are regarded as the greatest achievements of medieval architecture. Details their social history, who built them, how they were built, and why. Forty photos and maps help to guide the reader through a narrated tour of these awe-inspiring churches. When we think of cathedrals, we usually envision the great Gothic Buildings of 12th- and 13th-century Europe. But other than being a large church, a cathedral is neither a specific building type nor specifically medieval. What a makes a large church a cathedral is the presence of a single item of furniture: the chair (in Latin: cathedra) or throne that is the symbol of the ecclesiastical and spiritual authority of a bishop. This book is an introduction to the medieval cathedral, those churches that are usually regarded as among the greatest achievements of medieval architecture. While cathedrals were often the most prominent urban structure in many European cities, their construction was never a civic responsibility, but remained the responsibility of the clergy in charge of the day to day activities and services. Beginning with an overview of the social history of cathedrals, Clark examines such topics as patrons, builders and artists, and planning and construction; and provides an in-depth examination of the French Cathedral at Reims—a seminal building with significant technological advances, important sculptural programs, a surviving bishop's palace, and other structures. The volume concludes with a series of illustrations, a selection of original texts, and a selected bibliography for further study. A full index is also provided.
McMorran & Whitby are arguably one of the most unsung practices of post-war British architecture. Led from the late 1950s by Donald McMorran and George Whitby, two indisputable architectural heavyweights of the post-war era, the practice willingly rejected the experimentalism and fleeting faddishness that characterised the dominant paradigm of the age and from which so many of Britain's towns and cities are still blighted. The practice can be seen as part of an evolution in British classical tradition with direct linkages through other eminent figures such as Sir Edwin Lutyens and E. Vincent Harris. Their work found notable favour with public institutions, such as the police, county and city councils, and universities. These include Devon County Hall in Exeter, various buildings at Nottingham University, West Suffolk County Council buildings in Bury St Edmunds, but, above all, numerous significant commissions for the City Corporation such as Wood Street Police Station and the extension to the Central Criminal Courts, commonly known as the New Bailey. This book is the first major publication on McMorran & Whitby's work, and therefore contains an inspiring combination of contemporary photography and previously unpublished archival material. It is an essential read for architects, students, and historians, not least because it highlights the importance in the arts of seeking longer perspectives than those which, all too often, our own ephemeral epoch permits. This book has been commissioned as part of a series of books on 20th Century Architects by RIBA Publishing, English Heritage and The Twentieth Century Society.
This book contains selected papers presented during the World Renewable Energy Network's 28thanniversary congress at the University of Kingston in London. The forum highlighted the integration of renewables and sustainable buildings as the best means to combat climate change. In-depth chapters written by the world's leading experts highlight the most current research and technological breakthroughs and discuss policy, renewable energy technologies and applications in all sectors - for heating and cooling, agricultural applications, water, desalination, industrial applications and for the transport sectors. Presents cutting-edge research in green building and renewable energy from all over the world; Covers the most up-to-date research developments, government policies, business models, best practices and innovations; Contains case studies and examples to enhance practical application of the technologies.
This early works was originally published in 1925 and is extensively illustrated throughout with thirty-seven illustrations. It is an absorbing look at this historical town and is thoroughly recommended for inclusion on the bookshelf of any historian.Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A revised and updated edition of the landmark work the New York Times hailed as "a call to action for every developer, building owner, shareholder, chief executive, manager, teacher, worker and parent to start demanding healthy buildings with cleaner indoor air." For too long we've designed buildings that haven't focused on the people inside-their health, their ability to work effectively, and what that means for the bottom line. An authoritative introduction to a movement whose vital importance is now all too clear, Healthy Buildings breaks down the science and makes a compelling business case for creating healthier offices, schools, and homes. As the COVID-19 crisis brought into sharp focus, indoor spaces can make you sick-or keep you healthy. Fortunately, we now have the know-how and technology to keep people safe indoors. But there is more to securing your office, school, or home than wiping down surfaces. Levels of carbon dioxide, particulates, humidity, pollution, and a toxic soup of volatile organic compounds from everyday products can influence our health in ways people aren't always aware of. This landmark book, revised and updated with the latest research since the COVID-19 pandemic, lays out a compelling case for more environmentally friendly and less toxic offices, schools, and homes. It features a concise explanation of disease transmission indoors, and provides tips for making buildings the first line of defense. Joe Allen and John Macomber dispel the myth that we can't have both energy-efficient buildings and good indoor air quality. We can-and must-have both. At the center of the great convergence of green, smart, and safe buildings, healthy buildings are vital to the push for more sustainable urbanization that will shape our future.
Knights of the sword and Cross
Originally published in 1947. This early works is a comprehensive and detailed look at the subject, and will appeal to Architects and Students alike. Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A thematic reassessment of the work of two influential South African photographers. This book focuses on a dialogue between two of the most important South African photographers of the twentieth century-David Goldblatt (1930-2018) and Santu Mofokeng (1956-2020). There are both profound similarities and differences between the two artists' work. Goldblatt documented the ways in which architecture and spatial planning reflect the ideology of apartheid, and how the land continues to bear its legacy in post-apartheid South Africa. His investigations explore both actual structures and how mental constructs reveal how ideology has shaped our landscape. Mofokeng's photo essays shed light on everyday life in South Africa, beyond the stereo-typical news pictures of Soweto depicting violence or poverty. Deeply personal, they record communities in townships and rural areas, religious rituals and landscapes imbued not only with historical significance but spiritual meaning, memory and trauma. The approach of Tamar Garb in Beyond the Binary is both daring and inquisitive-she "scrambles" and reassembles Mofokeng's and Goldblatt's photographs, blurring the boundaries between them and creates juxtapositions and insights that challenge prevailing views of these established images. By delineating 15 viewpoints around the themes of "Earthscapes," "Edifices," and "Sociality," Garb decontextualizes the work and creates a platform for comparing and rethinking the artists' practices.
Now that information technologies are fully embedded into the design studio, Instabilities and Potentialities explores our post-digital culture to better understand its impact on theoretical discourse and design processes in architecture. The role of digital technologies and its ever-increasing infusion of information into the design process entails three main shifts in the way we approach architecture: its movement from an abstracted mode of codification to the formation of its image, the emergence of the informed object as a statistical model rather than a fixed entity and the increasing porosity of the architectural discipline to other fields of knowledge. Instabilities and Potentialities aims to bridge theoretical and practical approaches in digital architecture.
Maya Sanders has had enough drama to last a lifetime. For too long has Maya withstood the slings and arrows of those close to her-her aunts, uncles, and cousins; her daughter's father; his mother; and any number of so-called friends. Now she is ready to open a Pandora's box and share secrets about herself and others that everyone believed would go with them to their graves. She tells her story with the hope that when she's done, everything will finally be out in the open. In her memoir, she recalls the forty-year grieving process that she has undergone in order to get where she is today. She has overcome the sense of being held hostage by those whom she believed loved her. Exploring the tragic circumstances of her life, she discusses all the pain she experienced and affirms that God has given her the strength to move on. Maya shares the honest saga of her trials and tribulations as she tried to navigate the world on the streets of Chicago. Now, after decades of grief and healing within the comforting arms of God, Maya is ready to finally say goodbye to her pain.
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