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Books > Arts & Architecture > Architecture
This is a unique reference tool for finding images of approximately
7,000 architectural works reproduced in more than 100 books likely
to be available in libraries with architectural collections. The
index is international in coverage; includes a variety of
architectural, engineering, and planning works; and covers most
historical periods and styles. Citations to reproductions of
exterior and interior views, plans, sections, and elevations are
provided, and access is enabled by building site, architect, type
of work, and name of work indexes. The index is organized into four
parts. Part I, the Site Index, is the principal index and lists
architectural works alphabetically according to specific location.
For each work, the following information is provided, if available:
name of work, alternate names, date of work, architect(s), and
citation information organized according to exterior view, interior
view, plan, section, or elevation. The Architect Index, Part II,
lists alphabetically the architects, engineers, planners, and
others responsible for works cited in Part I. A typical listing
provides the name of the architect, other names by which he or she
is known, life dates, and the works listed alphabetically with
their sites. The third part organizes the works according to
particular type of building or structure. Part IV, the Work Index,
lists names and alternate names of works and parts of works, as
revealed in the indexed sources. The books indexed for this unique
reference work were selected to form a representative survey of the
major periods of architectural history. World Architecture Index is
a unique reference and research tool that will be welcomed by
students and scholars of architecture, art history, civil
engineering, interior design, landscape architecture, urban
planning, and world history.
In this book Egyptian Archeology and Mathematics meet. The author
is an expert in theories and applications in Solid Mechanics and
Inverse Problems, a former professor at Ecole Polytechnique and now
works with Electricite de France on maintenance operations on
nuclear power plants. In the Autumn of 1986, after the end of the
operation on the King's chamber conducted under the Technological
and Scientific Sponsorship of EDF, to locate a cavity, he was
called to solve a mathematical inverse problem, to find the unknown
tomb of the King and the density structure of the whole pyramid
based on measurements of microgravity made inside and outside of
the pyramid. This book recounts the various search operations on
the pyramid of Cheops made at the request of the Egyptian and
French authorities in 1986-1987. After the premature end of the
Cheops operation in the Autumn of 1986, following the fiasco of
unsuccessful drillings in the area suspected by both architects G.
Dormion and J.P. Goidin and microgravity auscultation, EDF and CPGF
(a geophysical company) teams continued their researches with
measurements already made, trying this time an inversion of the
Newton gravity equation for the entire pyramid and using another
theoretical team led by the author. The inverse problem solution
confirmed the results of auscultations, but found no cavity.
However, the image of the average density at the surface of the
entire pyramid forms a sort of square "spiral" probably related to
the construction method. In 2000, Jean-Pierre Houdin considered the
author's results of 1988 as a confirmation of his theory of the
internal ramp tunnel. Since then the author has done additional
research and found that classical theories of the construction
based on degrees and the particular mode of stones filling can also
report the same densitogram. The book is richly illustrated with
color figures. It is dotted with information concerning Physics,
Mechanics and the History of Egyptian Antiquities. The book ends
with the greatest mystery of the pyramid about the unknown tomb of
the King and a dream to see the tomb at an unexpected place.
Circular Design for Zero Emission Architecture and Building
Practice: It is the Green Way or the Highway presents the main
concepts of circular architecture and building design, focusing on
emerging trends in zero-emission buildings, particularly zero- and
minus- carbon practice. The book is structured around practical
design solutions, including research-based passive solutions for
extreme climates. It discusses passive and low carbon cooling and
heating and natural ventilation, lifecycle assessment and life-cost
analysis. The book presents examples and case studies from
innovative low-tech to high-tech approaches, covering a wide
spectrum of climate zones to show lessons learned and proof of
concept. Vulnerable groups of people such as climate refugees are
discussed, alongside how vernacular architecture can help introduce
practical methods into low-carbon building practices. This book
presents theoretical and practical coverage of circular design for
zero emission architecture and building in relation to the global
challenges of climate change and extreme weather.
In recent years, many countries all over Europe have witnessed a
demand for a more direct form of democracy, ranging from improved
clarity of information to being directly involved in
decision-making procedures. Increasingly, governments are putting
citizen participation at the centre of their policy objectives,
striving for more transparency, to engage and empower local
individuals and communities to collaborate on public projects and
to encourage self-organization. This book explores the role of
participatory design in keeping these participatory processes
public. It addresses four specific lines of enquiry: how can the
use and/or development of technologies and social media help to
diversify, to coproduce, to interrupt and to document democratic
design experiments? Aimed at researchers and academics in the
fields of urban planning and participatory design, this book
includes contributions from a range of experts across Europe
including the UK, Belgium, the Netherlands, Italy, Denmark,
Austria, Spain, France, Romania, Hungary and Finland.
Originally published London, 1924. Contents Include: The Serenade
at Caserta - "Les Indes Galantes" - The King and the Nightingale -
Biography etc. Many of the earliest books, particularly those
dating back to the 1900s and before, are now extremely scarce and
increasingly expensive. Home Farm Books are republishing these
classic works in affordable, high quality, modern editions, using
the original text and artwork.
This book connects the different topics and professions involved in
information technology approaches to architectural design, ranging
from computer-aided design, building information modeling and
programming to simulation, digital representation, augmented and
virtual reality, digital fabrication and physical computation. The
contributions include experts' academic and practical experiences
and findings in research and advanced applications, covering the
fields of architecture, engineering, design and mathematics. What
are the conditions, constraints and opportunities of this digital
revolution for architecture? How do processes change and influence
the result? What does it mean for the collaboration and roles of
the partners involved. And last but not least: how does academia
reflect and shape this development and what does the future hold?
Following the sequence of architectural production - from design to
fabrication and construction up to the operation of buildings - the
book discusses the impact of computational methods and technologies
and its consequences for the education of future architects and
designers. It offers detailed insights into the processes involved
and considers them in the context of our technical, historical,
social and cultural environment. Intended mainly for academic
researchers, the book is also of interest to master's level
students.
This book makes a significant contribution to the history of
placemaking, presenting grassroots to top-down practices and
socially engaged, situated artistic practices and artsled spatial
inquiry that go beyond instrumentalising the arts for development.
The book brings together a range of scholars to critique and
deconstruct the notion of creative placemaking, presenting diverse
case studies from researcher, practitioner, funder and policymaker
perspectives from across the globe. It opens with the creators of
the 2010 White Paper that named and defined creative placemaking,
Ann Markusen and Anne Gadwa Nicodemus, who offer a cortically
reflexive narrative on the founding of the sector and its
development. This book looks at vernacular creativity in place, a
topic continued through the book with its focus on the practitioner
and community-placed projects. It closes with a consideration of
aesthetics, metrics and, from the editors, a consideration of the
next ten years for the sector. If creative placemaking is to
contribute to places-in-the-making and encourage citizenled agency,
new conceptual frameworks and practical methodologies are required.
This book joins theorists and practitioners in dialogue, advocating
for transdisciplinary, resilient processes.
'Ought to become a classic. It is an enshrinement of [Meades's]
intense baroque and catholic cleverness' Roger Lewis, The Times
'One of the foremost prose stylists of his age in any register . .
. Probably we don't deserve Meades, a man who apparently has never
composed a dull paragraph' Steven Poole, Guardian 'There are more
gems in this wonderful book than I could cram into a dozen of these
columns' Simon Heffer, Daily Telegraph 'Such a useful and important
critic . . . He is very much on the reader's side, bringing his
full wit to bear on every single thing he writes' Nicholas Lezard,
Spectator This landmark publication collects three decades of
writing from one of the most original, provocative and consistently
entertaining voices of our time. Anyone who cares about language
and culture should have this book in their life. Thirty years ago,
Jonathan Meades published a volume of reportorial journalism,
essays, criticism, squibs and fictions called Peter Knows What Dick
Likes. The critic James Wood was moved to write: 'When journalism
is like this, journalism and literature become one.' Pedro and
Ricky Come Again is every bit as rich and catholic as its
predecessor. It is bigger, darker, funnier and just as impervious
to taste and manners. It bristles with wit and pin-sharp eloquence,
whether Meades is contemplating northernness in a German forest or
hymning the virtues of slang. From the indefensibility of
nationalism and the ubiquitous abuse of the word 'iconic', to John
Lennon's shopping lists and the wine they call Black Tower, the
work assembled here demonstrates Meades's unparalleled range and
erudition, with pieces on cities, artists, sex, England, France,
concrete, faith, politics, food, history and much, much more.
An inspiring collection of the best images from the tastemaking Kinfolk magazine.
With over 650,000 copies of their books in print and nearly 50 issues of their magazine distributed worldwide, Kinfolk has come to define the taste of a generation: From interiors to fashion, portraiture, food and travel, the consistently boundary-pushing photography produced by the brand has coalesced into one of the most influential and immersive lifestyle aesthetics of the last decade.
The Art of Kinfolk brings more than 300 of the most iconic images from the first decade of the magazine into focus. Ranging from the deceptively simple to the surreal to the perennially stylish, this collection of originally commissioned photography captures the arc of an artistic adventure, a creative community at work, and in the process illuminates one of the most enigmatic aesthetics of the era.
After World War II, France embarked on a project of modernization,
which included the development of the modern mass home. At Home in
Postwar France examines key groups of actors - state officials,
architects, sociologists and tastemakers - arguing that modernizers
looked to the home as a site for social engineering and
nation-building; designers and advocates of the modern home
contributed to the democratization of French society; and the
French home of the Trente Glorieuses, as it was built and
inhabited, was a hybrid product of architects', planners', and
residents' understandings of modernity. This volume identifies the
"right to comfort" as an invention of the postwar period and
suggests that the modern mass home played a vital role in shaping
new expectations for well-being and happiness.
Buildings Across Time brilliantly explores the essential attributes
of architecture by uniquely combining both a detailed survey of
Western architecture, including Pre-Columbian America, and an
introduction to architecture from the Middle East, India, Russia,
China, and Japan. Authors have searched out the stories these
buildings have to tell, considered the intentions of the people who
built them, and examined the lives of those who used them. The text
contains extensive descriptive narrative leavened with focused
critical analysis, which both allows the book to stand alone and
invites lecturers to impose their studied interpretations on the
material without the danger of undue ambiguity or conflict. In a
world that grows smaller by the day, it presents a global
perspective, and in a discipline that concerns built objects that
are often beautiful as well as functional, it is copiously
illustrated, intelligently designed, and consistently usable.
It is clear that the climate is changing and ecosystems are
becoming severely degraded. Humans must mitigate the causes of, and
adapt to, climate change and the loss of biodiversity, as the
impacts of these changes become more apparent and demand urgent
responses. These pressures, combined with rapid global urbanisation
and population growth mean that new ways of designing, retrofitting
and living in cities are critically needed. Incorporating an
understanding of how the living world works and what ecosystems do
into architectural and urban design is a step towards the creation
and evolution of cities that are radically more sustainable and
potentially regenerative. Can cities produce their own food,
energy, and water? Can they be designed to regulate climate,
provide habitat, cycle nutrients, and purify water, air and soil?
This book examines and defines the field of biomimicry for
sustainable built environment design and goes on to translate
ecological knowledge into practical methodologies for architectural
and urban design that can proactively respond to climate change and
biodiversity loss. These methods are tested and exemplified through
a series of case studies of existing cities in a variety of
climates. Regenerative Urban Design and Ecosystem Biomimicry will
be of great interest to students, professionals and researchers of
architecture, urban design, ecology, and environmental studies, as
well as those interested in the interdisciplinary study of
sustainability, ecology and urbanism.
London's West End has a rich and unique collection of theatres,
ranging in date from early the early 19th century to the end of the
20th;more than fifty are located within an area of two square
miles. This book celebrates the working buildings at the heart of
the British theatrical industry. Focusing on the theatres in the
West End, it looks at their architecture and history as well as
examining what it is that constitutes a West End Theatre. The
exquisite photographs in the book lead the reader on a tour -
taking in the front -of -house areas, the auditoria and the
backstage spaces - of some of London's most famous theatres. From
the Palladium to the Lyceum, it offers glimpses of those areas not
normally seen by the public, Such as rehearsal spaces, dressing
rooms, backstage areas and even a Royal reception room. In doing
so, it enters the private realms of the theatre technicians and
actors, and brings to light the theatre's hidden world.
PUMIAO 1. The Subject Matter: Urban Public Places 2. The Location:
Asia Pacific Region 3. The Purpose of the'"Book: For the Makers of
Public Places 4. The Three Perspectives of the Book: Description,
Criticism, and Intervention 5. Perspective One: Characteristics of
Asia Pacific Cities and Their Public Places (1) High Population
Density (2) Large Cities (3) Mixed Uses (4) Government-Centered and
Pro-Development Culture (5) The East-versus-West Bipolarity (6)
Small Amount of Public Space (7) Absence of Large Nodes and Overall
Structure in Public Space (8) Intensive Use of Public Space (9)
Ambiguous Boundary between the Public and the Private Summaries of
Chapters 1-5 6. Perspective Two: Current Issues and Debates (1)
Identity Formal Identity Functional Identity (2) Sustainability
High-Tech versus Low-Tech High-Density versus Low-Density (3)
Equality Equal Participation Equal Accessibility Summaries of
Chapters 6-9 7. Perspective Three: Major Trends in Design and
Theory (1) The "Grey" Relationship between the Public and the
Private (2) The Transformation of Traditional Typology (3)
Indigenous Decoration, Color and Material in New Applications (4)
The Tropical Public Place Summaries of Chapters 10-17 8. Conclusion
Pu Miao (ed. ), Public Places in Asia Pacific Cities, 1-45. (c)
2001 Kluwer Academic Publishers. 2 P. MIAO 1. The Subject Matter:
Urban Public Places A visitor to Kuala Lumpur will hardly forget
the experience of strolling among the fragrant fruits sold under
the overhang of the five-foot walkway during a tropical downfall.
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