The papers in this volume derive from the proceedings of an international symposium held at the J. Paul Getty Museum at the Getty Villa in June 2006 in connection with the exhibition "The Colors of Clay: Special Techniques in Athenian Vases." The themes of the exhibition--vases executed in bilingual, coral-red gloss, outline, Kerch-style, white ground, and Six's techniques, as well as examples with added clay and gilding, and sculpted vases and additions--are the touchstones for the essays. More than twenty papers by renowned scholars are grouped under such general rubrics as Social Contexts for Athenian Vases in Special Techniques; Conservation, Analysis, and Experimentation; Artists, Workshops, and Production; and Markets and Exchange.

One of the odder (and uglier or cuter dependent on your point of view) styles of Roman pottery is clearly the face pot - literally pots with facial features attatched in relief. This study creates a type series for such pots in the western provinces of the empire, and in doing so attempts to answer questions such as - What were their origins, Who or what did they represent and how were they used. The study also examines the distribution and dissemination across Europe and investigates their links with the army.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Showing Their Relation To The Primitive Forms Of Solar And Nature Worship.

This is a reprint of the rare original "concise edition" by Bolas with some additions.

In October 2004 over 70 delegates met in the Department of Archaeological Sciences at the University of Bradford for the second International Conference on Prehistoric Ceramics. The conference was the second major biannual conference to be organised by the Prehistoric Ceramics Research Group. It is hoped that in the papers presented in this volume, readers will find much to stimulate the mind and their own directions of study even if the subject matter is not directly relevant to their own specific fields. This is the unifying beauty of ceramic research.

"My Dad, The Folk Potter" is a young reader's picture book that shows the complete process of making traditional pottery using methods 19th Century Catawba Valley potters used, including hand-digging local clay, glazing, firing in a ground hog kiln and selling of wares. The book is written from the perspective of a fourth-grader as he watches his dad "turn and burn." Pottery buffs of all ages will appreciate both the educational and artistic value of this book.

1876. With numerous woodcuts. From Chapter I: It is right, first, to explain that in this dissertation we shall make constant use of two or three words borrowed from foreign languages; one is botega or bottega, implying something between a workshop and an artist's studio, which it would be difficult to express by a single English word: another is fabrique, meaning the private establishment of a master potter of that day, the idea of which cannot be so well conveyed by factory, pottery, or studio (itself an imported word), all of which are therein combined and modified.

These seventeen papers, from a colloquium held at the XIVth UISPP Congress at the University of Liege in 2001, combine archaeological, ethnographic and technical approaches to present the current state of research in the study of pottery technology. The colloquium's aim was to highlight key topics, such as clay preparation, shaping techniques, decoration and firing and post-firing treatments, whilst addressing problems in methodologies. Ethnographic contributions present case studies from the Amazon, Sub-Saharan Africa, India, Gambi and Senegal; two papers present methods of technical identification; nine papers reconstruct and interpret pottery manufacturing processes in archaeological contexts. These examine assemblages from Neolithic and Chalcolithic sites in Belgium, France, Switzerland, Mauritania and the Levant. Nine papers in English, the rest in French; all have English and French abstracts.

This classification of ceramics discovered in Roman Scythia is a revised and updated English translation of amonograph first published in Romanian in 1996. Its aim is to identify where possible local production centres as well as the main commercial trade routes with the Aegean, Mediterranean and Near East. This would help create a picture of the development of Scythia's economy during its centuries of Roman rule. Well-illustrated throughout with good quality photographs as well as figures, the book discusses each form and type in turn before considering the function of the vessels, the workshops, the sources of imported vessels. Two final interpretive essays examine Scythia's economic relations with the ceramic centres of the late Roman Empire and the nature and the pattern of pottery production and trade.

For thousands of years an enigmatic and astonishingly beautiful piece of Roman art has captivated those who have come in contact with it.Made before the birth of Christ, the Portland Vase, as it is called, is renowned for both its beauty and its mystery.

In "The Portland Vase," Robin Brooks takes us on a vivid journey across Europe and through the centuries, as this delicate piece of glass, less than ten inches in height, passes through the hands of a stunning cast of characters, including the first Roman emperor, Augustus; a notorious tomb raider; a reckless cardinal; a princess with a nasty gambling habit; the ceramics genius Josiah Wedgwood; the secretive Duchess of Portland; and a host of politicians, dilettantes, and scam artists.

Rich with passion, inspiration, jealousy, and endless speculation, the story of The Portland Vase spans more than two thousand years and remains one of the art world's greatest enigmas.

This catalogue and guide to Neolithic pottery in southern Greece is geared towards those working with such material. Based on assemblages from sixteen sites, including Corinth, Nemea, Lerna and the Franchthi Cave, the catalogue and large number of illustrations trace the development of the pottery sequence through the early, middle, late and final Neolithic. Based on Bill Phelps' thesis of 1975, this present volume has taken into account much more recent scholarship and finds, although it was not possible to revise the text fully.

This book highlights the keen perspective of the vernacular artist. Classic North Carolina stoneware pots - with their rich textures, monochromatic glazes, and minimal decoration - belong to one of America's most revered stoneware pottery traditions. In a lavishly illustrated celebration of that tradition, Mark Hewitt and Nancy Sweezy trace the history of North Carolina pottery from the nineteenth century to the present day. They demonstrate the intriguing historic and aesthetic relationships that link pots produced in North Carolina to pottery traditions in Europe and Asia, in New England, and in the neighboring state of South Carolina. With hundreds of color photographs highlighting the shapes and surfaces of carefully selected pots, ""The Potter's Eye"" honors the keen focus vernacular potters bring to their materials, tools, techniques, and history. It is an evocative guide for anyone interested in the art of North Carolina pottery and the aesthetic majesty of this resilient and long-standing tradition.

Originally published in 1899, this handbook contains, in a form convenient for everyday use, a comprehensive digest of the information on Working Glass by heat and by abrasion and supplies concise instruction on the general principles of the subject. Contents: Appliances used in Glass Blowing Manipulating Glass Tubing Blowing Bulbs and Flasks Jointing Tubes to Bulbs, etc.; Forming Thistle Funnels Utilising Broken Glass Apparatus; Boring and Riveting Glass Hand-working of Telescope Specula Turning, Chipping, and Grinding Glass The Manufacture of Glass

The people behind the pots' are never far away from these thirteen papers which cover many aspects of the use and manufacture of prehistoric pottery. The papers, which are all in English, form the proceedings of a conference jointly organised by the Prehistoric Ceramics Research Group and the Ceramics Petrology Group, held in Bradford in 2002. Subjects include: the introduction of pottery in the Somerset Levels during the early Neolithic; the use of ceramics in the Upper Palaeolithic; the potential role of ceramics for recognising evidence for the exploitation of fish; the use of pottery in Dutch Hunebedden; the technological evidence for continuity and change in the late Neolithic in southern France; Proto-Common Ware from Pompeii; Iron Age pottery from Little Paxton near Bedford; the provenance of prehistoric pottery in the East Midlands; new pots or new people? La Tene pottery from Celtic Germany; late prehistoric material from Iberia; organic residues in storage vessels from the Toumba Thessalonikis; new dates for Scottish Bronze Age cinerary urns.

Originally published under the title Experimental Glass Blowing for Boys in the early 20th century, this book contains a series of 80 "experiments" designed to teach the basic techniques of lampwork. The book discusses types of glass, how to cut, bend, and stretch glass tubes and rods, sealing a tube, blowing a bubble, joining tubes, how to cut window glass and bottles, boring a hole in glass, etc. The experiments include kids' stuff like squirt bottles, pea shooters and whistles, as well as more practical fare such as a drinking tube, siphon, nozzles, and a spirit level. Over 100 illustrations. At the time of original publication Carleton J. Lynde, Ph.D., was Professor of Physics at MacDonald College in Quebec, Canada.

The book, originally published in 1904, includes the marks used by factories, patterns, workmen, or decorators in America to the time of this book's original printing. The first attempt to describe the marks of American potters was made by Edwin Barber in his Pottery and Porcelain of the United States in 1893. In that book, less than 100 varieties, found principally in earlier wares, were described. Prior to that time, none of the manuals on potter's marks contained any reference to the United States.

Un bello manual que explica desde los materiales necesarios y los distintos tipos de vidrio, hasta las diferentes tecnicas de elaboracion, ilustradas paso a paso, de seis tipos de vidrieras: Tiffany, tradicional, collage, falsa vidriera, grabado al acido y vidriera con grisalla.

This new edition of Mary Wondrausch's classic book will be warmly welcomed by all her admirers, as well as those interested in slipware. In this book she traces the history of slipware and brings it up to the present, showing how modern artists are exploring this beautiful medium. Now in a new format and printed 4-colour throughout, this book is a glorious showcase for one of the more vibrant methods of ceramic decoration. Collectors will find this a useful reference book, ceramicists a handy text and all will delight in this sumptuous colour overview of a fascinating subject.

The main indicator for the presence of an ancient settlement at a certain location is the find of pottery fragments. With regard previously to the sites of continental Croatia, it has been the practice to date fragments to a broad period of 'medieval times'. This volume marks the first full-scale attempt to closely examine 10th to 13th Croatian pottery typologically and chronologically. As well as pottery analysis, data obtained from cemeteries and Romanesque architectural remains, as well as other types of finds such as coin hoards and swords, were included in the study. This, and information taken from historical sources, has considerably increased the available knowledge on the organization of settlements in the Sava-Drava interfluves during the period of 10th to 13th centuries.

Mosaics reached their fullest development under the Romans who used them to decorate the floors of their houses and public buildings. This book gives a comprehensive and fully illustrated history of mosaics in the Greek and Roman world, and studies their development over a thousand years throughout the Roman Empire. Chapters are devoted to technique, to the role of mosaics in architecture, and to their social implications and the role of patrons. This book is the only complete study in depth of this rich material.

An extensive catalogue of the wares and a gazetteer of the sites with a new foreword by Mike Fulford, taking account of the intervening years.

Research report providing a petrographic and chemical analysis of a large sample of Mycenean potsherds from Pylos. The author saw a unique potential for a small bounded, relatively well studied state as Pylos to give information in a comparative framework on the organisation and origin of early state systems. Investigation of pottery industry provided a means to avoid an overreliance on historical data in order to augment and sharpen our complex largely text-based theoretical models.

The use of Neutron Activation Analysis opens up enormous possibilities for studying and identifying the chemical composition of clays from pottery vessels and, subsequently, for investigating the origins and possible place of manufacture for these vessels. This publication and the research on which it is based, completes the work of Joan Huntoon whose dissertation focused on the origins, distribution and trade of Middle Bronze Canaanite Jars, with the site of Tel el-Daba featuring prominently. Patrick McGovern uses Huntoon's programme of NAA analyses in making inferences on the production, movement and trade of Canaanite jars, polished, painted and other vessels around the Near East and Aegean.