Written against the backdrop of a lively and ongiong debate on the relative modernity of the Kaiserreich, this book explores the relationship between politics and culture in turn-of-the-century Germany through the unusual medium of industrial architecture, which for a time brought together the disparate worlds of politics, art and commerce. It focuses in particular on the efforts of reformers to improve the quality and character of the industrial workplace during the period when Germany was overtaking the UK as Europe's leading manufacturing power. While the book should be of interest to all students of Wilhelmine history, its interdisciplinary approach and topicality in the light of modern society's increasing concern with health, safety and environmental issues should also attract a wider readership.

The essays in this volume reflect on and build on the remarkable legacies of Robert Mark and Andrew Tallon, who pioneered the application of high-technology research methods to the study of Gothic architecture. Combining personal reminiscences and historiographical discussions with meticulous geometrical and structural analyses based on photogrammetric and laser-scanned building surveys, this book offers valuable new perspectives not only on Mark and Tallon themselves, but also on major churches including the abbeys of Saint-Denis and Alcobaca, Santa Maria Novella in Florence, Notre-Dame in Paris, and the cathedrals of Clermont, Reims and Wells. Contributors are: Sheila Bonde, Robert Bork, Lindsay S. Cook, Michael Davis, James Hillson, Kyle Killian, Peter Kurmann, Clark Maines, Ethan Mark, Stephen Murray, Sergio Sanabria, Dany Sandron, Ellen Shortell, Elizabeth B. Smith, Rebecca Smith, Arnaud Timbert, Stefaan Van Liefferinge, and Nancy Wu.

In recent years, many countries all over Europe have witnessed a demand for a more direct form of democracy, ranging from improved clarity of information to being directly involved in decision-making procedures. Increasingly, governments are putting citizen participation at the centre of their policy objectives, striving for more transparency, to engage and empower local individuals and communities to collaborate on public projects and to encourage self-organization. This book explores the role of participatory design in keeping these participatory processes public. It addresses four specific lines of enquiry: how can the use and/or development of technologies and social media help to diversify, to coproduce, to interrupt and to document democratic design experiments? Aimed at researchers and academics in the fields of urban planning and participatory design, this book includes contributions from a range of experts across Europe including the UK, Belgium, the Netherlands, Italy, Denmark, Austria, Spain, France, Romania, Hungary and Finland.

Circular Design for Zero Emission Architecture and Building Practice: It is the Green Way or the Highway presents the main concepts of circular architecture and building design, focusing on emerging trends in zero-emission buildings, particularly zero- and minus- carbon practice. The book is structured around practical design solutions, including research-based passive solutions for extreme climates. It discusses passive and low carbon cooling and heating and natural ventilation, lifecycle assessment and life-cost analysis. The book presents examples and case studies from innovative low-tech to high-tech approaches, covering a wide spectrum of climate zones to show lessons learned and proof of concept. Vulnerable groups of people such as climate refugees are discussed, alongside how vernacular architecture can help introduce practical methods into low-carbon building practices. This book presents theoretical and practical coverage of circular design for zero emission architecture and building in relation to the global challenges of climate change and extreme weather.

This book makes a significant contribution to the history of placemaking, presenting grassroots to top-down practices and socially engaged, situated artistic practices and artsled spatial inquiry that go beyond instrumentalising the arts for development. The book brings together a range of scholars to critique and deconstruct the notion of creative placemaking, presenting diverse case studies from researcher, practitioner, funder and policymaker perspectives from across the globe. It opens with the creators of the 2010 White Paper that named and defined creative placemaking, Ann Markusen and Anne Gadwa Nicodemus, who offer a cortically reflexive narrative on the founding of the sector and its development. This book looks at vernacular creativity in place, a topic continued through the book with its focus on the practitioner and community-placed projects. It closes with a consideration of aesthetics, metrics and, from the editors, a consideration of the next ten years for the sector. If creative placemaking is to contribute to places-in-the-making and encourage citizenled agency, new conceptual frameworks and practical methodologies are required. This book joins theorists and practitioners in dialogue, advocating for transdisciplinary, resilient processes.

This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean, and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judaea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment.
The author then offers a comprehensive architectural analysis of each of the thirty theatres so far uncovered in the area. Richly illustrated, it provides a vivid reconstruction of a world which, though long gone, continues to fascinate.

This book is an ideal complement to studies showing the potentially devastating ecological effects of climate change, studies trying to calculate the costs of climate change, and studies trying to identify the most pressing needs in preparing for the new climate.

An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City.

This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making. Essays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects.

Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence.

In 1893, the World's Columbian Exposition had a profound impact on urban planning and the Beaux-Arts period of American architecture. The fair introduced the Ferris Wheel, Cracker Jacks, and fiberglass. Yet today, except for one building and a grassy park, all that remains is the legacy of printed material dispersed throughout the country. This reference guide, intended for historians, librarians, and collectors, provides access to that legacy. The introduction summarizes the Exposition's influence. The bibliography, arranged to allow researchers to browse topics broadly, describes over 6,000 books, journal articles, and other materials. A directory of special collections of fair-related materials is also included.

Newspaper and magazine articles, books, dissertations, drawings, photographs, maps, letters, documents, and collections of memorabilia--these provide the enduring heritage of the fair. This guide provides information on all aspects of that heritage. In addition to the bibilography itself, an extensive introduction discusses the influence the fair has had on America. Illustrations provide a visual portrayal of the fair. A directory of special collections of fair-related materials provides an inventory of each collection, along with addresses and telephone numbers. This book is the only comprehensive reference guide to the World's Columbian Exposition.

-- The oldest continuously settled community in the United States, St. Augustine has weathered Spanish, British, and American governments, several wars, and many changes in architectural fashion
-- Richly illustrated with original watercolors and color photographs to show representative styles and forms
-- Each chapter covers a separate era in St. Augustine's history and discusses the city's distinctive character during that era as well as how architectural styles evolved
-- Offers a history of attempts at historic preservation and suggests future remedies
-- For those who appreciate diverse architectural styles

India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.

A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

This book discusses building-integrated photovoltaic systems (BIPV) and provides solutions for solving problems related to designing, sizing and monitoring a BIPV that has been used to replace conventional building materials in parts of the building envelope such as the roof, skylights or facades. The book begins by introducing the basics to readers interested in learning about this technology and then outlines in an accessible way, a practical development plan for the installation and monitoring of these systems in residential, industrial, and commercial buildings. Chapters discuss the needs of installing, designing, and sizing and provide a financial analysis for a successful implementation of a BIPV system. This book is a useful tool for renewable energy designers, energy contractors, architects, government institutions, and those in the academic community who are interested in seamlessly integrating solar panels into the construction phase of new building projects or retrofitted into existing buildings.

"This ambitious effort puts land use planning in a global perspective. . . . it is clearly the leading volume in its subject area and will set the standard for some years to come. Highly recommended for college and university collections." Choice

This book describes several methods and systems solving one of the highlighted problems within computer aided design, namely architectural and logic synthesis. The book emphasises the most recent technologies in high level synthesis, concentrating on applicative studies and practical constraints or criteria during synthesis. Logic and Architecture Synthesis concentrates on the practical problems involving automatic synthesis of designs. It is essential reading for researchers and CAD Managers working in this area.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

A spectacular global survey of the new buildings merging architecture and nature to transform our cities for a sustainable future. Concrete horizons, urban sprawl, high-density living: never have our cities and their buildings been in greater need of greening. Yet what's required is more than an occasional vertical garden or living roof. Featuring seventy projects from around the world - some built, some ongoing, some from the future - Garden City looks at the increasingly inventive ways in which architects and designers are incorporating nature into the built environment, transforming the city for the benefit of all. From office buildings that incorporate urban farms and exchange the CO2 produced by humans for food and oxygen produced by plants, to lightweight systems for growing gardens on vertical surfaces; from 'tree houses' the size of city blocks to civic buildings that are 'plugged into' existing water-management systems - there are rich and often unexpected ideas for every inquiring designer. The future of our urban architecture is biologically alert, naturally self-sustaining and alive. Garden City is this future's first manifesto.