"Knockout: The Boxer and Boxing in American Cinema" is the first book-length study of the Hollywood boxing film, a popular movie entertainment since the 1930s, that includes such classics as "Million Dollar Baby," "Rocky," and "Raging Bull." The boxer stands alongside the cowboy, the gangster, and the detective as a character that shaped America's ideas of manhood. Leger Grindon relates the Hollywood boxing film to the literature of Jack London, Ernest Hemingway, and Clifford Odets; the influence of ring champions, particularly Joe Louis and Muhammad Ali; and controversies surrounding masculinity, race, and sports.

"Knockout" breaks new ground in film genre study by focusing on the fundamental dramatic conflicts uniting both documentary and fictional films with compelling social concerns. The boxing film portrays more than the rise and fall of a champion; it exposes the body in order to reveal the spirit. Not simply a brute, the screen boxer dramatizes conflicts and aspirations central to an American audience's experience. This book features chapters on the conventions of the boxing film, the history of the genre and its relationship to famous ring champions, and self-contained treatments of thirty-two individual films including a chapter devoted to Raging Bull.

A few miles from New Orleans, at LaSalle's Landing - in what is now the city of Kenner - stands a life-size bronze statue of two men in combat. One of them is the legendary Gypsy Jem Mace, the first Heavyweight Boxing Champion of the World and the last of the great bare-knuckle fighters. This is the story of Jem Mace's life. Born in Norfolk in 1931, between his first recorded fight, in October 1855, and his last - at the age of nearly 60 - he became the greatest fighter the world has ever known. But "Gypsy" Jem Mace was far more than a champion boxer: he played the fiddle in street processions in war-wrecked New Orleans; was friends with Wyatt Earp - survivor of the gunfight at the OK Corral (who refereed one of his fights), the author Charles Dickens; controversial actress Adah Mencken (he and Dickens were rivals for her affection); and the great and the good of New York and London high society; he fathered numerous children (the author is his great-great-grandson), and had countless lovers, resulting in many marriages and divorces.Gypsy Jem Mace is not simply a book about boxing, but more a narrative quest to uncover the life of a famous but forgotten ancestor, who died in poverty in 1910. This is a story that deserves to be told, one that will resonate with anyone, young or old, man or woman, who has ever sought to do something special before the light of life starts to dim.

The historic county of Glamorgan has a proud and successful boxing heritage, as can be seen by the 50-plus boxers featured in this, the sixth volume of Gareth Jones' renowned Boxers of Wales series. Having already profiled the boxers of Cardiff, Merthyr and Pontypridd, as well as the Cynon and Rhondda valleys, in previous volumes, Gareth Jones now completes his impressive journey around the old county by focusing his attention on: Glamorgan's coastal towns, which have produced dozens of top fighters, not least the Selby brothers from Barry and one of the first Welshmen to wear a Lonsdale Belt, Port Talbot's Bill Beynon. The old mining valleys, from the Neath to the Ogmore, which have nurtured many ring warriors over the years, including the fistic hotbeds of Maesteg and nearby Caerau: home to a string of champions and contenders. Packed with more than 100 photos and illustrations, as well as decades of unrivalled boxing knowledge, The Boxers of South, West & Mid Glamorgan is essential reading for all followers of the noble art.

Did you just get reamed out by your boss? Did Bob in accounting eat your sandwich out of the fridge again? Don't take your stress out on your coworkers,take it out on this mini punching bag! Desktop Boxing is the perfect desk accessory for inconspicuous yet effective stress relief, and everyone from 9-to-5ers to boxing fans will enjoy this fun distraction. The kit includes a mini desktop punching bag with suction cup base, two tiny boxing gloves for your pointer fingers, and a 32-page book with basic finger boxing moves and boxing trivia.

The Olympic Club was established in New Orleans in mid-1883 as a gentlemen's athletic club catering to the city's expanding immigrant population in the Third District, known then as the Faubourg Washington, just downriver from the Faubourg Marigny. Between 1883 and 1893 the club's membership grew from twenty-three to nearly eleven hundred gentlemen engaging in a wide variety of athletic and leisure-time pursuits ranging from target-shooting and gymnastics to billiards and boxing. Members included city councilmen and other politicians, bartenders and businessmen, attorneys, physicians, and represented a diverse cross-section of New Orleans society. By 1889, boxing was the single most popular sport in the city and professional boxing was prominently offered by the athletic clubs across New Orleans. At that time in New Orleans, as indeed throughout the United States, there were prohibitions against boxing and prizefighting. But in 1889 a revised city ordinance and an equally nebulous state statute were frequently tested by the Olympic Club to allow boxing events sponsored by chartered athletic clubs. Thus began a transformative process at the Olympic Club that propelled the club and New Orleans into the spotlight as the epicenter of boxing in America. In a brief four-year span between 1890 and 1894 the Olympic Club's massive 10,000 seat arena was the venue for six world championship title fights and seven national or regional title bouts. The most famous of these events was the Fistic Carnival-an event in 1892 that featured three successive world championship title matches over three successive days, culminating in the heavyweight championship fight between John L. Sullivan and James J. Corbett. However, increased competition, legal challenges, and a dramatic shift in the moral standards in New Orleans saw prizefighting fall into a precipitous decline, hastened by several deaths in the ring, most notably that of Andy Bowen, the "Louisiana Tornado." By early 1896 the club went into liquidation, experienced a brief revival in 1987, only to end in a fiery inferno that reduced the country's most popular prizefighting venue of the 19th century to a pile of rubble and ashes. The Olympic Club of New Orleans provides an in-depth chronicle of boxing in New Orleans during the latter half of the nineteenth century, interspersed with brief vignettes of New Orleans' history that helped shape the prevailing attitudes influencing the rise and fall of perhaps the most famous boxing venue of its day-the Olympic Club.

This book explores the lived experiences of boxers in a French banlieue, largely populated by people from working-class and immigrant backgrounds. Jerome Beauchez, who joined in the men's daily workouts for many years, analyzes the act of boxing as a high-stakes confrontation that extends well beyond the walls of the gym. Exploring the physical and existential realities of combat, the author provides a multifaceted "thick description" of this world and shows that the violence faced by the gym's members is not so much to be found in the ring as in the adversity of everyday racism and social exclusion. Boxing can therefore be understood as an act of resistance that is about more than simply fighting an opponent and that reflects all the existential struggles facing these men who are both stigmatized and socially dominated by race and class.

This insightful study offers a fresh perspective on the life and career of champion boxer Joe Louis. The remarkable success and global popularity of the "Brown Bomber" made him a lightning rod for debate over the role and rights of African Americans in the United States. Historian Marcy S. Sacks traces both Louis's career and the criticism and commentary his fame elicited to reveal the power of sports and popular culture in shaping American social attitudes. Supported by key contemporary documents, Joe Louis: Sports and Race in Twentieth-Century America is both a succinct introduction to a larger-than-life figure and an essential case study of the intersection of popular culture and race in the mid-century United States.

As soon as heavyweight boxer Joe Louis became a public figure in the 1930s, journalists and other social commentators began speculating about the significance of an African American man garnering popularity in a racially segregated society. Both during his lifetime and afterward, Louis noteriety extended beyond the world of sports to American popular culture. Many falsely heralded the boxer 's popularity as a sign that American racism was in sharp decline, Louis heroic status, however, did not fully reflect the complicated racial dynamics either within the sports world or in America, in general.

In Joe Louis: Sports and Race in the Twentieth Century, Marcy Sacks gives an account of the life of a man famous both for his sports career and for his race. With excerpts from newspaper clippings, radio broadcasts, poetry, and interviews, Sacks contextualizes Louis life and the legacy he left behind.

When boxing writer Doveed Linder tried to make contact with HBO boxing commentator Larry Merchant in hopes of securing an interview, his attempts failed. But one morning, Linder was at a gym wearing a boxing related t-shirt. Someone walked past him who was also wearing a boxing t-shirt. They started talking and it turned out to be Larry Merchant's son-in-law, who offered to set up the interview with Merchant over lunch. Linder did the interview with Merchant, eventually finding himself writing Ringside: Interviews with 24 Fighters and Boxing Insiders, a collection of in depth interviews with various boxers, trainers, promoters, officials, and other boxing figures, who tell their story. Ringside: Interviews with 24 Fighters and Boxing Insiders is an exploration of the sport from top to bottom, as it profiles well accomplished champions and Hall of Fame inductees, as well as those who have labored behind the scenes. A number of synchronistic occurrences similar to the meeting of Larry Merchant's son-in-law led to some of the interviews in this book, notably the interview with Exum Speight, a retired boxer with a record of 9-39-2, who was arrested for a 1987 murder one year after his interview was conducted.

Muhammad Ali was not only a champion athlete, but a cultural icon. While his skill as a boxer made him famous, his strong personality and his identity as a black man in a country in the midst of the struggle for civil rights made him an enduring symbol. From his youth in segregated Louisville, Kentucky, to his victory in the 1960 Olympics, to the controversy that surrounded his conversion to Islam and refusal of the draft during the Vietnam War, Ali's life was closely linked to the major social and political struggles of the 1960s and 70s. The story of his struggles, failures, and triumphs sheds light on issues of race, class, religion, dissent, and the role of sports in American society that affected all Americans. In this lively, concise biography, Barbara L. Tischler introduces students to Ali's life in social and political context, and explores his enduring significance as a symbol of resistance. Muhammad Ali: A Many of Many Voices offers the perfect introduction to this extraordinary American and his times.

Genius is seldom recognized in its own time. In the case of Ezzard Charles it took several decades but late really is better than never. Ezzard Charles: A Boxing Life traces Charles' early life in a small country town all the way to his fights with Jersey Joe Walcott, Joe Louis, Rocky Marciano and more during the wild, glamorous and wonderfully dirty business of boxing in the 1950s, one of the sport's last Golden Ages. Readers will learn about Charles' frustrated attempts to get a shot at the 175-pound world title; his three wins over the legendary Archie Moore; and his futile struggle to win the respect of boxing fans spoiled by Louis' power and charisma. This is the book today's sports' fans have been waiting for - the one that answers their questions about the man The Ring magazine called the greatest light heavyweight who ever lived. For reasons no one can quite explain, there has never been a biography of one of modern prizefighting's most revered and skilled practitioners - until now. Ezzard Charles: A Boxing Life is a long overdue addition to the vast collection of good literature covering the fight game.

This book is an interdisciplinary cultural examination of twenty-first century boxing as a professional sport, a bodily labor, a lucrative business, a popular entertainment, and an instrument of ideology. Based on ethnographic fieldwork and interviews conducted with Latino boxers, women boxers, and boxing insiders in Texas, it discusses boxing from the vantage point of the sundry players, who are involved with it: the labor force, promoters, handlers, ringside officials, medical professionals, media, and the audiences. The various parties have multiple stakes in the sport. For some, boxing is about physical empowerment; others are in it for the money; some deploy it for ideological purposes; yet others use it to claim their 15-minutes of fame, and frequently the various interests overlap. In this book, Benita Heiskanen makes a broader connection between boxing and the spatial organization of racialized, class-based, and gendered bodies within particular urban geographies. Journeying actual sites where the sport is organized, such as the barrio, boxing gym, and competition venues, she maps the ways in which boxing insiders negotiate a variety of conflicting agendas at local, regional, and national scales. Beyond the United States, the worker-athletes conduct their labor within global socioeconomic conditions, business networks, and legal principles. Through this sporting context, Heiskanen's discussion discloses some complex socio-historical, cultural, and political power relations between urban margins and centers, with ramifications far beyond boxing. This book will be of interest to readers in Sport Studies, Cultural Studies, Cultural Geography, Gender Studies, Critical Race Theory, Labor Studies, and American Studies.

Are today's boxers better than their predecessors, or is modern boxing a shadow of its former self? Boxing historians discuss the socioeconomic and demographic changes that have affected the quality, prominence and popularity of the sport over the past century. Among the interviewees are world-renowned scholars, some of the sport's premier trainers, and former amateur and professional world champions. Chapters cover such topics as the ongoing deterioration of boxers' skills, their endurance, the decline in the number of fights and the psychological readiness of championship-caliber boxers. The strengths and weaknesses of today's superstars are analyzed and compared to those of such past greats as Joe Louis, Sugar Ray Robinson, Jack Dempsey and Jake LaMotta.

This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing's social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of 'Britishness'. Varying in scope from Northern circuit comedies to London-based 'ladsploitation' films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.

This book is a generous presentation of all of the figures and events of what most consider to be the greatest era in boxing history. The first chapter compares the seventies to all of the other eras from Jack Johnson (1908-1915) up to the present day Klitcko brothers. Through an established set of criteria, the contention is proven that the seventies stands above all other eras. Chapter two covers the tumultuous 1960s and the circumstances that led to the blossoming of unprecedented competition. The remaining ten chapters cover the years 1970 through to 1979, reliving the rivalries, animosities and stories of an era that produced such household names as Ali, Frazier, Foreman, Norton and Holmes. It was a time when even those with no interest in sports knew the names of these legends.

On June 28, 1868, a group of men gathered alongside a road 35 miles north of Albuquerque to witness a 165-round, 6-hour bare-knuckle brawl between well-known Colorado pugilist Barney Duffy and ""Jack,"" an unidentified fighter who later died of his injuries. Thought to be the first ""official"" prizefight in New Mexico, this tragic spectacle marked the beginning of the rich and varied history of boxing in the state. Oftentimes an underdog in its battles with the law and public opinion, boxing in New Mexico has paralleled the state's struggles and glories, through the Wild West, statehood, the Depression, war, and economic growth. It is a story set in boomtowns, ghost towns and mining camps, along railroads and in casinos, and populated by cowboys, soldiers, laborers, poor city kids and more. This work chronicles more than 70 years of New Mexico's colorful boxing past, representing the most in-depth exploration of prizefighting in one region yet undertaken.

Joe Louis held the heavyweight boxing championship longer than any other fighter and defended it a record 25 times. During the 1930s and 1940s, the owner of the heavyweight title belt was the most prominent sports competitor not aligned with a team sport. In addition, Louis helped make breakthroughs for African American athletes and bridge the gap of understanding between whites and blacks. During World War II he not only raised money for Army and Navy relief, entertained millions of troops as a morale officer, but became a symbol of American hope and strength. In a famous speech Louis pronounced that the United States would win the war ""Because we're on God's side."" The simple phrase helped energise the populace and some said that Louis ""named the war."" The biography of Louis outlines his rise from poverty in Alabama to becoming the best-known African American of his times and describes how an uneducated man, simple at his core, became so articulate and always ended up on the side of right in the battles he fought, with fist or voice.

During the early years of the 20th century, San Francisco promoters served up boxing's grandest spectacles, with the most compelling matches coming in the lightweight division. On February 22, 1910, a crowd of more than 15,000 braved chilly, rainy conditions to witness one such match, pitting lightweight champion Oscar ""Battling"" Nelson against Adolphus ""Ad"" Wolgast. Spectators were rewarded with an epic battle, one that came to stand virtually unchallenged as the most brutal fight of all time. This volume recaptures that historic fight while vividly illuminating the backdrop and the confluence of geographic, historic, and political forces that made it all possible. In chronicling these colorful boxers and their vibrant era, this work also reveals the dangers faced by workman pugilists like Nelson and Wolgast, making their tale, at its heart, a cautionary one.

This book is an interdisciplinary cultural examination of twenty-first century boxing as a professional sport, a bodily labor, a lucrative business, a popular entertainment, and an instrument of ideology. Based on ethnographic fieldwork and interviews conducted with Latino boxers, women boxers, and boxing insiders in Texas, it discusses boxing from the vantage point of the sundry players, who are involved with it: the labor force, promoters, handlers, ringside officials, medical professionals, media, and the audiences. The various parties have multiple stakes in the sport. For some, boxing is about physical empowerment; others are in it for the money; some deploy it for ideological purposes; yet others use it to claim their 15-minutes of fame, and frequently the various interests overlap.

In this book, Benita Heiskanen makes a broader connection between boxing and the spatial organization of racialized, class-based, and gendered bodies within particular urban geographies. Journeying actual sites where the sport is organized, such as the barrio, boxing gym, and competition venues, she maps the ways in which boxing insiders negotiate a variety of conflicting agendas at local, regional, and national scales. Beyond the United States, the worker-athletes conduct their labor within global socioeconomic conditions, business networks, and legal principles. Through this sporting context, Heiskanen's discussion discloses some complex socio-historical, cultural, and political power relations between urban margins and centers, with ramifications far beyond boxing. This book will be of interest to readers in Sport Studies, Cultural Studies, Cultural Geography, Gender Studies, Critical Race Theory, Labor Studies, and American Studies.

Born to former slaves in St. Croix in 1860, Peter Jackson made his name in the boxing ring with his smooth, fast style and a dangerous "one-two" combination. After emigrating to Australia, Jackson became that country's national heavyweight champion in 1886 before moving on to the United States and claiming the title of Colored Champion of the World in 1888. For the next ten years, Jackson remained undefeated by all opponents in America and Europe until finally losing to Jim Jeffries in 1898. Although he never received a shot at the heavyweight title--reigning heavyweight champion John Sullivan refused to defend his title against a black man--Jackson remains one of the greatest fighters in the history of the heavyweight division. This first biography of Jackson since 1919 chronicles the boxer's life in and out of the ring, providing a vivid portrait of a true legend in the sport.]

This book neither argues for or against the continuation of boxing, but lays out the literature and the body of scientific knowledge that are necessary to provide a meaningful background for the ensuing debate. It provides a comprehensive resource for those who are involved in regulating boxing and those who participate directly, as well as for the medical and scientific communities. Includes carefully quoted case histories and research as well as an extensive body of medical literature on boxing injuries to demonstrate that brain damage is a natural consequence of boxing.
* Presents in-depth analysis of the phenomenon of "punch drunkness"
* Includes detailed case histories of the clinical and pathomorphological findings uncovered by current medical research
* Extensively reviews medical literature