‘I share to normalise talking about those shameful, hurtful things we keep hidden. I share because shame loses its power when we find safe spaces to share our truth … and when women heal, generations heal.’

To her thousands of fans, Wisdom & Wellness founder, speaker and influencer Mpoomy Ledwaba is a symbol of strength and women empowerment. But going from university dropout to Forbes magazine’s list of 30 Under 30 wasn’t always easy – it took a lot of courage and a commitment to personal growth.

How Did We Get Here? is her coming-of-age story. Looking back on her upbringing, major milestones and the challenges she’s faced, Mpoomy takes us on her journey of self-discovery. Behind the Instagram likes and thousands of YouTube subscribers is a bright girl who sometimes bit off more than she could chew. This mother of two, who is married to an award-winning musician, didn’t always have a plan and rarely fitted the mould of ‘the good wife’.

In this frank account, Mpoomy writes openly about the hurt she’s experienced, the mistakes she’s made and some of the hard truths she’s had to learn about life, but also about how her faith has been a guiding light. As a firm believer in the power of stories, she uses her personal history to show how to live a purposeful life on all levels.

On 10 June 1980, during a seemingly endless day of bloody fighting, 13 men of the South African Defence Force died and several more were wounded after 61 Mechanised Infantry Battalion Group attacked a vast complex of Swapo military bases in Angola.

During Operation Sceptic second lieutenant Paul Louw led his platoon in four Ratel infantry fighting vehicles to a battleground called Smokeshell. In the ensuing chaos of that day 12 national servicemen of his platoon of 44 were killed and he himself was wounded. In a separate incident during the fighting his company second-in-command was also slain. One of his troops, 18-year-old HP Ferreira, was shot through the pelvis by a 14,5 mm anti-aircraft round and also hit by AK-47 bullets.

Louw spent the night drenched in the blood and guts of his men, hunkered down with a handful of other survivors in a Ratel destroyed by an RPG 7 rocket, isolated from the rest of the South African attack force.

Blood Brothers records the dramatic events that took place in Angola that day, in the words of the survivors of the battle. It investigates the human cost of war after the last shots have been fired and follows the veterans as they return to the battleground four decades later in search of peace.

As a young journalist, roped into court reporting to cover Jacob Zuma’s 2006 rape trial, Karyn Maughan could not have known that she would be reporting on Zuma’s legal woes for the next two decades – and would herself become his target. Disarmingly honest and deeply personal, this book takes a razor-sharp look at how powerful men use attacks on individuals who try to hold them accountable, as well as on the media and the courts, to undermine democracy.

Adriaan Basson says: 'Brave and brilliant. Jacob Zuma found his match in Karyn Maughan.'

Francois van Coke span met die skryf van hierdie biografie saam met Annie Klopper om in sy eie stem die gebeure te vertel wat hom as mens en musikant gevorm het. Sy perspektief word gebied op als van Fokofpolisiekar tot Van Coke Kartel, die sukses van “Toe vind ek jou” en sy rol as afrigter op The Voice. Minder bekende en onbekende verhale word ook vertel oor wilde partytjies, vuisgevegte, dwelms, nagte in tronkselle, liefde, soberheid en pa-wees. Dít is sy stories, hoe hý dit onthou.

After forty years of entertaining and mesmerizing audiences with his effervescent dancing and bubbly stage personality, veteran performer and producer Alistair Izobell was the consummate professional and showman. A household name from his performances as a nine-year-old boy in District Six the musical, to his cover version hit in 1993 - Venus. With theatre performances in Kat and the Kings, The Buddy Holly Story, The Doo Wha Boys, co-writing Remembering the Lux and more, life was amazing for this creative. Producing show after show, leaving audiences with lifelong memories. Introducing new talent to the industry, nurturing existing talent, writing theme songs for soap operas and a song for an international Grammy award winning group. The sky was the limit. But it was all smoke and mirrors. There was darkness behind the spotlight.

Alistair never knew he was suffering from depression and the walls were closing in. The patriarchal system that we as a society have become accustomed to had come to bear with a bit of karma, after a massive betrayal in his life, and the cards came crashing down.

On the 13th September 2023 Alistair Izobell tried to take his life. It was all too much for him to carry on. Having survived suicide, he now had to face every good, bad and ugly reality, every decision, the trauma, and results of a life handed over to show business at a young age. The road to recovery and healing has and will be a long one. But when you want to heal and find your smile and freedom, nothing can stop you.

Broken to Heal is born from the sessions of therapy and wanting to be better. A book of anecdotes inviting the reader into the life and world of this performer we forgot was a normal child, husband, father, and friend. This book is aimed to let those who enjoy the work of performers think a little deeper about the enormous naked emotional journey creatives go through for them to enjoy the beauty of their art. But to remember that there is a real human being behind the curtains with the same life challenges we all carry. It is also a hand of hope to someone out there suffering from depression, to remind them that all is not lost, and there is help and kindness that you have access to.

There is medical help that you have at your disposal and that you are never alone in your darkness. Someone is waiting for you to say I need help. And more than anything, YOU BELONG HERE!

Professor. Pundit. Public nuisance. In his columns, books and on social media, Jonathan Jansen is prolific and he likes to speak his mind about schools and universities, race, politics and our complex South African society.

He has brought an incisive analysis, compassion and sense of humour to some of the most controversial issues in our country for many years. And now, in this memoir, he goes back to his early years growing up in a loving, fiercely evangelical family on the Cape Flats,
being put on the road to purpose by an inspiring school teacher and becoming the first of his generation to go to university under the apartheid regime. Journey with Jansen as he finds a passion for teaching high school and becomes a leading academic and thinker
amid great transformation in post-apartheid South Africa.

This patchwork of memories tells a bigger story than his own life. It’s a tale of learning the value of ‘breaking bread’ with others, of finding mutual recognition in our different faith and fears, our ideals and frustrations, our hurts and our hopes.

When a thoughtless tweet by Zelda la Grange unleashed a storm, she was asked: ‘Have you learnt nothing from Nelson Mandela?’ This book is her answer.

For years, she was the closest witness of Mandela’s interactions with people both famous and ordinary, and here she draws out his lessons on humility, respect, honesty, how to truly listen and what to do if you realise you have made a grave mistake, a lesson she herself had to learn the hard way.

Actor and musician Ian Roberts is something of a South African icon, renowned for his roles as the rugged Boer fighter Sloet Steenkamp in the TV series Arende and as Boet in the immortal and immensely popular Castrol advertisements. In Free Spirit he looks back on his long and illustrious career in which he became known for having a flair for languages and acting from the gut.

As a boy, young Ian ran wild on his family’s citrus farm in the Eastern Cape, preferring the company of the local farm boys (and Kees the baboon). It was here that he first learnt the art of communicating with an audience through song and story.

A master storyteller with a wicked sense of humour, Ian offers a highly entertaining glimpse of how actors make the magic happen, whether on a theatre stage or before the TV cameras. Drawing on a career that runs from Long Street to Los Angeles, and from Shakespeare to Tsotsi, Ian provides a masterclass on the art of acting, making his life story a vital guide to aspiring actors.

His no-nonsense and fearless approach to life means he has never hesitated to tackle challenging roles and to do things in his own, unconventional way. Today, as frontman for Die Radio Kalahari Orkes, he continues to follow his heart.

“Dis politici wat oorlog verklaar, nie ons nie. Ons het gedoen wat ons geglo het ons moes doen en hulle [die vyand] ook . . .” – Marco Caforio, ouddienspligtige

Op 10 Junie 1980 gedurende ’n eindelose dag van bloedige gevegte onder die Angolese son is 13 lede van die Suid-Afrikaanse Weermag dood en etlike beseer toe 61 Gemeganiseerde Bataljon Groep ’n kompleks van Swapo-basisse in die suide van Angola aangeval het.

Gedurende Operasie Sceptic het tweede luitenant Paul Louw sy peleton in vier Ratels na die slagveld by die doelwit Smokeshell gelei.

In die chaos wat daardie dag gevolg het, is 12 dienspligtiges in sy peleton van 44 noodlottig gewond en hy is self ook beseer. Een van sy troepe, die 18-jarige HP Ferreira, is met ’n 14,5 mmmasjiengeweer deur sy pelvis geskiet en hy is ook deur etlike AK-47 koeëls getref. Hy het wonderbaarlik oorleef. Louw, nog met die bloed van sy manne aan sy klere, en ’n handjievol ander soldate het die aand deurgebring in ’n Ratel wat deur ’n RPG-vuurpyl getref is. Hulle was heeltemal afgesny van die res van die aanvalsgroep en het nie geweet of hulle die son sou sien opkom nie.

In Bloedbroers vertel van die oorlewendes van hul ervarings tydens die geveg. Dit werp ook lig op wat met soldate gebeur nadat die laaste skote afgevuur is en volg die veterane toe hulle vier dekades ná die operasie vir die eerste keer na die slagveld teruggekeer het.

After many years of serving the country and doing his part to help rebuild South Africa, Dr Peter Friedland was given an opportunity to serve as a member of Nelson Mandela’s medical team and helped to monitor his hearing.

Over the years they built a rapport and their conversations regularly veered towards politics. Mandela often gave Peter perspective and would push him to examine his reasons for supporting specific causes and holding particular views.

As an ENT specialist, Peter regularly treated victims of violent crime.

He also lost colleagues and friends to hijackings and other crimes. But when his daughters were exposed to a robbery, he had to make a lifechanging decision.

This book examines the powerful forces that push people away from South Africa and those that pull them back in. It is never as simple as merely staying or going – it is an emotional tug of war that continues until something snaps.

Through many conversations had with Mandela and lessons he learnt from his life, Peter worked through some of his PTSD, his fears and the deep sense of hopelessness he felt as he came to terms with his decision to emigrate to Australia.

His story beautifully captures the tension between an uncertain future that is out of your control and the fear that you might not survive.

Mathews Phosa has been an eyewitness to the changing strands of political power in South Africa.

He was involved in the Black Consciousness Movement, the UDF and the ANC, before fleeing into exile in 1985 and becoming an Umkhonto we Sizwe commander in Mozambique. A lawyer by training, he was one of the first ANC members to return to South Africa to prepare the way for negotiations.

He was premier of Mpumalanga during the presidency of Nelson Mandela, with whom he had a strong relationship. Under Thabo Mbeki, whom he had known in exile, Phosa was pushed to the sidelines, with false accusations that he was involved in a ‘plot’ to overthrow Mbeki. Phosa had served under Jacob Zuma as an MK field commander in Mozambique, and he became treasurer general of the ANC when Zuma became its president at Polokwane. But Phosa later became a vocal critic of Zuma, and they didn’t speak for years, until the night before Zuma’s resignation. Phosa and Cyril Ramaphosa studied law together at the University of the North in the 1970s, and Phosa played a key role in advising him over the Phala Phala report that threatened to end his presidency.

Frank and honest, Witness to Power is a gripping story of a courageous life, and an insider’s account of South Africa’s ruling party and its leaders.

In 1978, the activist and novelist Alex La Guma (1925–1985) published A Soviet Journey, a memoir of his travels in the Soviet Union. Today it stands as one of the longest and most substantive first-hand accounts of the USSR by an African writer. La Guma’s book is consequently a rare and important document of the anti-apartheid struggle and the Cold War period, depicting the Soviet model from an African perspective and the specific meaning it held for those envisioning a future South Africa.

For many members of the African National Congress and the South African Communist Party, the Soviet Union represented a political system that had achieved political and economic justice through socialism – a point of view that has since been lost with the collapse of the USSR and the end of the Cold War. This new edition of A Soviet Journey – the first since 1978 – restores this vision to the historical record, highlighting how activist-intellectuals like La Guma looked to the Soviet Union as a paradigm of self-determination, decolonisation and postcolonial development.

The introduction by Christopher J. Lee discusses these elements of La Guma’s text, in addition to situating La Guma more broadly within the intercontinental spaces of the Black Atlantic and an emergent Third World. Presenting a more expansive view of African literature and its global intellectual engagements, A Soviet Journey will be of interest to readers of African fiction and non-fiction, South African history, postcolonial Cold War studies and radical political thought.

Alex La Guma was a South African novelist, leader of the South African Coloured People's Organisation and a defendant in the Treason Trial, whose works helped characterise the movement against the apartheid era in South Africa.

Rorisang Thandekiso is one of South Africa’s most beloved media personalities. She has contributed to the arts industry in an authentic, memorable way. In Disciple Rorisang takes the reader deeper into her relationship with faith, describing her love for the Word of God and for Jesus. Disciple is an open-hearted, humorous, vulnerable look into the life of a young woman whose love for God spills over into the world.

'When I’m dead, you make sure that ordinary people, ordinary rural women, must be at the forefront of my funeral. I want my rural women to be there at the forefront: people that know me well.’

With great care and meticulous research, Kally Forrest brings us the life of Lydia Komape, also known as Mam Lydia Kompe. Kally travels in Lydia’s footsteps, with family, friends, comrades and ancestors from Limpopo and Johannesburg to Cape Town where Lydia sat in Nelson Mandela’s parliament.

Her family’s shattering loss of land in the 1930s deeply impacted Lydia’s life choices. She was fiercely independent, yet bound by the collective, forceful but consultative, humorous and deeply serious.

Lydia closely identified with rural women, remarking, ‘We are so discriminated against, but we are made to work like donkeys. We do all the dirty work – you must go and plough, hoe, harvest, carry water, fetch wood, and men are just sitting drinking alcohol under the tree.’

This is a biography that will open your eyes and heart.

A business biography that follows the life of Alan Knott-Craig as a serial entrepreneur in the telecoms and tech spaces, tracking his wins and losses, and the lessons along the way for both business and life. Known in Stellenbosch business circles as the ‘Weapon of Mass Financial Destruction’ after a major flop at Mxit, he was able to rebuild his own confidence and that of his peers by becoming a shrewd, highly innovative and successful businessman, true to his own principles and convictions.

When he died in 2014, author Chris van Wyk left behind an impressive literary legacy. The scope of his work was broad – poetry, children’s books, short stories and biographies. But perhaps he is best remembered for his memoir Shirley, Goodness & Mercy, which chronicles his growing up in Riverlea and introduces us to the colourful characters who helped to shape his life and inform the stories he wrote.

The public persona of this witty and wise raconteur was well known, but behind it was a family man, who liked nothing better than to spend time with his two sons Kevin and Karl, his wife and childhood sweetheart Kathy, and the friends and family who were his primary sources of inspiration.

Using the unique vantage point of oldest son, Kevin van Wyk’s astute observations of his father and the strong bond they enjoyed throughout Chris’s life have resulted in a memoir that is as affectionate as it is entertaining. In taking us behind the scenes into the Van Wyk household, we witness the inner workings of the mind of a storyteller, from the flowering of his father’s activism, wit and wisdom to the sources of his occasional quirky outbursts. If storytelling runs in the genes, Kevin may just be proof that his father’s spirit lives on.

The definitive account of Commando: A Boer Journal of the Anglo-Boer War, published word-for-word as Reitz first wrote it; edited and annotated by historian and Anglo-Boer War expert, Professor Fransjohan Pretorius.

In 1899, Deneys Reitz, then aged seventeen, enlisted in the Boer army to fight the British. He had learnt to ride, shoot and swim almost as soon as he could walk. He made full use of these skills and the endurance he had acquired in the next three years of the war, during which he fought with the Boer commandos.

He was involved in major actions, like the battle of Spioen Kop, and he interacted with prolific political and military figures of the time, such as President Paul Kruger, Boer generals Piet Joubert, Louis Botha, Koos de la Rey, Christiaan Beyers, Jan Smuts and British commander Lord Kitchener. He even met the young Winston Churchill as a prisoner-of-war in Pretoria.

Reitz forged a strong personal and political friendship with General Jan Smuts after the war, built on reciprocal respect.

Commando is more than a historical document; it is a literary masterpiece that transcends time. With prose that captures both the brutality and the beauty of war, Reitz weaves a narrative that resonates with authenticity and passion.

As relevant today as when it was first penned, Commando has become a South African classic and stands as a testament to the indomitable human spirit in the face of adversity.

As ’n jong seun wat kaalvoet en vry grootgeword het op sy ouers se sitrusplaas in die Oos-Kaap, sou Ian Roberts nooit kon dink dat hy eendag ’n ikoon van die silwerskerm sou word nie. Vandag nog herken mense hom as die taai Bittereinder Sloet Steenkamp van
Arende of as Boet van die gewilde Castrol-advertensies.

Ian se loopbaan strek van Langstraat in Kaapstad tot Los Angeles en van Shakespeare-produksies in die teater tot die Oscarwenner Tsotsi. In sy outobiografie verklap hierdie briljante storieverteller met ’n stoute sin vir humour meer oor wat alles agter die skerms op televisie- en rolprentstelle gebeur.

Hy beskryf ook die hoogbloei van Afrikaanse televisie- en rolprentvervaardiging toe hy saam met legendariese regisseurs soos Manie van Rensburg en Dirk de Villiers gewerk het. Sy lewensverhaal is ’n meesterklas in die kuns van toneelspel.

So outentiek, vreesloos en onkonvensioneel soos wat talle van sy karakters was, só is Ian ook in die regte lewe. Hy trap sy eie paadjie en was nog nooit ’n tropbok nie. Hy deel sy lewensverhaal met soveel humor, patos en insig dat dit nie anders kan as om die leser te ontroer nie.

Joe Modise (1929-2001), a Sophiatown bus driver-turned freedom fighter, was a humble man who tended to avoid the limelight. A protege of the Mandela leadership in the 1950s mass struggle, he was one of the youngest among that decade’s Treason Trial, and was a senior commander of Umkhonto we Sizwe (MK) from its inception, facing danger and privation most of his adult life. Modise served with acclaim as democratic South Africa’s first Minister of Defence and won the loyalty of his former enemy when many thought the country could be plunged into civil war or held to ransom by old-order apartheid generals. The fact that Nelson Mandela and Oliver Tambo selected him for key positions over five decades of exacting struggle testifies to their sustained confidence in him. This fact alone belies the impression some might have that he was an amoral warlord. As a government minister, he led a modest lifestyle and did not die a wealthy man.

This book interlinks frank and engaging interviews with family and friends, comrades­ in-arms and former adversaries. Those who knew him reveal a warm human being and provide endearing insights into who Modise really was.

As a soldier, statesman and leader, he has left behind an astonishing legacy that deserves to be widely known.

South Africa has produced two leaders who achieved global recognition and renown in their respective eras: Jan Christiaan Smuts (Prime Minister, 1919-24 and 1939-48) and Nelson Rolihlahla Mandela (President, 1994-99). The former was much celebrated for playing a significant role in reconstructing international architecture after both world wars; the latter remains globally admired for his leading part in drawing South Africa back from racial war and becoming a democracy. As a result, both have attracted multiple biographies. Today, however, whereas Mandela remains a much-admired global icon, Smuts’ reputation is much diminished, with contemporary historians citing his racism and role in constructing the foundations of apartheid South Africa.

In this controversial book, Roger Southall provides a re-evaluation of Smuts’ hugely contradictory career by proposing fascinating parallels with the life and political trajectory of Mandela. Both came to maturity as political leaders as freedom fighters – Smuts against the British and Mandela against the apartheid regime. Both played a pre-eminent in founding a new South Africa, the first made for whites at Union in 1910 and the second for all South Africans in 1994. Both aspired to be nation-builders, but while Smuts’ hoped-for South African nation was white, Mandela aspired to bring all of South Africa’s people together. Both came to stride on the international stage, albeit in very different ways and for various reasons.

Smuts’ career failed, and he was ejected from office. Mandela retired gracefully from office and continued to be lauded for his well-earned retirement, yet South Africa’s contemporary travails reveal his hopes and policies as unfulfilled. This book makes the case that we cannot fully understand Mandela without first understanding Smuts and how South Africa continues to struggle with the legacy he left behind.

Farren Cloete is geroep vir ’n tyd soos hierdie, maar wys vir jou op jou roeping ook: dit maak nie saak wat mense sê nie, as God jou geroep het kan geen mens jou keer nie en jy hoef aan niemand rekenskap te gee nie. Farren kom maak ons vry daarvan dat ons dink ons moet ander gelukkig maak, en help ons om te fokus op wat God van ons wil hê. Dit maak nie saak hoe moeilik ons roeping is nie, of ons opgewasse voel daarvoor of nie, God is by ons en Hy roep ons vir ’n tyd soos hierdie.

High Times is the true story of Michael Medjuck, whose taste for weed, women and the good life led him from late-1960s Johannesburg to notoriety as one of the biggest hash and weed smugglers in North America.

From his base in Vancouver, Michael built up a smuggling network that supplied dealers in scores of cities across Canada and the United States. The proceeds of smuggling afforded this former King David High School pupil a lifestyle of hedonistic excess – the finest wines, the most glamorous hookers, the best weed in the world.

In 1991, Michael was nabbed by US federal agents while smuggling an enormous shipload of Afghani hash into the West Coast of Canada. Put on trial as the scheme’s mastermind, Michael was convicted and sentenced to 24 years behind bars. His US prison experiences, from dingy county lock-ups to brutal federal penitentiaries, are the stuff of legend. Eventually, a chance remark to his lawyer led to his early release and return to Canada. After barely a year of freedom, Michael was again arrested – this time in Spain for an ill-judged cocaine-smuggling venture – and sentenced to another prison term of nine years.

This is Michael’s extraordinary story, as told to fellow South Africans Roy Isacowitz, author and journalist, and the late Jeremy Gordin, award-winning journalist, editor and author.

In this humorous coming-of-age memoir, young Costa finds himself in the middle of a matriarchal triangle.

His sulky mother Victoria is forced to share her kitchen with both her conservative Greek mother-in-law and her bossy sister-in-law. A raucous war in the kitchen takes place, not only for oven territory but also for the affection of their beloved "Kostaki".

An intricately woven portrait of the Greek immigrant experience of a family, trying to navigate South Africa in the 1960’s and 70s.

Under A Rock, the first memoir from Blondie's Chris Stein, is a quintessentially New York story of the golden age of the East Village and the makings of international superstars.

At its heart, Under A Rock is a love story. The codependent bond between Chris Stein and Debbie Harry carried Blondie through their many tribulations: terribly misogynistic music scenes, greasy record execs, bitter band mates, gruelling schedules, and hard drug abuse abound, and Chris lays it all bare with blunt sincerity and humour.

Ultimately, Chris and Debbie broke up, but their bond never dissipated; they remain closest of friends, and continue to tour and promote their various projects together to this day.

From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full.

To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in The Panic in Needle Park, in 1971, and by 1975, he had starred in four movies—The Godfather and The Godfather Part II, Serpico, and Dog Day Afternoon—that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.

But Pacino was in his midthirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York’s fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.

Sonny Boy is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book’s golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions—the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.