The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction-covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography-a helpful resource containing the most important works that pertain to each particular pericope. Translation-the author's own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes-the author's notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting-a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment-verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation-brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography-occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

Morning is a time to embrace renewed opportunity, fresh perspective, and an overall sense of rejuvenation. Morning Reflections is a collection of powerful and inspirational reading that is dedicated to helping you begin each new day in a positive way. Christian and inspirational author and poet Karen Jean Matsko Hood has woven together poems, prayers, and Biblical verses to fill your soul and spirit with peace and understanding. Just like a hearty morning meal strengthens your physical body, it is equally important to center your emotions and nourish your spirit with the sure footing that can only come from a personal connection with the Creator. Morning Reflections offers enlightenment and wisdom through blending encouraging prose and Scripture passages. This truly insightful new book of reflections makes for a perfect bedside companion or as a topic of conversation over the coffee table. This book is a wonderful gift to friends and family for daily morning prayer and appreciation of Christ's teachings. It is also for those with whom we are given the opportunity to share and experience it.

This critically acclaimed series provides fresh and authoritative treatments of important aspects of Old Testament study through commentaries and general surveys. The authors are scholars of international standing.

Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. "Foreign But Familiar Gods" then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.

The book of Revelation has long intrigued, puzzled and even frightened its readers. Surely it is the most misunderstood book in the Bible. And some faulty interpretations of Revelation are so entrenched in the consciousness of Christians that they are regarded as "gospel truth" and provide riveting plot lines for end-time fiction. But behind the ancient multimedia show that is Revelation lies a message both simple and profound, told in a language and grammar of faith that was clearly understood by its first Christian audience. Much as a music video would scarcely have been understood by first-century citizens, though it is immediately understood by youthful audiences today, so we are puzzled by and misread Revelation. Paul Spilsbury has studied Revelation in the company of its best interpreters, those who have taken the time to enter the minds of the first-century Christians for whom it was originally written. And what has he found? Amid and within the central images of a throne, a lamb and a dragon lies the answer: the gospel clearly proclaimed. The nature of God awesomely illumined. The work of Christ memorably embodied. The nature of evil hauntingly disclosed. Here is a guide that will help us hear Revelation speak, once again inspiring grateful worship and calling us to costly discipleship.

Scholars generally see the aspiration of the Roman Empire and the imperial cult in Asia Minor as the great villain in "Revelation", treating the depiction of a cosmic conflict in the book mostly as metaphors that hold little or no explanatory power in the story. This book pursues the conviction that the cosmic conflict imagery is the primary and controlling element in the account. Such a reading puts the war-in-heaven theme in the foreground and calls on interpreters to pay more attention to the heavenly being whose attempt to subvert the truth about the divine government is the unremitting concern in "Revelation". This book redresses the distortion that results from leaving the larger conflict theme underexposed. Having first developed the story line, it aims is to show that the phrase 'Pistis Iesou' in "Revelation" is best understood when "Revelation" is read as a theodicy of God's handling of the reality of evil.

Healing Verses of the Psalms is a must-have reference of excerpted verses of the Book of Psalms from the King James Version of the Bible that carries an impactful healing quality. It will serve as your ready reference to find verses that bring healing, relaxation and invigoration in times of stress or for life enhancement.Healing Verses of the Psalms includes beautiful illustrations and easy-to-understand suggestions for use along with insights, all of which can provide greater application and understanding for how this book can benefit you.It also comes complete with an index, making it easy to find a verse that applies to a specific need you may have.

The book reads the descriptions of the body in the Song of Songs as grotesque, as an alternative way of interpreting perplexing imagery and as a means to investigate the Song's politics of gender and love. The lovers' expressions of mutual affection and desire in the Song of Songs include intimate and detailed poetic descriptions of the body. These are challenging to interpret because the imagery used is cryptic, drawing on seemingly incongruous aspects of nature, architecture and war. Biblical scholarship frequently expresses some discomfort or embarrassment over this language, yet largely maintains the view that it should be interpreted positively as a complimentary and loving description of the body. If read without this hermeneutic, however, the imagery appears to construct nonsensical and ridiculous pictures of the human form, which raise interesting questions, and pose definite challenges, for the Song's readers. Fiona Black addresses the problematic nature of the Song's body imagery by using the artistic and literary construct of the grotesque body as a heuristic. The resulting reading investigates some issues for the Song that are often left to the margins, namely, the Song's presentation of desire, its politics of gender, and the affect of the text. The book concludes with the identification of some implications of this reading, including the creation of a new framework in which to understand the relevance of the Song's imagery for its presentation of love.

The books of Chronicles have a certain fantasy quality about them. They create an imaginary world in which things happen just so, and in which any potentially untidy loose ends in their narrative of the past are tied together in a highly systematic way. This is storytelling with the didactic purpose of inculcating a particular ideology, bombarding the reader with a kaleidoscopic procession of heroes and villains and presenting a frontierland of danger and opportunity. John Jarick's focus on the literary world of Chronicles provides a fresh reading of the work, foregrounding the often unrecognized artistry in the telling of the tale-including at times a distinctly musical language and a careful mathematical precision. But at the same time he does not hide the dark underbelly of the writing, with its persistent note of conformity to the political and religious system advocated by the storytellers. This edition is a reprint of the original 2002 edition with different pagination. A companion volume on 2 Chronicles is published for the first time in 2007.

The Book of Job functions as literature of survival where the main character, Job, deals with the trauma of suffering, attempts to come to terms with a collapsed moral and theological world, and eventually re-connects the broken pieces of his world into a new moral universe, which explains and contains the trauma of his recent experiences and renders his life meaningful again. The key is Job's death imagery. In fact, with its depiction of death in the prose tale and its frequent discussions of death in the poetic sections, Job may be the most death-oriented book in the bible. In particular, Job, in his speeches, articulates his experience of suffering as the experience of death. To help understand this focus on death in Job we turn to the psychohistorian, Robert Lifton, who investigates the effects on the human psyche of various traumatic experiences (wars, natural disasters, etc). According to Lifton, survivors of disaster often sense that their world has "collapsed" and they engage in a struggle to go on living. Part of this struggle involves finding meaning in death and locating death's place in the continuity of life. Like many such survivors, Job's understanding of death is a flashpoint indicating his bewilderment (or "desymbolization") in the early portions of his speeches, and then, later on, his arrival at what Lifton calls "resymbolization," the reconfiguration of a world that can account for disaster and render death - and life - meaningful again.

This new volume in the Feasting on the Word series provides an alternative to strict lectionary use for Advent, with six thematically-designed services for the four Sunday in Advent, as well as, Christmas Eve and Christmas Day. Four midweek services provide a supplemental study of John the Baptist to enhance the congregation's Advent experience. The resources in this companion are a combination of material from existing Feasting on the Word volumes as well as newly written material. In keeping with other Feasting on the Word resources, the Advent Companion offers pastors focused resources for sermon preparation along with ready-to-use liturgies for a complete order of worship. All new material including hymn suggestions, Service of Hope and Healing, and children's sermon make this an invaluable resource for the Advent season.

In Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final chapter, it is in the end the rhetoric of gender that actually constructs the text, providing the frame, the warp and woof, of the entire tapestry, and thus the prophet's primary means of persuasion.