Between 1972 and 1974, the Mighty Macs of Immaculata College -- a small Catholic women's school outside Philadelphia -- made history by winning the first three women's national college basketball championships ever played. A true Cinderella team, this unlikely fifteenth-seeded squad triumphed against enormous odds and four powerhouse state teams to secure the championship title and capture the imaginations of fans and sportswriters across the country. But while they were making a significant contribution to legitimizing women's sports in America, the Mighty Macs were also challenging the traditional roles and obligations that circumscribed their Catholic schoolgirl lives. In this vivid account of Immaculata basketball, Julie Byrne goes beyond the fame to explore these young women's unusual lives, their rare opportunities and pleasures, their religious culture, and the broader ideas of womanhood they inspired and helped redefine.

The NCAA men's basketball tournament is one of the iconic events in American sports. In this fast-paced, in-depth account, J. Samuel Walker and Randy Roberts identify the 1973-74 season as pivotal in the making of this now legendary postseason tournament. In an era when only one team per conference could compete, the dramatic defeat of coach John Wooden's UCLA Bruins by the North Carolina State Wolfpack ended a decade of the Bruins' dominance, fueled unprecedented national attention, and prompted the NCAA to expand the tournament field to a wider range of teams. Walker and Roberts provide a richly detailed chronicle of the games that made the season so memorable and uncover the behind-the-scenes maneuvering that set the stage for the celebrated spectacle that now fixes the nation's attention every March.

During the 1980s Black athletes and other athletes of color broadened the popularity and profitability of major-college televised sports by infusing games with a “Black style� of play. At a moment ripe for a revolution in men’s college basketball and football, clashes between “good guy� white protagonists and bombastic “bad boy� Black antagonists attracted new fans and spectators. And no two teams in the 1980s welcomed the enemy’s role more than Georgetown Hoya basketball and Miami Hurricane football. Georgetown and Miami taunted opponents. They celebrated scores and victories with in-your-face swagger. Coaches at both programs changed the tenor of postgame media appearances and the language journalists and broadcasters used to describe athletes. Athletes of color at both schools made sports apparel fashionable for younger fans, particularly young African American men. The Hoyas and the ’Canes were a sensation because they made the bad-boy image look good. Popular culture took notice. In the United States sports and race have always been tightly, if sometimes uncomfortably, entwined. Black athletes who dare to challenge the sporting status quo are often initially vilified but later accepted. The 1980s generation of barrier-busting college athletes took this process a step further. True to form, Georgetown’s and Miami’s aggressive style of play angered many fans and commentators. But in time their style was not only accepted but imitated by others, both Black and white. Love them or hate them, there was simply no way you could deny the Hoyas and the Hurricanes.