Now available on CD, fifteen powerful a cappella songs from the South African church, including the acclaimed 'We Are Marching in the Light of God' (Siyahamba). Recorded in 1984. Songs collected and edited by Anders Nyberg. Freedom is comingAsikhatali (It Doesn't Matter)Gabi (Praise the Father)IpharadisiSingabahambayo (On Earth an Army is Marching)Siph'amandla (O God, Give Us Power)Akanamandla (He Has No Power)Bamthatha (He's Locked Up)Vula, Botha (Open, Botha)Shumayela (Come, Let Us Preach)Nkosi, Nkosi (Lord, Have Mercy)Siyahamba (We Are Marching)Haleluya! Pelo Tsa Rona (Haleluya! We Sing Your Praises)Thuma Mina (Send Me Jesus)We shall not give up the fight

The most popular schools song and hymn book ever! Combines Come and Praise 1 and 2, giving you the words for 149 traditional and contemporary hymns and songs in one volume.

The only sourcebook that provides information necessary to make "Gospel Hymns Nos. 1 to 6 Complete" a useful research tool and an aid to the study of popular culture in the United States during the last half of the 19th century. For the first time, students and scholars will have access, in a single source, to biographical, historical, and bibliographical data concerning the writers of the hymn texts, the composers of the hymn tunes, and the various routes by which the hymns found their way onto the pages of that large collection of gospel and traditional hymnody. DEGREES"Gospel Hymns Nos. 1 to 6 Complete" contains 739 songs gathered from a series of six earlier published works.

The data in this volume will add to the breadth and depth of "Gospel Hymns Nos. 1 to 6 Complete" and thus, for the first time, identify the significance of its contributions to the history of American culture. A strong introduction establishes the historical significance of the collection of gospel hymns and songs. The entries for both the authors of the words and the composers of the music are arranged alphabetically, followed by the dates of birth and death (if known), a biographical sketch, and references to the number of the hymn, its title, first line, and accompanying tune. Dates of composition and initial publication are included where possible.

In his fairly short life - he lived from 1181 or 1182 to 1226 - Francis of Assisi wrote relatively little, but he taught, preached and lived so influentially, so charismatically, that his voice still speaks to us across the centuries. His Canticle of Brother Sun has been paid little attention by literary critics, despite being one of the first known works of literature in the Italian language. Bringing the skills of a literary historian to the subject, Brian Moloney comments on the canticle line-by-line and considers its genesis to reveal it as a carefully composed work of art, rather than as a spontaneous effusion of feeling.

Hymnody is widely recognised as a central tenet of Methodism's theological, doctrinal, spiritual, and liturgical identity. Theologically and doctrinally, the content of the hymns has traditionally been a primary vehicle for expressing Methodism's emphasis on salvation for all, social holiness, and personal commitment, while particular hymns and the communal act of participating in hymn singing have been key elements in the spiritual lives of Methodists. An important contribution to the history of Methodism, British Methodist Hymnody argues that the significance of hymnody in British Methodism is best understood as a combination of its official status, spiritual expression, popular appeal, and practical application. Seeking to consider what, when, how, and why Methodists sing, British Methodist Hymnody examines the history, perception, and practice of hymnody from Methodism's small-scale eighteenth-century origins to its place as a worldwide denomination today.

Discover the hymns that influenced US presidents. ""Presidential Praise: Our Presidents and Their Hymns"" offers the most comprehensive coverage ever written of the influence of hymns on the lives and administrations of America's presidents. Each chapter begins with Michael Williams' concise presentation of each president's path to the White House and his accomplishments and failures as president. D. Edward Spann then introduces how each president regarded music, whether or not he was musical, and music in the White House during each president's administration. These hymns may be related to developments in the life of the president, including his spiritual journey, major decisions he had to make as president, or even his selection of the inaugural Scripture. Spann then tells the story of how the hymn was written, both the words and the music. Presenting this scholarly material in an inspiring manner is part of the delight of the book. In doing so, the book covers a panorama of hymnody from 1614 to the 1980s. After an interpretation of the words, it is demonstrated why the chosen hymns were meaningful to each president. The format of each chapter reveals this special emphasis that can't be found elsewhere.

Reading the book of Psalms is a peaceful, comforting experience all on its own. But when the serenity found in these words is blended with the relaxing exercise of coloring, it creates the ideal environment for stress to melt away.

The Psalms in Color has been specifically designed as a stress relief tool that will bring readers closer to God.

Not only does The Psalms in Color combine biblical inspiration from Psalms with beautiful sketches and patterns that guarantee hours of relaxation, it also includes:

• Perforated pages that are easy to tear out
• Bookmarks, greeting cards and gift tags that can be colored in, cut out and given to friends
• Blank space for doodling and to unleash creativity.

The 20th century, especially the latter decades, was a time of explosive growth and importance in hymnody, and yet published material about the hymnody of this period has been scattered and difficult to come by. The present volume catalogues and categorizes the available writings to guide students and scholars in their research. Furthermore, this reference does not depend primarily on the view of the author/compiler, but guides users toward a broad spectrum of viewpoints about 20th-century hymnody. Listing the principal writings on the repertory, language, practice, and people of hymnody during the last century, this annotated bibliography offers students and researchers alike a handy reference for a vast and varied field.

Beginning with a unique introduction to and summary of hymnody in the 20th century, Music arranges the entries by topic, dividing each chapter by helpful subject headings. The repertory of the twentieth century, and language issues are discussed. Practical elements of hymnody are covered, while the final chapter lists writings about individual hymn writers and other influential persons in the field. Music provides a brief annotation for each entry and uses numerous cross-references, guiding the reader to relevant material in other sections of the book. A comprehensive index concludes this essential reference.

Now available on CD, fifteen powerful a cappella songs from the South African church, including the acclaimed 'We Are Marching in the Light of God' (Siyahamba). Recorded in 1984. Songs collected and edited by Anders Nyberg. Freedom is comingAsikhatali (It Doesn't Matter)Gabi (Praise the Father)IpharadisiSingabahambayo (On Earth an Army is Marching)Siph'amandla (O God, Give Us Power)Akanamandla (He Has No Power)Bamthatha (He's Locked Up)Vula, Botha (Open, Botha)Shumayela (Come, Let Us Preach)Nkosi, Nkosi (Lord, Have Mercy)Siyahamba (We Are Marching)Haleluya! Pelo Tsa Rona (Haleluya! We Sing Your Praises)Thuma Mina (Send Me Jesus)We shall not give up the fight

Both the Babylonian Talmud and the Jerusalem Talmud depict a wide range of sorrowful situations tied to every level of society and to the complexities of human behavior and the human condition. The causes and expressions of sorrow amongst the Sages, however, are different from their counterparts amongst common people or women, with descriptions varying between the Babylonian and the Jerusalem Talmud. In 'Sorrow and Distress in the Talmud', Valler explores more than 50 stories from both the Babylonian and the Jerusalem Talmuds, focusing on these issues.

Examining nineteenth-century British hymns for children, Alisa Clapp-Itnyre argues that the unique qualities of children's hymnody created a space for children's empowerment. Unlike other literature of the era, hymn books were often compilations of many writers' hymns, presenting the discerning child with a multitude of perspectives on religion and childhood. In addition, the agency afforded children as singers meant that they were actively engaged with the text, music, and pictures of their hymnals. Clapp-Itnyre charts the history of children's hymn-book publications from early to late nineteenth century, considering major denominational movements, the importance of musical tonality as it affected the popularity of hymns to both adults and children, and children's reformation of adult society provided by such genres as missionary and temperance hymns. While hymn books appear to distinguish 'the child' from 'the adult', intricate issues of theology and poetry - typically kept within the domain of adulthood - were purposely conveyed to those of younger years and comprehension. Ultimately, Clapp-Itnyre shows how children's hymns complicate our understanding of the child-adult binary traditionally seen to be a hallmark of Victorian society. Intersecting with major aesthetic movements of the period, from the peaking of Victorian hymnody to the Golden Age of Illustration, children's hymn books require scholarly attention to deepen our understanding of the complex aesthetic network for children and adults. Informed by extensive archival research, British Hymn Books for Children, 1800-1900 brings this understudied genre of Victorian culture to critical light.

It may seem unexpected to assert that controversy surrounds the introduction of hymns in religious life in England. Though many scholars have worked to catalog and index hymns, few have investigated the evolution of hymns, and their proposed meaning to religious celebration. A historical as well as a critical project, The Matter and Manner of Praise undermines the compulsion to assume that hymn-making and religion were always considered to coexist effortlessly. Most histories of hymnody and evangelical movements in England have elided the depth of feeling and concern that surrounded the debate over hymns and their use during liturgy. McCart uncovers, reexamines, and comments upon this debate. He illuminates a partly unexplored topic in English church history, by tracing the controversial shift from metrical psalms to hymnody, and also takes into account legal issues and litigation that developed over the introduction of hymns into church life. An insightful study that should be fascinating reading for anyone interested in teasing apart the historical nature of religious ceremonies and hymns.

In celebration of the publication of the sequel "Saint Leibowitz and the Wild Horse Woman comes this special edition of the classic "A Canticle for Leibowitz, a novel that transcends genre to stand as one of the most significant literary works of our time.
In the Utah desert, Brother Francis of the Albertian Order of Leibowitz has made a miraculous discovery: the relics of the martyr Isaac Leibowitz himself, including the blessed blueprint and the sacred shopping list. They may provide a bright ray of hope in a terrifying age of darkness, a time of ignorance and genetic monsters that are the unholy aftermath of the Flame Deluge. But as the spellbinding mystery at the core of this extraordinary novel unfolds, it is the search itself--for meaning, for truth, for love--that offers hope to a humanity teetering on the edge of an abyss.
A timeless and still timely masterpiece, "A Canticle for Leibowitz is a classic that ranks with "Brave New World and "1984.

"From the Trade Paperback edition.

The source readings in Hymnology are primary documents illustrating the philosophy and practice of congregational singing during various historical periods of the Christian church. They are drawn from a wide variety of sources including letters, diaries, periodicals, hymnal and tunebook prefaces, theological treatises, certain controversial books and pamphlets, and deliberations of church councils. The material ranges in date from the beginning of the second century to the 1960s. All the major streams of Christian song are covered, including early Greek and Latin hymnody, pre-Reformation vernacular hymnody, the Lutheran chorale, Reformed psalmody, and English and American hymnody from the sixteenth to the twentieth century. The book is suitable for use as a text or supplementary text for courses in hymnology, a professional reference work for ministers and church musicians, and a book for laymen interested in the history of church music.

Specifically designed for congregational use, this contains 255 songs for straightforward arrangements, either four-part harmony or with piano accompaniment.

'Abide with me', 'The day thou gavest Lord is ended', 'All things bright and beautiful': a century and more after they were written Victorian hymns like these have an enduring popularity. This book examines the Victorian hymn from a literary, theological and cultural point of view. It traces its contemporary impact and its continuing influence in churches, public popularity, parody and literary references.

In a way that has not been done before, Ian Bradley traces the importance of hymns in Victorian novels, explores the extraordinary political and social ramifications of Victorian hymnody, and assesses the literary and musical importance of the genre. Written in a lively and anecdotal style, this book punctures some of the myths about Victorian hymns, showing that the themes of doubt, humility and political and social radicalism surface just as much as those of triumphalism, imperialism and conservatism.

'Ian Bradley tells his story lucidly, from the disappearance of the chaotic and cheerful gallery musicians so beloved of Thomas Hardy, to the gospel songs of Dwight Moody and Ira Sankey. He moves easily between the novelist, the theologian and the musician. He introduces the story with a striking analogy: hymns played much the same role in Victorian culture that soap operas do among us today . . . it is a good curtain-raiser for a serious, indeed learned, but never humourless book.' Lord Runcie, "Daily Telegraph"

""

'I was so gripped by this book that I could not put it down. Here is invaluable resource material dealing with a period of hymnody which has never before been researched in such depth. In this eminently readable survey, we are left in no doubt as to the merits or otherwise of nineteenth-century hymnody.' Dr Lionel Dakers, formerly Director of the Royal School of Music.

A brand new edition of the ultimate combination of traditional hymns and modern worship songs. 'Mission Praise' is a much-loved hymn book, and has remained so since its outset in 1984. Initially used for Billy Graham's Mission England rallies - where thousands of people converted to Christianity - it has become a staple of worship throughout the UK and across the world. It was the first hymn book of its kind, introducing more modern styles of music into worship yet retaining the best of traditional hymnody loved by churchgoers of every age. This new, expanded edition of 'Complete Mission Praise' includes the whole of the existing collection of over 1000 songs and hymns, and adds the best new songs in various styles from the past few years. This brand new edition has been put together by 'Mission Praise''s original editorial team of Peter Horrobin and Greg Leavers, and contains - in this 30th anniversary year - over 100 new songs and has, by popular request, been split into two volumes in order to be more user-friendly.

This work is an exceptional collection of 600 hymns. An outstanding worship resource, it contains classic anthems, beloved gospel standards and new worship favourites including: "Shine Jesus Shine"; "Christ the Lord is Risen Today"; "Go, Tell it on the Mountain"; "Hark! The Herald Angels Sing"; "Jesus Loves Me"; "O Come All Ye Faithful"; and, "Praise Him! Praise Him!" It features an extensive seasonal selection, and contains seven helpful indexes including the most thorough topical index available. Available in a variety of colours, its high quality binding ensures decades of use by congregations, small groups and individuals.

A classic collection of hymns and choruses. Sankey's Sacred Songs and Solos was developed by Ira D. Sankey as a resource for his concerts and revival meetings in the late 19th century. This collection is still popular today, with a wide selection of hymns and songs on many different themes.