How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an "infinite flow" of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

Originating from the 16th edition of the Conference on Studies, Repairs and Maintenance of Heritage Architecture, this volume brings together latest contributions from scientists, architects, engineers and restoration experts dealing with different aspects of heritage buildings, including the preservation of architectural heritage. The importance of retaining the built cultural heritage cannot be overemphasised. Rapid development and the inappropriate conservation techniques are threatening many built cultural heritage unique sites in different parts of the world. This current volume covers a wide range of topics related to the historical aspects and the reuse of heritage buildings, as well as technical issues on the structural integrity of different types of buildings, such as those constructed with materials as varied as iron and steel, concrete, masonry, wood or earth. Material characterisation techniques are also addressed, including non-destructive tests via computer simulation. Modern computer simulation can provide accurate results demonstrating the stress state of the building and possible failure mechanisms affecting its stability. The included papers focus on such topics as: Heritage and tourism; Heritage architecture and historical aspects; Management and assessment of heritage buildings; Modern (19th/20th century) heritage; Re-use of heritage buildings; Adaptability and accessibility; Social, cultural and economic aspects; Material characterization; Learning from the past; Industrial heritage; Heritage masonry structures.

BUILDING CODES ILLUSTRATED STAY INFORMED OF THE LATEST UPDATES TO THE INTERNATIONAL BUILDING CODE WITH THE LEADING VISUAL REFERENCE In the newly revised Seventh Edition of Building Codes Illustrated: A Guide to Understanding the 2021 International Building Code(R), architectural drawing expert Francis D.K. Ching and well known architect -Steven R. Winkel deliver a beautifully illustrated and intuitively written handbook for the 2021 International Building Code (IBC). The authors provide brand new chapters on plumbing fixture counts, elevators, special construction, and existing buildings while updating the remainder of the material to align with recent changes to the IBC. Easy to navigate and perfect as a quick-reference guide to the IBC, Building Codes Illustrated is a valuable visual resource for emerging professionals. The book also includes: Thorough introductions to navigating the Code, use and occupancy, special uses and occupancies, and building heights and areas Full explorations of the types of construction, fire resistive construction, interior finishes, fire-protection systems, and means of egress Practical discussions of accessibility, interior environment, exterior walls, roof assemblies, and structural provisions In-depth examinations of special inspections and tests, soils and foundations, building materials and systems, and elevators Perfect for students of architecture, interior design, construction, and engineering, the latest edition of Building Codes Illustrated is also ideal for professionals in these fields seeking an up-to-date reference on the 2021 International Building Code.

The Drosten stone - one of Scotland's premier monuments - came to light during restoration work at St Vigeans church, near Arbroath, in the 1870s. A rare example of Pictish writing, the Drosten stone is just one in an astounding collection of exquisitely preserved Pictish sculptures discovered in and around the church. The carvings on these stones revel in Pictish inventiveness, teeming with lively naturalistic animals and innovative compositions of monsters and people, as well as both Pictish symbols and everyday objects. The sculptures' iconography also draws on a deep knowledge of Christian and classical literature, witness to a highly literate and cosmopolitan society. This definitive study of St Vigeans' Pictish stones, generously illustrated with plates of the full collection, begins in the recent past, when the sculptures began to emerge as a remarkable historic entity. It then explores the history of the sculptures, including an analysis of the carvings, the geology of the stones and attempts to extract meaning and context for this unique stone collection as part of a powerful ecclesiastical landscape.

SEVEN LESSONS ON ARCHITECTURAL MORPHOGENESIS It is the author's fourth extensive book on drawings in architectural design. It follows the Thought Palaces (1999), Thinkink (2010) and Urban Innuendoes (2013). All these books favored drawings as compared to text, but this book has no written text at all (with the exception of the acknowledgements and the contents page). Its motto is: drawings speak in many thongs, they form the text of this book. It contains seven architectural projects, all designed by the author, and with one exception, they are all international competitions about complex and significant public buildings. None of his winning projects are among them, because the purpose of the book is to provide insights related to the secrets of the intuitive and rational process of the thoughts to matter transformation. All the freehand ink drawings are made by the author, using the "spaceprints" method. Visit the short video:

Temples for a Modern God is one of the first major studies of American religious architecture in the postwar period, and it reveals the diverse and complicated set of issues that emerged just as one of the nation's biggest building booms unfolded. Jay Price tells the story of how a movement consisting of denominational architectural bureaus, freelance consultants, architects, professional and religious organizations, religious building journals, professional conferences, artistic studios, and specialized businesses came to have a profound influence on the nature of sacred space. Debates over architectural style coincided with equally significant changes in worship practice. Meanwhile, suburbanization and the baby boom required a new type of worship facility, one that had to attract members and serve a social role as much as it had to to honor the Divine. Price uses religious architecture to explore how Mainline Protestantism, Catholicism, Judaism, and other traditions moved beyond their ethnic, regional, and cultural enclaves to create a built environment that was simultaneously intertwined with technology and social change, yet rooted in fluid and shifting sense of tradition. Price argues that these structures, as often mocked as loved, were physical embodiments of a significant, if underappreciated, era in American religious history.

An exploration of the captivating work and mystical outlook of the modern artist Remedios Varo, focusing on her years in Mexico City.

This publication offers a definitive look at the artistic practice of Remedios Varo (1908–1963) following her emigration from Spain to Mexico City in 1941. Her work from 1955 to 1963 made a lasting contribution to modern art and the legacy of Surrealism. In Remedios Varo: Science Fictions, fresh historical and material findings establish the integral relationship between Varo’s layered interests—in alchemy, architecture, magic, mysticism, philosophy, and science—and her beguiling technical approach to art making. Essays detail specific works’ complex stories and spectacular surfaces. An illustrated taxonomy of Varo’s artistic techniques, including automatic mark making as well as careful manipulation of materials and media, offers new insights into the artist’s craft. An illustrated inventory of a major portion of Varo’s library—published here for the first time—reveals the artist’s engagement with a wide range of subjects.

Stunning new photography of many of her artworks are presented within a dynamic geometric design inspired by the artist’s work. Situating Varo as a woman working in midcentury Mexico City and living among a tight-knit community of local and émigré artists, poets, and thinkers, the catalogue illuminates the complex worldview that shaped her search for individual and collective transcendence.