The book, originally published in 1904, includes the marks used by factories, patterns, workmen, or decorators in America to the time of this book's original printing. The first attempt to describe the marks of American potters was made by Edwin Barber in his Pottery and Porcelain of the United States in 1893. In that book, less than 100 varieties, found principally in earlier wares, were described. Prior to that time, none of the manuals on potter's marks contained any reference to the United States.

Un bello manual que explica desde los materiales necesarios y los distintos tipos de vidrio, hasta las diferentes tecnicas de elaboracion, ilustradas paso a paso, de seis tipos de vidrieras: Tiffany, tradicional, collage, falsa vidriera, grabado al acido y vidriera con grisalla.

For over 25,000 years, humans across the globe have shaped, decorated, and fired clay. Despite great differences in location and time, universal themes appear in the world's ceramic traditions, including religious influences, human and animal representations, and mortuary pottery. In Global Clay: Themes in World Ceramic Traditions, noted pottery scholar John A. Burrison explores the recurring artistic themes that tie humanity together, explaining how and why those themes appear again and again in worldwide ceramic traditions. The book is richly illustrated with over 200 full-color, cross-cultural illustrations of ceramics from prehistory to the present. Providing an introduction to different styles of folk pottery, extensive suggestions for further reading, and reflections on the future of traditional pottery around the world, Global Clay is sure to become a classic for all who love art and pottery and all who are intrigued by the human commonalities revealed through art.

The main indicator for the presence of an ancient settlement at a certain location is the find of pottery fragments. With regard previously to the sites of continental Croatia, it has been the practice to date fragments to a broad period of 'medieval times'. This volume marks the first full-scale attempt to closely examine 10th to 13th Croatian pottery typologically and chronologically. As well as pottery analysis, data obtained from cemeteries and Romanesque architectural remains, as well as other types of finds such as coin hoards and swords, were included in the study. This, and information taken from historical sources, has considerably increased the available knowledge on the organization of settlements in the Sava-Drava interfluves during the period of 10th to 13th centuries.

An extensive catalogue of the wares and a gazetteer of the sites with a new foreword by Mike Fulford, taking account of the intervening years.

Mosaics reached their fullest development under the Romans who used them to decorate the floors of their houses and public buildings. This book gives a comprehensive and fully illustrated history of mosaics in the Greek and Roman world, and studies their development over a thousand years throughout the Roman Empire. Chapters are devoted to technique, to the role of mosaics in architecture, and to their social implications and the role of patrons. This book is the only complete study in depth of this rich material.

The use of Neutron Activation Analysis opens up enormous possibilities for studying and identifying the chemical composition of clays from pottery vessels and, subsequently, for investigating the origins and possible place of manufacture for these vessels. This publication and the research on which it is based, completes the work of Joan Huntoon whose dissertation focused on the origins, distribution and trade of Middle Bronze Canaanite Jars, with the site of Tel el-Daba featuring prominently. Patrick McGovern uses Huntoon's programme of NAA analyses in making inferences on the production, movement and trade of Canaanite jars, polished, painted and other vessels around the Near East and Aegean.

Research report providing a petrographic and chemical analysis of a large sample of Mycenean potsherds from Pylos. The author saw a unique potential for a small bounded, relatively well studied state as Pylos to give information in a comparative framework on the organisation and origin of early state systems. Investigation of pottery industry provided a means to avoid an overreliance on historical data in order to augment and sharpen our complex largely text-based theoretical models.

'The Mirror is an amusing jewel of a book, a sparkling reflection of the history of the mirror in Europe, and the role of the mirror in European imagination.' - Los Angeles Times

"The cultural history of the mirror is fully explored by Sabine Melchior-Bonnet. The book marries science and art, literature and philosophy." - New York Times

'This erudite meditation ... reveals how significantly the mirror has influenced Western culture...this beautifully illustrated study offers so many intriguing glimpses into the meanings of reflection that it will reward anyone who peers beneath its surface.' - Publishers Weekly

The earliest vitreous materials in Egypt date to c.4000 BC although the production of glass, faience, frit or 'Egyptian blue' does not really take off until the 18th dynasty. Andrew Shortland combines descriptions of various objects made from vitreous materials with an analysis of the processes and techniques used in their production. His study begins with the raw materials, he describes the processing of the materials and the waste products generated, the production and finishing of objects and their final distribution. Focusing largely on evidence from the city of Amarna, a large part of this volume is taken up with analyses of the structure and composition of the vitreous materials.

The Libruni were a group that inhabited the Adriatic coast and islands of modern day Croatia in the first millennium BC. This report deals specifically with relief decorated ceramic imports to the area in the Hellenistic and Roman periods. The descriptions of pottery types, their origin, date and production, are brief, with more than eighty pages of catalogue and over one hundred figures and photographs.

Fascinating history of a firm well-known in the world of international ceramics.

"Coming into being, the work of art, this very pot, creates relations relations between nature and culture, between the individual and society, between utility and beauty. Governed by desire, the artist s work answers questions of value. Is nature favored, or culture? Are individual needs or social needs more important? Do utilitarian or aesthetic concerns dominate in the transformation of nature?" from the Introduction

The Potter s Art discusses and illustrates the work of modern masters of traditional ceramics from Bangladesh, Sweden, various parts of the United States, Turkey, and Japan. It will appeal to anyone interested in pottery and the study of folklore and folk art.

Henry Glassie is College Professor of Folklore and Co-director of Turkish Studies at Indiana University. He has been a Guggenheim Fellow and a Fellow of the National Humanities Institute; he has also served as President of the Vernacular Architecture Forum and of the American Folklore Society.

Material Culture Henry Glassie, George Jevremovic, and William T. Sumner, editors
(Note: there is an accent egue on the c Jevremovic)

Contents:
The Potter s Art
Bangladesh
Sweden
Georgia
Acoma
Turkey
Japan
Hagi
Work in the Clay
Acknowledgments
Notes
Bibliography
Index"

A detailed analysis of the archaeological and historical evidence for the trade and consumption of Mediterranean pottery in the households of southern England between 1200 and 1700. Following a discussion of methodologies, Gutierrez considers Mediterranean centres of production for imported pottery, notably in Spain, Portugal and Italy, followed by a discussion of the archaeological evidence for contact between Wessex and the Mediterranean. A wide range of sites are examined, including fortified and religious buildings, urban and rural settlements and palaces. The study finally examines the types of Mediterranean assemblages found and their social and religious context.

This fascicle completes the presentation of the ceramic remains from the Franchthi Cave excavations.

A study of six 1st-millenium BC pottery producing sites in the north-central Andes concentrating on production, exchange and interregional relationships. The author describes the geography and the geoenvironment of the sites, research methodology and analysis of the results including triangulation of the stylistic, archaeological, geological and ethnographical data.

A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts. Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.

-- A unique mix of design and commentary by Walter Moorcroft.
-- Gives a rare glimpse into the life and works of the Moorcroft family and company.

Memories of Life and Living is a personal reflection by the renowned potter, Walter Moorcroft. on a life spanning eight decades. Walter inherited the factory from his famous father. William, when he was only 28.

This is a richly illustrated process volume. including many color plates of the author's designs to which are added his personal views and comments. The memoir contains descriptions of significant event and amusing anecdotes taken from Walter's diaries. This fascinating and often wryly humorous book is accompanied by a wealth of illustrations, providing a documentary of the family.

The C4th Roman Rotunda church in Thessaloniki is the most important monument of the early Christian era. In this comprehensive monograph, Hjalmar Torp presents the findings of his life-long archaeological and iconographic research on the Rotunda. He explores the archaeological data, the various phases of the architecture, and the chronological issues of the monument. The nuanced descriptions of the mosaics, their colours and their techniques are based on a detailed scaffold review and survey. The iconography of the mosaics is then analyzed and interpreted in conjunction with historical and theological sources; the building of the palatine church and its sumptuous decoration is attributed to an initiative by Theodosius the Great. This slip-cased set of two books, abundantly documented and richly illustrated, is a unique testimony on the Rotunda. Volume One: text. Volume Two: Illustrations. 500 illustrations, many in colour. This book is only available in French.

A story revealed by tavern, inn, college and other bottles. With a catalogue of bottles and seals from the collection in the Ashmolean Museum.' (BAR 257, 1997)

This book first examines the figure of Orpheus in Graeco-Roman art and culture before exploring how he has been employed in late antique mosaic. Wide-ranging with lots of line-drawings and photographs.

Hellenistic art in Asia Minor is characterized by diverse cultural influences, both indigenous and Greek. This work presents a comprehensive catalogue of the Hellenistic pottery found at Sardis by two archaeological expeditions. The main catalogue includes over 750 items from the current excavations; in addition, material from some 50 Hellenistic tombs excavated in the early twentieth century is published in its entirety for the first time. The early Hellenistic material consists of imports from Greek cities and close local imitations, along with purely Lydian wares typical of the "late Lydian" phase that followed the Persian conquest. By the late Hellenistic period, Sardis boasts a full range of Greek shapes and styles; indeed, the influence of new conquerors, the Romans, was felt as well. Thus the ceramic finds from Sardis reflect the changing fortunes of the city, bearing witness to the tenacity of indigenous customs and the influences of foreign powers.

"Stained Glass Photo Frames" contains 20 full-size patterns of photo frames for stained glass hobbyists. The patterns include two sizes, 4" x 6" and 5" x 7" and a variety of subjects. Children's, floral, contemporary, southwest and seashore are some of the design styles in this book.

Built on the southwestern coast of Cyprus in the second century A.D., the House of Dionysos is full of clues to a distant life-in the corner of a portico, shards of pottery, a clutch of Roman coins found on a skeleton under a fallen wall-yet none is so evocative as the intricate mosaic floors that lead the eye from room to room, inscribing in their colored images the traditions, aspirations, and relations of another world. In this lavishly illustrated volume, Christine Kondoleon conducts us through the House of Dionysos, showing us what its interior decoration discloses about its inhabitants and their time. Seen from within the context of the house, the mosaics become eloquent witnesses to an elusive dialogue between inhabitants and guests, and to the intermingling of public and private. Kondoleon draws on the insights of art history and archaeology to show what the mosaics in the House of Dionysos can tell us about these complex relations. She explores the issues of period and regional styles, workshop traditions, the conditions of patronage, and the forces behind iconographic change. Her work marks a major advance, not just in the study of Roman mosaics, but in our knowledge of Roman society.