WHARVES AND PIERS THEIR DESIGN, CONSTRUCTION, AND EQUIPMENT BT CARLETON GREENE, A. B., C. E. MEMBEH AMERICAN SOCIETY OF CIVIL ENGINEERS FIRST EDITION SECOND IMPRESSION McGRAW-HILL BOOK COMPANY, INC. 239 WEST 39TH STREET, NEW YORK LONDON HILT, PUBLISHING CO, LTD. 6 8 BOUVERIE ST, E C 1917 PREFACE THIS book has been written in response to an editorial in one of the engineering journals calling attention to the lack of American books on the subject of Wharves and Piers. In its preparation the author has therefore endeavored to present a treatise on modern American practice in the de sign and construction of wharves, piers, pier-sheds and their equipment, including machinery for handling miscellaneous package freight. The subject of pile driving has not been gone into deeply as it has been treated at length in Jacoby and Davis recent work on Foundations of Bridges and Buildings. It is the writers opinion that there is a tendency at the present time to slight the advantages of timber construction for wharves and to overestimate those of reinforced con crete. As the principles and methods requisite for dura bility in wooden wharf construction have, as far as the writer knows, not been set forth in book form they have been given particular attention in this volume. While most of the descriptions and illustrations of ex isting structures have necessarily been collected from the technical press, for which no originality is claimed, an attempt has been made to emphasize, in describing such structures, the particular conditions which had to be pro vided for in the design, the methods used for fulfilling the special requirements and, to some extent, the reasons why particular types and details wereadopted. It is believed that such descriptions will aid designers in solving prob lems which embrace similar conditions. viii PREFACE For information in regard to European practice in the construction of wharves and piers the reader is referred to Seehafenbau by F. W. Schulze Berlin, Ernst Sohn 1913, and for further information in regard to the New York practice in freight handling to the Report on the Mechanical Equipment of New York Harbor by B. F. Cresson, Jr., and Chas. W. Stamford and to other reports published by the Department of Docks. In Fowlers Subaqueous Foundations may be found examples of the wooden piers of the Pacific Coast and in the latest edition of Merrimans American Civil Engineers Pocket Book there is much valuable information in condensed form. Acknowledgments arc due to Mr. Charles W. Staniford, Chief Engineer of the Department of Docks, New York, N. Y., and to the other officials of that department for photographs, drawings and information to Mr. S. W. Hoag, Jr, for permission to reprint portions of his paper on New York docks, published in the proceedings of The Municipal Engineers of New York, to Engineering News, Engineer ing Record, Engineering Contracting and International Marine Engineering, also to the General Electric Co.. Lidgerwood Mfg. Co., Brown Portable Elevator Co., J. Edward Ogden Co., American Engineering Co. and others for illustrations. C G NJW YORK, January, 1917 CONTENTS PAGE PREFACE . ... vn CHAPTER I INTRODUCTION DEFINITIONS i REQUIREMENTS 2 TYPES . 3 MATERIALS OF CONSTRUCTION 4 Timber 4 Wood Preservatives 9 Concrete 1 1 Concrete Pile 13 Stone Masonry 14 Steel 14 Cast Iron IQ Riprap 17 Concrete vs Timber 17 CHAPTER II PRIMARY PRINCIPLES OFDESIGN COMMERCIAL LU-E 19 GROWTH OF SHIPS 22 MARGINAL WHARVES vs PIERS 23 DIMENSIONS OF WHARVES 24 LIVE LOADS 26 TIDAL PRISM 26 CHAPTER III - DETAILS OF TIMBER CONSTRUCTION PILES AND PILE DRIVING 28 Pile Formulae 28 Steam vs Drop Hammers 29 Lagged Pile 29 Floating Drivers 29 Inclined Drivers 30 Pile Follower 31 LATERAL SUPPORT FOR PILES 31 TEST PILES AND BORINGS 32 DETAILS OF CONSTRUCTION 33 IRON AND WOOD FASTENINGS 40 SEWERS IN PIERS 42 x CONTENTS CHAPTER IV...

EVANGELISM MANUAL

This manual exemplifies the most effective methods of evangelism. It also provides many strategic plans and guidelines for effective evangelism. All believers, particularly those who aspire to be in leadership or are currently in ministry should own this evangelism manual. This manual is a much-needed resource in the field of evangelistic outreach. It seeks to give practical training and equipping to those who wish to fulfill the call of the Great Commission. The manual is useful for teaching, training, witnessing, follow-up discipleship, launching your own ministry, and even for acquiring personal knowledge of evangelism.

Analysing the reception of contemporary French philosophy in architecture over the last four decades, Adventures with the Theory of the Baroque and French Philosophy discusses the problematic nature of importing philosophical categories into architecture. Focusing particularly on the philosophical notion of the Baroque in Gilles Deleuze, this study examines traditional interpretations of the concept in contemporary architecture theory, throwing up specific problems such as the aestheticization of building theory and practice. Identifying these and other issues, Nadir Lahiji constructs a concept of the baroque in contrast to the contemporary understanding in architecture discourse. Challenging the contemporary dominance of the Neo-Baroque as a phenomenon related to postmodernism and late capitalism, he establishes the Baroque as a name for the paradoxical unity of 'kitsch' and 'high' art and argues that the digital turn has enhanced the return of the Baroque in contemporary culture and architectural practice that he brands a pseudo-event in the term 'neobaroque'. Lahiji's original critique expands on the misadventure of architecture with French Philosophy and explains why the category of the Baroque, if it is still useful to keep in architecture criticism, must be tied to the notion of Post-Rationalism. Within this latter notion, he draws on the work of Alain Badiou to theorize a new concept of the Baroque as Event. Alongside close readings of Walter Benjamin, Theodor Adorno and Michel Foucault related to the criticism of the Baroque and Modernity and discussions of the work of Frank Gehry, in particular, this study draws on Jacque Lacan's concept of the baroque and presents the first comprehensive treatment of the psychoanalytical theory of the Baroque in the work of Lacan.

Now that information technologies are fully embedded into the design studio, Instabilities and Potentialities explores our post-digital culture to better understand its impact on theoretical discourse and design processes in architecture. The role of digital technologies and its ever-increasing infusion of information into the design process entails three main shifts in the way we approach architecture: its movement from an abstracted mode of codification to the formation of its image, the emergence of the informed object as a statistical model rather than a fixed entity and the increasing porosity of the architectural discipline to other fields of knowledge. Instabilities and Potentialities aims to bridge theoretical and practical approaches in digital architecture.

Selections from the extraordinary Studio Museum in Harlem Collection, accompanying the highly anticipated opening of the institution’s first-ever purpose-built museum

Meaning Matter Memory is a keepsake extension of the Studio Museum’s collection of artwork by artists of African descent. Beautiful illustrations of significant works by more than 250 artists are accompanied by original texts from more than 100 voices in the art world, including writers, scholars, artists, and critics.

Celebrating myriad voices and artistic media, styles, and eras, this handbook glimpses into the profound and manifold artistic achievements made by Black artists for over 200 years. The book exhibits and carries forward a principal tenet of the Studio Museum’s mission: to serve as the stewards of the work – old, new, and still to be created – by artists of African descent.

Featuring work by: Derrick Adams, Emma Amos, Jean-Michel Basquiat, Romare Bearden, Jordan Casteel, Elizabeth Catlett, Nick Cave, Samuel Fosso, Theaster Gates, Cy Gavin, Barkley L. Hendricks, Arthur Jafa, Rashid Johnson, Simone Leigh, Glenn Ligon, Julie Mehretu, Wangechi Mutu, Gordon Parks, Martin Puryear, Faith Ringgold, Betye Saar, Augusta Savage, Tschabalala Self, Lorna Simpson, Mickalene Thomas, Kara Walker, and Carrie Mae Weems, among many more.

The efficient usage, investigation, and promotion of new methods, tools, and technologies within the field of architecture, particularly in urban planning and design, is becoming more critical as innovation holds the key to cities becoming smarter and ultimately more sustainable. In response to this need, strategies that can potentially yield more realistic results are continually being sought. The Handbook of Research on Digital Research Methods and Architectural Tools in Urban Planning and Design is a critical reference source that comprehensively covers the concepts and processes of more than 20 new methods in both planning and design in the field of architecture and aims to explain the ways for researchers to apply these methods in their works. Pairing innovative approaches alongside traditional research methods, the physical dimensions of traditional and new cities are addressed in addition to the non-physical aspects and applied models that are currently under development in new settlements such as sustainable cities, smart cities, creative cities, and intercultural cities. Featuring a wide range of topics such as built environment, urban morphology, and city information modeling, this book is essential for researchers, academicians, professionals, technology developers, architects, engineers, and policymakers.

The book presents research from Rob|Arch 2018, the fourth international conference on robotic fabrication in architecture, art, and design. In capturing the myriad of scientific advances in robotics fabrication that are currently underway - such as collaborative design tools, computerised materials, adaptive sensing and actuation, advanced construction, on-site and cooperative robotics, machine-learning, human-machine interaction, large-scale fabrication and networked workflows, to name but a few - this compendium reveals how robotic fabrication is becoming a driver of scientific innovation, cross-disciplinary fertilization and creative capacity of an unprecedented kind.

Performance and Improvement of Green Construction Projects: Management Strategies and Innovations expertly explains the specific characteristics and management approaches of green construction projects using in-depth examples that compare presented tactics to conventional construction projects. The book provides a holistic view on management strategies and innovations, focusing on the assessment and improvement of green construction projects and how to manage performance with respect to cost, scheduling, quality, safety, risk, productivity and leadership development.

This text entitled Salvation and Spiritual Growth is a text book that can be used for: A New Converts Classroom or self teaching Church Bible Class or Bible School courseWhat makes Salvation and Spiritual Growth inique is: It allows you to create your own thoughts, through thought questions. The author's answers for each question, combines as a book within a book, in the back of the bookTherefore, if you need a self taught book on the following topics, purchase Salvation and Spiritual Growth: Salvation, defined as past, present and the heavenly future, with its purpose. How to resist temptation, presented through, sin, flesh and the Devil What it means to possess and use the Fruit of the Spirit. The importance and what it means to have on the Whole Armor of God

When it comes to architecture, there has been a focus on sustainable buildings and human well-being in the built environment. Buildings should not only be environmentally friendly and sustainable, but dually focused on human health, wellness, and experience. This includes considerations into the quality of buildings, ranging from ventilation to thermal comfort, along with environment considerations such as energy usage and material selection. Specific architectural choices and design for buildings can either contribute to or negatively impact both society and the environment, leading research in the field of architecture to be focused on environmental and societal well-being in accordance with the built environment. The Research Anthology on Environmental and Societal Well-Being Considerations in Buildings and Architecture focuses on how the built environment is being constructed to purposefully enhance societal well-being while also maintaining green standards for environmental sustainability. On one side, this book focuses on the specific building choices that can be made for the purpose of human well-being and the occupants who will utilize the building. On the other side, this book also focuses on environmental sustainability from the standpoint of green buildings and environmental concerns. Together, these topics allow this book to have a holistic view of modern architectural choices and design. This book is essential for architects, IT professionals, engineers, contractors, environmentalists, interior designers, civil planners, regional government officials, construction companies, policymakers, practitioners, researchers, academicians, and students interested in architecture and how it can promote environmental and societal well-being.

How the scientific community overlooked, ignored, and denied the catastrophic fallout of decades of nuclear testing in the American West In December of 1950, President Harry Truman gave authorization for the Atomic Energy Commission to conduct weapons tests and experiments on a section of a Nevada gunnery range. Over the next eleven years, more than a hundred detonations were conducted at the Nevada Test Site, and radioactive debris dispersed across the communities just downwind and through much of the country. In this important work, James C. Rice tells the hidden story of nuclear weapons testing and the negligence of the US government in protecting public health. Downwind of the Atomic State focuses on the key decisions and events shaping the Commission's mismanagement of radiological contamination in the region, specifically on how the risks of fallout were defined and redefined, or, importantly, not defined at all, owing to organizational mistakes and the impetus to keep atomic testing going at all costs. Rice shows that although Atomic Energy Commission officials understood open-air detonations injected radioactive debris into the atmosphere, they did not understand, or seem to care, that the radioactivity would irrevocably contaminate these communities. The history of the atomic Southwest should be a wake-up call to everyone living in a world replete with large, complex organizations managing risky technological systems. The legacy of open-air detonations in Nevada pushes us to ask about the kinds of risks we are unwittingly living under today. What risks are we being exposed to by large organizations under the guise of security and science?

The figure of Sir Christopher Wren looms large in English national consciousness. The imposing beauty of St Paul's Cathedral stands forever for the nation's achievement - its undamaged dome towering above the rubble of the Blitz in the Second World War a symbol of the London's indomitable fighting spirit.
The man behind the work was as remarkable as the monuments he has left us. Lisa Jardine takes us deep into Wren's imagination and discovers the unique, exacting nature of his mind and the emerging new world of late-seventeenth-century science and ideas.
Wren was a versatile genius who could have pursued a number of brilliant careers with equal virtuosity. A mathematical prodigy, an accomplished astronomer, a skilful anatomist, and a founder of The Royal Society, he eventually made a career in what he described in later life as 'Rubbish' - architecture, and the design and construction of public buildings. But he remained committed to science. The Monument to the Great Fire was built with a subterranean laboratory; the south-west tower of St Paul's was used as a vertical telescope during construction - both were designed to function as public monuments and as oversized scientific instruments.
Wren was a major figure at a turning point in English history. He mapped moons and the trajectories of comets for kings; lived and worked under six monarchs; pursued astronomy and medicine through two civil wars, the English Commonwealth, the Great Fire, the Restoration, and the eventual extinction of the Stuart dynasty.
Jardine explores also Wren's personal motivations and passions. A sincere man with a remarkable capacity for friendship, his career was shaped by lasting associations forged during a turbulent boyhood, and a lifelong loyalty to the memory of his father's master and benefactor, the 'martyred' king, Charles I. Everything Wren undertook he envisaged on a grander scale - bigger, better, more enduring than anything that had gone before.

This book contains selected papers presented during the bi-annual World Renewable Energy Network's Med Green Forum aimed at the international community as well as Mediterranean countries. This forum highlights the importance of growing renewable energy applications in two main sectors: Electricity Generation and the Sustainable Building Sector. In-depth chapters highlight the most current research and technological breakthroughs, covering a broad range of renewable energy technologies and applications in all sectors - for electricity production, heating and cooling, agricultural applications, water desalination, industrial applications and for the transport sectors.

City in the Desert, Revisited features previously unpublished documents and reproduces over fifty photographs from the archaeological excavations at Qasr al-Hayr in Syria. The book recounts the personal experiences and professional endeavours that shaped the fields of Islamic archaeology, art and architectural history as the significance of these fields of study expanded during the 1960s and 1970s. Between 1964 and 1971, renowned Islamic art historian Oleg Grabar directed a large-scale archaeological excavation at the site of Qasr al-Hayr al-Sharqi. Drawn to the remote eighth-century complex in the hopes of uncovering a princely Umayyad palace, Grabar and his team instead stumbled upon a new type of urban settlement in the Syrian steppe. A rich lifeworld emerged in the midst of their discoveries, and over the course of the excavation's six seasons, close relationships formed between the American and Syrian archaeologists, historians, and workers who laboured and lived at the site.

VITRUVIUS ON ARCHITECTURE EDITED FROM THE HARLEIAN MANUSCRIPT 2767 AI TRANSLATED INTO ENGLISH BY FRANK GRANGER, D. Lrr., AJLLB. A. PROFESSOR IN UNIVERSITY COLLEGE, NOTTINGHAM IN TWO VOLUMES I CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS LONDON WILLIAM HEINEMANN LTD MCMLV CONTENTS PAQK PREFACE vii INTRODUCTION VITRUVIUS AND THE ARCHITECTURE OF THE WEST ...... ix HISTORY OF THE MSS. OF VITRUVIUS . X i THE EARLIEST EDITIONS OF VITRUVIUS . XXi THE SCHOLIA OF THE MSS. . . . XXV - THE ILLUSTRATIONS OF THE MSS. . . XXVli THE LANGUAGE OF VITRUVIUS . . . XXViii BIBLIOGRAPHY THE MSS. . . . . . . XXXli EDITIONS ...... xxxiii TRANSLATIONS XXXiii THE CHIEF CONTRIBUTIONS TO THE STUDY OF VITRUVIUS ..... xxxiv BOOKS OF GENERAL REFERENCE . . XXXVi TEXT AND ENGLISH TRANSLATION BOOK I. ARCHITECTURAL PRINCIPLES . 1 BOOK II. EVOLUTION OF BUILDING USE OF MATERIALS . . . . 71 BOOK III. IONIC TEMPLES . . . 151 BOOK IV. DORIC AND CORINTHIAN TEMPLES 199 BOOK V. PUBLIC BUILDINGS I THEATRES AND MUSIC, BATHS, HARBOURS . 249 INDEX OF ARCHITECTURAL TERMS 319 CONTENTS ILLUSTRATIONS THE CAPITOL DOUGGA . Frontispiece PLATE A. WINDS AND DIRECTION OF STREETS at end PLATE B. PLANS OF TEMPLES . . . PLATE C. IONIC ORDER . . . . PLATE 0. CORINTHIAN ORDER see Frontispiece PLATE E. DORIC ORDER . . . at end PLATE F. MUSICAL SCALES ., ., PLATE O. THEATRE . . . . . PLATE H. PLAN OF STABIAN BATHS, POMPEII . vi PREFACE THIS edition has been based upon the oldest MS. of Vitruvius, the Harleian 2767 of the British Museum, probably of the eighth century, and from the Saxon scriptorium of Northumbria in which the Codex Amiatinus was written. The Latin closely resembles that of the workshop and the street. In my translation I havesought to retain the vividness and accuracy of the original, and have not sought a smoothness of rendering which would become a more polished style. The reader, it is possible, may discern the genial figure of Vitruvius through his utterances. In a technical treatise the risks of the translator are many. The help of Dr. House has rendered them less formidable, but he is not responsible for the errors which have survived revision. The introduction has been limited to such con siderations as may enable the layman to enter into the mysteries of the craft, and the general reader to follow the stages by which the successive accretions to the text have been removed. The section upon language indicates some of the relations of Vitruvius to Old Latin generally. My examination of fourteen MSS. has been rendered possible by the courtesy of the Directors of the MSS. Libraries at the British Museum, the Vatican, the Escorial, the Bibliotheque Nationale vii PREFACE at Paris, the Bodleian, St. Johns College, Oxford, and Eton College. A word of special thanks is due to his Excellency the Spanish Ambassador to London, his Eminence the Cardinal Merry del Val and the Secretary of the British Embassy at Paris, for their assistance. Mr. Paul Gray, M. A., of this College, has given me valuable help in preparing the MS. for the press. FRANK GRANGER. UNIVERSITY COLLEGE, NOTTINGHAM, September, 1929. viii INTRODUCTION VlTRUVIUS AND THE ARCHITECTURE OP THE WEST THE history of architectural literature is taken by Vitruvius to begin with the theatre of Dionysus at Athens. 1 In earlier times the spectators were accommodated upon wooden benches. According to one account, 2 in the year 500 B. C. or thereabouts, thescaffolding collapsed, and in consequence a beginning was made towards a permanent stone structure. The elaborate stage settings of Aeschylus reached their culmination at the performance of the Agamemnon and its associated plays in 458. According to Suidas, 3 the collapse of the scaffolding, which occurred at a performance of one of Aeschylus dramas, led to the exile of the poet in Sicily, where he died in 456. In that case the permanent con struction of the theatre would begin in the Periclean age some time between 458 and 456...