What is a pyxis? Who was the Amasis Painter? How did Greek vases get their distinctive black and orange colors? This richly illustrated book--the latest in the popular Looking At series--offers definitions and descriptions of these and many other Greek vase shapes, painters, and techniques encountered in museum exhibitions and publications on ancient Greek ceramics. Included is an essay on how to look at Greek vases and another on the conservation of ancient ceramics. These essays provide succinct explanations of the terms most frequently encountered by museum-goers. The concise definitions are divided into two sections, one on potters and painters and another on vase shapes and technical terms relating to the construction and decoration of the vases. Featuring numerous color illustrations of Greek vases, many from the Getty Museum's collection, Understanding Greek Vases is an indispensable guide for anyone wishing to obtain a greater understanding and enjoyment of Greek ceramics.

This catalogue describes what is probably the most encyclopaedic collection of early coloured Worcester porcelain in existence. Henry Marshall assembled the collection between the two World Wars. In the years that followed, he sought to represent as comprehensive a range of patterns as possible, with minimal duplication, so that his collection would become a true reference work in itself. Every piece was acquired for specific purpose, many of them either to further his knowledge or because they were so rare. He was one of a small group of ceramic collectors who sought to document sources and influences, creating comprehensive hypotheses for the objects' histories. In this case specifically, Marshall's records reveal the Far Eastern influence on Worcester porcelain, alongside the many other prototypes used by decorators of these fine ceramics. This catalogue, like the collection itself, seeks to present early Worcester porcelain to collectors and a wider public in a systematic way. It describes, classifies, and reproduces every item in the Marshall Collection. It does not seek to present detailed new research, but to record the state of knowledge about the subject at the time of writing.

Many books about ceramics provide technique upon technique, tool upon tool, recipe upon recipe. Mastery of gadgets and quick, tricky how-to-do-it techniques may seem the way to go. But this leaves no place for adventure. This book has good recipes, of course, but it is really for those who will ultimately create their own new recipes and forms. The motivation is in the mind. Guideposts are necessary and they must be visualized. This book is written in the belief that the motivation will find the method.

In this book, Xiaolong Wu offers a comprehensive and in-depth study of the Zhongshan state during China's Warring States Period (476-221 BCE). Analyzing artefacts, inscriptions, and grandiose funerary structures within a broad archaeological context, he illuminates the connections between power and identity, and the role of material culture in asserting and communicating both. The author brings an interdisciplinary approach to this study. He combines and cross-examines all available categories of evidence, including archaeological, textual, art historical, and epigraphical, enabling innovative interpretations and conclusions that challenge conventional views regarding Zhongshan and ethnicity in ancient China. Wu reveals the complex relationship between material culture, cultural identity, and statecraft intended by the royal patrons. He demonstrates that the Zhongshan king Cuo constructed a hybrid cultural identity, consolidated his power, and aimed to maintain political order at court after his death through the buildings, sculpture, and inscriptions that he commissioned.

This selected bibliography is a guide for both the collector and the general reader who would like additional information about Native American pottery and potters.

The models in this project book are designed to be robust and simple to make. The models are built using basic pottery techniques and will help to reinforce and build on the skills introduced in our "Clay modelling" series: - "Simple Animals volumes 1 & 2." And the slightly more complex project book "Upright Animals." We use the same style of step by step text instruction backed by still photos of each significant stage. Instructions with worksheets allow you to make each of the figures shown on the cover. Also included is a section I have called "Variation on a Theme" which introduces an alternative style of fashioning the arms, effectively doubling the number of models available to make. Design Your Own Rollifolk Person is meant as a challenge to students who learn to apply the techniques and can demonstrate the skills to produce their own models based on the techniques.