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Books > Arts & Architecture > Art forms, treatments & subjects > Body art & tattooing
This gorgeous book delves into the elusive world of traditional
Japanese tattooing. The Samurai spirit, Bushido, is an integral
component of Japanese tattooing that is traced through the imagery
and interpersonal dynamics of this veiled subculture. The eloquent
text is based largely on Takahiro Kitamura's experiences as client
and student of the famed Japanese tattoo master, Horiyoshi III.
Over 200 beautiful photos by Jai Tanju capture the breathtaking
tattoo artistry of Horiyoshi III. Five original, unpublished prints
by Horiyoshi III, like those in his acclaimed book, 100 Demons of
Horiyoshi III, are included here. Bushido: Legacies of the Japanese
Tattoo is certain to fascinate everyone with an interest in tattoo
culture.
For thousands of years, Native Americans throughout the Eastern
Woodlands and Great Plains used the physical act and visual
language of tattooing to construct and reinforce the identity of
individuals and their place within society and the cosmos. The act
of tattooing served as a rite of passage and supplication, while
the composition and use of ancestral tattoo bundles was intimately
related to group identity. The resulting symbols and imagery
inscribed on the body held important social, civil, military, and
ritual connotations within Native American society. Yet despite the
cultural importance that tattooing held for prehistoric and early
historic Native Americans, modern scholars have only recently begun
to consider the implications of ancient Native American tattooing
and assign tattooed symbols the same significance as imagery
inscribed on pottery, shell, copper, and stone.
Drawing with Great Needles is the first book-length scholarly
examination into the antiquity, meaning, and significance of Native
American tattooing in the Eastern Woodlands and Great Plains. The
contributors use a variety of approaches, including ethnohistorical
and ethnographic accounts, ancient art, evidence of tattooing in
the archaeological record, historic portraiture, tattoo tools and
toolkits, gender roles, and the meanings that specific tattoos held
for Dhegiha Sioux and other Native speakers, to examine Native
American tattoo traditions. Their findings add an important new
dimension to our understanding of ancient and early historic Native
American society in the Eastern Woodlands and Great Plains.
The ancient, traditional art of henna body painting -- widely used
in India, Africa, and the Middle East -- has also become highly
popular in the West. This design collection incorporates scores of
these lovely patterns (largely Indian) that cover hands, forearms,
and feet. Included are fine line, lacy, and paisley motifs;
assorted floral borders, heart-shaped insets, and repeat patterns
featuring abstracts and woven tendrils.
This is a photo-essay book in praise of the ancient art of
tattooing as an expression of the sacred in the contemporary world.
Exploring new potentials of the skin art that has risen out of the
popular tattoo culture of the streets, "The Alchemy and the Agony"
takes the tattoo experience beyond the obvious and popular. This
tatouage is transpersonal, even universal, an experience of
transformation both primal and sublime. This is the natural alchemy
that results when sacred images are emblazoned on the canvas of the
human body.
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The World Atlas of Tattoo
(Hardcover)
Anna Felicity Friedman; Contributions by Lars Krutak, Matt Lodder, Nick Schonberger, Sebastien Galliot; Foreword by …
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R1,346
Discovery Miles 13 460
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A lavishly illustrated global exploration of the vast array of
styles and most significant practitioners of tattoo from ancient
times to today Tattoo art and practice has seen radical changes in
the 21st century, as its popularity has exploded. An expanding
number of tattoo artists have been mining the past for lost
traditions and innovating with new technology. An enormous
diversity of styles, genres, and techniques has emerged, ranging
from geometric blackwork to vibrant, painterly styles, and from
hand-tattooed works to machine-produced designs. With over 700
stunning color illustrations, this volume considers historical and
contemporary tattoo practices in Europe, the Americas, the Middle
East, North and Sub-Saharan Africa, Asia, Australia, and the
Pacific Islands. Each section, dedicated to a specific geographic
region, features fascinating text by tattoo experts that explores
the history and traditions native to that area as well as current
styles and trends. The World Atlas of Tattoo also tracks the
movement of styles from their indigenous settings to diasporic
communities, where they have often been transformed into creative,
multicultural, hybrid designs. The work of 100 notable artists from
around the globe is showcased in this definitive reference on a
widespread and intriguing art practice.
Traditional American tattooing has a rich, extensive heritage.
Often underappreciated, it represents a true folk art, encompassing
design motifs and themes that are expressions of the heart, the
desires, loves, and ambitions of the artists and those who wear
their artworks.After carefully studying work by renowned American
tattoo artists (including Paul Rogers, Leonard "Stoney" St.Clair,
George Burchett, August "Cap" Coleman, Percy Waters, Owen James and
others) the author distilled it into five component colors: black,
red, yellow, green, and brown, and developed a new interpretation
of their classic styles. Besides classic designs by the author, the
images here include collaborative work with other tattoo designers.
Over 640 individual flash designs are reproduced in color as a
celebration of the tradition and the hope that it will continue as
folk art.
Over the past decade, tattoos have become one of the most popular
forms of visual culture in the world. TTT: Tattoo is a survey of
over 300 of the best international tattooers working today,
including Duncan X, Tomas Tomas, Scott Campbell, the Leu family and
Stephanie Tamez. Exploring the connections between tattoo culture
today and seminal figures and developments in the recent past, the
book examines how the historical styles of this most enduring art
form blend into new ones.
This is an in-depth study of tattoo culture and contemporary tattoo
history through fine art paintings. It contains photographs,
paintings and essays chronicling a six-year living journal.
A new set of striking, elegant flash from Stizzo, owner of Best of
Times Tattoo, who continues his dedication to the tradition and
craft of tattooing. Highly detailed, thoughtfully coloured and
shaded, Stizzo's flash is hand drawn and painted, finding its
inspiration from past artists and Italy's rich artistic history.
The classic symbols of skulls, roses, snakes, daggers, ships,
eagles, and more are reinterpreted through a modern master's lens
-- while time and space morphs, these icons remain central to how
we represent ourselves. Inspiration for artists as well as
enthusiasts, this shows the possibility of respecting and
maintaining tradition while growing and challenging yourself as an
artist. Includes a section of black-and-white flash, showing how
the traditional style can be carried out without colour.
Wrapping in Images is the first comparative analysis of tattooing
in Polynesia in its original setting, based on a comprehensive
survey of both written and visual documentary sources. Drawing on
modern social theory, psychoanalysis, and contemporary
anthropology, Alfred Gell shows how tattooing formed part of a
complex array of symbolic techniques for controlling sacredness and
protecting the self. He uses this framework to examine the
iconographic meaning of tattoo motifs, the rich corpus of mythology
surrounding tattooing in some Polynesian societies, and the complex
rituals associated with the tattoing operation. he also
demonstrates how not all ancient Polynesian societies placed an
equal emphasis on tattooing, or exploited the basic metaphors in
the same way. Gell's wide-ranging, comparative political analysis
shows consistent correlations between forms of political structure
and different tattooing institutions, offering a new perspective on
Polynesian comparative sociology.
From choosing style and placement to finding the right artist to
ensuring safety and proper care (and even correcting or removing
unwanted body art), Miller covers not only tattoos and piercings
but a variety of alternative body modifications.
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