for SATB choir unaccompanied This imaginative setting of the well-loved text O little town of Bethleham, by Phillips Brooks, displays McGlade's characteristic rich and expressive harmonies, with their jazz inflections. Opening with a plaintive two-part harmony for upper voices, the scoring expands into lush four- and five-part textures. McGlade uses swelling dynamics, legato vocal lines, and freely changing metre. O little town of Bethlehem would be a superb choice for Christmas services and concerts.

for SATB unaccompanied The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag: Raag Hamsadhwani, Raag Malkauns, and Raag Ahir Bhairav, respectively. The texts, by poet Rebecca Gayle Howell, are linked to the Christian services of Evensong, Matins, and Lauds, and are eco-carols written from the perspective of a different point in time-evening, midnight, and daybreak-using nature to explore a different part of the Christmas story. The first two movements have a serene and pensive atmosphere that contrasts with the third movement, which uses an energetic compound time signature and bell-like melodic shapes.

for SATB and organ Archer's setting of this popular Easter hymn by G. R. Woodward is sparkling with energy, combining the exuberant seventeenth-century Dutch melody with short organ interjections. An exciting addition to the repertoire for Easter services.

for SATB (with divisions) and piano Marked 'light and flowing', Quartel's setting of Sara Teasdale's poem 'Peace' features slow, sustained vocal writing over a piano part with continual moving quavers. The harmonic palette is rich and warm, and soaring soprano lines conjure Teasdale's vivid celestial imagery.

for CCBar and piano This sensitive, authentic arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunciation guide and English translation are included, along with a fascinating contextual note.

for SSA and piano This is a vibrant setting of a poem by George Parsons Lathrop that describes how music underpins all earthly life. An active piano part provides an energetic undercurrent to compelling vocal lines, with the voices beginning in unison before opening out into two and then three parts. Music of Life is the perfect selection for choirs looking to celebrate the life-affirming power of music. Also available in a version for SABar and piano.

for SATB chorus and organ, or orchestra This uplifting and highly effective arrangement of the popular Stanford hymn-tune ENGLEBERG, to words by Fred Pratt Green, was commissioned by the Broadway Baptist Church (Fort Worth) in Texas, and later recorded for broadcast by The Tabernacle Choir. The piece is suitable for regular worship services but most often at special praise services, choral liturgies, and musical feasts, and for recognizing the work of church musicians.

for SSATB unaccompanied. This atmospheric setting of the celebrated poem 'April Rain Song' by (the Harlem Renaissance writer) Langston Hughes captures the sense of comfort and security while listening to rainfall. The ebb and flow, careful phrasing, and rich harmony make this an ideal ensemble piece.

SA and piano The Compass uses evocative imagery and metaphor to describe how feelings of being lost and adrift can be assuaged by journeying towards self-acceptance and positive change. A characterful four-note motif punctuates the piano part, which provides a steady rhythmic cushion for the stylistically syncopated and catchy melodic lines. This soul-searching piece is brought to a close by an empowering final chorus that celebrates moving forwards on a different path away from difficult times towards somewhere hopeful and new.

for SSA and piano, with optional melody instrument With lyrics by the composer, Come Alive explores the scientific notion that energy never dies, but instead transforms into or transfers to something new. The text calls us to renew our connection to nature in order to reawaken our senses and reconnect with a lost loved one. This energetic piece features an appealing combination of textures, from unison melody to four-part counterpoint (with a solo/small-group line), and builds to a full, emphatic climax at the close. The optional instrumental part may be played by any suitable melody instrument in C, including glockenspiel, xylophone, flute, and violin.

for SATB and piano This upbeat Christmas song sets the traditional and well-known wassailing text to thrilling effect. To be performed 'with inebriated joy', Young's original setting is fast, spritely, and increasingly raucous, with a pleasing array of textures and an exhilarating key change to herald the start of the final climax.

for baritone solo, SAATB, and organ or piano or small orchestra Dedicated to the Oxford Vaccine Team and premiered by Sir Bryn Terfel, The Oxford Philharmonic Orchestra, and the Choir of Merton College in a special tribute concert, Joseph's Carol sets words by the composer that recount the Christmas story from the perspective of Joseph. The two expressive verses are taken by the solo baritone, with the chorus performing a macaronic refrain infused with expectancy and wonder, as well as taking on the role of the angels in a soft accompaniment to the closing words of the second solo verse. The upper three voice parts are designed to be approximately equal in strength, and the carol may be accompanied by organ, piano, or small orchestra. The orchestral accompaniment is available for purchase.

for SSAA, violin, and piano This uplifting piece sets a text inspired by Julian of Norwich, with additions by the composer. Quartel's intertwining vocal lines are beautifully combined with a soaring violin part and flowing piano accompaniment, illustrating the joy and power of song.

for SA and piano Setting a text by Elizabeth Barrett Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter, which McGlade skilfully reflects in her use of minor tonality, falling melodic phrases, and shifting chromaticism. Reminiscent of the English art song, this setting for upper voices and piano demonstrates McGlade's compositional versatility.

for SATB and organ. This setting of verses from John 7 imaginatively depicts the 'rivers of living water' and the contrasting 'parched land' in episodic form, providing musical structure, variety, colour, and atmosphere. An independent but delicate organ part brings further colour while underpinning long vocal lines, which interweave and occasionally perform unaccompanied.

for TTBB unaccompanied. TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slides, and captivating melodies built on the Jog raga. A pronunciation guide is included in the leaflet, and a video guide by the composer is available through a companion website. A version for unaccompanied mixed voices and SSAA unacompanied voices is also available.

for SSA and piano In this captivating piece Mahler explores feelings of doubt and insecurity, employing the compelling metaphor of the tide and asking searching questions in a quest for existential meaning. Bewitching piano cascades and rolling broken chords accompany addictive melodies, with strong three-part harmonies in the chorus providing a supportive anchor to the more soloistic verses.

for TB and piano. I remember sets a text reflecting on the wonder of the natural world and the people who shape our lives. The stirring melody calls to mind the folksong tradition, and is underpinned by a gently flowing piano accompaniment. The middle section brings a contrast of tonality, with the basses accompanying the tenors' melodic line, before the beguiling melody of the opening returns to bring the setting to a poignant close. Also available in versions for SA and piano, SABar and piano and unison upper voices & piano.

for SATB (with divisions) unaccompanied This is an expressive setting of Sara Teasdale's poem 'Peace', with lush, rich harmonies and a soft dynamic palette. Poignant and peaceful, and perfect for choirs who enjoy refining blend and ensemble, this setting will provide a reflective moment in a concert programme.

for SSAA, body percussion & spoons Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons. With playful vocal slides and energetic rhythmic motifs, this arrangement offers a modern twist on this well-loved melody from the French-Canadian oral tradition. An English (non-singing) translation is included in the leaflet, while a studio recording, pronunciation guides, and an instructional video on playing techniques are accessible through the companion website. Also available in a version for SATB, body percussion, and spoons.

for SATB, body percussion, and congas An energetic piece setting a text full of natural imagery. Mahler's catchy melodies are combined with speech, body percussion, and congas to imitate the contrasting characteristics of rain. Dramatic and expressive - this is the perfect performance piece to get stuck into! Also available in Breath of Song.

for SATB unaccompanied William Romanis's hymn text is brought to life in this enchanting anthem with unexpected harmonic shifts and fluctuating time signatures. Rooney glides gracefully between tonal centres, creating a beautiful, ethereal atmosphere. Also published in Breath of Song.

for SATB and piano This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'. Also available in a version for SSA and piano, and solo voice and piano (high/low).

for ATB unaccompanied Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style offers flowing contrapuntal lines while the shifting tonalities throughout effectively capture both poignancy and joy.

for SSA and piano This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A warm unison first verse and chorus is next transposed into 6/8, taking on a dance-like feel, first in two and then three vocal parts, while the forward motion of the piano's continuous quaver movement echoes the text's encouragement to 'carry the music on'. The gradual building of choral texture creates an atmosphere of heartfelt celebration of choral singing, leading to the profound closing words 'I hear you. I see you too'.