The "active image" refers to the operative nature of images, thus capturing the vast array of "actions" that images perform. This volume features essays that present a new approach to image theory. It explores the many ways images become active in architecture and engineering design processes and how, in the age of computer-based modeling, images play an indispensable role. The contributors examine different types of images, be they pictures, sketches, renderings, maps, plans, and photographs; be they analog or digital, planar or three-dimensional, ephemeral, realistic or imaginary. Their essays investigate how images serve as means of representing, as tools for thinking and reasoning, as ways of imagining the inexistent, as means of communicating and conveying information and how images may also perform functions and have an agency in their own. The essays discuss the role of images from the perspective of philosophy, theory and history of architecture, history of science, media theory, cognitive sciences, design studies, and visual studies, offering a multidisciplinary approach to imagery and showing the various methodologies and interpretations in current research. In addition, they offer valuable insight to better understand how images operate and function in the arts and sciences in general.

The papers in this volume deal with the design of many types of buildings in Islamic countries and the influence that these structural forms have had in non-Islamic countries. Coverage will also include construction materials.There is much to learn from past experiences to arrive at solutions that are environmentally sound and sustainable in the long term. As conventional energy resources become scarce, the Islamic design heritage can offer invaluable lessons on how to deal with difficult and extreme environments in an efficient manner. Traditional architecture and urban environment in most Islamic countries is now being eroded by overemphasis on global type of architecture and city planning. Consequently, many regions are losing their identity. The papers review these developments in the light of what the classical Islamic urban designs and architectures have to offer modern society.The papers in this book cover such topics as: Architectural conservation; Architectural heritage; Architecture in Malaysia and Indonesia; Climate adaptability; Conservation and restoration; Historical aspects; Houses and gardens; Islamic art and globalisation; Mosques and minarets; Ottoman Istanbul; Schools; The African Coast; The Islamic urban environment; The Mediterranean region; The use of light; Vernacular architecture; Wood and wooden roofs. The contents will be of interest to all researchers, practitioners and government employees actively involved with Islamic Heritage Architecture.

Feng Shui for Architecture is an easy-to-use manual designed to help readers incorporate the ancient science and philosophy of Feng Shui into the design, building, remodeling, and decorating of their homes to support the well being of its occupants in all aspects of their lives. Aside from its many inspirations and resources, this book is also the result of questions that have arisen in classes taught by the author and issues brought up by students, as well as by architects, designers, and clients.

For forty years (1880 1920), the now-legendary architectural firm led by Charles Follen McKim, William Rutherford Mead and Stanford White was responsible for many of the finest buildings in America. The Boston Public Library, Pennsylvania Station in New York, and the campus of Columbia University are among the national landmarks designed by these men and their partners, Bert Fenner and William Mitchell Kendall. This anthology of plans, elevations, and details of major works of McKim, Mead, and White is an invaluable reference source and inspiration for the student of architecture. As Allan Greenberg writes in his introduction: The legacy of McKim, Mead, and White] is so vast that . . . both its outer boundaries and its inner characteristics are only barely discernible. As architects of some of the most important buildings in the history of American architecture, the work of the office of McKim, Mead, and White reached a level of quality which has never been equaled by any large office before or after. Charles Follen McKim cofounded the firm with William Rutherford Mead in 1878, along with his brother-in-law William B. Bigelow. One year later, Bigelow left the firm and was replaced by young Stanford White. Among the commissions that McKim worked on were the Villard Houses, the Boston Public Library, the Chicago World s Fair Columbian Exposition and the Agriculture Building, the Columbia University campus, Symphony Hall in Boston, alterations to the White House, the Pierpont Morgan Library, Pennsylvania Station, and the University Club in New York. Stanford White, who, ironically, had replaced Charles McKim at the firm of Gambrill and Richardson in New York, joined the partnership in September 1879. A young, enthusiastic man who could draw like a house afire, in the words of McKim, White was responsible for many of the firm s great architectural projects, including Madison Square Garden; the Washington Arch; the Judson Memorial Church; what is now Bronx Community College, and the accompanying Hall of Fame of Great Americans; the Tiffany Building, and the Gorham Building. His life and career ended abruptly at the age of fifty-three, when he was murdered on the roof of Madison Square Garden in a well-publicized shooting incident in 1906.

Mont Saint Michel and Chartres is a record not of a literal jouney but of a meditative journey across time and space into the medieval imagination. Using the architecture, sculpture, and stained glass of the two locales as a starting point, Adams breathes life into what others might see merely as monuments of a past civilization. With daring and inventive conceits, Adams looks at the ordinary people, places, and events in the context of the social conventions and systems of thought and belief of the thirteenth century turning the study of history into a kind of theater.

As Raymond Carney discusses in his introduction, Adams' freeedom from the European traditions of study lends an exuberance--and puckish wit--to his writings.

The vision for this impressive work on temple architecture in the Levant grew out of the author's work on Roman temple designs on the Iberian Peninsula and continual references to Semitic influences on the designs of sanctuaries both on the Peninsula and in North Africa. It was assumed that Phoenician colonization had brought with it the full flowering of Levantine architectural forms. As Mierse began to search for relevant material on the ancient Levant, however, he discovered that no overall synthesis had ever been written, and it was virtually impossible to recognize and isolate Semitic elements in architectural forms. This book addresses this need. The analysis presented here is comparative and follows the methodology most commonly employed by architectural historians throughout the twentieth century. It is a formalist approach and permits the isolation of lines of continuity and the detection of discontinuity. While Mierse relies heavily on this traditional method, he also introduces some approaches from the postprocessual school of archaeology in its attempts to discern an appropriate way for cult to be investigated by archaeology. The sanctuaries that this book presents were erected between the end of the Late Bronze Age (conventionally assigned the date of 1200 B.C.E.) and the annexation of the Levantine region into the Assyrian Empire (when Mesopotamia again became highly influential in the region). The topic concerns temples that were produced during the period when the Levant was its own entity and politically independent of Egypt, Mesopotamia, or Anatolia. During this period, the designs chosen for inclusion in this book must reflect local choices rather than resulting from imposed outside concepts. The architecture that emerged in the wake of the downfall of the Late Bronze Age and the subsequent reemergence of social cohesiveness manifested significant changes in form and function. The five centuries under review reveal exciting developments in sacred architecture and show that, although the architects of the first millennium B.C.E. maintained important lines of continuity with the developments of the previous two millennia, they were also capable of creating novel forms to meet new needs. Included in this fascinating volume are 90 pages of photos, drawings, floor plans, and maps.

The Birmingham Art Book is a tribute to a unique city whose visionary scientists and inventors made it famous as a manufacturing powerhouse. From heavy metal industry - here is where the first steam trains were built- to heavy metal music - Black Sabbath made their mark here, this is a place with a proud heritage. Its handsome university is the original of the 'Redbrick' universities, founded by a farsighted mayor in 1900 as a civic place of learning, open to all, now with many world famous alumni and staff, 10 of whom have won Nobel prizes. Local artists convey the architectural glory of Victoria Square and the city centre Museum and Art Gallery (which holds a sumptuous collection of Pre-Raphaelite art). In their drawings, they echo the modern vibrancy of buildings such as the iconic Selfridges department store and the REP theatre. Collages and sketches depict a city buzzing with vitality -from the world-renowned Hippodrome theatre, to the shopping centres and legendary nightlife that are national attractions. Quirky nooks like the Jewellery Quarter, the Electric Cinema or the tranquil Botanic gardens hidden so close to the centre are reflected in this lovely book. The green city with 8000 acres of public parks and many miles of canal paths dating from its heyday in the Industrial Revolution is lovingly drawn and painted by its artists. The Birmingham Art Book is where local artists shine a light on the grand and the humdrum with equal affection. Their love for the modern city is evident and their pride in its heritage comes to the fore in this lovely book.

Devastating damage in the Tohoku region of Japan occurred during and after the earthquake off the Pacific coast of Tohoku earthquake on March 11, 2011. The AIJ (Architectural Institute of Japan) dispatched reconnaissance teams into the field to obtain basic facts on the damage to buildings due to the massive ground motions and resultant tsunami. Their mission included collecting information on the characteristics of the earthquake itself and the observed major ground motions and tsunamis throughout the area. For the structural damage investigation, buildings are classified by their type of construction, namely, steel buildings, reinforced concrete buildings, wooden houses, etc. along with descriptions of special features for each category of building type. The report summarizes damage associated with ground failures including landslide and liquefaction as
well as non-structural damages such as to equipment and facilities, partitioning walls and ceilings, and functional failures in skyscrapers. Also brief description of the Japanese Seismic Design Code will be provided in the Appendix. A proposed scheme of anti-tsunami design for buildings is also included.

In the years after the fall of communist governments in Central, Eastern, and South- eastern Europe (CESEE), a flood of memoir literature began to fill bookstores around the region. The turn to autobiography and personal narrative inspired the theme section in this volume of "Aspasia" women's auto-biographical writing and correspondence. Articles in this section examine women's autobiographical writing in the second half of the nineteenth century and women's written memories of epochal moments in the Soviet past: the Holodomor (or Great Famine) that convulsed Ukraine in the aftermath of forced collectivization, and the experience of women soldiers during World War II.

Also in this volume, we present the continuation of a fascinating forum on women's and gender history in CESEE, "Clio on the Margins," edited by Krassimira Daskalova (the first five essays appeared in Aspasia volume 6]). The eight essays in this section provide a comprehensive look at the state of the field of women's and gender history in Albania, Bulgaria, Croatia, Greece, Hungary, Lithuania, Poland, and Russia.

The volume concludes with two more general articles, two book review essays, twenty book reviews, and a conference report.

'Green space in the community' refers to the public space that is located in sections of residential land, often a space providing entertainment facilities and a place for the community to interact across various activities. As one of the most important components of urban green space, public green space makes a huge impact on the quality of residents' daily lives. With the rapid development of the urbanisation process, people are paying much more attention to the construction of infrastructure in their living environments, thus the construction of public green space is steadily increasing on a larger scale. The construction of green space not only helps improve the quality of residential living spaces and the level of public welfare, but these spaces also inspire residents' participation in the community.

Architecture in Context: Designing in the Middle East provides a foundation for understanding the critical context of architecture and design in this region. It does this by: presenting a practical overview of architectural know-how in the Middle East, and its potential for cultivating a sense of place introducing local architectural vocabularies and styles, and how they can still be reactivated in contemporary design exploring the cultural and contextual meaning of forms as references that may influence contemporary architecture discussing important discourses and trends in architecture that allow a rethinking of the current global/local dichotomy. Highly illustrated, the book covers architecture and design in North Africa, the Levant, the Gulf, and Turkey, Iran and Iraq.

Origins of Form is about the shape of things. What limits the height of a tree? Why is a large ship or office building more efficient than a small one? What is the similarity between a human rib cage and an airplane or a bison and a cantilevered bridge? How might we plan for things to improve as they are used instead of wearing out? The author has chosen eight criteria that constitute the major influences on three-dimensional form. These criteria comprise the eight chapters of the book: each looks at form from entirely different viewpoints. The products of both nature and man are examined and compared. This book will make readers-especially those who design and build-aware of their physical environment and how to break away from previously held assumptions and indifference about the ways forms in our human environment have evolved. It shows better ways to do things.The author's practical, no-nonsense approach and his exquisite drawings, done especially for this volume, provide a clear understanding of what can and cannot be; how big or small an object should be, of what material it will be made, how its function will relate to its design, how its use will change it, and what laws will influence its development. The facts and information were gathered from many sources: the areas of mechanics, structure, and materials; geology, biology, anthropology, paleobiology, morphology and others. These are standard facts in these areas of specialization, but they are also essential to the designer's overall knowledge and understanding of form. The result is an invaluable work for students, designers, architects, and planners, and an informed introduction to a fascinating subject for laymen.

Overview: The Various Passive Cooling Systems and Their Applicability to Different Climates and Building Types.

Minimizing Cooling Needs by Building Design.

Ventilative Cooling.

Radiant Cooling.

Evaporative Cooling Systems.

The Earth as a Cooling Source for Buildings.

Cooling of Attached Outdoor Spaces.

Index.