This is an up-to-date survey of Aegean archaeology at the beginning of the Iron Age (late eleventh and tenth centuries BC). There are chapters on pottery, metal finds, burial customs, architectural remains (and how to use them to understand the social and political structure of the society), cult practices, and developments towards state formation. The book will be useful to field archaeologists, historians of ancient Greece, and students.

The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

The Roman period is where the past of the British Isles is first revealed through substantial written sources as well as aracheology. This book distils recent archeological and documentary discoveries and advances in an accessible, concise manner for anyone interested in finding out more about the Roman Era. A number of key themes are discussed within a chronological framework. The book features chapters contributed by a team of scholars amongst those most closely involved with discovery and analysis.

This is the first study in nearly seventy years of one of the largest known hoards of Roman silver plate, found in the House of the Menander, one of the finest houses in the centre of Pompeii, buried in AD 79. It is the only surviving complete Roman dinner service for eight people, belonging to a rich citizen of Pompeii who was probably a local magistrate.

Although they do not survive intact, composite statues of gold and ivory were the most acclaimed art form in classical antiquity. Greek and Roman authors make their religious, social, and political importance clear. This study, the first to address the topic as a whole since 1815, presents not only literary references to lost works, but also representations of them in other media, and more importantly, fragmentary survivals that elucidate the techniques employed in their production and the quality achieved by their creators.

During the last few decades, there has been great interest in the problems of defining the extent and nature of kingship in the Mycenaean world. Questions concerning the degree of economic and religious power held by the king have been given special emphasis. This book surveys the conclusions drawn by individual scholars studying the Linear B tablets, contrasts their theories with our knowledge of the Mycenaean kingdoms as derived from the archaeological record, and finally compares this evidence with possible reflections in the oral tradition, specifically in the Iliad and Odyssey. This approach leads to the suggestion that the king in the Mycenaean period had only limited power over the society and its economy. Although the king appears to have controlled a large segment of the economy, it is argued here that other individuals and family groups within the kingdom also had a certain degree of economic independence.

Ceramics are an unparalleled resource for women's lives in ancient Greece, since they show a huge number of female types and activities. Yet it can be difficult to interpret the meanings of these images, especially when they seem to conflict with literary sources. This much-needed study shows that it is vital to see the vases as archaeology as well as art, since context is the key to understanding which images can stand as evidence for the real lives of women, and which should be reassessed.
Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting.

The artifacts and monuments of the Athenian Agora provide our best evidence for the workings of ancient democracy. As a concise introduction to these physical traces, this book has been a bestseller since it was first published almost 20 years ago. Showing how tribal identity was central to all aspects of civic life, the text guides the reader through the duties of citizenship; as soldier in times of war and as juror during the peace. The checks and balances that protected Athenian society from tyrants, such as legal assassination and ostracism, are described. Selected inscriptions are illustrated and discussed, as are ingenious devices such as allotment machines and water clocks, which ensured fairness in the courts. The book ends with some of the lasting products of classical administration; the silver coins accepted around the known world, and the standard weights and measures that continue to protect the consumer from unscrupulous merchants. Now illustrated entirely in color, with updates and revisions by the current director of excavations at the Agora, this new edition of an acknowledged classic will inform and fascinate visitors and students for many years to come.

In this book, an international team of experts draws upon a rich range of Latin and Greek texts to explore the roles played by individuals at ports in activities and institutions that were central to the maritime commerce of the Roman Mediterranean. In particular, they focus upon some of the interpretative issues that arise in dealing with this kind of epigraphic evidence, the archaeological contexts of the texts, social institutions and social groups in ports, legal issues relating to harbours, case studies relating to specific ports, and mercantile connections and shippers. While much attention is inevitably focused upon the richer epigraphic collections of Ostia and Ephesos, the papers draw upon inscriptions from a very wide range of ports across the Mediterranean. The volume will be invaluable for all scholars and students of Roman history.

This book comprises a significant contribution to our understanding of Graeco-Egyptian relations during the seventh and sixth centuries BC and also demonstrates that Polanyian economic theory can play an invaluable role in the ongoing debate about the concepts best employed to analyse the ancient Greek economy. Dr Moeller employs different approaches from archaeology, history, epigraphy, Egyptology, and comparative economic theory to create the first thorough account of the archaeology and archaic history of Naukratis.

Coin Hoards and Hoarding in the Roman World presents fourteen chapters from an interdisciplinary group of Roman numismatists, historians, and archaeologists, discussing coin hoarding in the Roman Empire from c. 30 BC to AD 400. The book illustrates the range of research themes being addressed by those connected with the Coin Hoards of the Roman Empire Project, which is creating a database of all known Roman coin hoards from Augustus to AD 400. The volume also reflects the range of the Project's collaborations, with chapters on the use of hoard data to address methodological considerations or monetary history, and coverage of hoards from the west, centre, and east of the Roman Empire, essential to assess methodological issues and interpretations in as broad a context as possible. Chapters on methodology and metrology introduce statistical tools for analysing patterns of hoarding, explore the relationships between monetary reforms and hoarding practices, and address the question of value, emphasizing the need to consider the whole range of precious metal artefacts hoarded. Several chapters present regional studies, from Britain to Egypt, conveying the diversity of hoarding practices across the Empire, the differing methodological challenges they face, and the variety of topics they illuminate. The final group of chapters examines the evidence of hoarding for how long coins stayed in circulation, illustrating the importance of hoard evidence as a control on the interpretation of single coin finds, the continued circulation of Republican coins under the Empire, and the end of the small change economy in Northern Gaul.

The history of funerary customs in Rome contains many unanswered questions and controversial debates, especially concerning the significant developments of the second century CE. In this book, distinguished historian Barbara E. Borg employs the full range of material and written evidence to explore four key questions that change our view of Roman society and its values. For the first time, senatorial burial practices can be reconstructed and contrasted with those of other classes. Borg then explains the change from incineration to inhumation as a revival of old Roman mores that accelerated after the example set by Hadrian. In the third chapter, she argues that tombs became prime locations for promoting and displaying long family lines among the elite, which then inspired freedmen to undertake similar commemorative practices. Finally she explores the association of deceased persons with the divine and apotheosis through portraits on divine body shapes and temple tombs.

This volume follows the development of Greek gem engraving from Alexander to Augustus. Hellenistic gems are studied in their archaeological context with an assessment of the evidence of their use, significance, and value. The book focuses on subject-matter, technique, and style, as well as problems of chronology and distribution.

This authoritative account of the Greek family supersedes the only existing study in English by W. K. Lacey (published in 1968) and provides the first comprehensive survey of the subject. Sarah Pomeroy offers a highly original account of the Greek family as a productive and reproductive social unit in Athens and elsewhere during the classical and Hellenistic periods, taking account of a mass of literary, inscriptional, archaeological, anthropological, and art-historical evidence.

Homer's mythological tales of war and homecoming,the Iliad and the Odyssey, are widely considered to be two of the most influential works in the history of western literature. Yet their author, 'the greatest poet that ever lived' is something of a mystery. By the 6th century BCE, Homer had already become a mythical figure, and today debate continues as to whether he ever existed. In this Very Short Introduction Barbara Graziosi considers Homer's famous works, and their impact on readers throughout the centuries. She shows how the Iliad and the Odyssey benefit from a tradition of reading that spans well over two millennia, stemming from ancient scholars at the library of Alexandria, in the third and second centuries BCE, who wrote some of the first commentaries on the Homeric epics. Summaries of these scholars' notes made their way into the margins of Byzantine manuscripts; from Byzantium the annotated manuscripts travelled to Italy; and the ancient notes finally appeared in the first printed editions of Homer, eventually influencing our interpretation of Homer's work today. Along the way, Homer's works have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Exploring the main literary, historical, cultural, and archaeological issues at the heart of Homer's narratives, Graziosi analyses the enduring appeal of Homer and his iconic works. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. This book was previously published in hardback as Homer.

Spectacular archaeological discoveries were made during the 1970s and 1980s in Bulgaria and North Aegean Greece which sparked international interest in the forgotten Odrysian kingdom of Thrace. Here, for the first time, these and earlier discoveries are presented in their archaeological and historical context. The Thracians were the fabulously wealthy and populous neighbours of the ancient Greeks, whose golden age began in the fifth century BC when an inter-tribal state was created by the ruling dynasty of the tribe - the Odrysians. A vogue in the Greek world for Orpheus the Thracian coincided with the period of the Odrysians's greatest prominence. Not only does this book analyse the fascinating cultural amalgam of native, Persian, and Greek elements by the Odrysian governing elite, it also provides new data on the external relations of Athens, Thasos, and Macedon in the classical and early Hellenistic periods.

In this book the author explores the work of the fifth-century BC Athenian vase-painter, Sotades, one of the most familiar names in vase painting. Previous scholarship has dealt mainly with questions of attribution, style, and iconographic interpretation, but Dr Hoffman concentrates on inherent meaning: what does the imagery of these decorated vases really signify? He argues that, contrary to widely held conceptions, there is an underlying unity of meaning in Greek vases and their imagery, a unity rooted in the religious beliefs and ritual practices of the society from which they spring. Each chapter discusses a specific aspect of the artist's iconology, placing it in the context of fifth-century BC Greek philosophical and religious thought.

The Lexicon of Greek Personal Names offers scholars a fully documented listing of all known personal names from the ancient Greek world, drawing on all available evidence from the earliest times to about AD 600. The present volume, III.A, presents the onomastic material from the Peloponnese, Western Greece, Sicily, and Magna Graecia, continuing the series begun with Volume I, The Aegean Islands, Cyprus, and Cyrenaica, and Volume II, Attica.

This book undertakes to answer questions relating to the creation of deity assimilation statues for young boys, a common mode of commemoration for the Romans. In addition, it demonstrates that many statues traditionally understood to represent youthful divinities actually possess portraits, even and especially if the faces appear joyful. It also proposes that these deity assimilation statues were commissioned primarily as posthumous commemorations. As such, the sculptural examples should be recognized as belonging to and constituting an important class of funerary sculpture; a class which has been, to this point, overlooked. It is also suggested that despite the fact that they were posthumous commemorations, deity assimilation statues of young boys were not necessarily placed in a sepulchral context, rather, it is maintained that images of children assimilated to divinities primarily served a sentimental purpose, and that, in that capacity, they may have been intended for and regularly kept in a domestic context, close to the surviving family.

This is the first of three volumes which offer a detailed analysis of one of the major city-blocks of ancient Pompeii, destroyed by the eruption of Vesuvius in AD 79. Excavated between 1926 and 1932, the Insula of Menander is so named after the structure that occupies over half the block's total area of 3,500 square metres, the House of the Menander, one of the grandest mansions of the city. Other, smaller houses, notably the House of the Lovers and the House of the Craftsmen, occupy outlying parts, and a number of shops and apartments are interspersed among them. The purpose of the present volume is to document a complete survey of the architecture of the block and thus trace the structural history of the Insula, with its intricate pattern of changing property-boundaries, over the 250-300 years of its existence. Subsequent volumes will examine the decorations (wall-paintings and mosaic pavements) and the objects that were found during excavation. Paradoxically, while Pompeii is one of the best known of all Roman archaeological sites, very few areas of the site have been fully published. This is the first time a global study has been undertaken of one of the major city-blocks and it shows the enormous potential of such investigations to reveal insights into the social history of the city.

A unique, major survey of the magnificent fortifications built all over Greece in the Hellenistic period (c.4th-1st centuries BC). Among the most impressive of ancient remains, they provide fascinating evidence of secular classical architecture, as well as insights on the political history of Hellenistic Greece.

An extensive study of Dionysian imagery found primarily in scenes on red-figure vases of the fifth-century BC but also in the architectural sculpture, coins, and theatre of the same period. Thomas Carpenter seeks to define a methodology for using this imagery as evidence for cultural and religious activity, and challenges some commonly-held views about the meaning of Dionysian iconography, at the same time pointing to problems inherent in the evidence under scrutiny.

This book is the first major study of the themes which were used in the decoration of sarcophagi made for children in Rome and Ostia from the late first to early fourth century AD. It provides a selective catalogue of examples of each type, followed by discussion of how these fit into the general pattern. This allows certain themes to be identified which are virtually exclusive to children's sarcophagi. The second part of the book discusses the choice of subjects and how these reflect the standing of children in Roman society: to what extent, for instance, was childhood shown as a differentiated stage in life, or was it dominated by aspirations of the adult world? How is the death of a child treated in art? There are separate sections on the role of workshops and customers in the development of child specific imagery, and on material from the early Christian era, providing some interesting distinctions resulting from differing attitudes towards children and beliefs about life and death.

This book is a unique, fully illustrated, and fascinating study of all the known carved reliefs decorating official inscriptions in classical and Hellenistic Athens. The author's new and illuminating work on the iconography of these reliefs shows how the gods, heroes, and other personifications were not simply decorative, but integral to the overall political message.

incAn original, authoritative survey of the archaeology and history of Roman London. London in the Roman World draws on the results of latest archaeological discoveries to describe London's Roman origins. It presents a wealth of new information from one of the world's richest and most intensively studied archaeological sites, and a host of original ideas concerning its economic and political history. This original study follows a narrative approach, setting archaeological data firmly within its historical context. London was perhaps converted from a fort built at the time of the Roman conquest, where the emperor Claudius arrived to celebrate his victory in AD 43, to become the commanding city from which Rome supported its military occupation of Britain. London grew to support Rome's campaigning forces, and the book makes a close study of the political and economic consequences of London's role as a supply base. Rapid growth generated a new urban landscape, and this study provides a comprehensive guide to the industry and architecture of the city. The story, traced from new archaeological research, shows how the city was twice destroyed in war, and suffered more lastingly from plagues of the second and third centuries. These events had a critical bearing on the reforms of late antiquity, from which London emerged as a defended administrative enclave only to be deserted when Rome failed to maintain political control. This ground-breaking study brings new information and arguments to our study of the way in which Rome ruled, and how the empire failed.