A Classical Archaeologists's Life: The Story so Far shows that a scholar's life is not all scholarship, though much of this book is devoted to the writing of books and, especially, travel to classical and other lands. Boardman is a Londoner, born in Ilford and attending school in Essex (Chigwell). His teenage years were spent often in air raid shelters rather than with 'mates' (all evacuated). There are distinctive 'aunties', the rituals of daily life in a London suburb. The non-scholarly figures live large in this account of his life, marriage, children, new houses. At Cambridge he learned about classical archaeology as a necessary addition to reading Homer and Demosthenes, even being obliged to recite the latter. And those were the days of Bertrand Russell's lectures in a university reawakening after the war. Thence to the British School at Athens to learn about excavation (Smyrna, Knossos, later Libya). His return from Greece was to Oxford, not Cambridge, at first in the Ashmolean Museum, then as Reader and Professor. A spell in New York gives an account of the city before the troubles, when Petula Clark's Down Town was dominant. There is much here to reflect on university life and teaching, and on the reasons for and problems with the writing of his many books (some 40), with reflection on the university, colleges and their ways. Travels are well documented - a notable trip through Pakistan and China, in Persia, Egypt, Turkey - with comment on what he saw and experienced beyond archaeology. A lecture tour in Australia provides comment beyond the academic. He visited Israel often, lecturing and publishing for the Bible Lands Museum. Several tours in the USA took him to most of their museums and universities as well as many other sights, from glaciers to alligators. This book is a mixture of scholarly reminiscence, reflection on family life, travelogue, and critique of classical scholarship (not all archaeological) worldwide, illustrated with pictures of travels, friends, home life, and, for a historian, a reflection on experiences of over 90 years.

Spectacle and Display: A Modern History of Britain's Roman Mosaic Pavements is the first narrative to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention in the literature and provides a compelling insight into the agency of these spectacular remains. Analysis shows how mosaics have influenced and have been instrumental in the commodification of the past, the development of conservation practice and promoting the rise of the archaeologist. 'The most spectacular remains of Roman Britain' is a familiar description applied to the discovery of mosaics floors. They are exceptional symbols of Roman life in the province of Britannia and each new discovery is eagerly reported in the press. Yet one estimate suggested that 75% of all known mosaics from Britain have been lost, and they are commonly displayed out of context, wall mounted as artwork in museums and exhibitions and far from their role as floors. This is a contested narrative in which spectacle and survival, conservation and fine art, ownership and curation provide the discourse and texts of contemporary attitudes.

This selection of twelve papers from the twelfth annual Theoretical Roman Archaeology Conference illustrates the broad range of different theoretical approaches applied to Roman archaeology today; one trend, though, is apparent: a wider engagement with interdisciplinary research, drawing theoretical ideas from many diverse fields of study, including philosophy, psychology, history of art, and consumer theory.

This volume publishes the most complete documentary codex from 6th-century Egypt. Known to the scholarly world since 1905 and frequently cited since then, it now appears for the first time in full edition. The codex details money taxes paid by landowners at the village of Temseu Skordon and the hamlet Topos Demeou in the Hermopolite Nome. The language is Greek but with extensive Coptic influence. The text is especially important for its bearing on nomenclature, language, taxation and gold-to-copper monetary conversions.

This is the first integrated study of Greek religion and cults of the Black Sea region, centred upon the Bosporan Kingdom of its northern shores, but with connections and consequences for Greece and much of the Mediterranean world. David Braund explains the cohesive function of key goddesses (Aphrodite Ourania, Artemis Ephesia, Taurian Parthenos, Isis) as it develops from archaic colonization through Athenian imperialism, the Hellenistic world and the Roman Empire in the East down to the Byzantine era. There is a wealth of new and unfamiliar data on all these deities, with multiple consequences for other areas and cults, such as Diana at Aricia, Orthia in Sparta, Argos' irrigation from Egypt, Athens' Aphrodite Ourania and Artemis Tauropolos and more. Greek religion is shown as key to the internal workings of the Bosporan Kingdom, its sense of its landscape and origins and its shifting relationships with the rest of its world.

The long-awaited final part of the publication of the Corinth Potters' Quarter is based on the work of the excavator, A. N. Stillwell, edited and supplemented after her death by J. L. Benson. The pottery, although frequently fragmentary, can often be assigned to known painters or workshops, and the deposits, especially in view of the defective pieces in them, can be argued to contain material almost exclusively of local manufacture. A brief introduction serves to explain the organization of the catalogue and to characterize the principal deposits, most of which contained material from several periods; a summary of represented painters and workshops concludes the chapter. The catalogue presents over 2,300 examples from more than 4,000 inventoried pieces. Almost all are illustrated with photographs, frequently supplemented with detail line drawings of motifs; selected profile drawings represent the principal shapes. A new foldout plan of the Potters' Quarter is included.

This text contains 13 papers from the annual TRAC conference, now in its ninth year. With a range of subject matters, the papers reflect the diversity of research being carried out in Roman archaeology.

This is the first official guidebook to the site of Ancient Corinth published by the American School of Classical Studies at Athens in 50 years. Fully updated with the most current information, color photos, maps, and plans, the Corinth Site Guide is an indispensable resource for the casual tourist or professional archaeologist new to the site. The Guide begins with a history of Corinth and its excavations, followed by a tour of the museum. The Guide continues with a route inside the fenced area of the archaeological site from the Temple of Apollo to the Bema to the Peirene Fountain and more. The final section describes the ancient monuments outside the fence: the Odeum, the Theater, and the Asklepieion, and then the various remains of Ancient Corinth located within and outside the ancient Greek walls, including the Sanctuary of Demeter and Kore and the Lechaion Basilica. Short bibliographic notes for many entries lead the reader to fuller descriptions of monuments, objects, and concepts. A glossary is also provided. Interspersed between descriptions of 69 monuments are seven Topographical Notes and focus boxes on special topics such as geology, Pausanias, St. Paul, and prehistoric Corinth and the Corinthia.

During November and December 2014, Cornwall Archaeological Unit undertook a programme of archaeological excavation in advance of construction of a road corridor to the south of Newquay. Evidence for Middle Bronze Age occupation took the form of a hollow-set roundhouse; however, the majority of the excavated features have been dated to the Iron Age and Roman periods. The area was enclosed as fields associated with extensive settlement activity throughout the last centuries cal BC into the third century AD. The excavations revealed the character of settlement-related activity during the later prehistoric and Roman periods. The evidence strongly suggests growing intensification of agriculture, with ditched fields and enclosures appearing in the landscape from the later Iron Age and into the Roman period. The results shed light on later prehistoric and Roman practices involving the division of the landscape with ditched fields and enclosed buildings. Many of the structures and pits were found to be set within their own ring-ditched enclosures or hollows, and the field system ditches were in some instances marked by 'special' deposits. As has previously been demonstrated for Middle Bronze Age roundhouses, structures could be subject to formal abandonment processes. Gullies and hollows were deliberately infilled, so that they were no longer visible at surface. However, unlike the abandoned Bronze Age roundhouses, the later structures appear to have been flattened and not monumentalized. In other words, buildings could be both etched into and subsequently erased from the landscape and thereby forgotten. This volume takes the opportunity presented by investigations on the Newquay Strategic Road to discuss the complexity of the archaeology, review the evidence for 'special' deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall. Finally, the possible motives which underlie these practices are considered. Includes contributions by Ryan S Smith, Dana Challinor, Julie Jones, Graeme Kirkham, Anna Lawson-Jones, Henrietta Quinnell and Roger Taylor.

In antiquity Olympia stood for sports. A victory at the Olympic games led to lifelong honours and often to a political career and wealth. Alcibiades, a multifaceted politician from Athens, sponsored all seven chariots in a race to guarantee that one of his horses would definitely win and he would get the honour. Alexander the Great and other kings and emperors, as well as wealthy and powerful men and women, financed the games by erecting religious and civic monuments. Olympia's monuments are associated with the best-known artists of its time. The Zeus temple became one of the Seven Wonders of the World. Olympia also had an oracle, which was another major tourist attraction. Numerous ancient sources provide lively reports about Olympia: activities in the sports arenas, the rites of the games, the reactions of the visitors. They also detail sometimes unpleasant daily realities: the crowds, the dust, the heat and the thirst. Still, many mysteries remain: When and why was the Olympian fire extinguished? Why are there so many arms found in a place that is famous for its Olympian peace? Olympia is situated in the western corner of Greece; why is it filled with oriental art? Some answers can be found in archaeological excavations. The author, Ulrich Sinn, has been responsible for major archaeological work; some of the latest is described in this book for the first time.

How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book considers two imaginative restorations of the ancient world that test the boundaries of interpretation and invention by bringing together the discovery of Minoan culture by the British archaeologist Sir Arthur Evans (1851-1941) and the work of the Turner Prize-winning video artist Elizabeth Price (b. 1966). Featured essays examine Evans's interpretation and restoration of the Knossos palace and present fresh photography of Minoan artifacts and archival photographs of the dig alongside beautiful, previously unpublished watercolors and drawings by the archaeological illustrators and restorers who worked on the site: Emile Gillieron pere(1850-1924), Emile Gillieron fils (1885-1939), Piet de Jong (1887-1967), and others. An interview with Price explores how her attraction to the Sir Arthur Evans Archive became the basis for her commissioned video installation at the University of Oxford's Ashmolean Museum and offers insight into her creative practice. Exhibition dates: October 5, 2017-January 7, 2018

The Kibyra-Olbasa region, in the uplands of south-west Anatolia, was home to a mixture of people - Kabalians, Milyans, Pisidians and others - while the city of Kibyra spoke four languages: Lydian, Solymian, Pisidian and Greek. This volume presents (with text, translations and brief commentary) some 160 ancient stones and inscriptions recorded by the late Alan Hall in 1984 and 1985 which attest to the influence of the Hellenistic and Roman kingdoms. Over one hundred are previously unpublished, others fully revised. A companion volume is being prepared by G H R Horsley and R A Kearsley.

Early-20th-century explorations of the Roman Forum at Ancient Corinth revealed a massive early imperial building now known as the Julian Basilica. The structure stood on a podium over four meters high, and it dominated the east end of the forum in size, aspect, and function until its destruction in the 4th century A.D. Within it was one of the largest known shrines to the imperial cult and the likely site of the imperial court of law for the Roman province of Achaia. The basilica housed 11 or more large-scale statues most likely to members of the Julio-Claudian family (including Augustus, Augustus's heirs Gaius and Lucius, and arguably Divus Iulius, Germanicus, Nero Caesar, and Claudius), as well as an altar to Divus Augustus and dedications to the genius Augusti, the gens Augusta, and other family members. This richly illustrated volume provides a contextual study of this important building, the remains of which were first published by Saul Weinberg in 1960 (Corinth I.5). Scotton treats the architectural remains, Vanderpool the sculptural remains, and Roncaglia the epigraphical material, each providing extensive catalogues with new photos, in addition to color reconstructions of the basilica and its grand interior.

Recently, complex interpretations of socio-cultural change in the ancient Mediterranean world have emerged that challenge earlier models. Influenced by today's hyper-connected age, scholars no longer perceive the Mediterranean as a static place where "Greco-Roman" culture was dominant, but rather see it as adynamic and connected sea where fragmentation and uncertainty, along with mobility and networking, were the norm. Hence, a current theoretical approach to studying ancient culture has been that of globalization. Certain eras of Mediterranean history (e.g., the Roman empire) known for their increased connectivity have thus been analyzed from a globalized perspective that examines rhizomal networking, cultural diversity, and multiple processes of social change. Archaeology has proven a useful discipline for investigating ancient "globalization" because of its recent focus on how identity is expressed through material culture negotiated between both local and global influences when levels of connectivity are altered. One form of identity that has been inadequately explored in relation to globalization theory is insularity. Insularity, or the socially recognized differences expressed by people living on islands, is a form of self-identification created within a particular space and time. Insularity, as a unique social identity affected by "global" forces, should be viewed as an important research paradigm for archaeologies concerned with re-examining cultural change. The purpose of this volume is to explore how comparative archaeologies of insularity can contribute to discourse on ancient Mediterranean "globalization." The volume's theme stems from a colloquium session that was chaired by the volume's co-editors at the Annual Meeting of the Archaeological Institute of America in January 2017. Given the current state of the field for globalization studies in Mediterranean archaeology, this volume aims to bring together for the first time archaeologists working ondifferent islands and a range of material culture types to examine diachronically how Mediterranean insularities changed during eras when connectivity increased, such as the Late Bronze Age, the era of Greek and Phoenician colonization, the Classical period, and during the High and Late Roman imperial eras. Each chapter aims to situate a specific island or island group within the context of the globalizing forces and networks that conditioned a particular period, and utilizes archaeological material toreveal how islanders shaped their insular identities, or notions of insularity, at the nexus of local and global influences.

In Roman times, the area between the Lower Rhine and the Meuse in the present day province of South Holland in the Netherlands, was known as the administrative district of the community of the Cananefates (the civitas Cananefatium). The formation of this community, as well as the changes that took place within this group, were researched by means of a systematic analysis of the archaeological remains. In order to understand the role of the Roman state in these processes, the urban and military communities were also studied. In this way an overview was created of an administrative region in which aspects such as the interaction between the different groups, the character of the rural community and the differences with other rural groups along the borders of the Roman Empire could be studied.

The Roman sanctuary at Bath has long been used in scholarship as an example par excellence of religious and artistic syncretisms in Roman Britain. With its monumental temple, baths, and hot springs, its status as one of the most significant Roman sites in the province is unquestioned. But our academic narratives about Roman Bath are also rooted in the narratives of our more recent past. This book begins by exploring how Georgian and Victorian antiquaries developed our modern story of a healing sanctuary at Roman Bath. It shows that a curative function for the sanctuary is in fact unsupported by the archaeological evidence. It then retells the story of Roman Bath by focusing on three interlinked aspects: the entanglement of the sanctuary with Roman imperialism, the role of the hot springs in the lives of worshipers, and Bath's place within the wider world of the western Roman Empire.

In this volume, Gabriel Zuchtriegel revisits the idea of Doric architecture as the paradigm of architectural and artistic evolutionism. Bringing together old and new archaeological data, some for the first time, he posits that Doric architecture has little to do with a wood-to-stone evolution. Rather, he argues, it originated in tandem with a disruptive shift in urbanism, land use, and colonization in Archaic Greece. Zuchtriegel presents momentous architectural change as part of a broader transformation that involved religion, politics, economics, and philosophy. As Greek elites colonized, explored, and mapped the Mediterranean, they sought a new home for the gods in the changing landscapes of the sixth-century BC Greek world. Doric architecture provided an answer to this challenge, as becomes evident from parallel developments in architecture, art, land division, urban planning, athletics, warfare, and cosmology. Building on recent developments in geography, gender, and postcolonial studies, this volume offers a radically new interpretation of architecture and society in Archaic Greece.

The Ancient Greek Economy: Markets, Households and City-States brings together sixteen essays by leading scholars of the ancient Greek economy specialising in history, economics, archaeology and numismatics. Marshalling a wide array of evidence, these essays investigate and analyse the role of market-exchange in the economy of the ancient Greek world, demonstrating the central importance of markets for production and exchange of goods and services during the Classical and Hellenistic periods. Contributors draw on evidence from literary texts and inscriptions, household archaeology, amphora studies and numismatics. Together, the essays provide an original and compelling approach to the issue of explaining economic growth in the ancient Greek world.

Second Edition

"MacKendrick writes so enthusiastically that all laymen who have a serious interest in scholarship and antiquity will delight in following his story." —New York Times Book Review

"An intelligible, well-told tale that recounts . . . what excavators and scholars using the full repertory of modern skills and techniques have in recent years discovered about the remains of an ancient civilization in Italy and what the discoveries mean." —C. H. Kraeling

Over 75,000 coins have been found during excavations at the Agora, many minted in the city but others brought from Athens's far-flung commercial contacts. In addition to the mostly bronze and copper coins themselves, a building that may have served as the Athenian mint is described in this booklet. After describing the physical techniques of production, the author takes a chronological approach and includes numerous black and white photographs, making this concise guide a useful aid to the identification of lower-value Greek and Roman coinage.

In this book, Guy D. Middleton explores the fascinating lives of thirty real women of the ancient Mediterranean from the Palaeolithic to the Byzantine era. They include queens and aristocrats, such as the Pharoah Hatshepsut and the Etruscan noblewoman Seianti; Eritha and Karpathia, Bronze Age priestesses from the Aegean; a Pompeiian prostitute called Eutychis; the pagan philosopher Hypatia and the Christian saint Perpetua, from North Africa, as well as women from smaller communities. Middleton uses a wide range of archaeological and historical evidence, including burials and funerary practices, graffiti, inscriptions and painted pottery, handprints, human remains and a variety of historical texts, as well as the latest modern research. His volume weaves together the stories of real women, placing them firmly in the spotlight of history. Engagingly written and up-to-date in its scholarship, Middleton's book offers new insights for students and researchers in Ancient History, Archaeology and Mediterranean Studies, as well as in Women's History.

Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.

This book is a comprehensive study of the coins minted by Apamea, Larissa, Raphanea, Emesa and Laodicea ad Libanum in Syria during the late Hellenistic and Roman periods. It offers a historical overview of the individual cities, followed by in-depth discussions of the production, circulation, metrology and iconography of the coins. The text is supplemented with numerous die studies providing a structural framework of the various issues. A catalogue of 1,367 coins is also provided. Detailed discussions of the coinages and comparisons with contemporaneous issues of neighbouring mints reveal the diverse nature of the coins. The volume bridges the gaps in our understanding of coinage in the Orontes Valley and surrounding regions.