This book presents innovations for sustainable building design and refurbishment developed and tested through feasibility studies undertaken by researchers at Scottish universities in collaboration with small to medium size enterprises in Scotland during the CIC Start Online project that ran from September 2009 to February 2013. The project was led by Glasgow Caledonian University in collaboration with Edinburgh Napier University, Glasgow School of Art, Heriot-Watt University, the Robert Gordon University, University of Edinburgh and the University of Strathclyde Glasgow. The book includes chapters on Context and Policies, Planning, Building Design, Technologies, Construction, Refurbishment and Performance.

The contents of each chapter are based on 63 completed studies that were initiated by businesses operating in the construction sector or providing services to the sector, indicating the scope of research required to assist the industry to develop more sustainable products and processes. The book informs the reader about the range of innovations that were tested and highlight potential future research areas. Readers can find in-depth information by accessing the project website www.cicstart.org, where full reports on most studies and the video recordings of interactive online seminars that presented the outcomes of the studies are available.

Along with the new knowledge on how innovations for sustainable building design and refurbishment can be applied in practice, the book demonstrates how joint projects of several universities can be successfully managed and how an immediate knowledge transfer can be organized by using web tools to reach over 2,200 current members nationally and internationally (in UK and 53 other countries).

"

The most complete in-depth survey of global Mid-Century Modern homes ever published - more than 400 stunning homes from 40 countries, designed by more than 290 of the world's greatest architects The love of Mid-Century style is at an all-time high, with a steady flow of exhibitions, house tours, and books celebrating its unique cross- generational appeal. This collection of more than 400 of the world's most glamorous homes from more than 290 architects, showcases work built between the 1940s and 1960s by such icons as Marcel Breuer, Le Corbusier, Richard Neutra, Lina Bo Bardi, Alvar Aalto, and Oscar Niemeyer alongside extraordinary but virtually unknown houses in Australia, Africa, and Asia. This stunning and thoroughly researched, comprehensive appraisal is a must-have for all design aficionados, Mid-Century Modern collectors, and anyone looking for inspiration for their own homes.

This innovative urban history of Dublin explores the symbols and spaces of the Irish capital between the Restoration in 1660 and the advent of neoclassical public architecture in the 1770s. The meanings ascribed to statues, churches, houses, and public buildings are traced in detail, using a wide range of visual and written sources.

Urban Environments and Health in the Philippines offers a retrospective view of women street vendors and their urban environments in Baguio City, designed by American architect and planner Daniel Burnham in the early twentieth century, and established by the American imperial government as a place for healing and well-being. Based on a transdisciplinary multi-method study of street vendors, the author offers a unique perspective as a researcher of the place, to ultimately ask how marginalized women authenticate and democratize prime urban spaces for their livelihoods. This book provides a portal to another way of seeing and understanding streets and people, covering spatial units at multiple scales, design imperialism and its impact on health, and resilience strategies for challenging realities. Blending subjects of architecture, planning, and health, this book is an ideal read for those interested in fields of urban planning and design, public health, landscape architecture, geography, and social sciences.

Neoclassicism refers to the revival of classical art and architecture beginning in Europe in the 1750s and lasting until around 1830, with late Neoclassicism lingering through the 1870s. Neoclassicism is a highly complex movement that brought together seemingly disparate issues into a new and culturally rich era, one that was, however, remarkably unified under the banner of classicism. This movement was born in Italy and France and then spread across Europe to Russia and across the ocean to the United States. The Historical Dictionary of Neoclassical Art and Architecture provides an overview of Neoclassicism, focusing on its major artists, architects, stylistic subcategories, ideas, and historical framework of the 18th century style found mainly in Europe and the United States. This is done through a chronology, an introductory essay, an extensive bibliography, and over 200 dictionary entries on famous artists, sculptors, architects, patrons, and other historical figures and events.

The only comprehensive treatment of American library architecture, this work details the evolution of the modern public library from 1850 to the present. Donald E. Oehlerts provides a broad, historical perspective of the field of library architecture, examining the influences on the professions of public architecture and librarianship that shaped America's library buildings. Oehlerts examines the planning and construction of the largest public library buildings from 1850 through 1989, presenting the contributions that architects, librarians, and others have made to improvements in design and arrangement. He also explores the development of public architecture and librarianship to determine the sources of influence on these two emerging professions in the late nineteenth and twentieth centuries. This work, which features illustrations of several important buildings, is valuable to professionals, students, and scholars of architecture and library management and facilities.

Francesco di Giorgio Martini is one of the few fifteenth century Sienese artists who became known outside his native city. Working at the courts of Urbino, Naples and Milan, he was a typical Renaissance uomo universale but his major achievements were in military and civil architecture, complemented by the composition of a theoretical treatise. The collection of essays does not offer a comprehensive study of the artist's architectural oeuvre, but rather emphasizes the partial nature of the scholarly endeavor so far undertaken. The essays discuss Francesco's theory, his drawings from the antique, the individual characteristics of his practice, and the reception of his work. They share a common idea: invention, which emerges as a valid theoretical framework, possibly the only one capable of encompassing Francesco di Giorgio's versatile accomplishments.

This study is a portrayal of the political, economic, and cultural history and present of community gardens in a New York City neighborhood, the Lower East Side of Manhattan. An ethnographic study of a particular instance of urban history, it provides a basis for an understanding of urban community gardens in the United States. Beginning with a historical overview of urban community gardening in the United States and other countries, the author concentrates on the last two decades of the 20th century in this portrayal of a social movement that seeks to impact urban environments both in social and economic terms and in terms of ecological dynamics. The last decade in particular has been critical with regard to the development of a broad network of community-based coalitions acting on behalf of urban community gardens.

The author considers internal dynamics and organization of individual gardens within the specific social, political, and economic context of the Lower East Side and analyzes the political struggle on behalf of community gardens in that neighborhood and the entire city. The author also addresses the diverse ways in which community gardens on the Lower East Side have become critical components in the daily life of urban gardeners, predominantly poor and low-income people.

William Butterfield was the most daring, rigorous and brilliant architect of his age, whose 60-year practice spanned the entire Victorian era, and whose major works are found from the Firth of Clyde and shores of Belfast to the hills of Dublin and the cliffs of Cardiff and Devon. This book addresses the emergence of a modern society, its expansive institutions and its changing moral code, exploring how Butterfield responded to and advanced that transformation in the national life. It reflects the changing emphasis of Butterfield’s work: first, the revival, rebuilding and reform of the country parish; then the place of the church and the agents of social health in the burgeoning town and city; third, the quiet revolution in secondary education and college life; and finally, sites of refuge, sanctuary, repose and remembrance. Drawing extensively on the literature and discourse of the time, each chapter discusses a societal shift and surveys Butterfield’s most important architectural contributions to this. The chapters are followed by portfolios of photographs and extraordinary sets of coloured contract drawings of projects selected to show the originality, conviction and variety of Butterfield’s designs. Woven through the book are characterisations of the often colourful men and women who were Butterfield’s patrons and associates, including Gladstone, Pusey, Nightingale, and such lesser known but equally crucial figures as Frederick Temple; ‘Mother’ Matilda Blanche Gibbs; the writer Charlotte Yonge; and a score of reforming vicars from the pious William Butler to the radical eccentric, Edward Monro.

In Europe, the building sector accounts for 40% of energy consumption which has a strong influence on greenhouse gas emissions. The book deals with efficient methodologies aimed to reduce greenhouse gas emissions in the building sector. This includes analyses of the building envelopes, the heating systems, the use of solar energy and the assessment of the environmental and energy sustainability of the proposed solutions. After a brief introduction to the physical fundamentals involved in the study, results are presented to support cost-effective technical strategies to promote actions for energy saving, in the most critical fields and with the most economic advantage.

This book aims at capitalizing and transmitting know-how about the design of Augmented Environments (AE) from some of the most prominent laboratories in the field worldwide. The authors belong to the RUFAE network (Research on User- Friendly Augmented Environments, founded in 2002) who meet in research seminars to share experience; Writing this book was perceived as an opportunity to look back over the last few years to sum up important findings; and formalize their approach and experience, which they never had the time or opportunity to do. Although the authors of this book have very different backgrounds, striking similarities emerge in their approach and design principles: never-endingness, activity-orientedness, continuous design, realism are some of the pillars of this approach; enabling to deal with the complex, heterogeneous, multi-user and mul- purpose constructions which AE designers have to face. The book illustrates how these principles enabled them to construct robust, ef- cient, and user-friendly Augmented Environments in spite of the many challenges to make these operational. We hope their experience will help the reader. Primary audience: Academics, Students and Professionals involved in the CHI, CSCW, Ubicomp, Cooperative Building communities. Computer Scientists int- ested by end-users and applications, Social Scientists operating in the IT domain, IT & Organization Consultants. Secondary audience: Developers of office and conferencing applications or middleware, Architects of office buildings, Space Planners, Designers; Facility Managers; IT, furniture & building Business Communities.

Masonry is a traditional, highly durable mode of construction; many heritage masonry structures, built at various historical periods, have survived, to a lesser or greater extent, adverse environmental conditions, which have reduced, sometimes considerably, their integrity, strength and durability. Due to the cultural significance of heritage architecture, resources are today allocated towards their restoration and conservation. This volume comprises distinguished contributions from the Transactions of the Wessex Institute describing research efforts towards achieving these objectives. Topics covered include: Understanding of constituent materials, modes of construction and overall mechanical behaviour; Dynamic behaviour; Sonic pulse velocity tests; Micro-vibration measurements; Failure mechanisms; Structural strength assessment; Binding material mixtures; Composition and properties of ancient mortars; Contemporary repair material; Infra-red thermography measurements; Mortars, plasters, renders and grouts. The various issues mentioned above are addressed by the present collection of scientific papers with considerable insight and thoroughness.It is thus hoped that this volume will fill a gap in the literature as a valuable source of information and guidance to researchers and engineers working in the area of restoration and conservation of heritage masonry structures.

Orkney's Italian Chapel was built by Italian POWs held on the island during the Second World War. In the sixty-five years since it was built it has become an enduring symbol of peace and hope around the world. The story of who built the chapel and how it came into existence and survived against all the odds is both fascinating and inspiring. Author Philip Paris's extensive research into the creation of the Italian Chapel has uncovered many new facts, and this comprehensive new book is the definitive account of the chapel and those who built it. It is a book that has waited to be written for sixty-five years.