The source readings in Hymnology are primary documents illustrating the philosophy and practice of congregational singing during various historical periods of the Christian church. They are drawn from a wide variety of sources including letters, diaries, periodicals, hymnal and tunebook prefaces, theological treatises, certain controversial books and pamphlets, and deliberations of church councils. The material ranges in date from the beginning of the second century to the 1960s. All the major streams of Christian song are covered, including early Greek and Latin hymnody, pre-Reformation vernacular hymnody, the Lutheran chorale, Reformed psalmody, and English and American hymnody from the sixteenth to the twentieth century. The book is suitable for use as a text or supplementary text for courses in hymnology, a professional reference work for ministers and church musicians, and a book for laymen interested in the history of church music.

Specifically designed for congregational use, this contains 255 songs for straightforward arrangements, either four-part harmony or with piano accompaniment.

Analysis of Latin sacred music written during the century illustrates the rapid and marked change in style and sophistication. Winner of the 2007 AMS Robert M. Stevenson prize The arrival of Francisco de Penalosa at the Aragonese court in May 1498 marks something of an epoch in the history of Spanish music: Penalosa wrote in a mature, northern-oriented style, and his sacred music influenced Iberian composers for generations after his death. Kenneth Kreitner looks at the church music sung by Spaniards in the decades before Penalosa, a repertory that has long been ignoredbecause much of it is anonymous and because it is scattered through manuscripts better known for something else. He identifies sixty-seven pieces of surviving Latin sacred music that were written in Spain between 1400 and the early 1500s, and he discusses them source by source, revealing the rapid and dramatic change, not only in the style and sophistication of these pieces, but in the level of composerly self-consciousness shown in the manuscripts. Withina generation or so at the end of the fifteenth century, Spanish musicians created a new national music just as Ferdinand and Isabella were creating a new nation. KENNETH KREITNER teaches at the University of Memphis.

ncludes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms; a new English folk mass setting.

This is the melody-only edition. A full music edition is also available.

This work is an exceptional collection of 600 hymns. An outstanding worship resource, it contains classic anthems, beloved gospel standards and new worship favourites including: "Shine Jesus Shine"; "Christ the Lord is Risen Today"; "Go, Tell it on the Mountain"; "Hark! The Herald Angels Sing"; "Jesus Loves Me"; "O Come All Ye Faithful"; and, "Praise Him! Praise Him!" It features an extensive seasonal selection, and contains seven helpful indexes including the most thorough topical index available. Available in a variety of colours, its high quality binding ensures decades of use by congregations, small groups and individuals.

Contains two versions of the vocal parts - for SATB and piano or orchestra, or SS or SA and piano or orchestra.

This is an anthology of the writings of Charles Wesley. Best known for his hymns, such as `Hark! the Herald Angels Sing', and `Jesus, Lover of My Soul', Charles was the younger brother of John Wesley and the co-founder of Methodism. Despite his importance in the history of Protestantism, there is no collection of his writings in print, and indeed, little work has been done specifically on Charles in the last two generations. Tyson presents a chronologically arranged selection of the journals, sermons, letters, hymns, and poems in such a way as to both outline Wesley's life and illuminate the leading elements of his thought.

Why do people sing hymns? Are hymns poetry? What makes a good hymn? The author discusses the nature of hymns and their particular appeal, examines the English hymn as a literary form, and systematically describes its development through four centuries, from the Reformation to the mid-twentieth century.

The world's most famous hymn book has undergone a complete revision and now offers the broadest ever range of traditional hymns and the best from today's composers and hymn/song writers. 150 years since its first publication and after sales of 170 million copies, this brand new edition contains over 840 items, ranging from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. The guiding principles behind this collection are: * congregational singability * biblical and theological richness * musical excellence * liturgical versatility * relevance to today's worship styles and to today's concerns New features include added provision for all the seasons of the Church year, new items for carol services and other popular occasions where the repertoire is in need of refreshing, more choices for all-age worship, fresh translations of some ancient hymnody, beautiful new tunes, short songs and chants - alleluias, kyries, blessings etc. and music from the world church. A full range of indexes (including biblical and thematic) and a helpful guide to choosing hymns for every occasion will help to make Ancient & Modern the premier hymn collection of choice. This is the Melody edition.

I WILL NOT SING ALONE is a deliberately eclectic collection of words and music from different ages fused in contemporary arrangements. There are ancient texts and modern texts, simple and sophisticated. There are choral anthems, folk tunes and contemporary syncopated melodies. The songs include, exclamations of praise, meditative reflections on the love of God, and laments for the loss of a child and for countries at war. These are songs of faith which are intended for everybody: Not a high octane choral album or a selection of psuedo-celtic escapist ditties, but songs of engagement with life and with God, all grounded in the passion and pain of Christian love.

A classic collection of hymns and choruses. Sankey's Sacred Songs and Solos was developed by Ira D. Sankey as a resource for his concerts and revival meetings in the late 19th century. This collection is still popular today, with a wide selection of hymns and songs on many different themes.

How I wept at your hymns and songs, keenly moved by the sweet-sounding voices of your church wrote the recently converted Augustine in his "Confessions." Christians from the earliest period consecrated the hours of the day and the sacred calendar, liturgical seasons and festivals of saints. This volume collects one hundred of the most important and beloved Late Antique and Medieval Latin hymns from Western Europe.

These religious voices span a geographical range that stretches from Ireland through France to Spain and Italy. They meditate on the ineffable, from Passion to Paradise, in love and trembling and praise. The authors represented here range from Ambrose in the late fourth century ce down to Bonaventure in the thirteenth. The texts cover a broad gamut in their poetic forms and meters. Although often the music has not survived, most of them would have been sung. Some of them have continued to inspire composers, such as the great thirteenth-century hymns, the "Stabat mater "and "Dies irae.""

Includes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms, and a new English folk mass setting.

Timothy Dudley-Smith is one of the foremost hymn-writers of the Anglican Church, with work represented in over 250 hymnals throughout the English-speaking world. Beyond our Dreaming is his eighth collection, and includes 36 hymn texts written between 2008 and 2011, and spanning seasons and services throughout the church's year. With textual notes and suggestions of suitable hymn tunes, the collection will be of interest to all who seek to invigorate hymn-singing and church worship in the Anglican Church.

A House of Praise brings together the collected hymn texts of one of the most respected and widely published contemporary English hymn-writers. Timothy Dudley-Smith has been writing hymn texts for more than 50 years and is represented in countless hymnals throughout the English-speaking world. This second part to the collected edition A House of Praise contains hymns written since 2002 (hymn Nos.286-435) and texts from three earlier books (A Door for the Word, Praise to the Name, and Beyond our Dreaming), revised and updated. The volume presents the definitive text of hymns, arranged thematically, and Notes and comprehensive Indexes.

Eight years of inspired work by a committee of more than 30 musicians and pastors, all leaders in African American worship and gospel music, have resulted in this compendium representing the common repertoire of African American churches across the United States. For the first time in an African American hymnal, traditional hymns and songs are notated to reflect performance practices found in the oral tradition of the black church in America. At a time when such traditions are falling victim to modern technology, this book strives to preserve this rich heritage for future generations. Presented are litanies for "Fifty-Two Sundays of Worshipful Celebration" outlining an African American church year, including such special days as Martin Luther King Sunday, Elders' Day, Mother's Day, and Men's Day. Also included are 52 responsive scripture readings from the Old and New Testaments and an extensive index that includes scriptural and thematic cross-references.

BBC Songs of Praise is a compilation of the greatest traditional hymns, the best hymns from today's writers, and the finest examples of contemporary worship songs. It offers to churches and schools the core music required for worship in a wide range of situations. The breadth and diversity of the material ensures the BBC Songs of Praise can be the key resource for any worshipping community.

The official hymn book of the Church of Ireland.

The Methodist Church, with its distinctive musical inheritance by which the worldwide Church has been enriched, famously expresses its theology through its singing. Its authorised hymnbook therefore means more than a hymn book does in other traditions - it expresses the central beliefs of the Church itself and is commended to congregations as their core worship resource. Seven years in development, Singing the Faith is authorised by the Methodist Conference and replaces Hymns and Psalms, published almost 30 years ago. Containing the classic, best loved hymns of the Christian tradition it also incorporates many bold and exciting elements including hymns, songs and liturgical chants from the world church. A large proportion of its 830+ items are 20th and 21st century compositions, offering congregations a feast of musical choices spanning centuries and continents. It is arranged thematically in three parts: God's Eternal Goodness - the Trinity, praise and adoration, creation, gathering for worship, Scripture and revelation God's Redeeming Work - the life of Christ revealed throughout the Christian year God's Enduring Purposes - the Holy Spirit, our life in God, prayer, the sacraments, our human journeys, the saints and the life to come. Many helpful indexes enable fitting choices to be made that will enrich all occasions of worship.

Songs of Praise was first published in 1925, and is still an immensely popular hymnbook, particularly in schools. The compilation falls into two parts: Book 1 contains hymns grouped by subject and theme, together with a selection of verses, canticles and doxologies; Book 2 contains general hymns listed alphabetically by first line.

Rejoice and Sing is a completely new collection of hymns and songs for the United Reformed Church. It is the first major hymnbook to draw together the three traditions within the URC and as such represents a significant landmark in the history of the denomination. The editors and compilers have aimed to offer a worship tool or use by today's Church. The material included ranges from the traditional and familiar to those pieces with a more contemporary feel. In addition to hymns and psalms Rejoice and Sing contains a number of liturgical items, including responses and prayers for congregational use. Although intended primarily to reflect the distinctive character of the URC, Rejoice and Sing is also offered to Christians in wider ecumenical circles as an important new resource for sung worship.

"Rejoice and Sing" is a completely new collection of hymns and songs for the United Reformed Church. It is the first major hymnbook to draw together the three traditions within the URC and as such represents a significant landmark in the history of the denomination. The editors and compilers have aimed to offer a worship tool for use by today's Church. The material included ranges from the traditional and familiar to those pieces with a more contemporary feel. In addition to hymns and psalms, "Rejoice and Sing" contains a number of liturgical items, including responses and prayers for congregational use. Although intended primarily to reflect the distinctive character of the URC, "Rejoice and Sing" is also offered to Christians in wider ecumenical circles as an important new resource for sung worship.

Compiled originally as a supplement to the Church Hymnary Third Edition, this work caters for a variety of tastes and styles. Alongside favourite classic hymns and modern choruses, it contains African spirituals and Taize and Iona chants.

Unison (with optional second part) voices with piano or orchestra The beautiful melody, popular words, and flowing accompaniment combine here to memorable effect. Vintage Rutter, and essential repertoire for any upper-voice choir. There is also a version of this setting for SATB voices. Orchestral material is available on hire.