In the post-Civil War period, Southern women slowly shook loose from the longstanding image of "the lady on the pedestal" and, through club work and group association, developed independence and began to affect public life. One such notable "new woman" was Charleston's Susan Pringle Frost (1873-1960). This book recounts the life story of this active woman, describing her background, philosophy, and accomplishments in the area of advancing the image of the woman in society. A member of an illustrious old family, Frost constantly challenged convention, as a federal district court stenographer, as a real estate woman with an office in the professional district, as a women's rights advocate. She helped get women admitted to the College of Charleston and headed city and state National Woman's Party efforts to achieve women's suffrage and later, the Equal Rights Amendment. Bland asserts that Frost is chiefly important, however, as an historic preservationist. In a rapidly expanding sweep, beginning about 1909, Miss Frost bought and renovated numerous houses in the historic East Battery ristrict. Indebtedness mounted, and to aid her efforts she founded and for many years headed the Preservation Society of Charleston. On several Charleston civic commissions and, in her seventies, still a member of the Zoning Board, Susan Frost was a life-long worker for city betterment and tirelessly monitored Charleston preservation efforts. Preserving Charleston's Past, Shaping Its Future shows how a preservation pioneer, Susan Pringle Frost, helped shape the Southern "new woman" image and served as a role model for women of all generations.

Accompanying an exhibition at the Frist Art Museum, this lavishly illustrated catalogue is the first major study in English about manuscript illumination, painting, and sculpture in the northern Italian city of Bologna between the years 1200 and 1400. By focusing on Bologna, Europe's first university city, this publication aims to expand our understanding of art and its purposes in the medieval world. Universities are a medieval invention, and Bologna has the distinction of having the oldest one in Europe. Its origins have been traced to the late 11th century, when masters and students started gathering in the city to study Roman law. The academic setting gave rise to Bologna's unique artistic culture. Professors enjoyed high social status and were buried in impressive tombs carved with classroom scenes. Most importantly, teachers and students created a tremendous demand for books. By the mid-13th century, the city had become the preeminent center for manuscript production in Italy. Most books were made outside traditional monastic scriptoria, within a revolutionary commercial system involving stationers, parchment makers, scribes, illuminators, and clients. A new style of script, called the littera Bononiensis, distinguished Bolognese books, and the city's illuminators were celebrated in Dante's Divine Comedy. The legal textbooks produced in great numbers in the city are remarkable for their heft and size. In addition to illuminations, which include colorful narrative scenes, these manuscripts often contain in their margins the notes, corrections, and doodles of their original owners. The seven essays in this publication - by academics, a conservator, curators, and a museum educator - create a rich context for the nearly seventy works of art in the exhibition, which are drawn primarily from American libraries, museums, and private collections. Many of these works have never been studied in depth or published before. The authors explore medieval Bologna - its porticoed streets, towers, communal buildings, main piazza, and mendicant churches - and how the city became a center for higher learning at the end of the Middle Ages. They describe the way books were made there, including identifying the pigments used by illuminators. The authors also discuss the illustrious foreign artists called to work in the city, most notably Cimabue and Giotto; the devastating impact of the Black Death; and the political resurgence of Bologna at the end of the 14th century that led to the construction of the Basilica of San Petronio, one of the largest churches in the world, in honor of the city's patron saint.

Two of the most ambitious religious edifices of the 20th century are the Our Lady of Peace Basilica in the West African country of the Ivory Coast and the Hassan II Mosque in Morocco. Nnamdi Elleh not only provides a substantial architectural and pictorial analysis of the buildings themselves. Using these two buildings as case studies, he also investigates questions of national memory, urban form, architectural styles, concepts of democracy, social hierarchies as well as the elites who make the decisions to build Africa's post-independence monuments and capital cities. His book is an exciting synthesis of theoretical and empirical analysis that is bound to stimulate debate about the form and content of post-colonial identities in Africa.

Climb a mountain and experience the landscape. Try to grasp its holistic nature. Do not climb alone, but with others and share your experience. Be sure the ways of seeing the landscape will be very different. We experience the landscape with all senses as a complex, dynamic and hierarchically structured whole. The landscape is tangible out there and simultaneously a mental reality. Several perspectives are obvious because of language, culture and background. Many disciplines developed to study the landscape focussing on specific interest groups and applications. Gradually the holistic way of seeing became lost. This book explores the different perspectives on the landscape in relation to its holistic nature. We start from its multiple linguistic meanings and a comprehensive overview of the development of landscape research from its geographical origins to the wide variety of today's specialised disciplines and interest groups. Understanding the different perspectives on the landscapes and bringing them together is essential in transdisciplinary approaches where the landscape is the integrating concept.

In tracing the process through which monuments give rise to collective memories, this path-breaking book emphasizes that memorials are not just inert and amnesiac spaces upon which individuals may graft their ever-shifting memories. To the contrary, the materiality of monuments can be seen to elicit a particular collective mode of remembering which shapes the consumption of the past as a shared cultural form of memory. In a variety of disciplines over the past decade, attention has moved away from the oral tradition of memory to the interplay between social remembering and object worlds. But research is very sketchy in this area and the materiality of monuments has tended to be ignored within anthropological literature, compared to the amount of attention given to commemorative practice. Art and architectural history, on the other hand, have been much interested in memorial representation through objects, but have paid scant attention to issues of social memory. Cross-cultural and interdisciplinary in scope, this book fills this gap and addresses topics ranging from material objects to physical space; from the contemporary to the historical; and from 'high art' to memorials outside the category of art altogether. In so doing, it represents a significant contribution to an emerging field.

What makes up a capital city? In this first comprehensive look at the architectural and urban visions for a European capital, Hein examines how these visions compare to the reality of the three headquarter cities for the European Union: Strasbourg, Luxembourg, and Brussels. Tracing the history of the EU and its creation of the new political entity of the polycentric capital, Hein explores the impact that European unification has on visionary projects and the transformation of EU member cities. Widely researched, the book also brings in architectural projects that have remained largely unknown until now. Using architectural and urban history as a lens, Hein examines the past five decades of European unification. Also analyzed for the first time are the debates, plans, projects, and constructions—both realized and failed—that accompanied this process. Looking to the future, Hein asserts that the task of these three capital cities is to balance the needs of a collective Europe with national, local, and—increasingly—regional demands.

Leading with Aesthetics: The Transformational Leadership of Charles M. Vest at MIT examines the role of aesthetics, design, and architecture in organizational transformation and leadership, particularly in the context of academic institutions. Leadership has been thus far predominantly examined from the perspective of function (performance) and position in the organizational structure (such as a CEO or a president). Relatively little work has been done in studying leadership of academic institutions, let alone from the perspective of aesthetics, both of which this book aims to rectify. Although aesthetic dimension is important in any organizational context, it is particularly important for academic institutions. Leading with aesthetics would empower leaders in any organizational setting. Daas examines the aesthetic dimension of transformational leadership through an eclectic blend of lenses drawn from the fields of architecture, political science, organizational aesthetics, and organizational psychoanalysis. A detailed case study of the leadership of Charles Marstiller Vest (1941-2013), who served as the president of Massachusetts Institute of Technology for fourteen years between 1990 and 2004, illustrates the importance of the aesthetic dimension in leadership and organizational change.

As both a physical living space and emotional environment, cities impact human beings in a number of ways. These ways include but are not limited to the kinds of relationship that may exist among the varying categories of inhabitants of the city, the organization of and accessibility to leaning resources and facilities, the types and rates of migration impacting the city, the security level of the city, and the livelihood networks existing within the city. Learning Cities, Town Planning, and the Creation of Livelihoods is an essential research publication that explores livelihood types and lifelong learning typologies required by cities as well as the relationship between higher education and improved livelihood outcomes. Featuring a broad range of topics such as learning needs, economy, and technologically advanced societies, this book is ideally designed for policymakers, academicians, researchers, students, social workers, educators, politicians, and environmentalists.

This book systematically analyses state-of-the-art technology and research related to desiccant dehumidification. It provides key insights into the current research direction, and presents global research and development interests. It begins by offering a comprehensive review of conventional desiccants and their underlying engineering challenges. Fundamental material characteristic properties and factors critical to the desiccant synthesis are highlighted. The applicability of next-generation advanced materials to address the challenges is documented, and the advantages of desiccant coated heat exchangers are evaluated. Lastly, the potential applications of desiccant dehumidifiers in various energy-connected applications are discussed, and case studies on industrial/building cooling systems are provided. Specifically targeted at HVAC engineers, thermal scientists, energy-engineering researchers, and graduate-level students in the field, the technical content balances fundamental concepts and applications.

"Nature and the city have most often functioned as opposites within Western culture, a dichotomy that has been reinforced (and sometimes challenged) by religious images. Bohannon argues here that cities and natural environments, however, are both connected and continually affected by one another. He shows how such connections become overt during natural disasters, which disrupt the narratives people use to make sense of the world, including especially religious narratives, and make them more visible. This book offers both a theoretical exploration of the intersection of the city, nature, and religion, as well as a sociological analysis of the 1997 flood in Grand Forks, ND, USA. This case study shows how religious factors have influenced how the relationship between nature and the city is perceived, and in particular have helped to justify the urban control of nature. The narratives found in Grand Forks also reveal a broader understanding of the nature of Western cities, highlighting the potent and ethically-rich intersections between religion, cities and nature. "

This text summarizes and contextualizes the ideas that have formed visual arts practices in the 20th century. Art, design and architecture are located in their social and political contexts, and the ideas of modernism are traced from the development of industrialized Europe at the turn of the century to the post-industrial, post-colonial present. The complex relationship between modernism and postmodernism in the visual arts is examined and the book concludes with a review of the global impact of the new technologies on art and design production.

This book is a plea for a sympathetic approach to the conservation and repair of traditional stone buildings. These beautiful buildings are in danger of disappearing from the landscape because they are not yet properly understood. Here is a book about saving them by applying traditional techniques in a sympathetic manner, using materials and methods that are in harmony with their nature. Patrick McAfee, a stone-mason, conservation consultant and author of the bestselling Irish Stone Walls, shows how traditional stone buildings were originally constructed; he outlines the traditional techniques, tells how the stone was worked and details the proper methods of repair and maintenance. As well as dealing with stone, the book also covers lime mortars and other traditional finishes. Includes a survey of stone buildings world-wide. Much of the information is practical, hands-on, and intended for the enthusiastic householder as well as the more experienced builder, with step-by-step instructions from an acknowledged expert.

Originally published in 1890: The object of this little work is to assist young beginners and others who, though in the trade many years, have not had the opportunity of seeing so much of the higher branches of practice as they might desire. I also trust it will not be thought unworthy the notice of the more skilled mechanic. I have no hesitation in saying the methods here employed in drawing and cutting arches, also in mixing the materials and executing the different sorts of pointing, are practically the best, and those generally adopted by the most experienced workmen.....Many of the earliest books, particularly those dating back to the 1900's and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This pioneering study explores the problems of politics and law that lie behind the growing phenomenon of NIMBY (Not In My Back Yard), a stance taken by residential property owners attempting to keep various types of facilities out of their neighborhoods. Denis J. Brion argues that the pejorative connotation that NIMBY carries is both unfortunate and unwarranted and seeks to expose the underlying problems for which NIMBY is a symptom. In particular, Brion examines the impact of siting decisions on those who will be the neighbors of a potential project and the political gridlock that so often results when they become aware of the nature of this impact. The discussion is illuminated by a review of the journalistic accounts of particular episodes chosen to demonstrate the pervasiveness and complexity of the NIMBY phenomenon.

Divided into three sections, the study begins by analyzing how a system of public decisionmaking, founded on the ideal of participatory democracy and built on the structure of representative government, is peculiarly subject to capture by small groups intent on pursuing their own narrow agendas. The result, Brion shows, is often allocational choices which yield benefits to few and harm to many. In Part II, he demonstrates the failure of the public remedial process to provide traditional common-law remedies to those harmed by Locally Unwanted Land Uses (LULUs). Brion then looks at the consequences of this remedial failure from both traditional and non-traditional points of view in order to provide a basis for devising an approach to the problems that underly the NIMBY syndrome. The concluding section proposes a solution that involves both expanding the focus of political and constitutional debate to include the notion of communality and narrowing the traditional conception of right to property. As a unique full-length treatment of the subject, this study makes a significant contribution to the ongoing debate over the NIMBY phenomenon and its consequences.

Considers many facets of the medieval church, dealing with institutions, buildings, personalities and literature. The text explores the origins of the diocese and the parish, the history of the See of Hereford and of York Minster. It discusses the arrival of the archdeacon, the Normans as cathedral builders and the kings of England and Scotland as monastic patrons. The studies of monastic life deal with the European question of monastic vocation and with St Bernard's part in the sensational expansion of the early 12th century. An epilogue takes us to the 14th century, contrasting Chaucer's parson with an actual Norfolk rector.

This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary, and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.

Ensuring current and future architecture is both successfully and sustainably produced is critical for cities and communities to not only survive but thrive. Additionally, improving built environment practices is necessary to protect the world as well as its various populations. Further study on the current challenges and future directions of sustainable architecture is required in order to create a stronger, healthier society. Contemporary Issues, Challenges, and Opportunities in Sustainable Architecture discusses the role of architecture and the built environment on communities, ecology, and society; relevant issues related to the production of sustainable built environments; and the socio-cultural integration aspects of innovative architectural designs in urban settings. The book also addresses heritage practices, responses to climate action, and technology applications. Covering key topics such as energy efficiency, urban green spaces, and sustainable solutions, this reference work is ideal for policymakers, architects, industry professionals, researchers, scholars, academicians, practitioners, instructors, and students.

This book includes papers presented at the 6th Arte-Polis International Conference. The theme of the conference was "Imagining Experiences: Creative Tourism and the Making of Place", and the book brings together studies based on lessons-learned, research and critical reviews related to creative tourism and reflections on placemaking. Covering a broad range of topics, including cultural and experiential perceptions of landscape, sustainable design, urban and rural planning, traditional and vernacular environment, public realm, thematic tourism, as well as heritage preservation and management, it discusses how issues of tourism shape our understanding of and discourse on architecture and landscapes. The book serves as an invitation to more participatory and polyphonic dialogues in the field of architecture, art and planning.