Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton, who over twenty years ago created a synthetic version of the sable brush, have created synthetic squirrel bush. Princeton’s synthetic squirrel brushes, like their synthetic sable cousins, were designed to surpass their natural counterparts. Princeton’s Neptune™ brushes hold colour excellently and come in a large range of shapes, including mottlers and quills. Neptune™ squirrel brushes have traditional solid wood watercolour handles.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked.

The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application.

Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance.

Princeton: Best Synthetic Sable watercolour brushes are made with a blend of golden taklon hairs in a variety of different diameters. Developed for Princeton by master Japanese brush-maker Naohide Takamoto, these brushes take the 'Tak' from Takamoto to give the ‘taklon’ fibres their distinctive name. Princeton brush fibres, though made with synthetic bristles, have the appearance of genuine sable hairs. The fibres are held in place with a golden ferrule and the handles are fashioned from marbled red hardwood (the wash brushes have clear acrylic handles). This brush style absorbs water easily and paints supple strokes with a natural snap. Princeton brushes in the 4050 Series resist even the heaviest of painting wear and always return to a tight point or crisp edge after use.

Almost 20 years ago, Princeton’s Series 4050 brush was the first synthetic sable available for artists. This synthetic sable is now a popular, widely produced style of paintbrush, but the Series 4050 brush has never been equalled in quality.

Princeton, who over twenty years ago created a synthetic version of the sable brush, have created synthetic squirrel bush. Princeton’s synthetic squirrel brushes, like their synthetic sable cousins, were designed to surpass their natural counterparts. Princeton’s Neptune™ brushes hold colour excellently and come in a large range of shapes, including mottlers and quills. Neptune™ squirrel brushes have traditional solid wood watercolour handles.