State-by-state listings and explanations of municipal landscape ordinances

In U.S. Landscape Ordinances, Buck Abbey furnishes landscape architects, planners, land-use attorneys, and students with a much-needed resource. This state-by-state presentation demystifies the complex planning laws and ordinances that determine landscape design parameters for more than 300 American cities. The author highlights sections of each ordinance that pertain to landscape architecture, boils the legalese down to plain English, explains the law's main purpose and regulatory function, and spells out the practical implications from a design perspective.

With the help of more than fifty diagrams and drawings that clarify complex spatial concepts, U.S. Landscape Ordinances reviews the entire spectrum of green laws currently on the books, including ordinances that cover:

• Parking lots and vehicular use areas
• Landscape buffers and screens
• Street tree plantings
• Open space design
• Irrigation
• Land clearing and building sites

The product of ten years of painstaking research and analysis, U.S. Landscape Ordinances is a unique and invaluable tool for professionals in landscape design and municipal planning. It also offers a deep reservoir of information for students, municipal legislators, community activists, and anyone interested in understanding or developing a community's landscape ordinances.

The sixteenth-century Ottoman architect Sinan is today universally recognized as the defining figure in the development of the classical Ottoman style. In addition to his vast oeuvre, he left five remarkable autobiographical accounts, the "Ads?z Risale," the "Ris?letu'l-Mi?m?riyye," "Tu?fetu'l-Mi?m?r?n," "Te?kiretu'l-Ebniye" and "Te?kiretu'l-Buny?n," that provide details of his life and works. Based on information dictated by Sinan to his poet-painter friend Mustafa Sa?i Celebi shortly before his death, these accounts exist in multiple manuscript versions in libraries in Istanbul, Ankara, and Cairo. The present volume contains critical editions of all five texts along with transcriptions, annotated translations, and facsimiles of the most important variant versions; and an introductory essay that analyzes the various surviving manuscripts, reconstructs their histories, and establishes the relationships between them; and a preface that considers the sources, themes, and broader implications of the five autobiographies.

This book analyzes forms of architectures within the frame concept of geo-architecture, and looks into the interaction of architecture and its environment. It starts by discussing the collisions between architecture and geography, humanity, as well as other architectures and reflects on the ancient Chinese notion of emotional relief and expression through natural landscape. It then studies important transportation and scenic routes, like pavilions, towers, clan halls and villages within architectural systems. It also discusses the forms of geographic integration and isolation expressed through architecture, which reflects their historical and cultural context.This book is the first of a 4-volume book series. The series develops the innovative concept of "geo-architecture" by exploring the myriad influences of natural, human and historical factors upon architecture. These influences are considered in three categories, namely, interaction between architecture and nature, interaction between architecture and its human users and change in architecture over time--each category serves as a lens. Augmenting these lenses is the Time-Person-Place concept applied different geographic. The analysis ultimately focuses on two aspects: geographic influence on architecture and architectural response to geography. The over 1000 pictures of case architectures enriches the study with stunning and unique visual angles. "This unprecedented work will be a unique and valuable contribution to the literature. Integrating as it does the disciplines of architecture, landscape architecture, and geography, Wang Fang's voice is original, compelling, and will be much appreciated by English-speaking readers (and inside China, too, I can only imagine.)" Stephen M Ervin Assistant Dean Graduate School of Design, Harvard University July 2nd, 2013 "One reason for why there would be interest is because her research would fill some significant gaps in the literature.What is novel about Dr. Wang's series is that she further extends this intellectual project of looking at Chinese architecture through Chinese eyes, by taking it one provocative step further."Annette M. Kim Associate Professor Department of Urban Studies and Planning, M.I.T. July 1st, 2013

In 1910 John Merven Carrere, a Paris-trained American architect, wrote, "Learning from Paris made Washington outstanding among American cities." The five essays in "Paris on the Potomac" explore aspects of this influence on the artistic and architectural environment of Washington, D.C., which continued long after the well-known contributions of Peter Charles L'Enfant, the transplanted French military officer who designed the city's plan.
Isabelle Gournay's introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Bles, on Thomas Jefferson's vision of the U.S. Capitol; and Somma on David d'Angers's busts of George Washington and the Marquis de Lafayette. Liana Paredes offers a richly detailed examination of French-inspired interior decoration in the homes of Washington's elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D.C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex.
The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U.S. Capitol Historical Societyin 2002 at the French Embassy's Maison Francaise.

An accessible look at the many regional styles of architecture in Spain, from Roman times to the present. Covering all regions of Spain, from Bilbao's Guggenheim Museum to Granada's Islamic palace of La Alhambra, and all periods of Spanish architecture, from the Roman aqueduct at Segovia to the modernistic German Pavilion in Barcelona, this volume examines 68 of Spain's most important architectural landmarks. Writing in a clear and engaging style, Lapunzina describes the features, functions, and historical importance of each structure. Besides identifying location, style, architects, and periods of initial construction and major renovation, the cross-referenced and illustrated entries also highlight architectural and historical terms explained in the glossary, and the book concludes with a useful listing of further readings. The volume also offers lists of entries by location and architectural time period, as well as a general bibliography, a subject index, and a detailed introductory overview of Spanish architecture. Part of the Reference Guides to National Architecture series, this book looks at Spanish architecture from all regions, and all periods of history.

This book presents a selection of the best papers from the HEaRT 2013 conference, held in Cosenza, Italy, which provided a valuable forum for engineers and architects, researchers and educators to exchange views and findings concerning the technological history, construction features and seismic behavior of historical timber-framed walls in the Mediterranean countries. The topics covered are wide ranging and include historical aspects and examples of the use of timber-framed construction systems in response to earthquakes, such as the gaiola system in Portugal and the Bourbon system in southern Italy; interpretation of the response of timber-framed walls to seismic actions based on calculations and experimental tests; assessment of the effectiveness of repair and strengthening techniques, e.g., using aramid fiber wires or sheets; and modelling analyses. In addition, on the basis of case studies, a methodology is presented that is applicable to diagnosis, strengthening and improvement of seismic performance and is compatible with modern theoretical principles and conservation criteria. It is hoped that, by contributing to the knowledge of this construction technique, the book will help to promote conservation of this important component of Europe's architectural heritage.

Even in the late 20th Century, there remains a complex web of spatial inter-relationships linking port cities and coastal zones. Cityports, Coastal Zones and Regional Change brings together seventeen authors to explore aspects of these inter-relationships. Many of the chapters were first discussed at an intensive British-Italian Seminar held in Venice in 1994 and have subsequently been substantially revised, edited and updated. The essential focus of the book is on the role of port cities in the development and management of the coastal zones within which they are located. There is a strong emphasis on environmental issues, economic diversification and planning. While most of the numerous case studies featured are British or Italian, other areas represented include Scandinavia, Eastern Europe, the Balkans, Tropical Africa and North America. An overview of cityports and coastal zones in the context of sustainable development provides a timely and forward looking conclusion, and makes the book ideal for researchers and students of transport geography, urban geography, port studies and coastal zone management worldwide.

On the occasion of Tennessee's Bicentennial, four distinguished authors offer new insights and a broader appreciation of the classical influences that have shaped the architectural, cultural, and educational history of its capital city.

Nashville has been many things: frontier town, Civil War battleground, New South mecca, and Music City, U.S.A. It is headquarters for several religious denominations, and also the home of some of the largest insurance, healthcare, and publishing concerns in the country. Located culturally as well as geographically between North and South, East and West, Nashville is centered in a web of often-competing contradictions.

One binding image of civic identity, however, has been consistent through all of Nashville's history: the classical Greek and Roman ideals of education, art, and community participation that early on led to the city's sobriquet, "Athens of the West," and eventually, with the settling of the territory beyond the Mississippi River, the "Athens of the South."

Illustrated with nearly a hundred archival and contemporary photographs, "Classical Nashville" shows how Nashville earned that appellation through its adoption of classical metaphors in several areas: its educational and literary history, from the first academies through the establishment of the Fugitive movement at Vanderbilt; the classicism of the city's public architecture, including its Capitol and legislative buildings; the evolution of neoclassicism in homes and private buildings; and the history and current state of the Parthenon, the ultimate symbol of classical Nashville, replete with the awe-inspiring 42-foot statue of Athena by sculptor Alan LeQuire.

Perhaps Nashville author John Egerton best captures the essence of this modern city with its solid roots in the past. He places Nashville "somewhere between the 'Athens of the West' and 'Music City, U.S.A., ' between the grime of a railroad town and the glitz of Opryland, between Robert Penn Warren and Robert Altman." Nashville's classical identifications have always been forward-looking, rather than antiquarian: ambitious, democratic, entrepreneurial, and culturally substantive. "Classical Nashville" celebrates the continuation of classical ideals in present-day Nashville, ideals that serve not as monuments to a lost past, but as sources of energy, creativity, and imagination for the future of a city.

Glass has long transformed the architectural landscape. From the Crystal Palace through to the towering glass spires of today's cities, few architectural materials have held such immense symbolic resonance in the modern era. The Age of Glass explores the cultural and technological ascension of glass in modern and contemporary architecture. Showing how the use of glass is driven as much by changing cultural concerns as it is by developments in technology and style, it traces the richly interwoven material, symbolic, and ideological histories of glass to show how it has produced and dispersed meaning in architecture over the past two centuries. The book's chapters focus on key moments within the modern history of architecture, moments when glass came to the forefront of architectural thought, and which illustrate how glass has been used at different times to project different cultural ideas. A wide range of topics are explored - from the tension between expressionism and functionalism, to the persistent theme of glass and social class, to how glass has reflected political ideas from Nazism through to today's global consumer capitalism. The book also grapples with current arguments about sustainability, while, taking into account the advent of digital LED screens and 'smart glass', offering new cultural perspectives on the future and asking what glass architecture will signify in the digital age. Combining close readings of buildings with insights drawn from research, plus good storytelling and strong contemporary relevance, The Age of Glass offers a fascinating new perspective on modern architecture and culture.

This book provides an up-to-date coverage of green (vegetated) roof research, design, and management from an ecosystem perspective. It reviews, explains, and poses questions about monitoring, substrate, living components and the abiotic, biotic and cultural aspects connecting green roofs to the fields of community, landscape and urban ecology. The work contains examples of green roof venues that demonstrate the focus, level of detail, and techniques needed to understand the structure, function, and impact of these novel ecosystems. Representing a seminal compilation of research and technical knowledge about green roof ecology and how functional attributes can be enhanced, it delves to explore the next wave of evolution in green technology and defines potential paths for technological advancement and research.

John Gloag (1896-1981) was a leading modernist commentator and anyone with an interest in early and mid-20th Century design will be familiar with his name. He was well known as an author of almost 60 books on architecture, social history and industrial design. Gloag was a member of an elite design culture that was highly visible throughout the 1930s and 40s. Although an ardent reformist with links to a number of prestigious institutions, including RIBA, the RSA, the DIA and the CoID, Gloag's contribution to design reform and to an understanding of a national design tradition, has attracted little scholarly interest. This set addresses that by re-issuing 10 of his most well-received books, many of them amply and beautifully illustrated.

Residents look at their neighborhood differently than visitors and designers do. The features that they see as most important can differ significantly, so that spaces that are viewed as successful by designers may be disliked by residents. Designers who hope to create successful residential environments can benefit from a more complete understanding of the residents' perspective and their priorities. This residents-eye-view is especially critical in troubled neighborhoods.

Brower compares the responses to the same environment by residents, tourists, and designers. Using observations, interviews, innovative survey methods, and an examination of the literature, he details accepted norms that govern who uses and controls neighborhood spaces, children's play networks, neighboring patterns, territorial behavior, and the personalization of space. Brower then describes the application of these ideas and findings in a series of design interventions in an inner city neighborhood in Baltimore. These interventions are thoroughly documented and evaluated, and the lessons learned from both successes and failures are used to inform design ouidelines for the study area. The interventions also help to define the role of outside professionals; in particular, the importance of involving residents in defining and resolving their own problems, and the need to accept space management and social organization as proper concerns of design. The book is written in clear, simple language, and uses drawings and photographs to illustrate the ideas presented.

An intellectual biography of the cultural critic Reyner Banham. Reyner Banham (1922-88) was one of the most influential writers on architecture, design, and popular culture from the mid-1950s to the late 1980s. Trained in mechanical engineering and art history, he was convinced that technology was making society not only more exciting but more democratic. His combination of academic rigor and pop culture sensibility put him in opposition to both traditionalists and orthodox Modernists, but placed him in a unique position to understand the cultural, social, and political implications of the visual arts in the postwar period. His first book, Theory and Design in the First Machine Age (still in print with The MIT Press after forty years), was central to the overhaul of Modernism, and it gave Futurism and Expressionism credibility amid the dynamism and change of the 1960s. This intellectual biography is the first comprehensive critical examination of Banham's theories and ideas, not only on architecture but also on the wide variety of subjects that interested him. It covers the full range of his oeuvre and discusses the values, enthusiasms, and influences that formed his thinking.

This book highlights the electronic governance in a smart city through case studies of cities located in many countries. "E-Government" refers to the use by government agencies of information technologies (such as Wide Area Networks, the Internet, and mobile computing) that have the ability to transform relations with citizens, businesses, and other arms of government. These technologies can serve a variety of different ends: better delivery of government services to citizens, improved interactions with business and industry, citizen empowerment through access to information, or more efficient government management. The resulting benefits are less corruption, increased transparency, greater convenience, revenue growth, and/or cost reductions. The book is divided into three parts. * E-Governance State of the Art Studies of many cities * E-Governance Domains Studies * E-Governance Tools and Issues