In the wealth of literature concerning Bell Beakers, the present volume is the first broad treatment of issues relating to their northeast frontier. The book has grown from papers read at the symposium Northeast Frontier of Bell Beakers held in the Institute of Prehistory, Adam Mickiewicz University, in Poznan on 26-29 May 2002. The 22 papers include: Economic continuity and political discontinuity in central Europe during the third millennium BC; Competing cosmos. On the relationships between corded ware and bell beaker mortuary practices; Bell beakers in the sequence of the cultural changes in south-western Baltic area; Bell beaker pottery in Denmark: its typology and internal chronology; Einfluesse der Glockenbecherkultur in Norddeutschland; Ein Siedlungsplatz der Glockenbecherkultur in Hamburg-Boberg?; Glockenbechereinfluesse und Regionale Gliederung Nordostdeutschlands im Spatneolithikum; Die Glockenbecherkultur in Mitteldeutschland ein Zwischenbericht; The north-eastern border of the influence of bell beakers; Reception of some bell beakers cultural patterns by corded ware societies in southeastern Baltic area; The Lubans, North Belarusian and Sagara cultures as an eastern phenomenon of an Eneolithic cultural unit; Northern and southern bell beakers in Poland; Bell beaker culture in south-eastern Poland; Archaeology of beaker settlements in Bohemia and Moravia: an outline of the current state of knowledge; Bell beaker and Unetice burial rites: continuity and change in funerary practices at the beginning of the Bronze Age; Contribution to the question of chipped stone industry of the Moravian bell beaker culture; A cemetery of the bell beaker culture in Marefy and its contribution: to the studies on the chipped stone industry of the Moravian late Eneolithic period; Glockenbecher in Ostosterreich - andere Fragen andere Antworten?; Die Glockenbecherkultur im Kontext der Kulturhistorischen Entwicklung in der Sudwestslowakei; The late phase of the bell beaker Csepel group in Hungary; Archaeobotanical remains and environment of bell-beaker Csepel-group; The northeast frontier of bell beakers - first step to outline.

This book provides a detailed analysis of the Mayan pottery from Xkipche in the Puuc area of the Yucatan peninsula, Mexico. During the 7th century, in Puuc area a regional type of Mayan culture emerged, recongazible by characteristic architectural style. So far it was impossible to date the beginnings and ends of the settlements in this area. The site of Xkipche offers clues to the dating, with almost half a million of studied pottery fragments. This is by far the largest prehispanic pottery assemblage from the whole of the northen Yucatan.

During the tenth and eleventh centuries, splendid Byzantine buildings were enriched by colorful ceramic tiles decorated with an impressive range of figural and ornamental patterns. Despite their widespread use, traces of this important decorative medium have, for the most part, disappeared. Relegated to museum storerooms, hidden in private collections, buried under layers of construction, and eclipsed by more durable media, polychrome tiles have until now been denied their full role in our understanding of Byzantine decoration and aesthetics.

A Lost Art Rediscovered includes a fully illustrated catalogue of all known tiles produced in the region of Constantinople, including the substantial collection owned by the Walters Art Museum, as well as those belonging to museums and private collections around the world. Some tiles included in the catalogue are now lost; the discovery of others is reported here for the first time. A series of scholarly essays gives the ceramics their rightful place in the study of Byzantine art and treats aspects of patronage, manufacture, function, ornament, and cultural significance. This comprehensive publication heralds the first large-scale, permanent installation of the Byzantine tiles in the collection of the Walters Art Museum.

Contributors include Jeffrey C. Anderson, Anne Bouquillon, Anthony Cutler, Elizabeth S. Ettinghausen, Cyril Mango, Marlia Mundell Mango, William Tronzo, and Christine Vogt.

'The Mirror is an amusing jewel of a book, a sparkling reflection of the history of the mirror in Europe, and the role of the mirror in European imagination.' - Los Angeles Times

"The cultural history of the mirror is fully explored by Sabine Melchior-Bonnet. The book marries science and art, literature and philosophy." - New York Times

'This erudite meditation ... reveals how significantly the mirror has influenced Western culture...this beautifully illustrated study offers so many intriguing glimpses into the meanings of reflection that it will reward anyone who peers beneath its surface.' - Publishers Weekly

An analysis of the many types of flagons decorated with human faces that were made throughout the Roman Northwest Province from the 1st century onwards. Following comparisons with examples from prehistory, especially from the Near East, Dovener examines types region by region, including northern France, the Rhein and Mosel, Britain, the Danube as well as brief assessments of similar material from Roman North Africa and the Near East. The discussion is followed by a catalogue of vessels, many of which are illustrated.

Excavations at the punic site of Colonia de Sant Jordi in Mallorca (1978-1989) has produced a large quantity of ceramic material from across the Mediterranean. This volume provides a catalogue and some interpretation of vessel types, forms, decoration and provenance, as well as a number of conclusions about ceramic production in the Mediterranean between the 6th and 1st centuries BC.

This fascicle completes the presentation of the ceramic remains from the Franchthi Cave excavations.

The other ceramics found in Beaker burial contexts have the potential for telling us much about the true nature of the Beaker phenomenon. Particularly exciting is the prospect that an understanding of their context will indicate whether Beaker pottery is indicative of an invasion, or something more subtle. This exhaustive gazetteer describes over 100 French sites and establishes the distribution of different types of Beaker over France, and the different ceramic assemblages they are associated with. As a bibliographical survey, this work comes up against publications of a very uneven standard, but as a building block for future research this will be very useful.

This work includes a complete chemical examination of the causes of the deterioration of glass and discusses the possibilities of damage by conservation techniques that have not been fully tested. It provides the theoretical background and the practical procedures used in conserving different kinds of glass.;Since the 1960s there has been an upsurge of interest in the conservation of glass, and especially of painted (stained) glass, with a change in emphasis from the work being carried out by museum technicians to the use of trained conservators.;This book supplies information on the techniques for conserving painted glass, vessel glass and waterlogged glass.

Built on the southwestern coast of Cyprus in the second century A.D., the House of Dionysos is full of clues to a distant life-in the corner of a portico, shards of pottery, a clutch of Roman coins found on a skeleton under a fallen wall-yet none is so evocative as the intricate mosaic floors that lead the eye from room to room, inscribing in their colored images the traditions, aspirations, and relations of another world. In this lavishly illustrated volume, Christine Kondoleon conducts us through the House of Dionysos, showing us what its interior decoration discloses about its inhabitants and their time. Seen from within the context of the house, the mosaics become eloquent witnesses to an elusive dialogue between inhabitants and guests, and to the intermingling of public and private. Kondoleon draws on the insights of art history and archaeology to show what the mosaics in the House of Dionysos can tell us about these complex relations. She explores the issues of period and regional styles, workshop traditions, the conditions of patronage, and the forces behind iconographic change. Her work marks a major advance, not just in the study of Roman mosaics, but in our knowledge of Roman society.

This luscious, colourful book contains 108 colour photographs of leaded glass window installations and 46 detailed line drawings rendered in a professional client proposal format. This collection is drawn from the studio designer's portfolio of McMow Art Glass covering more than 18 years of commissions. The styles include all aspects of leaded glass design from beveled panels to landscapes, but the spectacular entryways are particularly outstanding. This book is essential for all art glass libraries and will prove invaluable for architects, builders, interior designers, glass artists and ultimately for all lovers of leaded glass and design.

Sir William Van Horne (1843-1915), connaisseur bourre de talent dont la renommee est surtout attribuable a sa contribution a la construction du Chemin de fer Canadien Pacifique, a assemble l'une des collections les plus completes de ceramiques japonaises en Amerique du Nord. Obsession est un recit lumineux expliquant l'origine et l'evolution de sa passion envers l'etude et l'acquisition de pres de 1 200 objets. Ron Graham dresse le profil du personnage plus grand que nature que fut Van Horne en plus de rassembler des essais sur la place qu'il a occupee au sommet des collectionneurs d'art dans le Mille carre dore, ou Golden Square Mile, de Montreal et la perennite de sa collection apres sa mort. En exergue des textes, le lecteur pourra decouvrir des documents et des photographies historiques, un catalogue detaille de plus de trois cents objets exposes au Musee royal de l'Ontario et au Musee des beaux-arts de Montreal, de meme qu'une selection de splendides reproductions des carnets de notes personnels de Van Horne et des aquarelles raffinees provenant des archives du Musee des beaux-arts de l'Ontario. Publie parallelement a la tenue d'une importante exposition au musee Gardiner de Toronto et au Musee des beaux-arts de Montreal, Obsession presente une remarquable collection replacee dans le contexte de l'existence et de la carriere d'un geant du secteur canadien des affaires au dix-neuvieme siecle.

Addressing topics ranging from production and distribution to iconography and museum collections, "Vessels and Variety" sheds new light on perspectives in the fields of ancient pottery studies. The contributors cover a wide span of time from the Geometric period to the Roman period, exploring both new materials from recent excavations in the Mediterranean--from southern Italy to the Black Sea--as well as new methodological approaches. With richly illustrated articles, this volume provides an important contribution to the ongoing debates on the role of pottery in ancient societies.

The china used by the First Families, both at the White House and in their private homes, reveals a fascinating story of culture and society as it has evolved in the United States since its early days. In this handsome book, which documents over 200 rare items in the remarkably comprehensive Robert L. McNeil, Jr., Collection, a beautiful display of tableware unfolds as readers learn of trends in taste, style, and modes of entertaining, from George Washington to Ronald Reagan. Among the featured objects are Washington's white-and-gold Sevres porcelain that he purchased from a French diplomat recalled at the outbreak of the French Revolution; James Monroe's gilt-edged French porcelain service, the first state service commissioned by the White House in 1817; and John F. Kennedy's understated Wedgwood creamware used at his Georgetown home. Collectors and historians will value the information on how the pieces were commissioned, designed, manufactured, and imported. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Mount Vernon, Alexandria, Virginia (February 16, 2008 - January 21, 2009)

The largest maps in the world are to be found in the floor of the Citizens' Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam's town hall. At that time, the city was the world's leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.

The catalogue is dedicated to diverse aspects of the rediscovery of color in the glass art of the nineteenth and twentieth century. The influential color theories of Isaac Newton, Michel Eugene Chevreul, Owen Jones, or Johannes Itten, which created the theoretical basis, are addressed as well as methods for producing stained glass developed by artists such as Clement Heaton, Charles Wasem, or Marcel Poncet, and Islamic art, which served as a source of inspiration. The examination of color and the expansion of the existing color palette in glass art are then presented based on works created within the context of the opalescent era in American stained glass, the Bauhaus, and the revival of Swiss stained glass by the St-Luc group of artists.

The touchstones of Gothic monumental art in France - the abbey church of Saint-Denis and the cathedrals of Chartres, Reims, and Bourges - form the core of this collection dedicated to the memory of Anne Prache. The essays reflect the impact of Prache's career, both as a scholar of wide-ranging interests and as a builder of bridges between the French and American academic communities. Thus the authors include scholars in France and the United States, both academics and museum professionals, while the thematic matrix of the book, divided into architecture, stained glass, and sculpture, reflects the multiple media explored by Prache during her long career. The essays employ a varied range of methodologies to explore Gothic monuments. The chapters in the architectural section include an intensive archeological analysis of the foundations of Reims Cathedral, the close reading of a late medieval literary text for a symbolic understanding of Paris, and essays that explore the medieval use of practical geometry in designing entire buildings and their components. Saint-Denis, Reims, and Chartres, all monuments studied by Prache, are discussed in the next part, on stained glass. These chapters demonstrate how old problems can be clarified by new evidence, whether from the accessibility of previously unknown archival information, for Reims, or through revelations that arise from restoration, at Chartres. These essays also include a study showing the complexity of making attributions for the storied glass of Saint-Denis. The final set of essays likewise takes different approaches to sculpture, whether constructing links to the liturgy at Reims, or discussing the meaning of a sculptural ensemble studied by Prache early in her career, the cloister of Notre-Dame-en-Vaux in ChAclons-en-Champagne, or scrupulously examining the faAade sculpture at Bourges Cathedral for insights into the design process. As a whole, the volume provides a window onto key directions in the study of

Discussions and scientific exchange are crucial for the advancement of a young discipline such as the study of Roman pottery in the Near East. Therefore, in addition to large conferences such as the 'Late Roman Coarse Ware Conference' (LRCW) where the Near East plays only a marginal role, an international workshop with 20 participants dedicated solely to the study of Roman common ware pottery in the Near East was held in Berlin on 18th and 19th February 2010. The goal of this workshop was to provide researchers actively engaged in the study of Roman common wares the possibility to meet and discuss the current state of research as well as questions and problems they are facing with their material. Some of the participants were able to bring pottery samples, which provided the possibility to compare and discuss the identification and denomination of specific fabrics on a regional and supra-regional scale. This volume presents 17 papers from this stimulating event. The Archaeopress series, Roman and Late Antique Mediterranean Pottery (RLAMP) is devoted to research of the Roman and late Antique pottery in the Mediterranean. It is designed to serve as a reference point for all potential authors devoted to pottery studies on a pan-Mediterranean basis. The series seeks to gather innovative individual or collective research on the many dimensions of pottery studies ranging from pure typological and chronological essays, to diachronic approaches to particular classes, the complete publication of ceramic deposits, pottery deposit sequences, archaeometry of ancient ceramics, methodological proposals, studies of the economy based on pottery evidence or, among others, ethnoarchaeological ceramic research that may help to understand the production, distribution and consumption of pottery in the Mediterranean basin.

A feast for the eyes, this inspiring gallery of beautiful and remarkable ceramic pieces includes work from a broad range of exceptional contemporary ceramic artists, each of whom offers an inside look at their glazing process, including their special recipes and the techniques for using them. The book is organized by temperature range, with special firing techniques for salt and wood, and sub-categorized by method of application, so the potter can easily find work that relates to his or her own practice, or simply discover other creative approaches. With a section that focuses on the conceptual aspects of glaze as colour and how to harness colour in your work, a technical how-to section, and a detailed glossary, this book brings together a vast range of skills, techniques and technical data in one volume to provide an essential resource for all ceramicists, whether student or professional.

The range of extraordinary effects that can be achieved in a kiln is infinite. However, the technical requirements of different firing processes and equipment can often seem intimidating, particularly for those new to ceramics, and this can limit artists' confidence to explore and experiment.In" Firing""Kilns," wood-fire potter Benedict Brierley demystifies the firing process, explaining key methods and effects in simple, straightforward language. Beginning with the basic principles, including heatwork, firing schedules and cones, the book goes on to cover the various types of kilns and kiln packing, oxidation and reduction firing, and then special firing methods such as salt, soda, wood, pit, smoke and raku. Finally, it covers common firing faults and how these can be avoided to achieve consistent, successful results."Firing""Kilns" is a comprehensive handbook for anyone new to firing their work or for established ceramicists wishing to experiment with different firing effects.

Glass is a threshold material, serving as both a divider and an opening, for one can always see what is behind it. This is a unique phenomenon and it is confounding, as well as being alluring and enhancing, making the space breathe. Florian Lechner, born in 1938, has dedicated himself to this unique material. He explores its substance and formal possibilities through architectural works and sculptural objects. He also experiments with it in combination with the media of light, sound and movement. For him it is essential to forge his work single-handedly, because only unrestricted personal creative input and the development of one's own, often innovative ways of working can ensure an authentic result. However, the concepts behind his works and their spiritual roots are always more important to him than the process of their creation. Intellectual significance defines Florian Lechner as an artist. His takes an intellectual and philosophically motivated approach, but the result is always a sensory experience and never dominated by dry theory. Text in English & German.

Dubbed the Cathedral of France and first church of French Christendom, the Gothic cathedral of Reims was the coronation site of more than two dozen French kings--and a target of German bombardment in World War I. Before 1914 its medieval stained glass had enjoyed the fame of Chartres and Bourges. The first extensive study focusing on the stained glass of this preeminent cathedral, The Gothic Stained Glass of Reims Cathedral offers a groundbreaking analysis of its glazing program. Through unique insights into the clerical agenda and its influence over a building devoted to the coronation of the French monarchy, Lillich considers the stained glass in the context of building chronology, political events, and artistic movements to present a completely new understanding of the stained glass of Reims.

One of the premier private collections of contemporary craft, the Nancy and David Wolf Collection features outstanding creations by the foremost artists working in craft media today, including Howard Ben Tre, Dale Chihuly, William Morris, Wendell Castle, David Ellsworth, Virginia Dotson, Michael Lucero, Michelle Holzapfel, Theman Statom, Ginny Ruffner, Akio Takamori, and Betty Woodman.
"Outside the Ordinary: Contemporary Art in Glass, Wood, and Ceramics from the Wolf Collection "introduces audiences to sixty-seven masterworks selected from this vast collection, carefully documented and photographed in full color. At the heart of this seminal publication are an in-depth interview with collectors Nancy and David Wolf conducted by Amy Miller Dehan and a scholarly essay by contemporary craft authority and critic Matthew Kangas. Dehan's interview reveals the collectors' impetus and strategies for assembling this important collection, and Kangas's essay addresses the history, growth, and future of the contemporary craft movement -- with a particular focus on glass, wood, and ceramics.
"Outside the Ordinary" focuses on the role, development, and perspective of the private collector within the context of the ever-evolving contemporary craft movement. With more than sixty-seven color plates of artwork from the highly regarded Wolf Collection, it makes a significant and stunning addition to any library.

This volume gathers together 17 articles published over the last 30 years, together with one appearing here for the first time. Their focus is primarily on enamel, the brilliant and colourful art form for which the Byzantines were famous throughout the medieval world, but sculpture and glyptics also figure. The author examines not only works which have retained the form in which they were first created, but others which have had their original Byzantine elements re-used, often by artists in the West. While most of the works featured here have been known to scholars before, one was unknown prior to its first publication in 2006.

Greek Vases is a discussion of the painted vases which were an ever present but understated feature of life in the Greek world between the end of the Bronze Age and the rise of Rome, and, in the modern world, an important component of museum collections since the 18th century. The book uses specific illustrated examples to explore the archaeological use of vases as chronological indicators, the use of the various shapes, their scenes of myth and everyday life and what these tell us, the way in which we think about their makers, and how they are treated today as museum objects and archaeological evidence. This is a brief, accessible introduction to the vases with school and university students in mind.