This important work engages with a long historical debate: were the earliest Christians under the direction of ordained ministers, or under the influence of inspired laypeople? Who was in charge: bishops, elders and deacons, or apostles, prophets and teachers? Rather than trace Church offices backwards, Burtchaell examines the contemporary Jewish communities and finds evidence that Christians simply continued the offices of the synagogue. Thus, he asserts that from the very first they were presided over by officers. The author then advances the provocative view that in the first century it was not the officers who spoke with the most authority. They presided, but did not lead, and deferred to more charismatic laypeople. Burtchaell sees the evidence in favor of the Catholic/Orthodox/Anglican view that bishops have always presided in the Christian Church. At the same time he argues alongside the Prostestants that in its formative era the Church deferred most to the judgment of those who were inspired, yet never ordained.

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Describes the responsibilities and duties of the server at the Holy Eucharist and other services, as governed by the rubrics of "The Book of Common Prayer" and by tradition. Includes a glossary.

This book critically explores ways in which our understanding of late medieval liturgy can be enhanced through present-day enactment. It is a direct outcome of a practice-led research project, led by Professor John Harper and undertaken at Bangor University between 2010 and 2013 in partnership with Salisbury Cathedral and St Fagans National History Museum, near Cardiff. The book seeks to address the complex of ritual, devotional, musical, physical and architectural elements that constitute medieval Latin liturgy, whose interaction can be so difficult to recover other than through practice. In contrast with previous studies of reconstructed liturgies, enactment was not the exclusive end-goal of the project; rather it has created a new set of data for interpretation and further enquiry. Though based on a foundation of historical, musicological, textual, architectural and archaeological research, new methods of investigation and interpretation are explored, tested and validated throughout. There is emphasis on practice-led investigation and making; the need for imagination and creativity; and the fact that enactment participants can only be of the present day. Discussion of the processes of preparation, analysis and interpretation of the enactments is complemented by contextual studies, with particular emphasis on the provision of music. A distinctive feature of the work is that it seeks to understand the experiences of different groups within the medieval church - the clergy, their assistants, the singers, and the laity - as they participated in different kinds of rituals in both a large cathedral and a small parish church. Some of the conclusions challenge interpretations of these experiences, which have been current since the Reformation. In addition, some consideration is given to the implications of understanding past liturgy for present-day worship.

Both the Babylonian Talmud and the Jerusalem Talmud depict a wide range of sorrowful situations tied to every level of society and to the complexities of human behavior and the human condition. The causes and expressions of sorrow amongst the Sages, however, are different from their counterparts amongst common people or women, with descriptions varying between the Babylonian and the Jerusalem Talmud. In 'Sorrow and Distress in the Talmud', Valler explores more than 50 stories from both the Babylonian and the Jerusalem Talmuds, focusing on these issues.

William Byrd's Gradualia is one of the most unusual and elaborate musical works of the English Renaissance. This large collection of liturgical music, 109 pieces in all, was written for clandestine use by English Catholics at a time when they were forbidden to practice their religion in public. When Byrd began to compose the Gradualia, he turned from the penitential and polemical extravagances of his earlier Latin motets to the narrow, carefully ordered world of the Counter-Reformation liturgy. It was in this new context, cut off from his familiar practice of choosing colorful texts and setting them at length, that he first wrote about the "hidden and mysterious power" of sacred words to evoke a creative response. Liturgy and Contemplation in Byrd's Gradualia responds to Byrd's own testimony by exploring how he read the texts of the Mass and the events of the church calendar. Kerry McCarthy examines early modern English Catholic attitudes toward liturgical practice, meditation, and what the composer himself called "thinking over divine things." She draws on a wide range of contemporary sources - devotional treatises, commentaries on the Mass, poetry, memoirs, letters, and Byrd's dedicatory prefaces - and revisits the Gradualia in light of this evidence. The book offers a case study of how one artist reimagined the creative process in the final decades of his life.

Examining nineteenth-century British hymns for children, Alisa Clapp-Itnyre argues that the unique qualities of children's hymnody created a space for children's empowerment. Unlike other literature of the era, hymn books were often compilations of many writers' hymns, presenting the discerning child with a multitude of perspectives on religion and childhood. In addition, the agency afforded children as singers meant that they were actively engaged with the text, music, and pictures of their hymnals. Clapp-Itnyre charts the history of children's hymn-book publications from early to late nineteenth century, considering major denominational movements, the importance of musical tonality as it affected the popularity of hymns to both adults and children, and children's reformation of adult society provided by such genres as missionary and temperance hymns. While hymn books appear to distinguish 'the child' from 'the adult', intricate issues of theology and poetry - typically kept within the domain of adulthood - were purposely conveyed to those of younger years and comprehension. Ultimately, Clapp-Itnyre shows how children's hymns complicate our understanding of the child-adult binary traditionally seen to be a hallmark of Victorian society. Intersecting with major aesthetic movements of the period, from the peaking of Victorian hymnody to the Golden Age of Illustration, children's hymn books require scholarly attention to deepen our understanding of the complex aesthetic network for children and adults. Informed by extensive archival research, British Hymn Books for Children, 1800-1900 brings this understudied genre of Victorian culture to critical light.

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Now available on CD, fifteen powerful a cappella songs from the South African church, including the acclaimed 'We Are Marching in the Light of God' (Siyahamba). Recorded in 1984. Songs collected and edited by Anders Nyberg. Freedom is comingAsikhatali (It Doesn't Matter)Gabi (Praise the Father)IpharadisiSingabahambayo (On Earth an Army is Marching)Siph'amandla (O God, Give Us Power)Akanamandla (He Has No Power)Bamthatha (He's Locked Up)Vula, Botha (Open, Botha)Shumayela (Come, Let Us Preach)Nkosi, Nkosi (Lord, Have Mercy)Siyahamba (We Are Marching)Haleluya! Pelo Tsa Rona (Haleluya! We Sing Your Praises)Thuma Mina (Send Me Jesus)We shall not give up the fight

The classic historical commentary by White and Dykman on the Constitution and Canons of the Episcopal Church, long out of print, is now available in a special limited-edition reprint. Revised for the Standing Commission on Constitution and Canons of the General Convention, it is an indispensable reference work for libraries and diocesan offices. (Two volumes, 1,154 pp)

As parents hoping to raise godly children, we may understand the importance of regular family devotions. However, we may find it difficult to get our kids (or even ourselves) fully engaged. But what if devotions looked less like sitting in the living room listening to someone read and trying to pry answers out of reluctant kids and more like, say, electrocuting a pickle? Or converting a leaf blower into a toilet paper launcher? Or lighting toothpaste on fire? These hands-on, kinda dangerous, totally unforgettable object lessons (along with nearly fifty others) are not only more fun than other family devotions--they actually deliver the spiritual impact you desire for your kids. They'll even get dads and any too-cool-for-this-stuff teens jazzed about a weekly family devotional time. So put away the flannelgraph, get out the safety goggles, and start bringing the truths of Scripture to vivid life in your household. Just remember to change out of your Sunday clothes first.

Originally released in 1998, this 144-page collection of prayers for youth written by Catholic high school students was a steady seller in its first 10 years. This new, expanded version offers a fresh, contemporary design, an ecumenical format and approach, plus additional prayers written by today s high school teens and artwork contributed by Episcopal youth from across the country. Other features include a four-page introduction that suggests multiple ways to use the book, a one-page introduction for each season of the church year, scripture index and topic index, plus more than 150 prayers."

The nineteenth century was a period of intense religious conflict across Europe, as people confronted the major changes brought by modernity. In Zurich, one phase of this religious conflict was played out in a struggle over revisions to the ritual of baptism. In its analysis of the Zurich conflict, Liturgy Wars offers a strategy for understanding the links between theology, ritual, and socio-politics. Theodore M. Vial offers a new perspective on contemporary ritual studies - and critiques the cognivist approaches of Lawson and McCauley, as well as Catherine Bell's analysis of power and the body - by reintergrating the imporatance of speech acts into considerations of ritual.

This book examines in detail the concept of "abrogation" in the Qur an, which has played a major role in the development of Islamic law and has implications for understanding the history and integrity of the Qur anic text. The term has gained popularity in recent years, as Muslim groups and individuals claim that many passages about tolerance in the Qur an have been abrogated by others that call on Muslims to fight their enemies. Author Louay Fatoohi argues that this could not have been derived from the Qur an, and that its implications contradict Qur anic principles. He also reveals conceptual flaws in the principle of abrogation as well as serious problems with the way it was applied by different scholars.

Abrogation in the Qur an and Islamic Law traces the development of the concept from its most basic form to the complex and multi-faceted doctrine it has become. The book shows what specific problems the three modes of abrogation were introduced to solve, and how this concept has shaped Islamic law. The book also critiques the role of abrogation in rationalizing the view that not all of the Qur anic revelation has survived in the "mushaf," or the written record of the Qur an. This role makes understanding abrogation an essential prerequisite for studying the history of the Qur anic text. "

The English Civil War and its aftermath was a time of human devastation, political uncertainty and religious instability. Amid the turmoil of those times, however, the Church of England also saw intense liturgical inventiveness. The Directory for Public Worship, Jeremy Taylor's Communion Office, and Richard Baxter's Reformed Liturgy, are all examples of resourceful liturgies born out of the ashes of the English Civil War. The Church of England had not witnessed such liturgical innovation since Thomas Cranmer, and would not see such creativity again until the end of the twentieth century - at least in terms of liturgical texts. In Richard Baxter's Reformation of the Liturgy, Glen J. Segger examines the theology and ecclesiology of Baxter's liturgical opus. While never approved for public use, the Reformed Liturgy remains an important and creative liturgy representative of those who fought for their Puritan convictions, but lost.

The liturgy, the public worship of the Catholic Church, was a crucial factor in forging the society of early medieval Rome. As the Roman Empire dissolved, a new world emerged as Christian bishops stepped into the power vacuum left by the dismantling of the Empire. Among these potentates, none was more important than the bishop of Rome, the pope. The documents, archaeology, and architecture that issued forth from papal Rome in the seventh and eighth centuries preserve a precious glimpse into novel societal patterns. The underexploited liturgical sources in particular enrich and complicate our historical understanding of this period. They show how liturgy was the 'social glue' that held together the Christian society of early medieval Rome - and excluded those who did not belong to it. This study places the liturgy center stage, filling a gap in research on early medieval Rome and demonstrating the utility of investigating how the liturgy functioned in medieval Europe. It includes a detailed analysis of the papal Mass, the central act of liturgy and the most obvious example of the close interaction of liturgy, social relations and power. The first extant Mass liturgy, the First Roman Ordo, is also given a new presentation in Latin here with an English translation and commentary. Other grand liturgical events such as penitential processions are also examined, as well as more mundane acts of worship. Far from a pious business with limited influence, the liturgy established an exchange between humans and the divine that oriented Roman society to God and fostered the dominance of the clergy.

Tried-and-tested collection of creative resources for the Church's year

A 6-week exploration of the Lord's Prayer (traditional version) that shows readers how this ancient prayer can serve as a model for their prayers today.

A liturgical manual that discusses each service of the Church according to shape, theology, past practice, and varieties of local expression. The book contains helpful material not only for clergy and worship committees, but also for church musicians. (248 pp)

If you are like most Christians, you know you should be praying more often, taking it more seriously, and giving it more priority in your life. But what often gets missed is that prayer is not a requirement but a privilege! Prayer is the pathway to building a relationship with the Savior. Through prayer, the Creator and Sustainer of everything actually listens to us. In Praying with Power, you will explore what the Bible has to say about this fascinating two-way communication with God. You will explore journaling prayers, praying the Scripture, and how to pray your way through a desert or valley. You will also discover the incredible power of prayer and the promises God provides when you go to Him with your needs. The Women of Faith (R) Bible Studies provide intriguing insights into topics that are relevant to women's lives today. Each guide includes twelve weeks of study, down-to-earth illustrations, and reflections to help you move the truth from your head to your heart. A leader's guide for use with small groups is also included.

The book gives an account of various movements in art and their relation to the visual and in churches and in liturgy, for example the Franciscan movement, different approaches to the crucifixion, and the restoration of creation. It recovers the links between the cross and creation, and relates the baptismal covenant to a commitment to care for creation.

What does it really mean to "proclaim the good news of God in Christ" and to "continue in the apostles' teaching and fellowship, in the breaking of the bread, and in the prayers?" These promises from the baptismal rite of the Book of Common Prayer have become very familiar to most Episcopalians, but they have yet to be fully lived out in most congregations. In this lively and accessible guide, Clayton Morris argues that everyone present on Sunday mornings has a ministry of hospitality, coming together in a proclamation of welcome to all.