Adolf Furtw ngler (1853 1907) was a prominent German archaeologist and art historian specialising in classical art. He was appointed assistant Director of the K nigliche Museen zu Berlin in 1880, a position he held until 1894 when he was appointed professor of Classical Archaeology in Munich. He is best known for developing the Kopienkritik approach to studying Roman sculpture, which he introduces in this volume first published in 1885 and translated into English by Eugenie Strong in 1895. Kopienkritik is a methodology which assumes that Roman sculptures are copies of Greek originals, and that by studying the Roman copies the original Greek sculpture can be reconstructed. This approach dominated the study of classical sculpture in the twentieth century and remains influential despite repeated criticism. Furtw ngler compares the styles of known classical Greek sculptors with Roman statues to uncover the original sculptor in this defining example of the Kopienkritic approach.

C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 1, covering 1852 1855, contains descriptions of Athens and the Aegean.

Roman Britain has given us an enormous number of artefacts. Yet few books available today deal with its whole material culture as represented by these artefacts. This introduction, aimed primarily at students and general readers, begins by explaining the process of identifying objects of any period or material. A series of themed chapters, written by experts in their particular area of interest, then discusses artefacts from the point of view of their use. The contributors' premise is that every object was designed for a particular purpose, which may have been to satisfy a general need or the specific need of an individual. If the latter, the maker, the owner and the end user may have been one and the same person; if the former, the manufacturer had to provide objects that others would wish to purchase or exchange. Understanding this reveals a fascinating picture of life in Roman Britain.

Heinrich Schliemann (1822 1890) published Mycenae, an account of his archaeological excavations of the ancient Greek cities of Mycenae and Tiryns, in 1878. Schliemann's astonishing finds revealed that the cities had a historical reality outside Homeric epic. His excavations uncovered many priceless treasures, most famously the 'death mask of Agamemnon' and the shaft graves, filled with pottery, carved stones, skeletons, gold, jewellery and weaponry. He also uncovered much about the layout and architecture of the two lost cities. The volume is generously illustrated with images of artefacts, maps and charts. It is introduced by W. E. Gladstone, who gave Schliemann the political assistance necessary for the excavations to take place. Schliemann's discoveries were met with wild enthusiasm, and while today his methods of excavation are deplored and many of his conclusions thought to be ill-founded, he is rightly credited with the discovery of the lost and ancient Mycenaean civilisation.

William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815, he devoted the rest of his life to topographical and classical studies. These volumes, first published in 1830, contain Leake's authoritative topographical survey of the Peloponnese. Written in the form of a travelogue describing two journeys Leake undertook in the Peloponnese in 1805 and 1806, these volumes provide detailed descriptions of the ancient archaeological sites and the historical geography of the region. Leake was the first scholar to identify many ancient sites in the Peloponnese, and his precise observations led to these volumes becoming authoritative for the classical archaeological sites of the region. Volume 3 contains the conclusion of his second journey.

William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815, he devoted the rest of his life to topographical and classical studies. These volumes, first published in 1835, contain Leake's account of his four extensive journeys across Greece between 1804 and 1810. Using the form of a travelogue, Leake discusses the contemporary Greek and Turkish culture and provides detailed descriptions of ancient archaeological sites and geography. Leake's precise observations and detailed descriptions were influential in shaping the study of classical topography, with these volumes providing valuable information for the ancient sites and contemporary culture of the region. Volume 3 recounts his third and fourth journeys in Macedonia and Aetolia.

Sir William Gell (1777-1836) was a British archaeologist known for his drawings of sites and objects of classical interest. Noting that from the beginning of the excavations at Pompeii in 1748 'to the present day, no [substantial] work has appeared in the English language upon the subject of its domestic antiquities', together with architect and fellow countryman John P. Gandy he first published Pompeiana to help detail important findings that had been made by the excavators in the first two decades of the nineteenth century. To this end they provide historical discussion, analysis, and over 75 plates illustrating various points of archaeological interest including, as their subtitle notes, 'the topography, edifices, and ornaments of Pompeii'. Pompeiana is an important work that helped open the excavations to English readers and created further awareness of the treasures of the doomed city, destroyed by an eruption of Mount Vesuvius in 79 CE.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this second volume, Gell focuses on two Pompeiian homes and provides a commentary on the illustrative plates interspersed throughout the book. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.

Sir William Gell (1777-1836) was a British archaeologist well known for his drawings of sites and objects of classical interest. Gell published this new, two-volume edition of his Pompeiana in 1832, in an effort to describe the latest archaeological discoveries in the Roman city destroyed by an eruption of Mount Vesuvius in 79 CE. Concerned 'that time will incalculably diminish the freshness of those objects ... stripped of their external coats by the rains of winter or the burning suns of summer', he made it his task to describe what he had seen both through description and through his own numerous illustrations. In this first volume, Gell focuses on sites including the forum, baths, and the temple of Fortune. Pompeiana reveals both the history of the excavations, the individual finds, and the processes of field archaeology itself during a more romantic age.

C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 2 describes his discovery and excavation of this legendary building.

This volumepresents acollection of essays on different aspects of Roman sarcophagi. These varied approaches will produce fresh insights into a subject which is receiving increased interest in English-language scholarship, with a new awareness of the important contribution that sarcophagi can make to the study of the social use and production of Roman art. The book will therefore be a timely addition to existing literature. Metropolitan sarcophagi are the main focus of the volume, which will cover a wide time range from the first century AD to post classical periods (including early Christian sarcophagi and post-classical reception). Other papers will look at aspects of viewing and representation, iconography, and marble analysis. There will be an Introduction written by the co-editors.

This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100-700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.

William Martin Leake (1777 1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815 he devoted the rest of his life to topographical and classical studies. This volume, first published in 1824, contains Leake's descriptions and reconstruction of the classical topography in a region of modern Turkey reaching from the Gulf of Izmit to the Mediterranean. Using information gained during his travels in the region between 1799 and 1800 together with ancient accounts of the area, Leake correlates existing geography and ancient ruins with classical accounts to identify ancient sites. Leake's precise observations and detailed descriptions were influential in shaping the study of classical topography and continue to provide valuable information for ancient sites of the region.

William Martin Leake (1777-1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815 he devoted the rest of his life to topographical and classical studies. First published in 1821, this pioneering volume contains Leake's reconstruction of ancient Athens. Leake analyses and compares ancient descriptions of the city with the archaeological remains as they existed at the time of publication, identifying ancient structures and suggesting where the remains of other buildings may be found by excavation. This book was regarded as authoritative for the structures of ancient Athens for most of the nineteenth century, with Leake's work being influential in shaping perceptions of classical archaeology and historical topography into the twentieth century.

Most people think about the sanctuary of Delphi as the seat of the famous oracle and of Olympia as the site of the Olympic games. The oracle and the games, however, were but two of the many activities ongoing at both sites. This book investigates the physical remains of both sanctuaries to show how different visitors interacted with the sacred spaces of Delphi and Olympia in an important variety of ways during the archaic and classical periods. It highlights how this fluid usage impacted upon, and was itself affected by, the development of the sanctuary space and how such usage influenced the place and relationship of these two sites in the wider landscape. As a result, it argues for the re-evaluation of the roles of Delphi and Olympia in the Greek world and for a re-thinking of the usefulness of the term 'panhellenism' in Greek politics, religion and culture.

In this survey of the burial and settlement evidence of late Iron Age Etruria, Corinna Riva offers a new reading of the socio-political transformations that led to the formation of urban centres in Tyrrhenian Central Italy. Through a close examination of burial ritual and the material culture associated with it, Riva traces the transformations of seventh-century elite funerary practices and the structuring of political power around these practices in Etruria, arguing that the tomb became the locus for the articulation of new forms of political authority at urban centres. Challenging established views that deem contact with eastern Mediterranean regions crucial to these developments, Riva offers a radically new interpretation of the so-called Orientalizing material culture, taking a long-term perspective on local changes and east-west contact across the Mediterranean.

This book is a companion volume to K. D. White's Agricultural Implements of the Roman World (Cambridge University Press, 1967). He deals here with equipment and instruments which were for the most part used in processing and storage as opposed to cultivation. Each item is described in detail and there are abundant references to sources, literary and archaeological. The volume is amply illustrated. As before, Professor White has unearthed a wealth of information of special value to archaeologists, lexicographers and historians of technology. His discussions of the use made of the articles catalogued have a broader human interest and throw illuminating sidelights on the social and economic life of the Roman world.

The volume The Politics of Honour in the Greek Cities of the Roman Empire, co-edited by Anna Heller and Onno van Nijf, studies the public honours that Greek cities bestowed upon their own citizens and foreign dignitaries and benefactors. These included civic praise, crowns, proedria, public funerals, honorific statues and monuments. The authors discuss the development of this honorific system, and in particular the epigraphic texts and the monuments through which it is accessible. The focus is on the Imperial period (1st-3rd centuries AD). The papers investigate the forms of honour, the procedures and formulae of local practices, as well as the changes in local honorific habits that resulted from the integration of the Greek cities in the Roman Empire.

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

Villas, Sanctuaries and Settlement in the Romano-British Countryside had its genesis in a conference held at the British Museum in 2009 and brings together a range of papers on buildings that have been categorised as 'villas', mainly in Roman Britain, from the Isle of Wight to Shropshire. It comprises the first such survey for almost half a century. While some of these structures were indeed country houses and the centres of agricultural estates as their designation as 'villas' implies, others are here shown to have been administrative or industrial centres, hunting lodges or religious sanctuaries, or a combination of more than one such function. The art associated with these prestige structures and its relevance to their function is also considered.

The secluded sanctuary on the coastal promontory of Ras il-Wardija on the central Mediterranean island of Gozo (near Malta) constitutes another landmark on the religious map of the ancient Mediterranean. Ritual activity at the sanctuary seems to be evidenced from around the 3rd century BC to the 2nd century AD and, possibly, even as late as the 4th century AD. This ritual activity was focused in a small built temple and in a rock-cut cave that seems to have incorporated a built extension in a later stage. But the practised cult or cults were aniconic and remained so largely throughout. This may explain why the sanctuary's excavators did not report any findings of statuettes or any figural images. Contemporaneously, figural images were also venerated on other sites showing that, for a long while, iconism and aniconism co-existed on the Maltese islands. There might have been more than one deity venerated in this sanctuary. Dionysos could have been one of them. But whoever they were, they are likely to have been somehow connected with the sea and / or with a maritime community or communities as the sanctuary itself evidently was.

In this book, Gabriele Cifani reconstructs the early economic history of Rome, from the Iron Age to the early Republic. Bringing a multidisciplinary approach to the topic, he argues that the early Roman economy was more diversified than has been previously acknowledged, going well beyond agriculture and pastoralism. Cifani bases his argument on a systematic review of archaeological evidence for production, trade and consumption. He posits that the existence of a network system, based on cultural interaction, social mobility, and trade, connected Rome and central Tyrrhenian Italy to the Mediterranean Basin even in this early period of Rome's history. Moreover, these trade and cultural links existed in parallel to regional, diversified economies, and institutions. Cifani's book thus offers new insights into the economic basis for the rise of Rome, as well as the social structures of Mediterranean Iron Age societies.

This book is an account of an almost completely neglected archaeological epic, the uncovering and restoration of all the classical monuments of Rome during the French occupation (1809 14). This was the first large-scale archaeological programme in the city. Based on archives in Rome and Paris, the archaeology of these five years is placed against its essential background: the fate of the monuments since antiquity and the contemporary Napoleonic political and cultural history. Mr Ridley describes the enormously complicated organisation which carried out the work and identifies the leading administrators, archaeologists and architects. The bulk of the work is a detailed account of the excavation and restoration work on the Forum Romanum, the Colosseum and the Forum of Trajan, the main classical monuments. There are numerous illustrations of the monuments both before and after the French intervention, as well as unpublished plans from the archives. There is an extensive specialist index. The book is intended for anyone interested in archaeology, in Napoleonic Europe and above all, in Rome.

Much of our understanding of the origins and early development of the Greek architectural order is based on the writings of ancient authors, such as Virtruvius, and those of modern interpreters. Traditionally, the archaeological evidence has been viewed secondarily and often made to fit within a literary context, despite contradictions that occur. Barbara Barletta s study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and early development of the Greek architectural orders. Beginning with the pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate regions of the Greek world, rather than a single center. Barletta s reinterpretations of the evidence also assigns greater importance to the often overlooked contributions of Western Greece and the Cycladic Islands."

This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100-700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.