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Books > Arts & Architecture > Architecture
Buildings Across Time brilliantly explores the essential attributes
of architecture by uniquely combining both a detailed survey of
Western architecture, including Pre-Columbian America, and an
introduction to architecture from the Middle East, India, Russia,
China, and Japan. Authors have searched out the stories these
buildings have to tell, considered the intentions of the people who
built them, and examined the lives of those who used them. The text
contains extensive descriptive narrative leavened with focused
critical analysis, which both allows the book to stand alone and
invites lecturers to impose their studied interpretations on the
material without the danger of undue ambiguity or conflict. In a
world that grows smaller by the day, it presents a global
perspective, and in a discipline that concerns built objects that
are often beautiful as well as functional, it is copiously
illustrated, intelligently designed, and consistently usable.
It is clear that the climate is changing and ecosystems are
becoming severely degraded. Humans must mitigate the causes of, and
adapt to, climate change and the loss of biodiversity, as the
impacts of these changes become more apparent and demand urgent
responses. These pressures, combined with rapid global urbanisation
and population growth mean that new ways of designing, retrofitting
and living in cities are critically needed. Incorporating an
understanding of how the living world works and what ecosystems do
into architectural and urban design is a step towards the creation
and evolution of cities that are radically more sustainable and
potentially regenerative. Can cities produce their own food,
energy, and water? Can they be designed to regulate climate,
provide habitat, cycle nutrients, and purify water, air and soil?
This book examines and defines the field of biomimicry for
sustainable built environment design and goes on to translate
ecological knowledge into practical methodologies for architectural
and urban design that can proactively respond to climate change and
biodiversity loss. These methods are tested and exemplified through
a series of case studies of existing cities in a variety of
climates. Regenerative Urban Design and Ecosystem Biomimicry will
be of great interest to students, professionals and researchers of
architecture, urban design, ecology, and environmental studies, as
well as those interested in the interdisciplinary study of
sustainability, ecology and urbanism.
London's West End has a rich and unique collection of theatres,
ranging in date from early the early 19th century to the end of the
20th;more than fifty are located within an area of two square
miles. This book celebrates the working buildings at the heart of
the British theatrical industry. Focusing on the theatres in the
West End, it looks at their architecture and history as well as
examining what it is that constitutes a West End Theatre. The
exquisite photographs in the book lead the reader on a tour -
taking in the front -of -house areas, the auditoria and the
backstage spaces - of some of London's most famous theatres. From
the Palladium to the Lyceum, it offers glimpses of those areas not
normally seen by the public, Such as rehearsal spaces, dressing
rooms, backstage areas and even a Royal reception room. In doing
so, it enters the private realms of the theatre technicians and
actors, and brings to light the theatre's hidden world.
PUMIAO 1. The Subject Matter: Urban Public Places 2. The Location:
Asia Pacific Region 3. The Purpose of the'"Book: For the Makers of
Public Places 4. The Three Perspectives of the Book: Description,
Criticism, and Intervention 5. Perspective One: Characteristics of
Asia Pacific Cities and Their Public Places (1) High Population
Density (2) Large Cities (3) Mixed Uses (4) Government-Centered and
Pro-Development Culture (5) The East-versus-West Bipolarity (6)
Small Amount of Public Space (7) Absence of Large Nodes and Overall
Structure in Public Space (8) Intensive Use of Public Space (9)
Ambiguous Boundary between the Public and the Private Summaries of
Chapters 1-5 6. Perspective Two: Current Issues and Debates (1)
Identity Formal Identity Functional Identity (2) Sustainability
High-Tech versus Low-Tech High-Density versus Low-Density (3)
Equality Equal Participation Equal Accessibility Summaries of
Chapters 6-9 7. Perspective Three: Major Trends in Design and
Theory (1) The "Grey" Relationship between the Public and the
Private (2) The Transformation of Traditional Typology (3)
Indigenous Decoration, Color and Material in New Applications (4)
The Tropical Public Place Summaries of Chapters 10-17 8. Conclusion
Pu Miao (ed. ), Public Places in Asia Pacific Cities, 1-45. (c)
2001 Kluwer Academic Publishers. 2 P. MIAO 1. The Subject Matter:
Urban Public Places A visitor to Kuala Lumpur will hardly forget
the experience of strolling among the fragrant fruits sold under
the overhang of the five-foot walkway during a tropical downfall.
Brain Landscape: The Coexistence of Neuroscience and Architecture
is the first book to serve as an intellectual bridge between
architectural practice and neuroscience research. John P. Eberhard,
founding President of the non-profit Academy of Neuroscience for
Architecture, argues that increased funding, and the ability to
think beyond the norm, will lead to a better understanding of how
scientific research can change how we design, illuminate, and build
spaces. Inversely, he posits that by better understanding the
effects that buildings and places have on us, and our mental state,
the better we may be able to understand how the human brain works.
This book is devoted to describing architectural design criteria
for schools, offices, laboratories, memorials, churches, and
facilities for the aging, and then posing hypotheses about human
experiences in such settings.
Introducing Urban Design: Interventions and Responses is a new
departure in the town planning series under the editorship of Clara
Greed. The dynamic new subject and profession of urban design
straddles the fields of town planning, architecture, landscape
architecture and transport planning. This book recognises that a
key feature of modern urban design practice is the ability to
integrate a concern with the visual and aesthetic aspects of urban
form, with a strong social awareness of the need of user groups,
plus a sensitivity to wider environmental and sustainability
issues. In this it continues the themes already introduced in
earlier volumes, such as the changing nature of the profession,
social problems and the means of implementing policy. Written by a
team of eminent urban designers, architects and planners under the
joint editorship of Clara Greed and Marion Roberts, the book
introduces the reader to the subject through a discussion of
current issues, approaches and user responses. Introducing Urban
Design: Interventions and Responses is an ideal resource for
undergraduate courses in town planning, architecture, landscape
architecture, estate management and housing studies. It is also
suitable as an introductory text for first year diploma and masters
programmes in urban design and suitable for RTPI, RICS, CIOH, CIOB,
ASI, ISVA and RIBA courses and will be of interest to professional
practioners in the urban design field.
Exploring the social implications of dense and compact cities, this
enlightening book looks at micro-scale segregation through several
lenses. These include the ways that the housing market constantly
reconfigures social mix, how the structure of the housing stock
shapes it, and the ways that policies are deployed to manage these
effects. Taking a deep dive into micro-segregation in the socially
mixed and dense centres of compact cities, the authors investigate
the form and content of social and ethno-racial hierarchies at the
micro-scale of different cities around the world and the ways these
have evolved over time. Vertical Cities considers the ways the
materiality of such hierarchies affects the reproduction of social
inequalities in today's large cities. Academics and researchers of
urban sociology, housing, urban regeneration, urban studies and
urban geography will find the original approach taken to this
under-researched topic to be a vital resource. Practitioners and
policy makers will find the innovative use of a common theoretical
frame to analyse micro-scale social mix in vertical/compact cities
informative when dealing with the management of neighbourhoods in
inner cities.
The architecture of the Islamic world is predominantly considered
in terms of a dual division between 'tradition' and 'modernity' - a
division which, Saeid Khaghani here argues, has shaped and limited
the narrative applied to this architecture. Khaghani introduces and
reconsiders the mosques of eighth- to fifteenth-century Iran in
terms of poststructural theory and developments in historiography
in order to develop a brand new dialectical framework. Using the
examples of mosques such as the Friday Mosques in Isfahan and Yazd
as well as the Imam mosque in Isfahan, Khaghani presents a new way
of thinking about and discussing Islamic architecture, making this
valuable reading for all interested in the study of the art,
architecture and material culture of the Islamic world.
Digital Design: A Critical Introduction provides a much-needed new
perspective on designing with digital media. Linking ideas from
media theory, generative design and creativity with examples from
nature, art, architecture, industrial design, websites, animation
and games, it addresses some fundamental questions about creative
design with digital media. Featuring original material based on the
authors' own research, the book argues that the recognition and
understanding of the interplay of the two apparently opposing
concepts of rules and contingency supports original thinking,
creativity and innovation. Going beyond existing texts on the
subject, Digital Design is an accessible primer whose innovative
approach transcends the analysis of individual subfields - such as
animation, games and website design - yet offers practical help
within all of them.
na broad sense Design Science is the grammar of a language of
images Irather than of words. Modern communication techniques
enable us to transmit and reconstitute images without needing to
know a specific verbal sequence language such as the Morse code or
Hungarian. International traffic signs use international image
symbols which are not specific to any particular verbal language.
An image language differs from a verbal one in that the latter uses
a linear string of symbols, whereas the former is multi
dimensional. Architectural renderings commonly show projections
onto three mutual ly perpendicular planes, or consist of cross
sections at different altitudes capa ble of being stacked and
representing different floor plans. Such renderings make it
difficult to imagine buildings comprising ramps and other features
which disguise the separation between floors, and consequently
limit the cre ative process of the architect. Analogously, we tend
to analyze natural struc tures as if nature had used similar
stacked renderings, rather than, for instance, a system of packed
spheres, with the result that we fail to perceive the system of
organization determining the form of such structures. Perception is
a complex process. Our senses record; they are analogous to audio
or video devices. We cannot, however, claim that such devices
perceive."
Thinking About Remodeling? Whether it's big or small, a room
addition, a new kitchen, an in-law suite, a new facade, a porch,
whole house makeover - or whatever - this unique book will help you
arrive at the correct design solution for your specifi c home.
Written and illustrated by a licensed architect, nationally
recognized for his expertise in the fi eld, this book is specifi
cally written to help steer you clear of the many pitfalls
encountered in remodeling. Whether you're a do-it-yourselfer, or
you intend to engage professional contractors, this is a step by
step guide organized to help you make the correct design choices
for your home. With over 1000 illustrations and 300 different plans
there is likely a plan, or many different plans, that should
satisfy your budget as well as your needs.
This series focuses mainly on tax policies and research, tax
expenditure budget trends, potential effects of tax reforms on real
estate investment risks, and income tax laws. This volume includes
an empirical study of tax practitioner research skills. It also
covers topics such as tax fairness, taxpayer belief revisions and
the importance of controlling for prior beliefs, the determinants
of tax professionals' aggressiveness in ambiguous situations, and
the impact that IRS forms and psychological type have on student
performance in solving tax problems.
Business Principles for Landscape Contracting, fully revised and
updated in its third edition, is an introduction to the application
of business principles of financial management involved in setting
up your own landscape contracting business and beginning your
professional career. Appealing to students and professionals alike,
it will build your knowledge of financial management tools and
enable you to relate their applications to real-life business
scenarios. Focusing on the importance of proactive financial
management, the book serves as a primer for students in landscape
architecture, contracting, and management courses and entrepreneurs
within the landscape industry preparing to use business principles
in practice. Topics covered include: Financial management and
accountability Budget development Profitable pricing and estimating
Project management Creating a lean culture Personnel management and
employee productivity Professional development Economic
sustainability.
India in Art in Ireland is the first book to address how the
relationship between these two ends of the British Empire played
out in the visual arts. It demonstrates that Irish ambivalence
about British imperialism in India complicates the assumption that
colonialism precluded identifying with an exotic other. Examining a
wide range of media, including manuscript illuminations, paintings,
prints, architecture, stained glass, and photography, its authors
demonstrate the complex nature of empire in India, compare these
empires to British imperialism in Ireland, and explore the
contemporary relationship between what are now two independent
countries through a consideration of works of art in Irish
collections, supplemented by a consideration of Irish architecture
and of contemporary Irish visual culture. The collection features
essays on Rajput and Mughal miniatures, on a portrait of an Indian
woman by the Irish painter Thomas Hickey, on the gate lodge to the
Dromana estate in County Waterford, and a consideration of the
intellectual context of Harry Clarke's Eve of St. Agnes window.
This book should appeal not only to those seeking to learn more
about some of Ireland's most cherished works of art, but to all
those curious about the complex interplay between empire,
anti-colonialism, and the visual arts.
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