Skateboarders are an increasingly common feature of the urban environment - recent estimates total 40 million world-wide. We are all aware of their often extraordinary talent and manoeuvres on the city streets. This book is the first detailed study of the urban phenomenon of skateboarding. It looks at skateboarding history from the surf-beaches of California in the 1950s, through the purpose-built skateparks of the 1970s, to the street-skating of the present day and shows how skateboarders experience and understand the city through their sport. Dismissive of authority and convention, skateboarders suggest that the city is not just a place for working and shopping but a true pleasure-ground, a place where the human body, emotions and energy can be expressed to the full.
The huge skateboarding subculture that revolves around graphically-designed clothes and boards, music, slang and moves provides a rich resource for exploring issues of gender, race, class, sexuality and the family. As the author demonstrates, street-style skateboarding, especially characteristic of recent decades, conducts a performative critique of architecture, the city and capitalism. Anyone interested in the history and sociology of sport, urban geography or architecture will find this book riveting.

"" I have no pain now, mother dear, But, oh, I am so dry! Connect me to a brewery and leave me there to die.""
Breweries were large and striking buildings whose towering presence was often reinforced by their occupation of sites in the middle of towns. They were the flagships of a major industry and generators of some of the great business fortunes. Designing their breweries for architectural grandeur as well as for their function, brewers were well aware of the marketing value of their buildings and used them as advertisements. What is surprising is that so little attention has been paid to breweries, in contrast to other great industrial buildings such as mills and warehouses. Lavishly illustrated, "British Breweries" covers the whole of their history, from the country house brewhouses of the eighteenth century to the great breweries of Georgian and Victorian England, and to widespread disappearance in the twentieth century.

Kip was born 'Walton Danforth Stowell' from Massachusetts. He lived a long life as an artist, architect, and politician; settling in Harpers Ferry, WV. This biography spans 73 years of Kip's life, from 1936-2009; and is a summary of people, places, and art related to him. As an architect he worked for the National Park Service, but also maintained private practice. Kip loved entertaining people, and was loved for his enthusiasm for design. Among his most famous designs are the Charles Town War Memorial, Turf Race Track Hotel, Bolivar Community Center, and Harpers Ferry Town Hall. His greatest contributions to Historic Preservation may have been to protect the Town of Harpers Ferry and the Peter Burr House for all time and for all people.

This volume proposes a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today's standard division of artist from patron is not seen in medieval inscriptions-on paintings, metalwork, embroideries, or buildings-where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, Maria Elena Diez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan Gonzalez, Rachel Moss, Jenifer Ni Ghradaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.

This book presents a new approach to building renovation, combining aspects of various professional disciplines, integrating green building design, structural stability, and energy efficiency. It draws attention to several often-overlooked qualities of buildings that should be comprehensively integrated into the context of building renovation. The book presents an overview of the most important renovation approaches according to their scope, intensity, and priorities. Combining basic theoretical knowledge and the authors' scientific research it emphasizes the importance of simultaneous consideration of energy efficiency and structural stability in building renovation processes. It simultaneously analyses the effects of various renovation steps related to the required level of energy efficiency, while it also proposes the options of building extension with timber-glass upgrade modules as the solution to a shortage of usable floor areas occurring in large cities. This book offers building designers and decision makers a tool for predicting energy savings in building renovation processes and provides useful guidelines for architects, city developers and students studying architecture and civil engineering. Additionally, it demonstrates how specific innovations, e.g., building extensions with timber-glass modules, can assist building industry companies in the planning and development of their future production. The main aim of the current book is to expose various approaches to the renovation of existing buildings and to combine practical experience with existing research, in order to disseminate knowledge and raise awareness on the importance of integrative and interdisciplinary solutions.

Building Community is an in-depth, wide-ranging survey of contemporary apartment buildings, not as raw canvases for interior decoration but as a building type of growing significance. An introduction presents the history of multiple-occupancy housing through its most innovative 20th-century exemplars, from the urbane blocks of Auguste Perret and Henri Sauvage in Paris, to the landscaped housing estates of Weimar Germany and the visionary schemes of Le Corbusier. The heart of the book features 39 recent or ongoing projects, designed by leading international studios and rising talents. Buildings range from social housing and micro apartments to urban villages, megastructures and innovative high-rises. Each project is considered for the way in which it enriches the lives of residents and the city, and is shown through drawings and photographs, taken from the street and within. The book also includes interviews with such contemporary masters of apartment design as Michael Maltzan, Lorcan O'Herlihy, Edouard Francois and Bjarke Ingels. As our cities grow more crowded, it is critical that we produce creative buildings that enhance the lives of their inhabitants, their surroundings and the urban environment as a whole. Building Community offers dozens of proven successes to designers and apartment-dwellers. With 348 illustrations in colour

Drawing upon a lifetime's knowledge, Patterns of Stylistic Change in Islamic Architecture presents Michael Meinecke's unique view of the evolution and development of Islamic architecture.

Departing from conventional method which groups buildings and monuments according to dynasties and defines national characteristics based on the ethnic origins of Arabic, Persian, or Turkish patrons, Meinecke emphasizes the similarities which resulted from interrelations among neighboring or far-away areas. He argues that transformations in the development of Islamic architecture can be explained by the movements of skilled craftsmen who traveled extensively in their search for challenging work, allowing for their influence to be felt across a broad region.

Meinecke's unique approach to Islamic architecture will no doubt inspire others to emulate his approach in studying other regions or areas. Few, however, will be able to attain the consummate mastery of the subject which enlivens these essays.

The most enduring testament to the Mamluk Sultanate is its architecture. Not only do Mamluk buildings embody one of the most outstanding medieval architectural traditions, Mamluk architecture is actually a key to the social history of the period. Analyzing Mamluk constructions as a form of communication and documentation as well as a cultural index, "Mamluk History Through Architecture" shows how the buildings mirror the complex -- and historically unique -- military, political, social and financial structures of Mamluk society.

With this original and authoritative study Nasser Rabbat offers an innovative approach to the history of the Mamluks -- through readings of the spectacular architecture of the period. Drawing on examples from throughout both Egypt and Syria, from the Citadel and Al-Azhar Mosque of Cairo to the Mausoleum of al-Zahir Baybars in Damascus, Rabbat demonstrates how Mamluk architecture served to reinforce visually the spirit of the counter-Crusade, when the Muslim world rebounded from the setbacks of the First Crusade. Both holistically and in case studies, Rabbat demonstrates how history is inscribed into and reflected by a culture's artifacts. This is a groundbreaking work in the study of architecture and social history in the Middle East and beyond.

Cities are home to over fifty percent of the world's population, a figure which is expected to increase enormously by 2050. Despite the growing demand on urban resources and infrastructure, food is still often overlooked as a key factor in planning and designing cities. Without incorporating food into the design process - how it is grown, transported, and bought, cooked, eaten and disposed of - it is impossible to create truly resilient and convivial urbanism. Moving from the table and home garden to the town, city, and suburbs, Food and Urbanism explores the connections between food and place in past and present design practices. The book also looks to future methods for extending the 'gastronomic' possibilities of urban space. Supported by examples from places across the world, including the UK, Norway, Germany, France, Spain, Portugal, Greece, Romania, Australia and the USA, the book offers insights into how the interplay of physical design and socio-spatial practices centred around food can help to maintain socially rich, productive and sustainable urban space. Susan Parham brings together the latest research from a number of disciplines - urban planning, food studies, sociology, geography, and design - with her own fieldwork on a range of foodscapes to highlight the fundamental role food has to play in shaping the urban future.

The Architect & Sculptor RAs photographed in their workplaces with examples of their sculpture or buildings accompanied by a brief biography.

Toronto Then and Now pairs vintage images of Canada's largest city – and North America's fourth most populous – with the same views as they look today. Toronto has long been a financial powerhouse in North America, and this is represented by its many grand bank buildings. Canada's capital may be Ottawa, but the financial power emanates from this thriving city, the fourth most populous in North America. Sites include: Toronto Harbour, Fort York, Queen's Quay Lighthouse, Toronto Island Ferries, Queen's Quay Terminal, Canadian National Exhibition, Sunnyside Bathing Pavilion, Princes' Gates, Royal York Hotel, Union Station, City Hall, St. Lawrence Market, St. James Cathedral, Canadian Pacific Building, Bank of Montreal, Dineen Building, Elgin Theatre, Arts and Letters Club, Old Bank of Nova Scotia, Ryrie Building, Masonic Temple, Osgoode Hall, Royal Alexandra Theatre, Gurney Iron Works, Boer War Monument, CN Tower, Old Knox College, Victory Burlesque Theatre, Maple Leaf Gardens, University of Toronto and much more.

The exhibition at the Vitra Design Museum explores the fashion show as a cultural ritual and a total artistic experience. It features iconic shows by Balenciaga, Chanel, Dior, Gucci, Helmut Lang, Maison Martin Margiela, Issey Miyake, Prada, Viktor & Rolf, and Louis Vuitton. The accompanying catalogue brings together historical sources, contemporary image series, and essays by leading voices in the fashion world. Model Malgosia Bela recounts the highlights and challenges of international runways. Legendary sound supervisor Michel Gaubert reveals how sound shapes moods and dramaturgy. Visionary buyer and curator Andreas Murkudis offers insights into the selection of key fashion collections. Fashion historian Caroline Evans analyses the social roles of the fashion show, Cathy Horyn reflects on its influence on contemporary fashion, and Valerie Steele, Director of The Museum at FIT in New York, situates it within the global cultural context. Catwalk is both an opulent visual archive and a definitive reference work, presenting the phenomenon of the fashion show in all its facets – well-founded, multi-voiced, and close to the action.

Edition of original letters and other documents sheds light on a major ecclesiastical controversy. In 1881, after decades of mouldering into ruin, the grand fifteenth-century church of Blythburgh, Suffolk, "The Cathedral of the Marshes", was closed as unsafe. The church was saved - but its rescue involved a bitter twenty-five year long dispute between Blythburgh vicars and committees, and William Morris and his Society for the Protection of Ancient Buildings, who feared that the medieval fabric would be over-restored and the character of the building lost forever. This volume presents an edition, with notes and introduction, of original documents from both sides - providing unique insights into a rancorous conflict, with vicars pitted against patrons as well as the Society.The need was local, but the significance national, with elites ranged against another. From a description of the Blythburgh committee headed by a royal princess, to accounts of lavish fund-raising fetes and garden parties, the story is vividly brought to life. Alan Mackley, an honorary research fellow at the University of East Anglia, studied history after a career as a scientist in the oil industry. He has lived in Suffolk for over 35 years.