Glasgemalde aus der fruhen Neuzeit befinden sich im Kanton Schaffhausen kaum mehr an ihren ursprunglichen Bestimmungsorten. Dank den intensiven Bemuhungen von Schaffhauser Burgern und Institutionen konnte uber die letzten 150 Jahre aber ein ansehnlicher Bestand an historischen Glasgemalden fur die dortigen Sammlungen gesichert werden. Diese in der vorliegenden Publikation erstmals vollstandig erfassten, durchweg farbig abgebildeten 194 Werke vermitteln ein anschauliches Bild vom Reichtum der einstmals in oeffentlichen und privaten Schaffhauser Gebauden vorhandenen Glasmalereien. Zugleich kommt ihnen ein hoher kulturgeschichtlicher Wert zu, indem sie aufschlussreiche Einblicke in die vielfaltigen Beziehungen der Burger untereinander und zu ihren politischen Organen gewahren. Die dem Katalog vorangehende Studie behandelt die Entwicklung der Glasmalerei zwischen 1500 und 1800 in Schaffhausen und Stein am Rhein aus verschiedenen Perspektiven. Eroertert werden zunachst die Grunde fur den nach der Reformation erfolgten Aufstieg Schaffhausens zu einem fuhrenden Zentrum Schweizer Glasmalkunst, dessen Erzeugnisse sich auch in Suddeutschland einer grossen Beliebtheit erfreuten. Nach dem Eingehen auf die Trager dieser Nachfrage wird unter Beizug des reichhaltigen, hier erstmals auszugsweise veroeffentlichten Quellenmaterials die Organisation des Schaffhauser Glasmaler- und Glaserhandwerks durchleuchtet und seine enge Verflechtung mit den Malern aufgezeigt. Daran schliessen sich die Kurzbiografien der wahrend der fruhen Neuzeit uber hundert in Schaffhausen tatigen Glasmaler, Glaser und Scheibenentwerfer, zu denen neben unbekannten, bislang noch nie namentlich erfassten Meistern Kunstlerpersoenlichkeiten wie Tobias Stimmer oder Daniel Lindtmayer der Jungere gehoeren. Ganz anders liegen die Verhaltnisse in der bis zur franzoesischen Revolution unter Zurcher Oberhoheit stehenden Stadt Stein am Rhein. Wie die Studie aufzeigt, beherrschten dort fremde Meister das Feld der Glasmalerei, und zwar vor allem solche aus Zurich und Winterthur. Obwohl Stein am Rhein im Gegensatz zu Schaffhausen nie ein bedeutender Produktionsort fur Glasmalerei war, kann sich diese Stadt mit dem 1542/43 in sein Rathaus gestifteten Scheibenzyklus aber ruhmen, Huterin eines der glanzvollsten Zeugnisse Altschweizer Glasmalkunst zu sein.

With passion and expert insight, Frank Nievergelt compiled an impressive collection over forty-five years of more than 900 pieces of contemporary ceramics, ranging from vessels and sculptures via display pieces to monumental works. Over one hundred leading figures of the international ceramic scene from 1970 to 2015 are represented in the collection, the emphasis of which is on newer objects. In this publication, the most significant pieces of this renowned collection are presented in a selection of forty-one artists, hence impressively highlighting the unaffected beauty and diversity of contemporary ceramic art. Moreover, Nievergelt introduces the artists individually, enhanced with reflections from Anne-Claire Schumacher (curator of the Musee Ariana) and Prof. Volker Ellwanger. The catalogue documents the latest inventory of the Musee Ariana in Geneva.

In 1760, Georg Heinrich Macheleid was granted permission by the Prince of Schwarzburg-Rudolstadt to establish a porcelain manufactory in Sitzendorf/Thuringia, Germany, which was relocated to Volkstedt in 1762. Its products feature artistic representations of figures. The graceful appearance of the collector's items, which include groups of shepherds and female dancers, is characterized by a great lightness, emotiveness, and playful elegance. This monograph presents for the first time the complete history of the oldest Thuringian porcelain manufacturer, which is still in operation. With regard to the eighteenth century, the publication provides a virtually complete coverage of figural porcelain and a selection of crockery. In relation to the nineteenth century, it elucidates the manufacturer's previously unexplained ownership situation and its frequently changing names. This is followed by an overview of the modelers and models, as well as of the subsidiaries established in the twentieth century. The publication concludes with contemporary artists designs for porcelain manufacturing in the twenty-first century. Text in German.

The china used by the First Families, both at the White House and in their private homes, reveals a fascinating story of culture and society as it has evolved in the United States since its early days. In this handsome book, which documents over 200 rare items in the remarkably comprehensive Robert L. McNeil, Jr., Collection, a beautiful display of tableware unfolds as readers learn of trends in taste, style, and modes of entertaining, from George Washington to Ronald Reagan. Among the featured objects are Washington's white-and-gold Sevres porcelain that he purchased from a French diplomat recalled at the outbreak of the French Revolution; James Monroe's gilt-edged French porcelain service, the first state service commissioned by the White House in 1817; and John F. Kennedy's understated Wedgwood creamware used at his Georgetown home. Collectors and historians will value the information on how the pieces were commissioned, designed, manufactured, and imported. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Mount Vernon, Alexandria, Virginia (February 16, 2008 - January 21, 2009)

Between the 12th and 14th centuries, the Hedingham pottery industry produced decorated and glazed finewares, mainly jugs, and grey-firing coarsewares. This study provides a synthesis of Hedingham Ware production and explores its distribution within East Anglia. A gazetteer of the fourteen known production sites is provided, and the pottery is used to create a typology of fabric types, vessel forms and decoration for both fine and coarse wares. The industry appears to have evolved from the early medieval tradition, although it has similarities with Late Saxon Thetford-type ware. The coarsewares are most similar to those produced near Colchester and show some similarities to coarsewares produced in Suffolk. The Hedingham industry did not die out in the 14th century but became subsumed into the sandy orange ware tradition and lost its identity as Hedingham Ware.

Tiles are so simple in their essence - a shape of fired ceramic, metal or stone that can be used to pave or decorate walls or floors. But the power of a repeating pattern over a large surface can be breathtaking, and many designers and architects working today are exploring the medium of tile in thrilling new ways, pushing the boundaries of materials, textures, patterns and glazes. Introduced and curated by tile maker, curator and devotee, Deborah Osburn, Tile Envy is an exploration of the most beautiful tile designs around the world today, featuring profiles of 60 contemporary makers including Michelle Weinberg, Ruan Hoffmann, Coletivo Mudo, Timorous Beasties and Raw Edges. Luxurious photography and design make this a must have for design professionals and enthusiasts.

Not long ago, porcelain, glass and ceramics were almost exclusively used to make ostentatious objects best suited for display in grandmother's cabinet. But now these classic materials are experiencing a renaissance. Today, they are increasingly being utilised in playful ways by a new wave of designers and artists, who are inspired by Modernism's clear forms as well as an ironic depiction of figures, kitsch and the Romantic. Armed with these influences and an expanded repertoire of forms made possible by technological developments such as rapid prototyping, these designers and artists are manifesting their creative visions in unconventional objects made of these fragile materials. Fragiles is an eclectic collection of such contemporary work. This book presents industrial applications made from porcelain, glass and ceramics such as the exclusive, futuristic tableware now in use in avant-garde restaurants around the world. It also features artistic glass objects by Arne Quinze and Jerszy Seymour as well as striking porcelain products by Jurgen Bey, Marcel Wanders and Jaime Hayon. In addition to these projects by renowned creatives, Fragiles also contains an exciting selection of recent cutting-edge work by emerging talents. The examples shown in Fragiles range from the experimental to evocative retroinspired reinterpretations. The spectrum and quality of these innovative projects shows a current generation of designers and artists just how relevant and challenging working with these traditional materials can be.

Erwin Eisch, a pioneer of the international Studio Glass movement, has helped establish the medium in Europe. His distinctively distorted glass vessels and imaginative sculptures of mould-blown glass challenge the distinctions between art forms and between realism and abstraction. This book also includes Eischs paintings, drawings and vitreographic prints. This book provides an introduction to the artist, from his development within the glass-making tradition of the Bavarian Forest to the present. Eisch began with functional vessels, including bottles, vases and steins, often distorting the hot glass, incorporating ceramic moulds and producing painted glass sculptures. Eisch uses glass, painting, drawing and printed graphics to overcome the borders between picture and sculpture. His later output includes drawings, paintings and prints. Eischs works incorporate vivid elements of imagination and fantasy, which supplement the reality that inspires him. This book includes essays, contributions by experts on his work, more than one hundred illustrations of Eischs work, and selected writings by the artist himself.

This book is the first comprehensive synthesis of the life cycle of ceramics and of refuse management in ancient Palestine during the later Roman, Byzantine and Early Islamic periods (4th to 11th centuries CE). The study sheds light on selected material culture-related behavioral practices of the people who produced, used and manipulated ceramics during late antique and early medieval times. The research presents the local picture of pottery use-life, including prime use, reuse, repair, recycling and disposal. The reuse, repair and recycling of pottery reflect a plethora of behavioral practices, some common to the greater Mediterranean and Near Eastern world and some unique to the discussed region and periods. Similarly, the discussion of refuse disposal, while using selected case studies, has shown that attitudes towards the residues of people's activity were basically similar in different regions and periods, though the ways in which refuse was managed was often dictated by specific cultural and regional circumstances. Finally, a first attempt has been made in this study to partially unveil the mental rationale behind the above-mentioned practices. The conclusion is that mere pragmatism motivated the rather frequent reuse, repair and recycling of pottery, though it also showed that this tendency became more dominant - in historical Palestine and probably elsewhere - in Late Antiquity and later.

Foolproof mosaic projects for your garden, including planters, furniture, and ornaments

One of the most long-lasting and hard-wearing artforms, mosaic pieces are perfect to make the most of your outdoor room. Suitable for a tiny terrace or a large garden, the projects in Garden Mosaics show you how to decorate your outdoor space in the most charming, individual, and enduring way.

The extensive techniques section shows you how to choose and use the right tiles for your environment. The range of tiles on the market today is better than ever; and the book makes the most of the wealth of new materials available such as spangled tiles or inexpensive but authentic gold-leaf tiles. As you progress, you can develop your own creativity with tips on tile- and colourmatching that allow you to adapt the projects to make pieces completely unique to you and your garden.

All suitable for beginners, the 25 projects in the book range from simple decorative pieces, such as the enchanting, simple child’s footprints and butterfly stones to practical and sturdy weatherproof pieces, including a trompe l’oeil chequered mosaic tabletop and delightful planters that will add colour to your garden especially in winter. Some projects, such as the night light, can be finished in under two hours.