Dala Plaster Craft Bandage is coated with quality gypsum and requires the addition of water. They are thick and creamy, fast setting and strong.  Use it to cast mother moulds / negatives.

Ideal for mask making, moulding and casting
Plaster of Paris Craft Bandage is useful in making "shell", "mother moulds" or "negatives". It can be used to make castings of faces, body moulds, and busts, and can also be used in terrain modelling and more. 

A popular method for casting with plaster bangdage is to unroll about 60cm of the plaster bandage and then fold it in on itself once, and then fold it in on itself again for the second time, creating a zig zag of 3 layers of bandage on top of each other and cut. Keep doing this until the roll is finished and lay them down in an 'X shape' so that they are easy to pick up while working. Have a bowl of water nearby. Prepare your positive by coating it in a release agent such as vaseline or a layer of cling film for when the plaster has dried and you need to remove it. When the positive that you are going to cast from has been prepared, dunk the plaster strips into the water until saturated. Gently pull the bandage to squeeze some of the excess water out and apply it to your intended surface. Residual plaster will come off into the water, during the wetting process making it milky. It is advised that you change the water when this mixture becomes very milky. 

How much plaster bandage you need will be determined by your intended casting. A face cast can use up 1 whole roll and a bust cast can use up to 9 rolls.  Depending on what your project is, the plaster can take up to .... to dry completely. When dried, remove the negative cast carefully. You can now either cast positives from the shell you've created, or decorate the shell using paints and other craft items of your choice. Please note:  1) This plaster bandage is not for medical use. 2) Hardened Plaster will not come off of or out of bowls and buckets easily. Dispose of remnants as soon as possible to avoid the Plaster hardening onto tools and items used when moulding. *Clean up using warm soapy water.

Dala Plaster Craft Bandage is coated with quality gypsum and requires the addition of water. They are thick and creamy, fast setting and strong.  Use it to cast mother moulds / negatives.

Idea for mask making, moulding and casting
Plaster of Paris Craft Bandage is useful in making "shell", "mother moulds" or "negatives". It can be used to make castings of faces, body moulds, and busts, and can also be used in terrain modelling and more. 

A popular method for casting with plaster bangdage is to unroll about 60cm of the plaster bandage and then fold it in on itself once, and then fold it in on itself again for the second time, creating a zig zag of 3 layers of bandage on top of each other and cut. Keep doing this until the roll is finished and lay them down in an 'X shape' so that they are easy to pick up while working. Have a bowl of water nearby. Prepare your positive by coating it in a release agent such as vaseline or a layer of cling film for when the plaster has dried and you need to remove it. When the positive that you are going to cast from has been prepared, dunk the plaster strips into the water until saturated. Gently pull the bandage to squeeze some of the excess water out and apply it to your intended surface. Residual plaster will come off into the water, during the wetting process making it milky. It is advised that you change the water when this mixture becomes very milky. 

How much plaster bandage you need will be determined by your intended casting. A face cast can use up 1 whole roll and a bust cast can use up to 9 rolls.  Depending on what your project is, the plaster can take up to .... to dry completely. When dried, remove the negative cast carefully. You can now either cast positives from the shell you've created, or decorate the shell using paints and other craft items of your choice. Please note:  1) This plaster bandage is not for medical use. 2) Hardened Plaster will not come off of or out of bowls and buckets easily. Dispose of remnants as soon as possible to avoid the Plaster hardening onto tools and items used when moulding. *Clean up using warm soapy water.

Can be used to cover all types of objects, produce masks by applying directly to the skin, make supporting shells for the siligum, alginate or latex moulds.

Top quality alpha plaster. Due to its exceptional hardness, after drying, it can be compared to polyester resins. Recommended for moulding objects that require fineness strength and whiteness. For professional adults. -Extra Hard -Very White -Very Fine -No lumps, limits the appearance of bubbles. Mixing advice: 3 parts powder to 1 part water. Beginning of setting: 8 minutes End of setting: 15 minutes Demoulding: recommended after 30 minutes The preparation of plaster: Pour water into a large container. Spread the plaster on the surface of the water. Allow the plaster to absorb the water for 1-2 minutes without mixing. Then stir gently and allow air bubbles to rise to the surface. Never add water after the mixing. Slowly pour the plaster along the side of the mould. For complex shapes, empty and start again.

MSDS

pdf=ResinPlaster.pdf

A natural seaweed based powder. Suitable Alginate for moulding complete items, soft or delicate objects or the human body.

Alpha plaster for artistic casts. It offers accuracy and strength of exceptional quality. Its coarser grain and porosity make it easy to paint. It is ideal for amateur and professional adults. MSDS pdf=HardPlaster.pdf

Concentrated formula based on natural rubber. It can be used to mould simple and complicated shapes, small and large thinner items and masks. Professional adults.

pdf=Latex.pdf

Low density plaster rcommended for casting hanging decorations.

Mould, layer and sculpt shapes with this Plaster Of Paris. For model making and plaster casting for crafts and school art. Plaster of Paris generates heat as it sets. Care must be taken when removing models from a mould. Do not place any part of the body into the setting plaster.

Can be used to cover all types of objects, 4 x 8 x 300cm produce masks by applying directly to the skin, 8 x 300cm make supporting shells for the siligum, alginate or latex moulds.

Mould, layer and sculpt shapes with this Plaster Of Paris. For model making and plaster casting for crafts and school art. Plaster of Paris generates heat as it sets. Care must be taken when removing models from a mould. Do not place any part of the body into the setting plaster.

Dala Casting Stone is a white powder product similar to Plaster of Paris, except it dries to a much harder finish. It can be poured or sculpted with. It can be poured into moulds to form a postive, or poured over objects to cast a negative.

Very fast setting, two component Siligum 100g silcone moulding paste. Easy dosing, Siligum 300g. To mould small objects and flat decorations. 100g is sufficient to create 3 moulds of diameter 4cm.

pdf=Siligum.pdf

Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with.

The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.

Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.

Very fast setting, two component silcone moulding paste. Easy dosing, to mould small objects and flat decorations. 100g is sufficient to create 3 moulds of diameter 4cm.

MSDS

pdf=Siligum.pdf

Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.

Dala Casting Rubber is a brush on, liquid latex product for flexible mould creation. It enables you to replicate detailed designs by brushing onto the original to create a flexible 'negative', from which a postive may then be cast.

IDEAL FOR: FLEXIBLE MOULD MAKING. Dala casting Rubber is a brush on, liquid latex moulding product that requires a few coats layered on top of one another to create a flexible skin from which a positive may be cast. Brush onto the original piece - applying an even, first layer and allow to dry completely.

Please Note: Product will darken slightly when completely dried. Once the first layer is dry, apply a second coat, and then a third, and a fourth - leaving time in between each layer to dry. For best results apply 7-10 layers of Casting Rubber to the original. Once the casting rubber layer(s) has dried, you will be able to peel it off of the original for filling with your chosen moulding product. For extra strength and support of your flexible mould, pour plaster of paris over the casting rubber covered original, and create a flat 'top' by skimming the surface of the plaster of paris. This will give you a sturdy base for your flexible mould to sit in when you flip it over. Prepare your moulding material as per manufacturers instructions and pour into your flexible mould. Wait the recommended time for the product to dry and release the mould from the casting rubber skin.

WARNING: Casting Rubber contains ammonia and may be a potential skin and eye irritant. Handle with care.

Dala Casting Rubber is a brush on, liquid latex product for flexible mould creation. It enables you to replicate detailed designs by brushing onto the original to create a flexible 'negative', from which a postive may then be cast.

IDEAL FOR: FLEXIBLE MOULD MAKING. Dala casting Rubber is a brush on, liquid latex moulding product that requires a few coats layered on top of one another to create a flexible skin from which a positive may be cast. Brush onto the original piece - applying an even, first layer and allow to dry completely.

Please Note: Product will darken slightly when completely dried. Once the first layer is dry, apply a second coat, and then a third, and a fourth - leaving time in between each layer to dry. For best results apply 7-10 layers of Casting Rubber to the original. Once the casting rubber layer(s) has dried, you will be able to peel it off of the original for filling with your chosen moulding product. For extra strength and support of your flexible mould, pour plaster of paris over the casting rubber covered original, and create a flat 'top' by skimming the surface of the plaster of paris. This will give you a sturdy base for your flexible mould to sit in when you flip it over. Prepare your moulding material as per manufacturers instructions and pour into your flexible mould. Wait the recommended time for the product to dry and release the mould from the casting rubber skin.

WARNING: Casting Rubber contains ammonia and may be a potential skin and eye irritant. Handle with care.

Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.

Dala Casting Stone is a white powder product similar to Plaster of Paris, except it dries to a much harder finish. It can be poured or sculpted with. It can be poured into moulds to form a postive, or poured over objects to cast a negative.

Dala Plaster of Paris is a white, powder product that requires the addition of water to create a paste which can then be poured, or sculpted with. The paste is poured into a mould to create a 'positive', or poured over something to cast a 'negative'.

Dala Casting Rubber is a brush on, liquid latex product for flexible mould creation. It enables you to replicate detailed designs by brushing onto the original to create a flexible 'negative', from which a postive may then be cast.

IDEAL FOR: FLEXIBLE MOULD MAKING. Dala casting Rubber is a brush on, liquid latex moulding product that requires a few coats layered on top of one another to create a flexible skin from which a positive may be cast. Brush onto the original piece - applying an even, first layer and allow to dry completely.

Please Note: Product will darken slightly when completely dried. Once the first layer is dry, apply a second coat, and then a third, and a fourth - leaving time in between each layer to dry. For best results apply 7-10 layers of Casting Rubber to the original. Once the casting rubber layer(s) has dried, you will be able to peel it off of the original for filling with your chosen moulding product. For extra strength and support of your flexible mould, pour plaster of paris over the casting rubber covered original, and create a flat 'top' by skimming the surface of the plaster of paris. This will give you a sturdy base for your flexible mould to sit in when you flip it over. Prepare your moulding material as per manufacturers instructions and pour into your flexible mould. Wait the recommended time for the product to dry and release the mould from the casting rubber skin.

WARNING: Casting Rubber contains ammonia and may be a potential skin and eye irritant. Handle with care.

Dala Casting Rubber is a brush on, liquid latex product for flexible mould creation. It enables you to replicate detailed designs by brushing onto the original to create a flexible 'negative', from which a postive may then be cast.

IDEAL FOR: FLEXIBLE MOULD MAKING. Dala casting Rubber is a brush on, liquid latex moulding product that requires a few coats layered on top of one another to create a flexible skin from which a positive may be cast. Brush onto the original piece - applying an even, first layer and allow to dry completely.

Please Note: Product will darken slightly when completely dried. Once the first layer is dry, apply a second coat, and then a third, and a fourth - leaving time in between each layer to dry. For best results apply 7-10 layers of Casting Rubber to the original. Once the casting rubber layer(s) has dried, you will be able to peel it off of the original for filling with your chosen moulding product. For extra strength and support of your flexible mould, pour plaster of paris over the casting rubber covered original, and create a flat 'top' by skimming the surface of the plaster of paris. This will give you a sturdy base for your flexible mould to sit in when you flip it over. Prepare your moulding material as per manufacturers instructions and pour into your flexible mould. Wait the recommended time for the product to dry and release the mould from the casting rubber skin.

WARNING: Casting Rubber contains ammonia and may be a potential skin and eye irritant. Handle with care.