Integrating the techniques of archaeology, history and geography, this book traces the history of human settlement in the Biferno Valley from early prehistory to the present century. It also covers the parallel story of landscape development, showing that the two have to be understood together. It argues for the importance of human settlement, rather than climate (as is often argued) in shaping the Mediterranean landscape. This book provides an interdisciplinary study of a restricted region, but about an important theme: the relationship between people and landscape in the past, and what we can learn from it for the future. A second volume containing the specialist supporting data collected by the archaeological project is also available, entitled "The Biferno Valley: An Archaeological History of a Mediterranean Landscape - the Archaeological and Geomorphical Record". This volume, edited by Graeme Barker, is published in the Leicester Archaeology Monograph series and is available from the School of Archaeological Studies, University of Leicester.

Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as well as an altar to Divus Augustus and dedications to the genius Augusti, the gens Augusta, and other family members. This richly illustrated volume provides a contextual study of this important building, the remains of which were first published by Saul Weinberg in 1960 (Corinth I.5). Scotton treats the architectural remains, Vanderpool the sculptural remains, and Roncaglia the epigraphical material, each providing extensive catalogues with new photos, in addition to color reconstructions of the basilica and its grand interior.

This book examines the development of ancient Greek civilization through a path-breaking application of social scientific theories. David B. Small charts the rise of the Minoan and Mycenaean civilizations and the unique characteristics of the later classical Greeks through the lens of ancient social structure and complexity theory, opening up new ideas and perspectives on these societies. He argues that Minoan and Mycenaean institutions evolved from elaborate feasting, and that the genesis of Greek colonization was born from structural chaos in the eighth century. Small isolates distinctions between Iron Age Crete and the rest of the Greek world, focusing on important differences in social structure. His book differs from others on Ancient Greece, highlighting the perpetuation of classical Greek social structure into the middle years of the Roman Empire, and concluding with a comparison of the social structure of classical Greece to that of the classical Maya civilization.

How did Roman Britain end? This new study draws on fresh archaeological discoveries to argue that the end of Roman Britain was not the product of either a violent cataclysm or an economic collapse. Instead, the structure of late antique society, based on the civilian ideology of paideia, was forced to change by the disappearance of the Roman state. By the fifth century elite power had shifted to the warband and the edges of their swords. In this book Dr Gerrard describes and explains that process of transformation and explores the role of the 'Anglo-Saxons' in this time of change. This profound ideological shift returned Britain to a series of 'small worlds', the existence of which had been hidden by the globalizing structures of Roman imperialism. Highly illustrated, the book includes two appendices, which detail Roman cemetery sites and weapon trauma, and pottery assemblages from the period.

This book tells the fascinating story of Roman Britain, beginning with the late pre-Roman Iron Age and ending with the province's independence from Roman rule in AD 409. Incorporating for the first time the most recent archaeological discoveries from Hadrian's Wall, London and other sites across the country, and richly illustrated throughout with photographs and maps, this reliable and up-to-date new account is essential reading for students, non-specialists and general readers alike. Writing in a clear, readable and lively style (with a satirical eye to strange features of past times), Rupert Jackson draws on current research and new findings to deepen our understanding of the role played by Britain in the Roman Empire, deftly integrating the ancient texts with new archaeological material. A key theme of the book is that Rome's annexation of Britain was an imprudent venture, motivated more by political prestige than economic gain, such that Britain became a 'trophy province' unable to pay its own way. However, the impact that Rome and its provinces had on this distant island was nevertheless profound: huge infrastructure projects transformed the countryside and means of travel, capital and principal cities emerged, and the Roman way of life was inseparably absorbed into local traditions. Many of those transformations continue to resonate to this day, as we encounter their traces in both physical remains and in civic life.

A radical reexamination of the textual and archaeological evidence about Augustus and the Palatine Caesar Augustus (63 BC-AD 14), who is usually thought of as the first Roman emperor, lived on the Palatine Hill, the place from which the word "palace" originates. A startling reassessment of textual and archaeological evidence, The House of Augustus demonstrates that Augustus was never an emperor in any meaningful sense of the word, that he never had a palace, and that the so-called "Casa di Augusto" excavated on the Palatine was a lavish aristocratic house destroyed by the young Caesar in order to build the temple of Apollo. Exploring the Palatine from its first occupation to the present, T. P. Wiseman proposes a reexamination of the "Augustan Age," including much of its literature. Wiseman shows how the political and ideological background of Augustus' rise to power offers a radically different interpretation of the ancient evidence about the Augustan Palatine. Taking a long historical perspective in order to better understand the topography, Wiseman considers the legendary stories of Rome's origins-in particular Romulus' foundation and inauguration of the city on the summit of the Palatine. He examines the new temple of Apollo and the piazza it overlooked, as well as the portico around it with its library used as a hall for Senate meetings, and he illustrates how Commander Caesar, who became Caesar Augustus, was the champion of the Roman people against an oppressive oligarchy corrupting the Republic. A decisive intervention in a critical debate among ancient historians and archaeologists, The House of Augustus recalibrates our views of a crucially important period and a revered public space.

This new edition of Rome in the East expands on the seminal work of the first edition, and examines the lasting impact of the near Eastern influence on Rome on our understanding of the development of European culture. Warwick Ball explores modern issues as well as ancient, and overturns conventional ideas about the spread of European culture to the East. This volume includes analysis of Roman archaeological and architectural remains in the East, as well as links to the Roman Empire as far afield as Iran, Central Asia, India, and China. The Near Eastern client kingdoms under Roman rule are examined in turn and each are shown to have affected Roman, and ultimately European, history in different but very fundamental ways. The highly visible presence of Rome in the East - mainly the architectural remains, some among the greatest monumental buildings in the Roman world - are examined from a Near Eastern perspective and demonstrated to be as much, if not more, a product of the Near East than of Rome. Warwick Ball presents the story of Rome in the light of Rome's fascination with the Near East, generating new insights into the nature and character of Roman civilisation, and European identity from Rome to the present. Near Eastern influence can be seen to have transformed Roman Europe, with perhaps the most significant change being the spread of Christianity. This new edition is updated with the latest research and findings from a range of sources including field work in the region and new studies and views that have emerged since the first edition. Over 200 images, most of them taken by the author, demonstrate the grandeur of Rome in the East. This volume is an invaluable resource to students of the history of Rome and Europe, as well as those studying the Ancient Near East.

This new edition of Rome in the East expands on the seminal work of the first edition, and examines the lasting impact of the near Eastern influence on Rome on our understanding of the development of European culture. Warwick Ball explores modern issues as well as ancient, and overturns conventional ideas about the spread of European culture to the East. This volume includes analysis of Roman archaeological and architectural remains in the East, as well as links to the Roman Empire as far afield as Iran, Central Asia, India, and China. The Near Eastern client kingdoms under Roman rule are examined in turn and each are shown to have affected Roman, and ultimately European, history in different but very fundamental ways. The highly visible presence of Rome in the East - mainly the architectural remains, some among the greatest monumental buildings in the Roman world - are examined from a Near Eastern perspective and demonstrated to be as much, if not more, a product of the Near East than of Rome. Warwick Ball presents the story of Rome in the light of Rome's fascination with the Near East, generating new insights into the nature and character of Roman civilisation, and European identity from Rome to the present. Near Eastern influence can be seen to have transformed Roman Europe, with perhaps the most significant change being the spread of Christianity. This new edition is updated with the latest research and findings from a range of sources including field work in the region and new studies and views that have emerged since the first edition. Over 200 images, most of them taken by the author, demonstrate the grandeur of Rome in the East. This volume is an invaluable resource to students of the history of Rome and Europe, as well as those studying the Ancient Near East.

Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of "style as a concept of expression," an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.

The Coming of Rome, first published in 1979, examines some basic features of Roman Britain: the cities, the towns, and the monuments of an urban culture. J.S. Wacher considers the evidence, mainly from inscriptions, of the people who inhabited or visited Britain during approximately the first two centuries of Roman rule. The Roman conquest of Britain and the progressive extension of Roman control marked a dramatic transformation of British society. Although there was much contact between pre-Roman Britain and the Continent, the advent of Romanisation meant incorporation into a much larger economic system. But Britain stood on one of the most distant frontiers of the Roman world, and the Romano-British society which gradually evolved was thus distinctive. Profusely illustrated throughout, The Coming of Rome will appeal to historians and archaeologists, as well as the general reader interested in some of the most formative centuries of Britain's development.

The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

Roman-Period and Byzantine Nazareth and its Hinterland presents a new social and economic interpretation of Roman-period and Byzantine Nazareth and its hinterland as a whole, showing the transformation of a Roman-period Jewish village into a major Byzantine Christian pilgrimage centre. Although Nazareth is one of the most famous places in the world, this is the first book on Roman-period and Byzantine Nazareth by a professional archaeologist, the only book to consider the archaeology of Nazareth in the context of its adjacent landscape, and the first to use contemporary archaeological methods and theory to explore Nazareth's archaeology. Taking as his starting point a systematic survey of the valley between Nazareth and the Roman town of Sepphoris, Dark offers an interpretation of communities elsewhere in the Roman world as networks of interlocking cells, with interactions along routeways being more important in cultural and economic terms than the relationship between urban centres and their surrounding countryside. His conclusions have implications for the wider archaeology of the Roman and Byzantine worlds, as well as for archaeological theory, and demonstrate the importance of Nazareth to world archaeology. This unique book will be invaluable to those interested in Nazareth and its surrounding landscape, as well as to archaeologists and scholars of the Roman and Byzantine worlds.

How do we interpret ancient art created before written texts? Scholars usually put ancient art into conversation with ancient texts in order to interpret its meaning. But for earlier periods without texts, such as in the Bronze Age Aegean, this method is redundant. Using cutting-edge theory from art history, archaeology, and anthropology, Carl Knappett offers a new approach to this problem by identifying distinct actions - such as modelling, combining, and imprinting - whereby meaning is scaffolded through the materials themselves. By showing how these actions work in the context of specific bodies of material, Knappett brings to life the fascinating art of Minoan Crete and surrounding areas in novel ways. With a special focus on how creativity manifests itself in these processes, he makes an argument for not just how creativity emerges through specific material engagements but also why creativity might be especially valued at particular moments.

A landmark in the study of ancient glass from Greece, this volume presents 404 vessels, mostly fragmentary, excavated in the Athenian Agora. Fragments of almost every type of glass known from antiquity were found: 37 pieces date to the Classical and Hellenistic periods, when the Agora as civil center of the city was at its height, and 15 are assigned to the ninth to eighteenth centuries. The bulk of the material belongs to the Roman Empire and Late Antiquity. In these periods, glass was a common material in the market place and household, and it was used side b side with ceramics and metals with which it competed as tableware and as containers. Excavated to exacting scientific standards, much of the material comes from independently datable contexts. The glass offers a significant contribution to our assessment of the trade and economy of Athens after the city had lost its status of foremost city in Greece but was still an important industrial center. The volume provides an overview of the history of glass manufacturing techniques as evidenced within the city of Athens followed by a discussion of the contexts in which the objects were deposited. the catalogue entries proper. Figures, plates (some in color), an extensive bibliography, deposit summaries, concordances, and indices complete the book. The first excavation monograph from Greece to present the glass from all periods of the history of one site, this volume will be an essential reference work for archaeologists and glass historians alike.

During the last few decades, there has been great interest in the problems of defining the extent and nature of kingship in the Mycenaean world. Questions concerning the degree of economic and religious power held by the king have been given special emphasis. This book surveys the conclusions drawn by individual scholars studying the Linear B tablets, contrasts their theories with our knowledge of the Mycenaean kingdoms as derived from the archaeological record, and finally compares this evidence with possible reflections in the oral tradition, specifically in the Iliad and Odyssey. This approach leads to the suggestion that the king in the Mycenaean period had only limited power over the society and its economy. Although the king appears to have controlled a large segment of the economy, it is argued here that other individuals and family groups within the kingdom also had a certain degree of economic independence.

This book advances our understanding of the place of Latin inscriptions in the Roman world beyond the vague concept of 'the epigraphic habit'. It enables readers to appreciate both the potential and the limitations of inscriptions as historical source material, by considering the diversity of epigraphic culture in the Roman world, and how it has been transmitted to the 21st century. The first chapter offers an epigraphic sample drawn from the Bay of Naples, illustrating the dynamic epigraphic culture of that region. The second explores in detail the nature of epigraphic culture in the Roman world, probing the limitations of traditional ways of dividing up inscriptions into different categories, and offering examples of how epigraphic culture developed in different geographical, social, and religious contexts. It examines the 'life-cycle' of inscriptions how they were produced, viewed, reused, and destroyed. Finally, the third provides guidance on deciphering inscriptions face-to-face and handling specialist epigraphic publications.

The ancient Greeks traveled widely by sea and founded colonies in far-flung locations. On the north coast of the Black Sea were a number of such Greek settlements, places where the Greeks made contact with the local Scythian population. Greek goods were traded extensively throughout the region, and many of these often-luxurious articles eventually made their way into tombs.
From its wealth of such Greek finds from the Black Sea, the State Hermitage Museum in St. Petersburg has lent some 175 Greek objects to an exhibition at the J. Paul Getty Museum at the Getty Villa. This richly illustrated catalogue to the exhibition presents nine essays on the archaeology of the northern Black Sea region and its history, culture, and art, including sculpture, pottery, gems, and jewelry. Written by curators at the State Hermitage Museum, Greeks on the Black Sea presents an intriguing world at once Greek and barbarian.

Pompeii is the most famous archaeological site in the world, visited by more than two million people each year. Yet it is also one of the most puzzling, with an intriguing and sometimes violent history, from the sixth century BCE to the present day.

Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In "The Fires of Vesuvius," acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was more like Calcutta or the Costa del Sol? and what it can tell us about ordinary life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath and see the intestinal tapeworms of the inhabitants of the lost city. She resurrects the Temple of Isis as a testament to ancient multiculturalism. At the Suburban Baths we go from communal bathing to hygiene to erotica.

Recently, Pompeii has been a focus of pleasure and loss: from Pink Floyd s memorable rock concert to Primo Levi s elegy on the victims. But Pompeii still does not give up its secrets quite as easily as it may seem. This book shows us how much more and less there is to Pompeii than a city frozen in time as it went about its business on 24 August 79.

Roman Archaeology for Historians provides students of Roman history with a guide to the contribution of archaeology to the study of their subject. It discusses the issues with the use of material and textual evidence to explain the Roman past, and the importance of viewing this evidence in context. It also surveys the different approaches to the archaeological material of the period and examines key themes that have shaped Roman archaeology. At the heart of the book lies the question of how archaeological material can be interpreted and its relevance for the study of ancient history. It includes discussion of the study of landscape change, urban topography, the economy, the nature of cities, new approaches to skeletal evidence and artefacts in museums. Along the way, readers gain access to new findings and key sites - many of which have not been discussed in English before and many, for which, access may only be gained from technical reports. Roman Archaeology for Historians provides an accessible guide to the development of archaeology as a discipline and how the use of archaeological evidence of the Roman world can enrich the study of ancient history, while at the same time encouraging the integration of material evidence into the study of the period's history. This work is a key resource for students of ancient history, and for those studying the archaeology of the Roman period.

The Routledge Handbook of Classics and Cognitive Theory is an interdisciplinary volume that examines the application of cognitive theory to the study of the classical world, across several interrelated areas including linguistics, literary theory, social practices, performance, artificial intelligence and archaeology. With contributions from a diverse group of international scholars working in this exciting new area, the volume explores the processes of the mind drawing from research in psychology, philosophy, neuroscience, and anthropology, and interrogates the implications of these new approaches for the study of the ancient world. Topics covered in this wide-ranging collection include: cognitive linguistics applied to Homeric and early Greek texts, Roman cultural semantics, linguistic embodiment in Latin literature, group identities in Greek lyric, cognitive dissonance in historiography, kinesthetic empathy in Sappho, artificial intelligence in Hesiod and Greek drama, the enactivism of Roman statues and memory and art in the Roman Empire. This ground-breaking work is the first to organize the field, allowing both scholars and students access to the methodologies, bibliographies and techniques of the cognitive sciences and how they have been applied to classics.

Decades after Michael Ventris deciphered Linear B and showed that its language was Greek, nearly one-sixth of its syllabic signs' sound-values are still unknown. This book offers a new approach to establishing these undeciphered signs' possible values. Analysis of Linear B's structure and usage not only establishes these signs' most likely sound-values - providing the best possible basis for future decipherments - but also sheds light on the writing system as a whole. The undeciphered signs are also used to explore the evidence provided by palaeography for the chronology of the Linear B documents and the activities of the Mycenaean scribes. The conclusions presented in this book therefore deepen our understanding not only of the undeciphered signs but also of the Linear B writing system as a whole, the texts it was used to write, and the insight these documents bring us into the world of the Mycenaean palaces. A colour version of figures 5.1-5.4 of chapter 5 can be found under the 'Resources' tab.

Antioch in Syria critically reassesses this ancient city from its Seleucid foundation into Late Antiquity. Although Antioch's prominence is famous, Kristina M. Neumann newly exposes the gradations of imperial power and local agency mediated within its walls through a comprehensive study of the coins minted there and excavated throughout the Mediterranean and Middle East. Patterns revealed through digital mapping and Exploratory Data Analysis serve as a significant index of spatial politics and the policies of the different authorities making use of the city. Evaluating the coins against other historical material reveals that Antioch's status was not fixed, nor the people passive pawns for external powers. Instead, as imperial governments capitalised upon Antioch's location and amenities, the citizens developed in their own distinct identities and agency. Antioch of the Antiochians must therefore be elevated from traditional narratives and static characterisations, being studied and celebrated for the dynamic polis it was.

Few sources reveal the life of the ancient Romans as vividly as do the houses preserved by the eruption of Vesuvius. Wealthy Romans lavished resources on shaping their surroundings to impress their crowds of visitors. The fashions they set were taken up and imitated by ordinary citizens. In this illustrated book, Andrew Wallace-Hadrill explores the rich potential of the houses of Pompeii and Herculaneum to offer new insights into Roman social life. Exposing misconceptions derived from contemporary culture, he shows the close interconnection of spheres we take as discrete: public and private, family and outsiders, work and leisure.

Combining archaeological evidence with Roman texts and comparative material from other cultures, Wallace-Hadrill raises a range of new questions. How did the organization of space and the use of decoration help to structure social encounters between owner and visitor, man and woman, master and slave? What sort of "households" did the inhabitants of the Roman house form? How did the world of work relate to that of entertainment and leisure? How widely did the luxuries of the rich spread among the houses of craftsmen and shopkeepers? Through analysis of the remains of over two hundred houses, Wallace-Hadrill reveals the remarkably dynamic social environment of early imperial Italy, and the vital part that houses came to play in defining what it meant "to live as a Roman."