"Sixteenth-Century Italian Art" is a first-rate collection of the major classic and contemporary writings on the Italian Renaissance. Taking a thematic approach, the book exemplifies the traditional concerns of the field and presents arguments in a clear, accessible way.
A stellar collection of 23 classic and recent essays on the art and architecture of this fascinating period in art history
Brings together in a single volume, important literature on sixteenth-century Italian art from the last half century, highlighting major topics of recent art historical studies
Introduces major topics and debates in the field, including pagan mysteries, nature and artifice, the art of the body, and "reformations" of art, theory and practice
Includes new translations of texts never previously published in English
Organized thematically, and features substantial editorial introductions, making this anthology ideal for course use.

When Seon (Zen) Buddhism was first introduced to Korea around Korea's late Silla and early Goryeo eras, the function of the "beopdang" (Dharma hall) was transfused to the lecture hall found in ancient Buddhist temples, establishing a pivotal area within the temple compound called the "upper monastic area." By exploring the structural formation and dissolution of the upper monastic area, the author shows how Korea established its own distinctive Seon temples, unlike those of China and Japan, in the course of assimilating a newly-introduced foreign culture as its own. To accomplish this, the author analyzed the inscriptions on stone monuments which recorded the lives of eminent monks and also numerous excavated temple ruins. These analyses give us a new perspective on the evolution of the upper monastic area, which had the beopdang as its center, at a time when early Seon temples were being established under very adverse and unstable circumstances. The exploration of the spatial organization and layout of Korean Seon temple architecture has illuminated the continuity between Korean Buddhist temples of both the ancient and medieval eras.

This book shows that the problem of climate adaptation, which is described in social planning terms as 'wicked,' is at odds with the contemporary practice of spatial planning. The author proposes a new adjusted framework which is more adaptable to unpredictable, wicked, dynamic and non-linear processes. The inspiration for this new method is the behaviour of swarms: bees, ants, birds and fish are capable of self-organization, which enables the system to become less vulnerable to sudden environmental changes. The framework proposed in Swarm Planning consists of these four elements: Two levels of complexity, the first being the whole system and the second its individual components. Each of these has different attributes for adapting to change. Five layers, consisting of networks, focal points, unplanned space, natural resources and emerging occupation patterns. Each layer has its own spatial dynamic, and each is connected to a spatial scale. Non-linear processes, which emerge in different parts of the framework and include emerging patterns, connectedness and tipping points among others. Two planning processes; the first, 'from small to large' works upward from the slowest changing elements to more rapidly-changing ones. The second, 'on the list of partners' addresses each layer from networks through emerging occupation patterns. Swarm Planning applies this framework to a series of pilot studies, and appraises its performance using criteria for an adaptive landscape. The results show that the use of the Swarm Planning Framework reduces the vulnerability of landscapes as well as the impact of climate hazards and disasters, improves response to unexpected hazards and contains adaptation strategies. "This book is a must for planners in government and the private sector as it outlines the concept, strategies and techniques for swarm planning. It is also an important guide for policymakers looking to engage communities in a dialogue about the adaptation planning process." Professor John Martin, La Trobe University "The ultimate value of the book lies in encouraging the planning community to consider options that go far beyond those offered by business-as-usual planning methodologies developed for a set of operating conditions that are fast becoming obsolete. As such it makes an important and much needed contribution to the field." Assistant Professor Dr. Chrisna du Plessis, University of Pretoria

This collection of case studies by design educators critically explores the current practice of service-learning in architecture, landscape design, and urban planning, radically revising the standard protocol for university-initiated design and planning projects in the community. The authors' lively examination of real-life community collaborations forms a pedagogical framework for educators, professionals, and students alike, offering guidelines for a generative and inclusive collaborative design process.

This book is a unique collection of new and existing articles about progressive architectural teaching and learning. It is about restructuring architectural education--a project that defines itself within a transformative definition of society. Dialectically linking architectural education and society, the book presents authors who conceptualize architectural pedagogy within a critical analysis of the larger society, and who construct forms of teaching and learning experiences that reveal and contest professional and societal directions. The authors present a multiplicity of voices, including women, people of color, and students; voices often marginalized but crucial to a remapping of the cultural-political terrain in their struggle to make issues of gender, race, class, etc. central to a reconceptualization of architectural education and pedagogy. This anthology, then, is more than a mere list of projects and pedagogies--it is a theoretical investigation of critical practices in architectural education that engage the world in order to change it. This book will challenge architectural educators to think consciously of their work and experiences in political and cultural terms. Insofar as architectural teachers plan instruction, determine readings, and select programs and building types for studio investigations, they are implementing a theory. The question, of course, is whether teachers are fully aware of the theoretical base of their actions. Since theory usually embodies interests grounded in societal forms of power, it has political consequences. This book sees education and pedagogy as forms of cultural politics--constructing a new terrain that will invigorate architecturalpedagogy and focus discussion toward a needed architectural/educational/political project. Voices in Architectural Education will be invaluable to professors and students of architecture in both graduate and undergraduate education, as well as to practitioners of the architecture profession.

Simplified Structural Analysis and Design for Architects covers the basics of structural analysis and design in clear, practical terms. The book clarifies complex engineering topics through accessible, detailed examples and sample problems. Early chapters discuss the principles of statics, strength of materials, and structural analysis which represent the underlying basic material of structures and structural technology. The second part of the text focuses on steel structures, wood structures, and concrete structures, and outlines the design methods of some structural elements in a simplified manner and using some typical design examples. This edition includes two new chapters on the analysis of indeterminate structures and the simplified analysis of concrete indeterminate structures, as well as clearer figures and tables printed throughout. The final chapters of the book discuss the analysis of indeterminate structures. Concise and to the point, Simplified Structural Analysis and Design for Architects is particularly suitable for undergraduate and graduate architecture courses and courses in structural technology. The book is also a useful tool for practicing architects wishing to review the topic, and architecture graduates who are preparing for the licensing examination.

Optimization techniques offer immense potential for the improvement of performance-driven design, since they allow the adoption of an holistic approach. This can lead to great advantages: optimal design solutions can be properly identified only if all criteria are considered at the same time, rather than separately. There are two barriers which obstruct optimization from being applied to building design: a technological barrier (applying the algorithms is not easy and can be quite time-consuming) and a cultural one (architects and engineers are required to change their perspectives as the design process has to be handled in a new way). This book explores these barriers from the perspective of both engineers and architects, and proposes a change in the attitudes of these two "actors": an engineer and an architect develop a dialog which helps them understand each other's perspective; in this way they find how they must both make a step forward.

Few other cities can compare with Rome's history of continuous habitation, nor with the survival of so many different epochs in its present. This volume explores how the city's past has shaped the way in which Rome has been built, rebuilt, represented and imagined throughout its history. Bringing together scholars from the disciplines of architectural history, urban studies, art history, archaeology and film studies, this book comprises a series of studies on the evolution of the city of Rome and the ways in which it has represented and reconfigured itself from the medieval period to the present day. Moving from material appropriations such as spolia in the medieval period, through the cartographic representations of the city in the early modern period, to filmic representation in the twentieth century, we encounter very different ways of making sense of the past across Rome's historical spectrum. The broad chronological arrangement of the chapters, and the choice of themes and urban locations examined in each, allows the reader to draw comparisons between historical periods. An imaginative approach to the study of the urban and architectural make-up of Rome, this volume will be valuable not only for historians of art and architecture, but also for students of cultural history and film studies.

Part One: The Islamic Monuments of Bhadresvar: Introduction & History Part Two: A Study of the Islamic Inscriptions in Bhadresvar Studies and Sources on Islamic Art and Architecture: Supplements to Muqarnas contain textual primary sources for visual culture and scholarly historical examinations of topics and issues in Islamic art, architecture and culture.

This timely book introduces architects, engineers, builders, and urban planners to a range of contemporary community design concepts and illustrates them with outstanding case studies from around the world. Drawing on successful projects from London, New Mexico, Austria, and the Netherlands, "Innovative Sustainable Communities" presents planning concepts that minimize developments' carbon footprint through compact communities, adaptable and expandable dwellings, edible landscape, and smaller-sized yet quality designed housing.

Soft City Culture and Technology: The Betaville Project discusses the complete cycle of conception, development, and deployment of the Betaville platform.

Betaville is a massively participatory online environment for distributed 3D design and development of proposals for changes to the built environment an experimental integration of art, design, and software development for the public realm. Through a detailed account of Betaville from a Big Crazy Idea to a working "deep social medium," the author examines the current conditions of performance and accessibility of hardware, software, networks, and skills that can be brought together into a new form of open public design and deliberation space, for and spanning and integrating the disparate spheres of art, architecture, social media, and engineering.

Betaville is an ambitious enterprise, of building compelling and constructive working relationships in situations where roles and disciplinary boundaries must be as agile as the development process of the software itself. Through a considered account and analysis of the interdependencies between Betaville's project design, development methods, and deployment, the reader can gain a deeper understanding of the potential socio-technical forms of New Soft Cities: blended virtual-physical worlds, whose "public works" must ultimately serve and succeed as massively collaborative works of art and infrastructure."

This is a unique reference tool for finding images of approximately 7,000 architectural works reproduced in more than 100 books likely to be available in libraries with architectural collections. The index is international in coverage; includes a variety of architectural, engineering, and planning works; and covers most historical periods and styles. Citations to reproductions of exterior and interior views, plans, sections, and elevations are provided, and access is enabled by building site, architect, type of work, and name of work indexes. The index is organized into four parts. Part I, the Site Index, is the principal index and lists architectural works alphabetically according to specific location. For each work, the following information is provided, if available: name of work, alternate names, date of work, architect(s), and citation information organized according to exterior view, interior view, plan, section, or elevation. The Architect Index, Part II, lists alphabetically the architects, engineers, planners, and others responsible for works cited in Part I. A typical listing provides the name of the architect, other names by which he or she is known, life dates, and the works listed alphabetically with their sites. The third part organizes the works according to particular type of building or structure. Part IV, the Work Index, lists names and alternate names of works and parts of works, as revealed in the indexed sources. The books indexed for this unique reference work were selected to form a representative survey of the major periods of architectural history. World Architecture Index is a unique reference and research tool that will be welcomed by students and scholars of architecture, art history, civil engineering, interior design, landscape architecture, urban planning, and world history.

The Middle Ages was a time of great upheaval - the period between the seventh and fourteenth centuries saw great social, political and economic change. The radically distinct cultures of the Christian West, Byzantium, Persian-influenced Islam, and al-Andalus resulted in different responses to the garden arts of antiquity and different attitudes to the natural world and its artful manipulation. Yet these cultures interacted and communicated, trading plants, myths and texts. By the fifteenth century the garden as a cultural phenomenon was immensely sophisticated and a vital element in the way society saw itself and its relation to nature. A Cultural History of Gardens in the Medieval Age presents an overview of the period with essays on issues of design, types of gardens, planting, use and reception, issues of meaning, verbal and visual representation of gardens, and the relationship of gardens to the larger landscape.

Circular Design for Zero Emission Architecture and Building Practice: It is the Green Way or the Highway presents the main concepts of circular architecture and building design, focusing on emerging trends in zero-emission buildings, particularly zero- and minus- carbon practice. The book is structured around practical design solutions, including research-based passive solutions for extreme climates. It discusses passive and low carbon cooling and heating and natural ventilation, lifecycle assessment and life-cost analysis. The book presents examples and case studies from innovative low-tech to high-tech approaches, covering a wide spectrum of climate zones to show lessons learned and proof of concept. Vulnerable groups of people such as climate refugees are discussed, alongside how vernacular architecture can help introduce practical methods into low-carbon building practices. This book presents theoretical and practical coverage of circular design for zero emission architecture and building in relation to the global challenges of climate change and extreme weather.

Added Value in Design and Construction takes a holistic, student-centred approach to offering public and private sector clients the ultimate reward; doing more for less. The Latham Report was a call to action and this book provides students of construction with the theoretical and practical knowledge to deliver the recommendations of the report. It describes the principles and techniques crucial to adding value and reducing costs in design and construction in the twenty first century. This book examines in detail a wide range of strategies that can be applied during the design and construction process to add value and bring the best interests of the client sharply into focus.

Small garages and service stations are a vital – but fast disappearing – part of Britain’s automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book.

You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself?

In the spirit of Ed Ruscha’s Twenty-six Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he’s travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings.

As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared – and the ‘garage’ was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilized – churches, cinemas, railway arches, fire stations, shops, factories – all proved versatile enough to find second lives as garages.

As the era of the combustion engine draws to a close, Butler’s enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.

This collection of essays focuses on contemporary issues in city cultures and urban politics. The chapters range from discussions of the city in works of fiction to critiques of urban politics and explorations of the experiences of being in the city.