The catalogue accompanies the exhibition, From Renaissance to Regent Street, at the Williamson Art Gallery & Museum in Birkenhead. The Williamson holds the world's largest collection of work from the Della Robbia Pottery, founded in 1894 by Harold Rathbone. Inspired by his experiences in Italy and by his contact with the work of the Tuscan sculptor, Luca Della Robbia, Rathbone developed a type of pottery that was unique to his factory. Employing local craftsmen and women and using local materials, the Della Robbia Pottery issued a distinctive set of ceramic products that included presentation vases, architectural panels and other household items in the final years of the nineteenth century. This work considers the different models of approaching creativity, aesthetics and critical value at the Della Robbia Pottery in the following ways: it examines the impact of Anglo-Italian cultural exchanges at the end of the nineteenth century upon the formation of the Della Robbia Pottery; it discusses the impact of art tourism and cosmopolitan experience upon Rathbone's manufacturing and commercial life; it reveals some of the influences upon Rathbone's distinctive approach to the design and manufacture of the pottery; and it considers the place of the Pottery within wider Arts and Crafts' artistic schemes that held a commitment to social responsibility.

In 1984 the Getty Museum acquired a collection of Italian Renaissance majolica, or tin-glazed earthenware. This volume catalogues this collection of 45 objects spanning 400 years, including a pair of 18th-century candlesticks representing mythological scenes and a tabletop with hunting scenes.

The skilful works of Yasuhisa Kohyama are inspired by ancient Japanese Shigaraki, Jomon and Yayoi ceramics. Using special Shigaraki clay and the fire of an anagama wood kiln, in the fusion of traditional technique and a modern language of form he creates vessels and sculptures that are not only powerful and innovative but also timelessly beautiful. Characteristic for Kohyama's asymmetric objects is their rough surface - a haptic quality rarely found in contemporary ceramics - as well as an exciting interplay of color, which is created without glaze and solely by the movement of the ash and the position of the object within the kiln. Contents: Foreword - Jack Lenor Larsen Tradition and Innovation in the Work of Yasuhisa Kohyama - Susan Jefferies Kohyama-san and Japanese Ceramic History: Notes on "Suemono" - Michael R. Cunningham Yasuhisa Kohyama: The Art of Ceramics - Yoshiaki Inui Catalog of works Appendix

Thilo Westermann is known for his reverse glass paintings, unique prints, and photomontages. The catalogue accompanies the exhibition of the same name at the Vitromusee Romont and presents the artist's work, from the manual processing of picture motifs on the reverse side of glass plates to the migration of forms in his photomontages. In addition to a wide range of color illustrations, the publication brings together contributions by internationally renowned art historians. Thilo Westermann est connu pour ses peintures sous verre, ses tirages uniques et ses photomontages. Le catalogue, qui accompagne l'exposition du meme nom presentee au Vitromusee Romont, introduit a l'oeuvre de l'artiste, des motifs filigranes graves a la main au dos de la plaque de verre a la migration des formes dans les photomontages. Richement illustre, l'ouvrage rassemble les contributions d'historien*ne*s de l'art de renommee internationale. With contribution by | Avec des contributions de Xavier Salmon (Musee du Louvre Paris), Martin Thierer (Munich), Hans Dickel (Friedrich-Alexander-Universitat Erlangen), Christopher L. Maxwell (Art Institute of Chicago), Magali Nachtergael (Universite Bordeaux Montaigne), Shao-Lan Hertel (Tsinghua University Art Museum Beijing)