Once a rising star of the rodeo circuit, and a gifted horse trainer, young cowboy Brady is warned that his riding days are over, after a horse crushes his skull at a rodeo.

Back home on the Pine Ridge Reservation, with little desire or alternatives for a different way of life, Brady’s sense of inadequacy mounts as he is unable to ride or rodeo – the essentials of being a cowboy. In an attempt to regain control of his own fate, Brady undertakes a search for new identity and what it means to be a man in the heartland of America.

A tender and sweeping story about what roots us, Minari follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother.

Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home.

Loving Vincent is a biographical drama film about the life of painter Vincent van Gogh.

It is the world's first fully oil painted animated film and brings his artwork to life in an exploration of the death of one of history's most celebrated artists.

A true labour of love, written and directed by Dorota Kobiela and Hugh Welchman, each of the film's 65,000 frames is an oil painting on canvas, using the same technique as Van Gogh, created by a team of 115 painters.

(Academy Award nomination for: Best Animated Picture)

From renowned provocateur Paul Verhoeven (Elle, Basic Instinct), BENEDETTA is a subversive erotic drama based on the true story of a 17th century nun entangled in a forbidden lesbian affair.

Virginie Efira stars as the titular Benedetta, a nun whose religious fervor begins to manifest in increasingly sensual and violent visions of Jesus. These hallucinations arouse the suspicions of Charlotte Rampling’s shrewd abbess, Sister Felicita, whose distrust grows when a farm girl called Bartolomea (Daphné Patakia) enters the convent seeking refuge, and quickly develops an attraction to Benedetta.

Premiering at the Cannes Film Festival, Verhoeven’s intoxicating latest is a transgressive and alluring look at faith, power and religion, and is every bit as scandalous as you would expect from the controversial filmmaker.

In French with English subtitles.

Sarah Watt's Look Both Ways opens with one man being hit by a train whilst another is diagnosed with testicular cancer. And you'd be surprised to find that what follows is actually a love story.

Nick, who is trying to live a normal life after being told he has cancer, ends up meeting Meryl, the only witness to the tragic train accident. Instantly drawn to one another the two share their experiences of life and death whilst their family and friends suffer their own personal crises.

Look Both Ways is a commanding debut feature that successfully blends animation and live action whilst bringing a wry humour to a difficult subject matter.

Derek Jarman struggled for seven years to bring his portrait of the 17th-century Italian artist Michelangelo da Caravaggio to the screen. The result was well worth the wait, and was greeted with critical acclaim: a freely dramatised portrait of the controversial artist and a powerful mediation on sexuality, criminality and art -a new and refreshing take on the usual biopic.

The film centres on an imagined love-triangle between Caravaggio, his friend and model Ranucdo, and Ranuccio's low-life partner Lena. Conjuring some of the artist's most famous paintings through elaborate and beautifully photographed tableaux vivants, these works are woven into the fabric of the story, providing a starting point for its characters and narrative episodes.

Caravaggio features wonderful performances from Nigel Terry, Sean Bean, and, in her first role, Tilda Swinton, who was to become Jarman's muse and long-time collaborator. A visual treat, it was the first major film production for award-winning costume designer Sandy Powell, with luscious production design by Christopher Hobbs.

Kaneto Shindo, one of Japan s most prolific directors, received his biggest international success with the release of Onibaba [The Demoness] in 1964. Its depiction of violence and graphic sexuality was unprecedented at the time of release. Shindo managed - through his own production company Kindai Eiga Kyokai - to bypass the strict, self - regulated Japanese film industry and pave the way for such films as Yasuzo Masumura's Mojuu (1969) and Nagisa Oshima's In the Realm of the Senses (1976).

Onibaba [or Onibabaa, in its alternate spelling] is set during a brutal period in history, a Japan ravaged by civil war between rivaling shogunates. Weary from combat, samurai are drawn towards the seven - foot high susuki grass fields to hide and rest themselves, whereupon they are ambushed and murdered by a ruthless mother (Nobuko Otowa) and daughter - in - law (Jitsuko Yoshimura) team. The women throw the samurai bodies into a pit, and barter their armour and weapons for food. When Hachi (Kei Sato), a neighbour returning from the wars, brings bad news, he threatens the women's partnership.

Erotically charged and steeped in the symbolism and superstition of its Buddhist and Shinto roots, Kaneto Shindo's Onibaba is in part a modern parable on consumerism, a study of the destructiveness of sexual desire and - filmed within a claustrophobic sea of grass - one of the most striking and unique films of Japan's last half - century, winning Kiyomi Kuroda the Blue Ribbon Award for Cinematography in 1965. The memorably frenetic drumming soundtrack was scored by long - time Shindo collaborator Hikaru Hayashi.

Ivan Beckman has the midas touch. He's secured the deal of his career, and life in Hollywood's fast lane has just got one hell of a lot faster.But when fate delivers a cruel and unexpected blow, Ivan is sent spiralling out of control.

Soon, he starts living his life of hedonistic pleasure - parties, women and drugs - to the extreme. And while others are more than willing to join in the fun, only Ivan knows the occasion.

A modern day interpretation of Tolstoy's classic short story, The Death Of Ivan Ilyich, this brilliant expose of Hollywood's cut-throat world of deal making and breaking features a truly inspired performance by Danny Huston.

Roma follows Cleo, a young domestic worker for a family in the middle-class neighborhood of Roma in Mexico City.

Delivering an artful love letter to the women who raised him, director Alfonso Cuarón draws on his own childhood to create a vivid and emotional portrait of domestic strife and social hierarchy amidst political turmoil of the 1970s.

(2019 Academy Award winner for Best Director, Best Foreign Language Film, Best Cinematography)

Carlos Saura's exquisite Cria Cuervos...heralded a turning point in Spain: Shot while General Franco was on his deathbed, the film melds the personal and the political in a portrait of the legacy of fascism and its effects on a middle-class family (the title derives from the Spanish proverb: "Raise ravens and they'll peck out your eyes"). Ana Torrent(the dark-eyed beauty from The Spirit of the Beehive) portrays the disturbed eight-year-old Ana, living in Madrid with her two sisters and mourning the death of her mother, whom she conjures as a ghost (played by an ethereal Geraldine Chaplin). Seamlessly shifting between fantasy and reality, the film subtly evokes both the complex feelings of childhood and the struggles of a nation emerging from the shadows.

The danceable sound of El Gringo de la Bachata has garnered him a following in his native Dominican Republic and abroad, winning the hearts of many with the Bachata's traditional tales of melancholy and heartbreak. Here, audiences are taken backstage to meet those who populate the artist's world, and are treated as well to live concert footage featuring such songs as "Se Me Quedo tu Nombre" and "Gringo Muere de Dolor."

Set in beautiful 14th century Sweden, the film tells a sombre, powerful fable of peasant parents whose daughter, a young virgin, is brutally raped and murdered by swineherds after her half sister has invoked a pagan curse.

By a bizarre twist of fate, the murderers ask for food and shelter from the dead girl's parents, who, upon discovering the truth about their erstwhile lodgers, exact a chilling revenge.

This cruel and sensational medieval allegory, made all the more powerful for the luminous, hauling black and white photography and Bergman's meticulous direction, was later to be re-made by horror director Wes Craven as Last House on the Left.

In black & white.

Amelie Poulain has led a sheltered life - educated at home by over-protective parents, she retreats into a fantasy world of her own.

When she finally leaves home and finds work as a waitress in a Parisian cafe, life is pretty uneventful until a chain of extraordinary events leads her to the discovery of a tin box containing a schoolboy's long forgotten mementos.

It is then that Amelie discovers her true vocation in life - helping others find love and happiness - which she sets about in her own unique and magical way. But when Amelie falls in love herself, she realizes that making neat solutions is not as easy as it seems...

In French with English subtitles.

Academy Award, Golden Globe and BAFTA nominated Capernaum is the stunning and unforgettable new film from acclaimed director Nadine Labaki.

In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family. Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.

Capernaum is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.

A handsome, enigmatic stranger arrives at a bourgeois household in Milan and successively seduces each family member, not forgetting the maid. Then, as abruptly and mysteriously as he arrived, he departs, leaving the members of the household to make what sense they can of their lives in the void of his absence.

In this cool, richly complex and provocative political allegory, director Pasolini uses his schematic plot to explore family dynamics, the intersection of class and sex, and the nature of different sexualities. After winning a prize at the Venice Film Festival, Theorem was subsequently banned on an obscenity charge, but Pasolini later won an acquittal on the grounds of the films 'high artistic value'.

Theorem is visually ravishing, with superb performances from its international cast and a brilliantly eclectic soundtrack featuring music by composers ranging from Mozart and Morricone.

Pier Paolo Pasolini's screen adaptation of the Greek tragedy stars opera diva Maria Callas in her only film role. Medea (Callas), daughter of a king, falls in love with Jason (Giuseppe Gentile) and helps him steal the Golden Fleece. She becomes Jason's wife and queen, but when he decides to leave her she wreaks a horrible revenge, murdering her own children.

An intimate exploration of a disintegrating marriage, this powerful drama features faultless performances from two of Bergman's greatest acting collaborators -Liv Ullmann and Erland Josephson.

When Marianne discovers that her husband, Johan, is involved with a younger woman she re-evaluates her life and the importance of her marriage. Time passes, their relationship changes and the couple divorce. Then -several years later - they have an illicit affair during which they talk with frankness and understanding about their feelings for one another.

Capturing the trauma of a beleaguered marriage in painful close-up, this exhaustive study of doubt, despair and confusion is brought to life by superb photography.

In Swedish with English subtitles.

Kaya Scodelario as Cathy and James Howson as Heathcliff lead an impressive British cast in this timeless story of two of the most memorable lovers in literature.

This raw and gritty version of Emily Bronte's classic novel is ruthlessly brought down to its essential roots, and presents us with an adaptation that's startlingly original and completely unforgettable.

Set among the upper classes in turn-of-the-millennium Milan, I Am Love opens with a formal lunch party in which ailing patriarch Edoardo Sr celebrates his birthday by passing the family business over to his son Tancredi and grandson Edoardo Jr.

Tensions soon begin to show beneath the smooth, controlled veneer of the Recchi family as Tancredi's wife, Russian-born Emma, succumbs to the inelegant forces of passion and unconditional love.

(Nominated for an Academy Award for Best Costume Design)

Jean-Luc Godard's homage to Hollywood pulp fiction movies of the 1940s which also gave its name in the 1990s to Quentin Tarantino's production company. Franz (Sami Frey) and Arthur (Claude Brasseur), a couple of Parisian streetwise kids team up with the shy Odile (Anna Karina) to plan a robbery. The trio's over-developed fantasies come together whilst visiting the Louvre, cafes and even play-acting shoot-outs and it soon becomes apparent that the robbery is definitely not going to go according to plan.

Winner of the Palme d'Or at the 2019 Cannes Film Festival and Best Picture at the Academy Awards, acclaimed director Bong Joon-ho returns with this black comedy about wealth, greed and class discrimination.

Meet the Park Family: the picture of aspirational wealth. And the Kim Family, rich in street smarts but not much else. Be it chance or fate, these two houses are brought together and the Kims sense a golden opportunity. Masterminded by college-aged Ki-woo, the Kim children expediently install themselves as tutor and art therapist, to the Parks. Soon, a symbiotic relationship forms between the two families. The Kims provide “indispensable” luxury services while the Parks obliviously bankroll their entire household.

When a parasitic interloper threatens the Kims’ newfound comfort, a savage, underhanded battle for dominance breaks out, threatening to destroy the fragile ecosystem between the Kims and the Parks.

(Winner of 4 Academy Awards: Best Picture, Best Director, Best Original Screenplay, Best International Feature Film. Also nominated for Best Production Design, Best Film Editing)

Through A Glass Darkly
A schizophrenic girl has visions, believing that Gods presence is ever closer. However, as her descent into madness deepens, she becomes the focal point for the emotions of three men. In challenging the traditional notions of God, Bergman's Academy Award winning film is a devastating, harrowing portrayal of the uneasiness and creeping paranoia of contemporary life.

Winter Light
A susceptible and disillusioned fisherman is urged by his wife to seek solace from his local priest. However, the priest is struggling to regain his own belief. Bergman's desire to define man's relationship to God is beautifully played out in the film with stunning character performances and cinematography from the director's favoured collaborator Sven Nykvist.

The Silence
The intimacy of two sisters threatens to destroy them both mentally and physically. Travelling to a foreign city on the brink of war and whose language they do not understand, the setting becomes a metaphor for the strained relationship between the women. This is a shattering vision of emotional isolation and despair in a claustrophobic spiritual void.

All three feature films in black & white and in Swedish with English subtitles.