Sports fans have long been fascinated with boxing and the brutal demonstration of physical and psychological conflict. Accounts of the sport appear as far back as the third millennium BC, and Greek and Roman sculptors depicted the athletic ideals of the ancient era in the form of boxers. In the present day, boxers such as Muhammad Ali, Joe Frazier, Sugar Ray Robinson, Oscar De La Hoya, Manny Pacquiao, and Floyd Mayweather, Jr. are recognized throughout the world. Boxing films continue to resonate with audiences, from the many Rocky movies to Raging Bull, The Fighter, Million Dollar Baby, and Ali. In Boxing: A Concise History of the Sweet Science, Gerald R. Gems provides a succinct yet wide ranging treatment of the sport, covering boxing's ancient roots and its evolution, modernization, and global diffusion. The book not only includes a historical account of boxing, but also explores such issues as social class, race, ethnic rivalries, religious influences, gender issues, and the growth of female boxing. The current debates over the moral and ethical issues relative to the sport are also discussed. While the primary coverage of the political, social, and cultural impacts of boxing focuses on the United States, Gems' examination encompasses the sport on a global level, as well. Covering important issues and events in the history of boxing and featuring numerous photographs, Boxing: A Concise History of the Sweet Science will be of interest to boxing fans, historians, scholars, and those wanting to learn more about the sport.

Born Luigi d'Ambrosio, Lou Ambers grew up in Herkimer, New York, during the Great Depression. He and his nine siblings watched their father lose his business. Then they lost their father. Taking to the ring as a "bootleg" boxer to support his family, "The Herkimer Hurricane" soon became an undefeated contender, losing only one of more than fifty fights in his first three years as a professional. A keen judge of distance with prodigious hand speed, he worked just within punching range, busily slipping and feinting, then slashing in with hooks and uppercuts. In 1936, he faced his idol and mentor, Tony Canzoneri, and defeated him to capture the world lightweight championship. Ambers held the title for twenty-three months, losing it in a historic fight with the formidable Henry Armstrong (1938) but regaining it in a rematch the following year. As the 1930s ended, so did Amber's impressive career. This book chronicles the life of one of the great 20th century lightweights, who retired with a Hall of Fame record of 90-8-6 with 30 KOs.

This volume presents fifteen chapters of biography of African American and black champions and challengers of the early prize ring. They range from Tom Molineaux, a slave who won freedom and fame in the ring in the early 1800s; to Joe Gans, the first African American world champion; to the flamboyant Jack Johnson, deemed such a threat to white society that film of his defeat of former champion and "Great White Hope" Jim Jeffries was banned across much of the country. Photographs, period drawings, cartoons, and fight posters enhance the biographies. Round-by-round coverage of select historic fights is included, as is a foreword by Hall-of-Fame boxing announcer Al Bernstein.

Fighting sports and church may seem an unusual combination yet modern ministries have embraced them as means for evangelism and social outreach. While news media often sensationalize fighting sports ministries, churches see them as a way to appeal to male congregants, presenting a peace-loving yet tough model of discipleship--an image reflected in popular culture. From martial arts programs at suburban churches to urban boxing ministries geared towards at-risk youth, this aook examines the substantial history of church sponsored combat sports, and presents arguments by Christian ethicists about whether and how they are compatible with church teachings and settings. Interviews with boxing and martial arts ministry leaders describe their programs and the relationship between fight sports and faith.

"Granville Ampong has opened a new frontier in "sportswriting." His unique style, backed up by his passion to be good and yet different, separates him from the pack." Ed de la Vega, DDS --Graduate of the University of Southern California School of Dentistry; Restorative, Cosmetic and Sports Dentist. Part-time boxing writer & photo-journalist; Multi-state licensed boxing & MMA cut-man and maker of custom-designed World Mouthguards "Granville Ampong is like a baseball umpire who calls them as he uniquely sees them. If the pitch is down the middle, this writer calls it a strike. If it is high and wide, off the mark, he says so in plain language. Ampong admires the Great Man Pacquiao, yes, but he is no idol worshipper. If you want fluff and rump-kissing, look elsewhere. Ampong serves up his views and observations straight, no chaser. He is always a good, informative read." --- Michael Marley, Esq. from the Law Offices of Michael Marley in New York "Granville Ampong brings an honesty in his writings on Manny Pacquiao, conqueror of the American heartlands. The author has always seen the Filipino hero with a clarity which says as much about the writer, as it does the fighter. It is a chapter in history which in later years will be remembered as ground-breaking. These essays will form a part of that history." --- Gareth A Davies, The Telegraph, London "Granville Ampong's passion and dedication to the sport of boxing are easily recognized in the tone of his work. While the true journalism and pure objectivism that he demonstrates invite both acclaim and criticism, he continues to report the truth, and only the truth, exactly as he sees it." ---Lorne Scoggins, Fort Smith Boxing Examiner and Associate Pastor of Christian Lighthouse Church in Springdale, Arkansas C.S. Granville, also known as Countryman Simeon Granville, was born Simeon Granville Tolo Hayag Vergara Ampong. He is also the book author of "May Your Name Be Sealed" and "Yahweh, the Faithful One," both will be in the circulation soon. A credentialed journalist and a syndicated political columnist in the U. S., he is noted among boxing aficionados, fans and political thinkers for his challenging insights. He writes for The Western Center for Journalism in the U.S. He has also been an active contributor of Examiner.com and other media outlets. Dozens of his best articles are jam-packed with meat and best regarded as reliable sources for broadcast information and for several broadsheets and internet publications. He won first place in the International Speech Contest in 2000 which was held at the Ron Hubbard Auditorium in Los Angeles, California.

One of the most talked-about and bestselling books of last year, this is the no-holds-barred autobiography of a sporting legend driven to the brink of self-destruction The bestseller that has everyone talking. In this, his first, autobiography, 'Iron' Mike Tyson pulls no punches and lays bare the story of his remarkable life and career. Co-written with Larry Sloman, author of Antony Keidis's best-selling memoir 'Scar Tissue', this is a visceral, and unputdown-able story of a man born and raised to brutality, who reached the heights of stardom before falling to crime, substance abuse and infamy. Full of all the controversy and complexity that you would expect from a man who delighted as much as he shocked, this is a book that will surprise and reveals a fascinating character beneath the exterior of violence. If you think you know all about Mike Tyson, read this book and think again.

"Knockout: The Boxer and Boxing in American Cinema" is the first book-length study of the Hollywood boxing film, a popular movie entertainment since the 1930s, that includes such classics as "Million Dollar Baby," "Rocky," and "Raging Bull." The boxer stands alongside the cowboy, the gangster, and the detective as a character that shaped America's ideas of manhood. Leger Grindon relates the Hollywood boxing film to the literature of Jack London, Ernest Hemingway, and Clifford Odets; the influence of ring champions, particularly Joe Louis and Muhammad Ali; and controversies surrounding masculinity, race, and sports.

"Knockout" breaks new ground in film genre study by focusing on the fundamental dramatic conflicts uniting both documentary and fictional films with compelling social concerns. The boxing film portrays more than the rise and fall of a champion; it exposes the body in order to reveal the spirit. Not simply a brute, the screen boxer dramatizes conflicts and aspirations central to an American audience's experience. This book features chapters on the conventions of the boxing film, the history of the genre and its relationship to famous ring champions, and self-contained treatments of thirty-two individual films including a chapter devoted to Raging Bull.

A few miles from New Orleans, at LaSalle's Landing - in what is now the city of Kenner - stands a life-size bronze statue of two men in combat. One of them is the legendary Gypsy Jem Mace, the first Heavyweight Boxing Champion of the World and the last of the great bare-knuckle fighters. This is the story of Jem Mace's life. Born in Norfolk in 1931, between his first recorded fight, in October 1855, and his last - at the age of nearly 60 - he became the greatest fighter the world has ever known. But "Gypsy" Jem Mace was far more than a champion boxer: he played the fiddle in street processions in war-wrecked New Orleans; was friends with Wyatt Earp - survivor of the gunfight at the OK Corral (who refereed one of his fights), the author Charles Dickens; controversial actress Adah Mencken (he and Dickens were rivals for her affection); and the great and the good of New York and London high society; he fathered numerous children (the author is his great-great-grandson), and had countless lovers, resulting in many marriages and divorces.Gypsy Jem Mace is not simply a book about boxing, but more a narrative quest to uncover the life of a famous but forgotten ancestor, who died in poverty in 1910. This is a story that deserves to be told, one that will resonate with anyone, young or old, man or woman, who has ever sought to do something special before the light of life starts to dim.

The historic county of Glamorgan has a proud and successful boxing heritage, as can be seen by the 50-plus boxers featured in this, the sixth volume of Gareth Jones' renowned Boxers of Wales series. Having already profiled the boxers of Cardiff, Merthyr and Pontypridd, as well as the Cynon and Rhondda valleys, in previous volumes, Gareth Jones now completes his impressive journey around the old county by focusing his attention on: Glamorgan's coastal towns, which have produced dozens of top fighters, not least the Selby brothers from Barry and one of the first Welshmen to wear a Lonsdale Belt, Port Talbot's Bill Beynon. The old mining valleys, from the Neath to the Ogmore, which have nurtured many ring warriors over the years, including the fistic hotbeds of Maesteg and nearby Caerau: home to a string of champions and contenders. Packed with more than 100 photos and illustrations, as well as decades of unrivalled boxing knowledge, The Boxers of South, West & Mid Glamorgan is essential reading for all followers of the noble art.

In 2005, at the age of 20, Andy Lee decided he was going to try to make it in the harsh and unforgiving world of professional boxing. Leaving home for the dust and faded glamour of Detroit, over the next ten years, under the guidance of the legendary Manny Steward, he set about honing his craft, winning fight after fight, and slowly ascending the professional ranks. Then, in 2012, his star ascendant, Lee suffered two devastating blows in quick succession: defeat in his first world championship bout and the sudden loss of Steward, his guide and confidant. Bereft, his career in jeopardy, the path to redemption would test every hard-won lesson of the previous decade. 'Not so much a memoir as a lyrical treatise on the great themes: defeat, death, persistence, redemption, and the importance of friendship and family' Sunday Times

The Olympic Club was established in New Orleans in mid-1883 as a gentlemen's athletic club catering to the city's expanding immigrant population in the Third District, known then as the Faubourg Washington, just downriver from the Faubourg Marigny. Between 1883 and 1893 the club's membership grew from twenty-three to nearly eleven hundred gentlemen engaging in a wide variety of athletic and leisure-time pursuits ranging from target-shooting and gymnastics to billiards and boxing. Members included city councilmen and other politicians, bartenders and businessmen, attorneys, physicians, and represented a diverse cross-section of New Orleans society. By 1889, boxing was the single most popular sport in the city and professional boxing was prominently offered by the athletic clubs across New Orleans. At that time in New Orleans, as indeed throughout the United States, there were prohibitions against boxing and prizefighting. But in 1889 a revised city ordinance and an equally nebulous state statute were frequently tested by the Olympic Club to allow boxing events sponsored by chartered athletic clubs. Thus began a transformative process at the Olympic Club that propelled the club and New Orleans into the spotlight as the epicenter of boxing in America. In a brief four-year span between 1890 and 1894 the Olympic Club's massive 10,000 seat arena was the venue for six world championship title fights and seven national or regional title bouts. The most famous of these events was the Fistic Carnival-an event in 1892 that featured three successive world championship title matches over three successive days, culminating in the heavyweight championship fight between John L. Sullivan and James J. Corbett. However, increased competition, legal challenges, and a dramatic shift in the moral standards in New Orleans saw prizefighting fall into a precipitous decline, hastened by several deaths in the ring, most notably that of Andy Bowen, the "Louisiana Tornado." By early 1896 the club went into liquidation, experienced a brief revival in 1987, only to end in a fiery inferno that reduced the country's most popular prizefighting venue of the 19th century to a pile of rubble and ashes. The Olympic Club of New Orleans provides an in-depth chronicle of boxing in New Orleans during the latter half of the nineteenth century, interspersed with brief vignettes of New Orleans' history that helped shape the prevailing attitudes influencing the rise and fall of perhaps the most famous boxing venue of its day-the Olympic Club.

This book explores the lived experiences of boxers in a French banlieue, largely populated by people from working-class and immigrant backgrounds. Jerome Beauchez, who joined in the men's daily workouts for many years, analyzes the act of boxing as a high-stakes confrontation that extends well beyond the walls of the gym. Exploring the physical and existential realities of combat, the author provides a multifaceted "thick description" of this world and shows that the violence faced by the gym's members is not so much to be found in the ring as in the adversity of everyday racism and social exclusion. Boxing can therefore be understood as an act of resistance that is about more than simply fighting an opponent and that reflects all the existential struggles facing these men who are both stigmatized and socially dominated by race and class.

This insightful study offers a fresh perspective on the life and career of champion boxer Joe Louis. The remarkable success and global popularity of the "Brown Bomber" made him a lightning rod for debate over the role and rights of African Americans in the United States. Historian Marcy S. Sacks traces both Louis's career and the criticism and commentary his fame elicited to reveal the power of sports and popular culture in shaping American social attitudes. Supported by key contemporary documents, Joe Louis: Sports and Race in Twentieth-Century America is both a succinct introduction to a larger-than-life figure and an essential case study of the intersection of popular culture and race in the mid-century United States.

As soon as heavyweight boxer Joe Louis became a public figure in the 1930s, journalists and other social commentators began speculating about the significance of an African American man garnering popularity in a racially segregated society. Both during his lifetime and afterward, Louis noteriety extended beyond the world of sports to American popular culture. Many falsely heralded the boxer 's popularity as a sign that American racism was in sharp decline, Louis heroic status, however, did not fully reflect the complicated racial dynamics either within the sports world or in America, in general.

In Joe Louis: Sports and Race in the Twentieth Century, Marcy Sacks gives an account of the life of a man famous both for his sports career and for his race. With excerpts from newspaper clippings, radio broadcasts, poetry, and interviews, Sacks contextualizes Louis life and the legacy he left behind.

On the night of 29 April 2017, at Wembley Stadium, Anthony Joshua knocked down and defeated the Ukraine's former world heavyweight champion, Vladimir Klitschko. In doing so, he added the WBA and IBO heavyweight titles to the IBF belt he already held. That bald statement of fact does little justice to what proved to be one of the finest heavyweight contests of all time, in which a brilliant but relatively inexperienced fighter took on, and eventually defeated, one of the finest boxers of his or any other age. It was a twelve-round fight before a record post-War crowd, and for eleven of those rounds it could have gone either way; indeed, in Round 6 it looked as though Joshua was finished when a massive right hand from Klitschko sent him to the canvas.

When boxing writer Doveed Linder tried to make contact with HBO boxing commentator Larry Merchant in hopes of securing an interview, his attempts failed. But one morning, Linder was at a gym wearing a boxing related t-shirt. Someone walked past him who was also wearing a boxing t-shirt. They started talking and it turned out to be Larry Merchant's son-in-law, who offered to set up the interview with Merchant over lunch. Linder did the interview with Merchant, eventually finding himself writing Ringside: Interviews with 24 Fighters and Boxing Insiders, a collection of in depth interviews with various boxers, trainers, promoters, officials, and other boxing figures, who tell their story. Ringside: Interviews with 24 Fighters and Boxing Insiders is an exploration of the sport from top to bottom, as it profiles well accomplished champions and Hall of Fame inductees, as well as those who have labored behind the scenes. A number of synchronistic occurrences similar to the meeting of Larry Merchant's son-in-law led to some of the interviews in this book, notably the interview with Exum Speight, a retired boxer with a record of 9-39-2, who was arrested for a 1987 murder one year after his interview was conducted.

Muhammad Ali was not only a champion athlete, but a cultural icon. While his skill as a boxer made him famous, his strong personality and his identity as a black man in a country in the midst of the struggle for civil rights made him an enduring symbol. From his youth in segregated Louisville, Kentucky, to his victory in the 1960 Olympics, to the controversy that surrounded his conversion to Islam and refusal of the draft during the Vietnam War, Ali's life was closely linked to the major social and political struggles of the 1960s and 70s. The story of his struggles, failures, and triumphs sheds light on issues of race, class, religion, dissent, and the role of sports in American society that affected all Americans. In this lively, concise biography, Barbara L. Tischler introduces students to Ali's life in social and political context, and explores his enduring significance as a symbol of resistance. Muhammad Ali: A Many of Many Voices offers the perfect introduction to this extraordinary American and his times.

'He had the dream again last night... He taps the gloves of his unbeaten Polish opponent. There are rumours that the loser will be sent to the gas chamber.' In 1943, the Dutch champion boxer, Leen Sanders, was sent to Auschwitz. His wife and children were put to death while he was sent 'to the left' with the others who were fit enough for labour. Recognised by an SS officer, he was earmarked for a 'privileged' post in the kitchens in exchange for weekly boxing matches for the entertainment of the Nazi guards. From there, he enacted his resistance to their limitless cruelty. With great risk and danger to his own life, Leen stole, concealed and smuggled food and clothing from SS nursing units for years to alleviate the unbearable suffering of the prisoners in need. He also regularly supplied extra food to the Dutch women in Dr. Mengele's experiment, Block 10. To his fellow Jews in the camp, he acted as a rescuer, leader and role model, defending them even on their bitter death march to Dachau towards the end of the war. A story of astonishing resilience and compassion, The Fighter of Auschwitz is a testament to the endurance of humanity in the face of extraordinary evil.

Genius is seldom recognized in its own time. In the case of Ezzard Charles it took several decades but late really is better than never. Ezzard Charles: A Boxing Life traces Charles' early life in a small country town all the way to his fights with Jersey Joe Walcott, Joe Louis, Rocky Marciano and more during the wild, glamorous and wonderfully dirty business of boxing in the 1950s, one of the sport's last Golden Ages. Readers will learn about Charles' frustrated attempts to get a shot at the 175-pound world title; his three wins over the legendary Archie Moore; and his futile struggle to win the respect of boxing fans spoiled by Louis' power and charisma. This is the book today's sports' fans have been waiting for - the one that answers their questions about the man The Ring magazine called the greatest light heavyweight who ever lived. For reasons no one can quite explain, there has never been a biography of one of modern prizefighting's most revered and skilled practitioners - until now. Ezzard Charles: A Boxing Life is a long overdue addition to the vast collection of good literature covering the fight game.

This book is an interdisciplinary cultural examination of twenty-first century boxing as a professional sport, a bodily labor, a lucrative business, a popular entertainment, and an instrument of ideology. Based on ethnographic fieldwork and interviews conducted with Latino boxers, women boxers, and boxing insiders in Texas, it discusses boxing from the vantage point of the sundry players, who are involved with it: the labor force, promoters, handlers, ringside officials, medical professionals, media, and the audiences. The various parties have multiple stakes in the sport. For some, boxing is about physical empowerment; others are in it for the money; some deploy it for ideological purposes; yet others use it to claim their 15-minutes of fame, and frequently the various interests overlap. In this book, Benita Heiskanen makes a broader connection between boxing and the spatial organization of racialized, class-based, and gendered bodies within particular urban geographies. Journeying actual sites where the sport is organized, such as the barrio, boxing gym, and competition venues, she maps the ways in which boxing insiders negotiate a variety of conflicting agendas at local, regional, and national scales. Beyond the United States, the worker-athletes conduct their labor within global socioeconomic conditions, business networks, and legal principles. Through this sporting context, Heiskanen's discussion discloses some complex socio-historical, cultural, and political power relations between urban margins and centers, with ramifications far beyond boxing. This book will be of interest to readers in Sport Studies, Cultural Studies, Cultural Geography, Gender Studies, Critical Race Theory, Labor Studies, and American Studies.

This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing's social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of 'Britishness'. Varying in scope from Northern circuit comedies to London-based 'ladsploitation' films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.

Are today's boxers better than their predecessors, or is modern boxing a shadow of its former self? Boxing historians discuss the socioeconomic and demographic changes that have affected the quality, prominence and popularity of the sport over the past century. Among the interviewees are world-renowned scholars, some of the sport's premier trainers, and former amateur and professional world champions. Chapters cover such topics as the ongoing deterioration of boxers' skills, their endurance, the decline in the number of fights and the psychological readiness of championship-caliber boxers. The strengths and weaknesses of today's superstars are analyzed and compared to those of such past greats as Joe Louis, Sugar Ray Robinson, Jack Dempsey and Jake LaMotta.