In this book, Xiaolong Wu offers a comprehensive and in-depth study of the Zhongshan state during China's Warring States Period (476-221 BCE). Analyzing artefacts, inscriptions, and grandiose funerary structures within a broad archaeological context, he illuminates the connections between power and identity, and the role of material culture in asserting and communicating both. The author brings an interdisciplinary approach to this study. He combines and cross-examines all available categories of evidence, including archaeological, textual, art historical, and epigraphical, enabling innovative interpretations and conclusions that challenge conventional views regarding Zhongshan and ethnicity in ancient China. Wu reveals the complex relationship between material culture, cultural identity, and statecraft intended by the royal patrons. He demonstrates that the Zhongshan king Cuo constructed a hybrid cultural identity, consolidated his power, and aimed to maintain political order at court after his death through the buildings, sculpture, and inscriptions that he commissioned.

This selected bibliography is a guide for both the collector and the general reader who would like additional information about Native American pottery and potters.

The models in this project book are designed to be robust and simple to make. The models are built using basic pottery techniques and will help to reinforce and build on the skills introduced in our "Clay modelling" series: - "Simple Animals volumes 1 & 2." And the slightly more complex project book "Upright Animals." We use the same style of step by step text instruction backed by still photos of each significant stage. Instructions with worksheets allow you to make each of the figures shown on the cover. Also included is a section I have called "Variation on a Theme" which introduces an alternative style of fashioning the arms, effectively doubling the number of models available to make. Design Your Own Rollifolk Person is meant as a challenge to students who learn to apply the techniques and can demonstrate the skills to produce their own models based on the techniques.

When you hold a Pueblo pot in your hands, you feel a tactile connection through the clay to the potter and to centuries of tradition. You will find no better guide to this feeling than Talking with the Clay. Stephen Trimble's photographs capture the spirit of Pueblo pottery in its stunning variety, from the glittering micaceous jars of Taos Pueblo to the famous black ware of San Ildefonso Pueblo, from the bold black-on-white designs of Acoma Pueblo to the rich red and gold polychromes of the Hopi villages. His portraits of potters communicate the elegance and warmth of these artists, for this is the potters' book. Revealed through dozens of conversations, their stories and dreams span seven generations and more than a century, revealing how potterymaking helps bridge the gap between worlds, between humans and clay, springing from old ways but embracing change. In this revised, expanded, and redesigned edition, Trimble brings his classic into the twenty-first century with interviews and photographs from a new generation of potters working to preserve the miraculous balance between tradition and innovation.

Retrace the steps it took for the most famous potter in the Southwest, Maria Martinez, to produce one of her prized pieces of black on black pottery. The history of Maria, her husband Julian, and son Popovia Da, is noted. The book is a tribute to this family, renowned for its contributions to classic pottery.

This volume is based on a session from the 2012 TAG conference (Liverpool University) and includes papers delivered at the conference and others submitted subsequently. Contributors are drawn from both academic and commercial archaeology and the diverse range of subjects is intended to help to bridge the unfortunate gap between some of the sub-disciplines which constitute archaeology in its broadest sense. Papers include: Pots as Things: Value, meaning and medieval pottery (Ben Jervis), Vehicles for Thought: Terrets in the British Iron Age (Anna Lewis), Addressing the Body: Corporeal meanings and artefacts in early England (Toby Martin), All form one and one form all: The relationship between pre-burial function and the form of early Anglo-Saxon cremation urns (Gareth Perry), Plates and other vessels from early modern and recent graves (Beth Richardson), Not so much a pot, more an expensive luxury: Commercial archaeology and the decline of pottery analysis (Paul Blinkhorn), Tradition and Change: The production and consumption of late post-medieval and early modern pottery in southern Yorkshire (Chris Cumberpatch), The organisation of late Bronze Age to early Iron Age society in the Peak District National Park (Kevin Cootes).

In the introduction to John P. Hart's study on Nacogdoches's historic Washington Square Mound, Timothy K. Perttula notes that publication of Hart's finding is long overdue. The Washington Square mound site, he describes, "is a Caddo multiple mound center" and is "one of the few known Caddo mound sites in the Neches-Angelina river basins in East Texas, and the study of its archeological deposits has contributed important and unique information on the lifeways, social and political organization, and religious beliefs of ancestral Caddo peoples" who occupied the area circa A.D. 1250-1425. Hart's research reveals invaluable details about Caddo tribal life, particularly derived from decorative and engraved pottery retrieved from the Mound, and, for the first time, makes this information available to a wider audience.

This book is an analysis of a collection of artefacts from the Neolithic period of the southern Levant. Although they have traditionally been identified as human images, the relationship of some of them to naturalistic human anatomy is tenuous, and, drawing on comparative examples from other periods and locations, Estelle Orrelle interprets them as images of Gods. Situating the artefacts in the context of the Neolithic transition, she shows how a Darwinian symbolic origins theory can explain the emergence of this iconography; that it lies in ancient sexual selection strategies, as power relations changed from an original social contract underpinned by female ritual power, to a new social contract driven by competing male elites."

Lets Color Some Pottery, original sketchbook ideas and designs for ceramic pottery by New England and Florida based painter and potter Janvier Miller. This is a coloring book for all ages. The drawings are based on drawings for her ceramic pottery designs.
Drawings include sketches of butterflies, boats, fish, birds, circus rings with elephants, acrobats and clowns, beach scenes and cats. Wonderful compositions that include pottery set in a scene. Such as monkey with a bowel, frogs sitting on a vase in a lily pond, a swimmer with a crab plate, and swimming mermaids. Sail boats travel across the page with flags flapping, fish and ducks plates with geese, and beach scenes with kids playing. Get out your crayons and colored pencils for hours of coloring fun.