From the earliest centuries of Christianity, the cult of saintly relics has been an important feature of the worship of the Church. This book explores the way in which church architecture has been shaped by holy bones - the physical remains or `relics' of those whom the Church venerated as saints. This is the first complete modern study of this aspect of medieval church architecture in western Europe.

The Architecture of Neoliberalism pursues an uncompromising critique of the neoliberal turn in contemporary architecture. This book reveals how a self-styled parametric and post-critical architecture serves mechanisms of control and compliance while promoting itself, at the same time, as progressive. Spencer's incisive analysis of the architecture and writings of figures such as Zaha Hadid, Patrik Schumacher, Rem Koolhaas, and Greg Lynn shows them to be in thrall to the same notions of liberty as are propounded in neoliberal thought. Analysing architectural projects in the fields of education, consumption and labour, The Architecture of Neoliberalism examines the part played by contemporary architecture in refashioning human subjects into the compliant figures - student-entrepreneurs, citizen-consumers and team-workers - requisite to the universal implementation of a form of existence devoted to market imperatives.

The importance of the leading British architect A. W. N. Pugin (1812-52) in the history of the Gothic Revival, the development of ecclesiology, the origins of the Arts and Crafts Movement, and in architectural theory is incontestable. His letters are vigorous, direct, often witty, and invaluable for architectural and religio-historical research. The second of five volumes.

Social and ecological guidelines for designing and maintaining small parks

Designing Small Parks: A Manual for Addressing Social and Ecological Concerns draws on a wide range of knowledge to provide a one-stop reference to building better parks.

Integrating design criteria with current social and natural science research, Designing Small Parks presents landscape architects, park designers, park departments, planners, scientists, and civic groups with a broad palette of design options. Beginning with an overview of key issues and terms, this accessible manual is arranged around twelve topics that represent key questions, contradictions, and tensions in the design of small parks.

Designing Small Parks features: Concise guidelines providing immediate access to critical information Fundamental material on size, edges, appearance, and naturalness Ecological and human environment coverage of water, plants, wildlife, and air and climate Succinct summaries of issues surrounding clients and other involved parties Over 100 drawings and photographs illustrating design details Up-to-date scientific research Five conceptual design examples that offer hands-on applications of covered material

Delve into the world of Charles Rennie Mackintosh and his Glasgow School of Art-trained contemporaries who forged a unique and distinct vision in both art and architecture at the end of the Victorian era. The Glasgow Style is the name given to the work of a group of young designers and architects working in Glasgow from 1890-1914. At its centre were four young friends who had trained at Glasgow School of Art; two architects and two artists - Charles Rennie Mackintosh, Herbert MacNair, Margaret Macdonald and Frances Macdonald - who were simply known by their friends and contemporaries as 'The Four'. Their work was a personal vision in the new international style of the 1890s, Art Nouveau, and is perhaps best known for Mackintosh's architecture and furniture. But at the root of this new style was a graphic language which all four shared. Charles Rennie Mackintosh and the Art of The Four presents the most coherent story to date of this important group, concentrating on the entirety of their artistic imagery and output, far beyond the best known work of the 1890s, and charting the constantly changing relationships between the artists and their work.

The sequel to the acclaimed Made in Niugini, which explored in unparalleled depth the material world of the Wola comprising moveable artefacts, Built in Niugini continues Paul Sillitoe's project in exemplary fashion, documenting the built environment, architecture and construction techniques in a tour de force of ethnography. But this is more than a book about building houses. Sillitoe also shows how material constructions can serve to further our understandings of intellectual constructions. Allowing his ethnography to take the lead, and paying close attention to the role of tacit understandings and know-how in both skilled work and everyday dwelling, his close experiential analyses inform a phenomenologically inflected discussion of profound philosophical questions - such as what can we know of being-in-the-world - from startlingly different cultural directions. The book also forms part of a long-term project to understand a radically different 'economy', which is set in an acephalous order that extends individual freedom and equality in a manner difficult to imagine from the perspective of a nation-state - an intriguing way of being-in-the-world that is entwined with tacit aspects of knowing via personal and emotional experience. This brings us back to the explanatory power of a focus on technology, which Sillitoe argues for in the context of 'materiality' approaches that feature prominently in current debates about the sociology of knowledge. Archaeology has long been to the fore in considering technology and buildings, along with vernacular architecture, and Sillitoe contributes to a much-needed dialogue between anthropology and these disciplines, assessing the potential and obstacles for a fruitful rapprochement. Built in Niugini represents the culmination of Sillitoe's luminous scholarship as an anthropologist who dialogues fluidly with the literature and ideas of numerous disciplines. The arguments throughout engage with key concepts and theories from anthropology, archaeology, architecture, material culture studies, cognitive science, neuroscience and philosophy. The result is a significant work that contributes to not only our regional knowledge of the New Guinea Highlands but also to studies of tacit knowledge and the anthropology of architecture and building practices. Trevor Marchand, Emeritus Professor of Social Anthropology, School of Oriental and African Studies

This study explores the multiple ways in which Congressional Cemetery has been positioned for some two hundred years in "the shadow" of the U.S. Capitol. The narrative proceeds chronologically, discussing the burial ground during three periods: a) The antebellum years; b) The years from the end of the Civil War to approximately 1970, when the site progressively deteriorated; c) The period from the early 1970s to 2007, when both public and private organizations worked to preserve the physical site and the memory of what it has been and continues to represent. This monograph on Congressional Cemetery focuses on the dominant narrative associated with the site: its legacy as the first national burial ground in the United States. Given this emphasis, the text presents a political and cultural analysis of the cemetery, with particular focus on the participation of the U.S. Congress. "This book makes historians and many others aware of a fascinating and complicated history. Moreover, it not only details the long history of the cemetery, but it uses it to explore the nature of historic memorials generally in the creation of national memory." Steven Diner, Chancellor of Rutgers University at Newark. "The Johnsons have done an excellent job of mining a wide range of sources and conveying the complex history of an institution that merits documentation... It's stunning to realize what a who's who exists in that space." Howard Gillette, Professor Emeritus at Rutgers University at Camden. "The history of Congressional Cemetery is intimately tied up in the changing demographics of its locale, and its corresponding decline as the neighborhood around Christ Church changed led to its emergence as a cause celebre for historic preservationists." Donald Kennon, Chief Historian for the United States Capitol Historical Society, and editor of The Capitol Dome.

Calvert Vaux (1824--1895) designed Central Park and other parks in American cities with Frederick Law Olmsted. Trained in England as an architect, Vaux also planned buildings that mirrored the advance of urbanization in America. Museums, exhibition halls, model tenements, and dwellings, as well as many structures in Central Park, were among his designs. This book is an in-depth study of Vaux's life and work.

First modern edition of a major source of evidence for life in a cathedral immediately prior to the Dissolution. The importance of the Rites of Durham as a description of a monastic cathedral on the eve of the Dissolution has long been recognized. This new edition, the first for over a century, includes an introduction, placing the Rites in the context of the religious tensions of the Reformation and attributing it to the late sixteenth-century Durham antiquary, William Claxton; a new text based on manuscripts not known to previous editors and giving the full range of variants; a detailed commentary explaining the text and testing out its accuracy against other evidence, including traces in the fabric of the cathedral and its precinct; thirty-six plates showing early drawings of the cathedral and its precinct, surviving objects relating to those described in the text; and manuscript illuminations casting light on the descriptions to be found there; and five plans to facilitate understanding of the text.In addition, a series of appendices contains a full edition of the related text which describes the windows of Durham Cathedral and its precinct; the first ever edition of the letters of William Claxton; an edition of the descriptions of the bells and the organs of the cathedral added to the Rites by the Durham antiquary James Mickleton the elder (1638-93); and a detailed analysis of the earliest surviving manuscript of the Rites, which is in the form ofa paper roll. The volume is completed by a comprehensive index.

In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art, Melia Belli Bose provides the first analysis of Rajput chatris ("umbrellas"; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatris for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatris within their original social, political, and religious milieux. It also compares the chatris to other Rajput arts to understand how arts of different media targeted specific audiences.

Well Worth a Shindy tells the story of the Old Well, beloved symbol of the University of North Carolina at Chapel Hill, the United States' first public university. The Old Well is a Greco-Roman garden temple built in 1897 over an old water well on the campus. The facts concerning the Old Well's beginnings serve to introduce an historical study of the round temple from Mycenaean tholos tombs and treasuries to eighteenth-century English garden follies. The reasons that the Old Well was built, according to its commissioner, Edwin Alderman, the sixth president of the University of North Carolina, are repetitious of those that directed such as Alexander the Great, Augustus Caesar, and Ferdinand and Isabella of Spain to build round temples to be symbols of their territorial and dynastic desires. the designer of the Old Well, Eugene Lewis Harris, used to construct the temple were not new but were ancient guides filtered through Medieval and Renaissance prisms. A catalog of over 100 round structures in 14 countries is provided.

"Design as Politics" confronts the inadequacy of contemporary politics to deal with unsustainability. Current "solutions" to unsustainability are analysed as utterly insufficient for dealing with the problems but, further than this, the book questions the very ability of democracy to deliver a sustainable future. "Design as Politics" argues that finding solutions to this problem, of which climate change is only one part, demands original and radical thinking. Rather than reverting to failed political ideologies, the book proposes a post-democratic politics. In this, design occupies a major role, not as it is but as it could be if transformed into a powerful agent of change, a force to create and extend freedom. The book does no less than position design as a vital form of political action.

Grab a highlighter and prepare your heart for The Great Jewish Mystery. The time has come to expose friends, family, and particularly our children to this mystery, which will eventually impact the world. The Middle East receives global coverage daily, yet this mysterious topic is never discussed. Worldwide conspiracies now exist to deny efforts that will uncover this mystery. Therefore, the three major religions?Judaism, Christianity, and Islam?can no longer sit on the sidelines and avoid tough questions from this book.

In addition, this Jewish mystery briefly combats the fallacies of The Da Vinci Code by Dan Brown. Brown clearly attacked what the Jews consider sacred and made erroneous claims about the Dead Sea Scrolls. This book seeks to encourage millions not to be intimidated by man-made traditions or spiritual challenges. Finally, this book is a phenomenal quick reference guide to the best-kept Middle East secret. Come, let us reason together

GNSS can detect the seismic atmospheric-ionospheric variations, which can be used to investigate the seismo-atmospheric disturbance characteristics and provide insights on the earthquake. This book presents the theory, methods, results, and modeling of GNSS atmospheric seismology. Sesimo-tropospheric anomalies, Pre-/Co-/Post-seismic ionospheric disturbances, epicenter estimation, tsunami and volcano ionospheric disturbances, and volcanic plumes detection with GNSS will be presented and discussed per chapter in the book.