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Books > Arts & Architecture > Art forms, treatments & subjects > Ceramic arts, pottery, glass
"Looking to discover how to collect antiques?" "Have a passion for
antique history?" "Have you uncovered a unique item and want to
know the antique appraisal?" This Practical Guide Is Designed To
Teach You More About This Amazingly Complex, yet Elegant Simple
Hobby. Let me help you take the complexity out of this hobby and
show you exactly what it takes to collect antiques like a seasoned
veteran. I give you the in-and-outs of this business within this
guide. You'll will learn how to finally: Quickly identify antiques
and assess the antique appraisal for these unique items.
Decorative arts is my passion. Create comfortable spaces for the
enjoyment and admiration to whom observe, it's for me
indispensable. I studied Interior Design and worked as a Graphic
Artist in my own studio through 15 years. In the last years I was
taking Museum courses in the University of Puerto Rico and in the
Museum and Humanistic Studies of the Turabo University. Creativity
is my goal and I understand that it's a must to use this to create
decorative pieces with illumination using stained glass. I took a
Stained Glass course in the Arts and Crafts Workshop of the
University of Puerto Rico and began to design using stained glass
as a focal point. I joined my passion for the arts and the stained
glass technique to create unique pieces that were decorative and
functional. Use stained glass from another perspective is my
challenge. I discovered the Arts and Crafts Movement and
immediately identified myself with this style. Their distinctive
characteristics are simple design, good materials and well done
work, because of this, is no wondering that is a fundamental
element in interior design until today. I studied the development
of the Arts and Crafts Movement and I think that it's a style where
many crafts artists and industrial designers can identify and work
to contribute for the history of modern furniture and decorative
arts in Puerto Rico. I exhort to observe, support and wonder with
the work of the crafts artists that today contribute with their
work for the enjoyment of the art lovers and collectors. This book
is a compilation of my first projects patterns as an artisan. Hope
you enjoy the Caribbean Inspirations of my Puerto Rican Culture.
Lets Color Some Pottery, original sketchbook ideas and designs for
ceramic pottery by New England and Florida based painter and potter
Janvier Miller. This is a coloring book for all ages. The drawings
are based on drawings for her ceramic pottery designs.
Drawings include sketches of butterflies, boats, fish, birds,
circus rings with elephants, acrobats and clowns, beach scenes and
cats. Wonderful compositions that include pottery set in a scene.
Such as monkey with a bowel, frogs sitting on a vase in a lily
pond, a swimmer with a crab plate, and swimming mermaids. Sail
boats travel across the page with flags flapping, fish and ducks
plates with geese, and beach scenes with kids playing. Get out your
crayons and colored pencils for hours of coloring fun.
This book examines Greek vase-paintings that depict humorous,
burlesque, and irreverent images of Greek mythology and the gods.
Many of the images present the gods and heroes as ridiculous and
ugly. While the narrative content of some images may appear to be
trivial, others address issues that are deeply serious. When placed
against the background of the religious beliefs and social
frameworks from which they spring, these images allow us to explore
questions relating to their meaning in particular communities.
Throughout, we see indications that Greek vase-painters developed
their own comedic narratives and visual jokes. The images enhance
our understanding of Greek society in just the same way as their
more sober siblings in serious art. David Walsh is a Visiting
Research Scholar in the School of Arts, Histories and Cultures at
The University of Manchester."
Learn techniques, tips, and tricks to turn your next clay creation
into a stunning sensation Packed with pictures and loaded with
ideas, Krafty Kiddos Clay will put you on the road to success Pages
are easy and fun to read with concise text and lots of pictures.
Read the book in its entirety, jump around, or use it as a
reference guide. It's up to you Learn how to make banks, puzzles,
vases, and plaques. The projects are FUN, the ideas are SIMPLE, and
the techniques are EASY In This Book: - 100 Awesome Ideas - Tips,
Tricks & Techniques - Types of Clay - Paint vs Glaze - Mosaics:
How To - No Kiln? No Problem - Fire Pits - Troubleshooting Tips
...and so much more Print & E-reader Formats Available Pick up
your copy of Krafty Kiddos Clay today
This book is an analysis of a collection of artefacts from the
Neolithic period of the southern Levant. Although they have
traditionally been identified as human images, the relationship of
some of them to naturalistic human anatomy is tenuous, and, drawing
on comparative examples from other periods and locations, Estelle
Orrelle interprets them as images of Gods. Situating the artefacts
in the context of the Neolithic transition, she shows how a
Darwinian symbolic origins theory can explain the emergence of this
iconography; that it lies in ancient sexual selection strategies,
as power relations changed from an original social contract
underpinned by female ritual power, to a new social contract driven
by competing male elites."
23 full size equine stained glass projects depicting the sport of
eventing. Patterns include an all- purpose saddle nightlight, a 3-D
log jump, 17 suncatchers representing the dressage, cross-country
and stadium phases of eventing, and four Christmas ornaments.
Helpful hints, pctures, and instructions for projects are also
included.
Colourful and dynamic art inspires me. However, I never expected it
to lead me on a life-changing journey. A physical and intellectual
journey. Physical because it involved the discovery and examination
of vases of extraordinary beauty from Venice and Murano, Italy.
Intellectual because it involved deep reflection about the meaning
of art and its function as a "repository and conduit of culture."
My journey centered around the work of Vittorio Ferro. With a
working life in the glass industry of sixty-seven years, he was one
of the world's greatest masters of murrine glass. My interest fast
became multi-dimensional, I began photographing vases and went to
Venice and Murano to find out more. Publishing became important to
complete what had become a significant and passionate part of my
life. This book records my journey. A "vasegraphy" (va: z-e-grafi)
or study of sixty-seven rare murrine vases made by Vittorio Ferro,
one-third signed, revealed in a kaleidoscope of Venice and Murano,
and my new understanding of art. A photographic journey with a
fresh approach to glass.
Fire & the Feminine: Myths & Legends A bold and humorous
creative voice emerges in a variety of media, yet award-winning San
Francisco-Bay Area artist Carol Witten's most dynamic expressons
are reflected in her ceramic sculptures. Witten explores the
mysterious dynamics of her gender through 100 works she's "squeezed
to life" from bits of clay. Her artwork will make you laugh and so
will the accompany text. Inspiration for her stoneware sculptures
comes from Pharaohs, queens, and muses found in myths, legends, and
the daily news. The passionate and tormented Medusa, The First
Fire: The Face of Medusa, will make your heart pound. Later, we
meet an exhausted Mnemosyne, Mother of the Nine Muses, as she
reclines at the Temple at Ayra Triada after giving birth to nine
daughters. Each sister is endowed with a treasure whose fire will
live forever. Witten's earthy bodies are both llighthearted and
outlandish, yet her sources are profound, often borne from personal
struggle. We follow the artist as she discovers the sources for
these works, whether in books, museums, or travel. The book offers
an example of an artist who "kept her day job" while always
returning to her passion. Witten concludes with veritable
information on the technical aspects of her art she gleaned from a
lifetime of experience: more reason to add this book to your
collection.
This volume contains papers presented at the international
conference Networks in the Hellenistic world according to the
pottery in the Eastern Mediterranean and beyond which took place at
the universities of Cologne and Bonn 23rd 26th February 2011. The
organizers, all specialists in Hellenistic pottery of different
regions in the Eastern Mediterranean, invited participants working
from the Adriatic Sea to Asia Minor and up to Central Asia to
consider their material according to the common platform of
networks and exchange systems. Among the questions addressed by the
contributors are: What is the character of the trade relations
between political centres? What is the nature of economic
development in minor cities and rural areas? Are some regions cut
off from trade routes and thus characterised by a more restricted
spectrum of local pottery? Which places traded their pottery
globally? Whose pottery was copied, and by whom? Can the repertoire
of forms reflect the adoption of specific customs?"
A catalogue and analysis of over 1000 Roman-period oil lamps from
the Holy Land within the collection of the Israel Antiquities
Authority. The Roman period in Palestine begins with the conquest
of the East by Pompey in 63 BCE - essentially the period
representing the continuation of the partial political and cultural
annexation of the country to Western civilisation following the
earlier arrival of Greek and Hellenistic culture.
Volume 3 in this series on Pre-Columbian figurines concentrates on
pottery figurines from the south coast, the highlands and the
'Selva' (tropical rain forests) of Peru. It details a collection of
784 figurines: 536 from the South Coast, 230 from the Sierra and 18
from the Selva. The main aim of this work has been to record the
figurines and to classify them into iconographically and
stylistically meaningful groups, thus providing a user-friendly
Corpus. For each geographic area the figurine groups are presented
in chronological order. Each figurine is listed on a Table,
containing all the relevant data (collection, site provenance, sex,
measurements, surface colour, manufacturing technique, special
features and reference to publications) and is illustrated on a
Plate. The analytical part lists the group characteristics and
discusses special features, links with other groups, context,
geographic distribution and chronology of each group or sub-group.
Volume 1 (The Pottery Figurines of the North Coast of Peru has
already appeared as BAR S1941 (2009).
The Starving Artist's Lampwork Project Book includes 18 illustrated
step-by-step lampworked glass projects for the beginning to
intermediate lampworker. Starting with a brief tutorial of basic
lampworking methods, the techniques and projects included here were
originally created for use in rehabilitation centers for soldiers
returning from overseas after World War II. Also known as
scientific glassblowing, lampwork is a method of manipulating glass
rods and tubes in a gas torch flame to construct a variety of
practical and artistic items. No furnace is required, and the
necessary tools and materials can be readily obtained at reasonable
cost.
This book surveys four thousand years of pottery production and
presents totally unexpected fresh information, using technical and
analytical methods. It provides a study of ancient pottery of
Jerusalem, from the earliest settlement to the medieval city and
brings to light important aspects that cannot be discovered by the
commonly accepted morphological pottery descriptions. New insights
include the discovery that third millennium BCE pottery appears to
have been produced by nomadic families, middle Bronze Age ceramics
were made by professional potters in the Wadi Refaim, the pottery
market of the Iron Age II pottery cannot be closely dated and is
still produced during the first centuries after the exile, and the
new shapes are made by Greek immigrant potters. The book contains a
chapter on the systematics of ceramic studies and numerous notes
about the potters themselves.
What's cuter than a bouncy, cuddly puppy? A portrait of that puppy
in stained glass Best in Show: Puppy Class captures 28 purebred
puppies in poses ranging from portraits to play, with patterns
designed for glass artists of all levels of expertise.
"Best In Show" offers stained glass artists a beautiful array of
patterns for purebred dogs in a variety of poses - from portraits
to panels, classic to playful. The book features 35 patterns
representing all seven AKC groups. Patterns are available for every
level of expertise.
This is the first of a series of publications designed to be used
as teaching or learning aids to be used by teachers to develop clay
modelling skills themselves or as classroom projects to develop
pupil's clay modelling skills. The models are based on years of
experience teaching in nursery and primary education and with
groups of adults and children with special educational needs. Each
book contains several practical projects, demonstrated in a step by
step manner enabling you to create the models shown on the cover.
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