In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. It is suitable for libraries; academics; postgraduates and upper level undergraduates.

The conversations in this collection open by challenging ideas that have become standard and subjecting them to critical re-examination. The central thread of all these essays is a reflection on the processes of reading and theologizing. Many focus on the relation of Paul to the energetic and complex Judaism of the 1st century, and one reads the Gospel of John in this light. Others highlight eschatology. Among the contributors to this volume are David E. Aune, Jouette Bassler, Daniel Boyarin, Neil Elliott, Victor Paul Furnish, Lloyd Gaston, Steven J. Kraftchick, Robert C. Morgan, J. Andrew Overman, Mark Reasoner, Peter Richardson, and Robin Scroggs. Juanita Garciagodoy and David H. Hopper offer appreciations of Calvin Roetzel as a teacher and colleague.

The Bible and Western culture is a burgeoning area of interest in recent scholarship, but comparatively little has been written on the Bible and music. Leneman's is a groundbreaking work, making some pioneering forays across an important interdisciplinary divide. The Performed Bible is an in-depth study of the librettos and music of 12 operas and oratorios on the story of Ruth from the last two centuries, establishing the potential of music, as a kind of midrash, for transforming a Bible text, its narrative and its characterization. The book includes detailed analyses of musical segments, the author being a cantor and professional musician in whose Jewish tradition biblical texts are chanted, not read. This fresh and insightful work will no doubt prove attractive to biblical scholars, to musicians and to music lovers generally.

This commentary builds on the work of previous scholarship and addresses contemporary issues. It gives serious attention to questions of textual criticism, philology, history, and Near Eastern backgrounds and is sensitive to the literary conventions characteristic of the prophetic literature of the Old Testament. The book is an earnest attempt to hear the message of the ancient prophets, a message that remains relevant today. The Old Testament Library provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The contributors are scholars of international standing.

In its twelfth volume this text examines a number of Patristic texts and early Christian documents from a feminist perspective."The Feminist Companion to Patristic Literature" is the twelfth volume in the "Feminist Companion to the Bible and Early Christian Literature" series. Presenting cutting-edge studies by both established scholars and new voices from diverse cultures and contexts, the series not only displays the range of feminist readings, but also offers essential readings for all students of the New Testament and early Christian literature.This volume examines a number of Patristic texts and early Christian documents from a feminist perspective including "Clement of Rome", "Clement of Alexandria", the "Christian Martyr" and the "Gospel of Thomas". The contributors include: Barbara Bowe, Jorunn Jacobsen Buckley, Denise Buell, Virginia Burrus, Elizabeth Castelli, Elizabeth Clark, Kathy Gaca, Robin Jensen, Ross S Kraemer, Carolyn Osiek, Carolyn Osiek, and Theresa Shaw. This book is suitable for libraries; academics; postgraduates and upper level undergraduates.

Eusebius of Caesarea (d. 339) is our major historical witness to the triumph of Christianity in the early fourth century. His commentary on the Book of Isaiah has only been available to modern scholars since 1975. The present book, the first comprehensive study, examines how Eusebius interpreted Isaiah in the context of Constantine's conversion.

Green argues that the Beatitudes in Matthew's version are a carefully constructed poem, exhibiting a number of the characteristics of Hebrew poetry as we know it from the Old Testament; but as certain of these, such as rhyme and alliteration, cannot survive translation, what we have here is an original composition in Greek. This is shown to be no isolated phenomenon in the gospel; a series of texts found at specially significant points in it disclose similar characteristics. The findings cut across conventional source attributions and reveal the creative hand of the evangelist. By studying the individual beatitudes in their relation to each other as revealed by the formal structure, fresh light is thrown upon their meaning and their background in the scriptures of the Old Testament.>

Are the stories of Daniel at the court of the Persian king simply cheerful tales of a clever and successful courtier, as many assume? Valeta doubts it, insisting that the playful and fantastic storyline must have a more serious meaning. The key to these narratives lies in their genre. These tales of lions and ovens and the like are examples of Menippean satire, argues Valeta, an ancient genre foregrounded in modern literary study by Bakhtin, who saw in the characteristic interplay of voices in the Menippean satire a prime instance of his dialogism . Especially typical of the Menippean satire is an indecorous mixing of styles and elements, which may be the explanation why the Daniel narratives are both comic and serious, Hebrew and Aramaic, episodic and unified. Viewed as satire, the Daniel narratives emerge in their true colours as resistance literature to the regime of Antiochus IV and so form a perfect accompaniment to the visions of Daniel 7 12.

This volume aims to compare the author of Matthew's Gospel with a selection of contemporary Christian authors and/or texts. Recent Matthean scholarship has highlighted the distinctiveness of this early Christian writer by emphasising his clear Jewish perspective in addition to his Christian affiliation. He can accurately be perceived as both Jewish and Christian because he holds that Christian commitment demands both observance of the Mosaic Law and faith in Jesus as the Messiah. But if Matthew is distinctively Jewish and Christian, how does he compare with other early Christian writers? Much of the New Testament literature was composed by Paul himself or by his later followers, and these Christians held the view that the Mosaic Law no longer had relevance in the light of the Christ event. Other New Testament texts that are not Pauline, e.g. the Gospel of John and the letter to the Hebrews, appear to agree with Paul on this point. Consequently, Matthew stands apart from other texts in the canon with the possible exception of the letter of James. The volume will therefore establish the distinctiveness of Matthew by comparing his theological perspective with his major sources, Mark and Q, and with the two remaining Gospels, the Pauline epistles, the letter to the Hebrews and the epistle of James. The comparison of Matthew with non-canonical texts, the Didache and the letters of Ignatius of Antioch, is important because much work has been done in these areas recently. Given Matthew's distinctive portrayal of Jesus, a comparison of Matthew and the historical Jesus is also demanded in the context of this volume.

The primaeval blessing, 'Be fruitful and multiply, and fill the earth, ' first announced to humankind in Genesis 1.28 is renewed to Noah and his sons after the flood in Genesis 9.1. There is widespread scholarly consensus that the ensuing dispersion in Genesis 10.1-32 and 11.1-9 is the means by which the creation blessing is fulfilled. Kaminski argues that the primeval blessing is not fulfilled in the Table of Nations and that Yahweh's scattering Noah's descendants in the Babel story does not contribute positively to the creation theme. Rather, the creation blessing is being taken up in the primary line of Shem (Genesis 11.10-26), which leads directly to Abraham. She further suggests that divine grace is not absent after the Babel judgment, as is commonly assumed, but is at work in the Shemite genealogy. She argues that the primeval blessing, which is unfulfilled in the primaeval history, is taken up by Abraham and his descendants by means of a divine promise. While the blessing is in the process of being realised in the patriarchal narratives, it is not fulfilled. The multiplication theme is resumed, however, in Exodus 1.7, which describes Israel's proliferation in Egypt. This is the first indication that the creation blessing is fulfilled. Realisation of the primaeval blessing progresses after the flood, therefore, from Noah to Israel. Yet God's blessing on Israel is not for their sake alone - it is the means through which the divine intention for creation will be restored to the world. JSOTS413

This investigation looks at Paul's argumentation with special attention paid to enthymemes. Enthymemes can be defined as a three part deductive argumentation with an unstated assumption. Enthymemes constitute an important part of Paul's argumentation which until now has been relatively unexploited. Pauline studies continues today to grapple with the question of the core of Paul's thought and the investigation of the apostle's social world is gaining interest among scholars. This study of the manner in which Paul constructs enthymemes gives us insight into his thought world and would be a valuable text for scholars and librarians.

A detailed examination of Proverbs 1-9, an early Jewish poetic work. Stuart Weeks incorporates studies of literature from ancient Egypt and from the Dead Sea scrolls, but his focus is on the background and use of certain key images in the text. Proverbs 1-9 belongs to an important class of biblical literature (wisdom literature), and is less well known as a whole than the related books of Job and Ecclesiastes, partly because it has been viewed until recently as a dull and muddled school-book. However, parts of it have been profoundly influential on the development of both Judaism and Christianity, and occupy a key role in modern feminist theology. Weeks demonstrates that those parts belong to a much broader and more intricate set of ideas than older scholarship allowed.

This book is a study of the Johannine Christian response to the fall of the Jerusalem Temple in 70 ce. A crucial text in this investigation is Jn 2.13-22 and its context, which provide a lens through which other texts in John are viewed. Kerr's examination of the Temple festivals of Passover, Tabernacles, Dedication suggests that in Jesus fulfils and replaces these, while in the case of the Sabbath he effects a transformation. The overall conclusion is that the Johannine Jesus replaces and fulfils the Jerusalem Temple.

This study of the language of Acts is based on M. A. K. Halliday's functional grammar, which offers a theory based on linguistic choices and the effects they have on readers or hearers. Interacting with selected interpretations from, among others, C.K. Barrett, Ben C. Witherington, Jerome Neyrey, Jacob Jervell and John Lentz, Martin-Asensio argues that transitivity ('who does what to whom') emerges as a key factor in the foregrounding scheme of Acts, and this analysis offers a linguistically based perspective on Luke's overall concern to underline the supremacy of the divine will on the stage of human affairs.

This book adopts an inter-disciplinary approach to the study of the theology, symbolism and argument of Hebrews. Employing sociological models, the book examines Hebrews in the context of the early Christians' construction and maintenance of a social world. In that respect, the book elaborates the thesis that Hebrews was designed to serve a legitimating function in the realm of social interaction, that its theology, symbolism and argument were designed to construct and maintain the symbolic universe of the community of the readers. It is argued that we cannot properly understand the theology, symbolism and argument of Hebrews apart from its first-century context.

The psalms are masterful poems that echo the tenors of community life and worship as they project the scope of the human drama from lament to praise. They chart a profound and vital relationship with God, with al the ups and downs that this relationship implies. Konrad Schaefer's concise commentary on the psalms relates their poetic elements while respecting their historical context and traditional use in the liturgy and, more importantly, their ultimate value as a springboard to private and communal prayer.

In "Psalms," Schaefer focuses on the structure of each psalm, its dramatic plot, the modes of discourse, the rhetorical features, and the effective use of imagery to portray theology and the spiritual life. Schaefer portrays each poem's inner dynamic to acquaint readers with the poet and the community which prayed and preserved the composition, allowing the believer to transpose it in the contemporary situation.

"Psalms" is for those who would like to pray the psalms with more intensity of meaning; for those willing to touch the biblical world and taste of its fruit in the Word of God; and for devoted readers of the Bible to become more expert as it helps experts become more devoted.

Chapters are Introduction," "Book One (Psalms 1-41)," "Book Two (Psalms 42-72)," "Book Three (Psalms 73-89)," "Book Four (Psalms 90-106)," and "Book Five (Psalms 107-150)."

"Konrad Schaefer, OSB, SSD, is a monk of Mount Angel Abbey, Oregon. He currently teaches at Our Lady of Angels in Cuernavaca, Mexico.""

This book examines the portrayal of Israel as a royal-priestly nation within Exodus and against the background of biblical and ancient Near Eastern thought. Central to the work is a literary study of Exodus 19:4GCo6 and a demonstration of the pivotal role these verses and their main image have within Exodus. This elective and honorific designation of YahwehGCOs cherished people has a particular focus on the privilege of access to him in his heavenly temple. The paradigm of the royal grant of privileged status has profound implications for our understanding of the Sinai covenant.