Aesthetic 3D Lighting: History, Theory, and Application delves into the history, the theory, and the practical and aesthetic application of lighting in the fine arts and 3D animation. In this book, animation industry veteran and lighting expert Lee Lanier examines the importance of lighting and its ability to communicate information to the viewer. Lee examines the history of lighting as applied to the fine arts, film, photography, and 3D animation. He discusses the use of light color, light location and direction, and light shadow types to recreate specific locations and to generate moods. He includes guides for successful lighting in 3D animation. Software-agnostic examples lead you through useful 3D lighting set-ups. Chapter-long case studies step you through more complex 3D lighting projects in Autodesk Maya. An accompanying eResource (www.routledge.com/9781138737570) features 3D model files, scene files, and texture bitmaps, allowing you to practice the discussed techniques in Autodesk Maya and many other 3D programs. The lighting techniques covered in this book include: History of lighting as used in the fine arts The scientific mechanisms of light Light types and light application in 3D programs Light qualities including shadows variations Basic and advanced 3D lighting approaches 1-, 2-, 3-point, naturalistic, and stylistic lighting techniques Replication of real-world lighting scenarios and locations Overview of advanced 3D lighting and rendering systems

Although much of model engineering work is a matter of making one part to fit another and thus may obviate the need for the sophisticated means of measuring often called for in production engineering, the accuracy of a finished job begins with the exactness of the initial making out and continues with the accuracy of measurements made during the progress of the work. How to use measuring equipment and how to mark out work - not always the simple matter it might at first seem - are essential skills for any engineer and the purpose of this book is to show how they may be acquired and employed.

A 'How to' book featuring painting techniques used by Dutch Renaissance Masters such as Rembrandt and Rubens, Bruegel and Bosch. This beautifully illustrated book for practising artists and art students examines everything there is to know about the techniques used by the Dutch Masters of the Golden Age. From the preparation of surfaces and the creation of paints and pigments to the methods used, award-winning artist Brigid Marlin considers how these skills can work in modern settings and includes stunning representations of contemporary artists' work. Discover the techniques and materials used by Rembrandt in his portraits, how to achieve balance and tension, rhythm and points of interest in the style of Bruegel and Rubens, and how to recreate luminous still-life paintings like those of the Van Eyck brothers. Projects include clear, step-by-step demonstrations to replicate these almost-forgotten techniques as well as examples of works which they inspired.

Despite the modern dominance of computer graphics programs and digital cameras, the ability todraw geological structures manually remains a necessity in academic geology and beyond. Drawings serve for quick and simple documentation in the field or at the microscope. They can be applied as a language of their own as well as be adapted to suit specific requirements. Moreover, geological drawing improves observational ability and contributes to the understanding of geological structures and structure-forming processes. Geological drawing is assisted scientific thinking. Drawing Geological Structures provides undergraduate as well as graduate and practicing geologists with a thorough, step-by-step practical guide to the art of geological drawing. Beginning with the basics, the book covers thin sections, sample sections, samples and geological stereograms. The chapters provide examples of how drawings evolve and are complemented by exercises, allowing the reader to practice their drawing prior to going out into the field or working at the microscope. Users of this unique guide will develop their knowledge and technical vocabulary whilst also improving their drawing skills.

Drawing Masterclass explores the act of vision of the world's great artists, describing how the images were created to allow you to weave some of this magic into your own drawings. The book is organized into seven chapters covering important genres: nudes, figures, landscapes, still life and studies, heads, fantasy and abstraction. Each chapter selects a cross section of artists and examines their practice in detail, using key drawings. Each artist is described through one of 100 selected masterpieces, plus a biographical profile and a practical look at the way the drawing was made: the materials and technique, as well as an examination of the ideas and inspiration behind its making and how the artist's life might reflect their concerns. Light and shade, rhythm, form, space, contour and composition are all covered in detail. The book covers a broad historical and geographic sweep, and includes many of the most celebrated male and female artists.

In this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.
The first part of the book, "Some Notes on Reception," contains overviews of texts about specific works such as "The Dead Christ, The Solothurn Madonna, " and "The Meyer Madonna." Other themes addressed include the perception of Holbein's character and his place among other Renaissance masters, his work as a portraitist, his use of illusion, authenticity controversies, and a brief chronicle of Holbein collectors. Previously unaddressed topics include Holbein's influence on later artists, and his impact on fiction, including his influence seen in the works of writers such as Dostoevsky, Henry James and Edith Wharton. This part of the book also contains synopses of the most significant and recent Holbein scholarship. These vignettes constitute a multi-dimensional approach to Holbein reception, sharpened by selected quotations from his critics.
The second part of the book is a comprehensive listing of over 2,500 bibliographic citations for works dealing with Holbein and his oeuvre, each accompanied by an annotation outlining the authors' principal contributions. The range of material covered includes not only books and scholarly journals but also newspapers and other popular publications. Individual sections include texts dealing with primary sources, monographs, compendia, and exhibition catalogues. Others are devoted to texts about Holbein's paintings, drawings and prints, as well as to iconography, technical studies, patronage, collections, influences on Holbein, and Holbein reception. General Index. Author Index.

A guide to the primary and secondary resources on women in Victorian painting in the WOMENS HISTORY AND CULTURE series. Contemporary reviews, books, articles, essays and dissertations are included, along with general studies of women painters and images of women.

Widely loved illustrator Tasia brings her unique style to this issue's cover design, and she also provides an in-depth tutorial to show us how she creates her art. Kenneth Anderson creates a 70s rock band, Johanna Forster brings fruit to life, and Sara Paz shows us how to create characters from reference photos. Character Design Quarterly (CDQ) is a lively, creative magazine bringing inspiration, expert insights, and leading techniques from professional illustrators, artists, and character art enthusiasts worldwide. Each issue provides detailed tutorials on creating diverse characters, enabling you to explore the processes and decision making that go into creating amazing characters. Learn new ways to develop your own ideas, and discover from the artists what it is like to work for prolific animation studios such as Disney, Warner Bros., and DreamWorks.

A practical approach to all aspects of making porcelain pots and sculptures: from clays and glazes to throwing, handbuilding, slipcasting and decorating. Porcelain is known and highly praised for its delicacy, translucency, fineness and whiteness, but it has always posed particular problems for ceramicists using it. In this revised edition, Peter Lane looks at the development of porcelain in the last few years of the 20th century and at the start of the 21st. He gives particular consideration to the technical achievements, the working practices and aesthetic concerns of ceramicists who work with this most popular medium and its close relative, bone china. The works illustrated in this book demonstrate the confidence and the versatility of contemporary ceramicists who use its special characteristics in exciting and original ways. There are over 350 new illustrations and 75 new artists featured in this updated edition. The result is a breathtaking look at the exciting and innovative work that is currently being done internationally in this field. The wide diversity of porcelain objects will both inspire and enthral potters, collectors and anyone interested in fine ceramics.

Colour is a powerful force in our lives. It is a major influence in visual and verbal communication and on the decisions we make every day. DEEP COLOR unpacks all the shades of the rainbow (plus black, white, and pink) with little-known facts, stunning visuals, and a critical perspective on colour and the nonverbal meanings it carries. Essays explore the intriguing facets of colour, such as imperial yellow in China or lapis lazuli in Egypt. Each hue is illustrated not just in words, but in historical and contemporary images that show how ancient ideas are still very much alive today -- and also how colour can take on new meanings. For creatives of all kinds, Deep Color helps us unpack the colour-laden stimuli all around us and find new depth in our colour choices.

A lavishly illustrated biography of James Gillray, inventor of the art of political caricature James Gillray (1756-1815) was late Georgian Britain's funniest, most inventive, and most celebrated graphic satirist and continues to influence cartoonists today. His exceptional drawing, matched by his flair for clever dialogue and amusing titles, won him unprecedented fame; his sophisticated designs often parodied artists such as William Hogarth, Joshua Reynolds, and Henry Fuseli, while he borrowed and wittily redeployed celebrated passages from William Shakespeare and John Milton to send up politicians in an age-as now-where society was fast changing, anxieties abounded, truth was sometimes scarce, and public opinion mattered. Tim Clayton's definitive biography explores Gillray's life and work through his friends, publishers-the most important being women-and collaborators, aiming to identify those involved in inventing satirical prints and the people who bought them. Clayton thoughtfully explores the tensions between artistic independence, financial necessity, and the conflicting demands of patrons and self-appointed censors in a time of political and social turmoil. Distributed for the Paul Mellon Centre for Studies in British Art

This book is a celebration and exploration of the acclaimed, bestselling franchise. It will delve into the history of the games, how they were made, and the real-life context behind the settings and characters. The Art & Making of Sniper Elite will cover the whole franchise, from the first game to the latest. It will contain commentary and insight from the artists and developers, alongside concept art of the iconic characters, weaponry, vehicles and environments. A must-have for any Sniper fan.

The act of field sketching allows us to experience the landscape first-hand - rather than reliance upon plans, maps and photographs at a distance, back in the studio. Aimed primarily at landscape architects, Janet Swailes takes the reader on a journey through the art of field sketching, providing guidance and tips to develop skills from those starting out on a design course, to those looking to improve their sketching. Combining techniques from landscape architecture and the craft and sensibilities of arts practice, she invites us to experience sensations directly out in the field to enrich our work: to look closely at the effects of light and weather; understand the lie and shapes of the land through travel and walking; and to consider lines of sight from the inside out as well as outside in. Full colour throughout with examples, checklists and case studies of other sketchers' methods, this is an inspirational book to encourage landscape architects to spend more time in the field and reconnect with the basics of design through drawing practice.

In this book, gouache, a classic technique-used by Turner, Toulouse-Lautrec, Bonnard, Picasso, Gris, Braque, Matisse and Miro, among many others often compared to watercolour, acquires a new dimension, as it offers a bolder approach to contemporary artists, illustrators and graphic designers. Gouache erases the boundaries between 'proper painting' and the spontaneous charm of watercolour, combining the advantages of both techniques. Diluted, gouache is almost like watercolour, but when used on its own, it can be applied in opaque layers with a matte surface reminiscent of pastels. Soluble in water, it is rather forgiving and allows for corrections and revisions, and finally, the fine grain of the pigment it contains makes detailed drawings possible. Award-winning illustrator Aljoscha Blau shares his many years of experience, offers material recommendations, tips for swift success, suggestions on composition, the use of colour, tools and processes. And he spices it all up with his own illustrations, which are both an incentive and a feast for the eyes...

It's difficult to say what "The Iron Tonic" is about, although it is "known the skating pond conceals a family of enormous eels," and that "the light is fading from the day. The rest is darkness and dismay." Finally, though, "The Iron Tonic" could be seen as Edward Gorey's version of a winter afternoon in one of the great Russian novels of the nineteenth century.

A groundbreaking examination of Mel Bochner's inventive drawing practice produced collaboratively with the artist Encompassing both works on paper and oversized wall drawings made from the 1960s to the present, this handsomely designed volume documents the first-ever museum retrospective of drawings by Mel Bochner (b. 1940). Drawing has long been critical to the work of this pioneering conceptual artist, and essayists explore the theoretical framework and playful experimentation of his decades-long practice. The book, conceived and designed in close collaboration with the artist, features his own writings about his philosophy of wall drawings and reflections on significant exhibitions of his work. Bochner was a key figure of the Minimalist and Conceptual Art movements whose first exhibition in 1966 is now recognized as seminal. Today the artist is known for works in a range of media that explore the conventions of language and visual art as well as the relationships between them; his experimental works on paper, canvas, and wall-all of which are celebrated here-are a foundational facet of his practice and a critical influence on contemporary art. Distributed for the Art Institute of Chicago Exhibition Schedule: Art Institute of Chicago (April 23-August 22, 2022)

Take your time to relax and colour in these super cute original designs from illustration artist Meni Tzima. These beautiful line drawings can be filled in and coloured any way you want. In this book you will find cupcakes, funny bunnies, flowers, sweet candies, cactus, happy cats, donuts, hearts and stars. When you're finished colouring, simply remove the pages, place them in a frame and hang them on your wall!

The saw is one of the most basic tools and tends to be taken very much for granted. Many hours and much effort can be saved, and more accurate work produced, if the user has the knowledge of how his saw works and how to keep it in good condition. In this book Ian Bradley provides detailed guidance on the use and maintenance of all types of saw, both hand and mechanical, from the humble junior hacksaw to circular and bandsaws, in the comprehensive and succinct manner that has made him such a respected writer on workshop matters.

In Sketching Women, three professional studio artists (Kozo Ueda, PhD, Takahiro Okada, PhD and Minoru Hirota, PhD) join forces to show you how to sketch the female figure through 55 step-by-step drawing lessons. Each instructor walks you through their philosophy for croquis sketching. Croquis sketches are quickly-rendered drawings that capture the essentials of a subject's form and pose with relatively few expressive lines. There are four levels of sketching described in the book: 1-minute croquis: very rapid gesture drawings that capture only the artist's impressions of the form, and where the pencil stays in contact with the paper for practically the entire session 2-minute croquis: another quick sketch, but with more attention paid to the character and rhythm of the lines and how they help to express the essence of the form 5-minute croquis: a more finished drawing where added tonal variations suggest volume and anatomical details 10-minute croquis: more of a finished drawing than true croquis, the longer session allows the luxury of adding fine details such as the facial expression, the character of the hands and clothing texture Learn to sketch the following: Individual body parts (including faces) and their bone structure and muscles Standing and sitting poses Nudes and clothed figures Light and dark tonal variations Dynamic poses Color drawings You'll quickly hone your sketching skills with this life-drawing classroom-in-a-book. The expert advice and observations, dozens of poses to study, as well as easy-to-understand notes and tips make it easy to understand how the skeleton, muscles and posture all come together to express the uniquely female form.