The Onyx is a stiff haired, short handled synthetic brush which has a great spring, holds it shape incredibly well and has a good colour holding capacity. A smooth, versatile brush that glides with paint, it is best used with heavy body or fluid paint. It is firm yet flexible and has a lovely silky texture when working with it. It is perfect for both precision work and looser styles. Ideal for acrylic painting but can also be used for oils. - Read more about these brushes on our blogPlease note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue.

The favoured brush of a number of professional oil painters, Jackson's Procryl is not slick or too springy like many synthetic brushes - it has been designed with professional oil and acrylic painters in mind. Made with acrylic fibres, they are moderately springy and absorbent and soften after repeated cleaning with solvents. The softness of the hairs makes this brush great for soft blending. The brush is very responsive and capable of blending to a very high standard. The edge holds its tight shape while loaded with paint, producing a clean, chiseled edge where necessary. Measurements are as follows:Total length: 24. 9cmLength of bristles: 2. 9cmWidth of bristles at ferrule: 1. 5cmPlease note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue.

The Onyx is a stiff haired, short handled synthetic brush which has a great spring, holds it shape - incredibly well and has a good colour holding capacity. A smooth, versatile brush that glides with paint, it is best used with heavy body or fluid paint. It is firm yet flexible and has a lovely silky texture when working with it. It is perfect for both precision work and looser styles. Ideal for acrylic painting but can also be used with oils. Read more about these brushes on our blogPlease note that this synthetic brush does not contain any animal products, either in the varnish, bristles, paint or glue.

Black Gold brushes are premium quality artist paint brushes, designed to satisfy an increased consumer demand for a higher level of performance.

Dynasty hand-crafted Black Gold brushes are as distinctive looking as they are unique in their professional characteristics. The Black Gold brush series can be immediately identified by their regal black ferrules and two-tone varnished handles. All brushes are hand-crafted, kiln dried and offer ‘seamless’ metal ferrules to provide safe, long lasting, water resistant beauty.

Black Gold brushes possess the features and performance discerning fine artists demand and expect.

Pro Arte Twist Grip Brushes are a general-purpose range of brushes that have specially designed ergonomic handles providing artists with extra control and comfort when working.

Twist Grip Brushes come in a choice of nine different brush shapes allowing for a wide range of techniques and painting applications. Choose from Round, Flat, Filbert, Angled, Comb, Dagger, Wash, Fan, and Deerfoot brush types.

With the exception of the Deerfoot Brushes which are made from black bristle hog hair and the Wash Brushes made from black goat hair, this range uses good quality synthetic hair compatible with a range of artists’ mediums including oil, acrylic, watercolour, and gouache.

Black Gold brushes are premium quality artist paint brushes, designed to satisfy an increased consumer demand for a higher level of performance.

Dynasty hand-crafted Black Gold brushes are as distinctive looking as they are unique in their professional characteristics. The Black Gold brush series can be immediately identified by their regal black ferrules and two-tone varnished handles. All brushes are hand-crafted, kiln dried and offer ‘seamless’ metal ferrules to provide safe, long lasting, water resistant beauty.

Black Gold brushes possess the features and performance discerning fine artists demand and expect.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.