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Promotions > Festive Shopping > Books > Biography
‘I share to normalise talking about those shameful, hurtful things we
keep hidden. I share because shame loses its power when we find safe
spaces to share our truth … and when women heal, generations heal.’
On 10 June 1980, during a seemingly endless day of bloody fighting, 13
men of the South African Defence Force died and several more were
wounded after 61 Mechanised Infantry Battalion Group attacked a vast
complex of Swapo military bases in Angola.
As a young journalist, roped into court reporting to cover Jacob Zuma’s
2006 rape trial, Karyn Maughan could not have known that she would be
reporting on Zuma’s legal woes for the next two decades – and
would herself become his target. Disarmingly honest and deeply
personal, this book takes a razor-sharp look at how powerful men
use attacks on individuals who try to hold them accountable, as well as
on the media and the courts, to undermine democracy.
After forty years of entertaining and mesmerizing audiences with his effervescent dancing and bubbly stage personality, veteran performer and producer Alistair Izobell was the consummate professional and showman. A household name from his performances as a nine-year-old boy in District Six the musical, to his cover version hit in 1993 - Venus. With theatre performances in Kat and the Kings, The Buddy Holly Story, The Doo Wha Boys, co-writing Remembering the Lux and more, life was amazing for this creative. Producing show after show, leaving audiences with lifelong memories. Introducing new talent to the industry, nurturing existing talent, writing theme songs for soap operas and a song for an international Grammy award winning group. The sky was the limit. But it was all smoke and mirrors. There was darkness behind the spotlight. Alistair never knew he was suffering from depression and the walls were closing in. The patriarchal system that we as a society have become accustomed to had come to bear with a bit of karma, after a massive betrayal in his life, and the cards came crashing down. On the 13th September 2023 Alistair Izobell tried to take his life. It was all too much for him to carry on. Having survived suicide, he now had to face every good, bad and ugly reality, every decision, the trauma, and results of a life handed over to show business at a young age. The road to recovery and healing has and will be a long one. But when you want to heal and find your smile and freedom, nothing can stop you. Broken to Heal is born from the sessions of therapy and wanting to be better. A book of anecdotes inviting the reader into the life and world of this performer we forgot was a normal child, husband, father, and friend. This book is aimed to let those who enjoy the work of performers think a little deeper about the enormous naked emotional journey creatives go through for them to enjoy the beauty of their art. But to remember that there is a real human being behind the curtains with the same life challenges we all carry. It is also a hand of hope to someone out there suffering from depression, to remind them that all is not lost, and there is help and kindness that you have access to. There is medical help that you have at your disposal and that you are never alone in your darkness. Someone is waiting for you to say I need help. And more than anything, YOU BELONG HERE!
Francois van Coke span met die skryf van hierdie biografie saam met
Annie Klopper om in sy eie stem die gebeure te vertel wat hom as mens
en musikant gevorm het. Sy perspektief word gebied op als van
Fokofpolisiekar tot Van Coke Kartel, die sukses van “Toe vind ek jou”
en sy rol as afrigter op The Voice. Minder bekende en onbekende
verhale word ook vertel oor wilde partytjies, vuisgevegte, dwelms,
nagte in tronkselle, liefde, soberheid en pa-wees. Dít is sy stories,
hoe hý dit onthou.
Professor. Pundit. Public nuisance. In his columns, books and on social
media, Jonathan Jansen is prolific and he likes to speak his mind about
schools and universities, race, politics and our complex South African
society.
Actor and musician Ian Roberts is something of a South African icon,
renowned for his roles as the rugged Boer fighter Sloet Steenkamp in
the TV series Arende and as Boet in the immortal and immensely popular
Castrol advertisements. In Free Spirit he looks back on his long and
illustrious career in which he became known for having a flair for
languages and acting from the gut.
“Dis politici wat oorlog verklaar, nie ons nie. Ons het gedoen wat ons
geglo het ons moes doen en hulle [die vyand] ook . . .” – Marco
Caforio, ouddienspligtige
A business biography that follows the life of Alan Knott-Craig as a
serial entrepreneur in the telecoms and tech spaces, tracking his wins
and losses, and the lessons along the way for both business and life.
Known in Stellenbosch business circles as the ‘Weapon of Mass Financial
Destruction’ after a major flop at Mxit, he was able to rebuild his own
confidence and that of his peers by becoming a shrewd, highly
innovative and successful businessman, true to his own principles and
convictions.
South Africa has produced two leaders who achieved global recognition and renown in their respective eras: Jan Christiaan Smuts (Prime Minister, 1919-24 and 1939-48) and Nelson Rolihlahla Mandela (President, 1994-99). The former was much celebrated for playing a significant role in reconstructing international architecture after both world wars; the latter remains globally admired for his leading part in drawing South Africa back from racial war and becoming a democracy. As a result, both have attracted multiple biographies. Today, however, whereas Mandela remains a much-admired global icon, Smuts’ reputation is much diminished, with contemporary historians citing his racism and role in constructing the foundations of apartheid South Africa. In this controversial book, Roger Southall provides a re-evaluation of Smuts’ hugely contradictory career by proposing fascinating parallels with the life and political trajectory of Mandela. Both came to maturity as political leaders as freedom fighters – Smuts against the British and Mandela against the apartheid regime. Both played a pre-eminent in founding a new South Africa, the first made for whites at Union in 1910 and the second for all South Africans in 1994. Both aspired to be nation-builders, but while Smuts’ hoped-for South African nation was white, Mandela aspired to bring all of South Africa’s people together. Both came to stride on the international stage, albeit in very different ways and for various reasons. Smuts’ career failed, and he was ejected from office. Mandela retired gracefully from office and continued to be lauded for his well-earned retirement, yet South Africa’s contemporary travails reveal his hopes and policies as unfulfilled. This book makes the case that we cannot fully understand Mandela without first understanding Smuts and how South Africa continues to struggle with the legacy he left behind.
In this humorous coming-of-age memoir, young Costa finds himself in the middle of a matriarchal triangle. His sulky mother Victoria is forced to share her kitchen with both her conservative Greek mother-in-law and her bossy sister-in-law. A raucous war in the kitchen takes place, not only for oven territory but also for the affection of their beloved "Kostaki". An intricately woven portrait of the Greek immigrant experience of a family, trying to navigate South Africa in the 1960’s and 70s.
Under A Rock, the first memoir from Blondie's Chris Stein, is a quintessentially New York story of the golden age of the East Village and the makings of international superstars. At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour. Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.
From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full. To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force. But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe. Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.
Thebe Ikalafeng is a branding icon who set the agenda for the industry
at the dawn of our democracy and continues to pioneer it to this day.
As the founder of Brand Africa, the African continent is now a major
focus in his life's mission. He is The Traveller, having touched
soil on every African country. From Kimberley to the world, his mission
is impact.
His truth. His story. In his words. There have been many comments made and books written about Siya Kolisi, captain of the Springboks, and the first black man to lead his country in over 128 years of South African rugby. But now, for the very first time, Siya Kolisi shares his story in an extraordinarily intimate memoir, charting his journey from being born into the impoverished Zwide township, to leading his proud nation to an astonishing victory at the Rugby World Cup in 2019. However, Rise is not simply a chronology of matches played and games won; it is an exploration of a man’s race and his faith, a masterclass in attaining a positive mindset, and an inspirational reminder that it is possible to defy the odds, no matter how they are stacked against you. In 2020, partly in response to the pandemic, Siya and his wife, Rachel, launched The Kolisi Foundation, providing personal protective equipment to healthcare workers and delivering food parcels throughout South Africa. The title Rise is inspired by Siya’s mother – Phakama – which translates to the book’s name, as well as a celebration of his Xhosa heritage.
Born to an American myth and raised in the wilds of Graceland, Lisa
Marie Presley tells her whole story for the first time in this raw,
riveting, one-of-a-kind memoir faithfully completed by her daughter,
Riley Keough.
Dana Snyman deel in Seun die deel van sy storie waaroor hy nog nooit
gepraat het nie: sy ervaringe in die 1980’s. Dit is die tyd van PW
Botha se vinger, van die Voëlvry-toer, AWB-saamtrekke, onderhandelinge
en die laaste dae van diensplig. Dana word oneervol ontslaan uit die
weermag, maar eers maak hy ’n draai in Saal 24. Werkloos en
doelloos eindig hy in ’n gewese bediendekamer in Pretoria. Dié
rou, selfonthullende memoir vra: hoe word ’n seun ’n
man? Met Seun neem Dana lesers in sy vertroue.
A beautifully illustrated, comprehensive collectible for Swifties everywhere that offers an overview of Taylor Swift’s life and work, including hidden references for fans to discover in a stunning, giftable package. Into the Taylor-Verse is an inventive, deeply detailed appreciation of Taylor Swift’s songwriting prowess, her incomparable live performances, and the themes of adolescence and adulthood she’s detailed so lovingly throughout the different eras of her career from her Fearless to Midnights. This book explores her prolific discography, as well as her worldwide tours, her phoenix-like rise from the ashes to reclaim her music publishing rights, and most importantly of all, her Swifties. In the way that Taylor’s music helps fans to understand their own emotional response to heartbreak and first love, this book seeks to help fans understand why Taylor’s music affects them more than any other artist. The story told through her work is the universal story of growing from a girl into a woman, the joy, heartbreak, demoralization, and finally, regrowth and maturity that every fan can relate to no matter their age. This book emulates the joy of Taylor’s music with creative sidebar content, such as a playlist of her songs that are NOT about boys, an all-important timeline of her hairstyles, biographies of her cats, a deep-dive into the significance of the number thirteen, and so much more. Into the Taylor-Verse is a must-have primer on Taylor for any new Swiftie, telling the stories behind her songs and guiding them to listen more deeply to her extensive back catalogue, while also being a lush examination of the meaning behind the songs that are so important to readers who are already dedicated fans.
'I hadn’t been very comfortable with fame, but I didn’t know what to do
with myself after I was famous. On the surface, I was just hugely
relieved to be shot of the whole thing. I felt like I’d been let off
the hook . . . But underneath that, I was pretty miserable.'
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