For four centuries Britain was an integral part of the Roman Empire, a political system stretching from Turkey to Portugal and from the Red Sea to the Tyne and beyond. Its involvement with Rome started long before the Conquest launched by the Emperor Claudius in 43 AD, and it continued to be a part of the Roman world for some time after the final break with Roman rule. Bringing together archaeological investigation and historical scholarship, Peter Salway explores some of the key issues arising from this period in Britain's history, discussing the question of identity at this time and analysing the importance of widespread literacy in Roman Britain. Covering the period from Julius Caesar's first forays into Britain and Claudius' subsequent conquest, as well as Britain under the later Roman Empire, Salway outlines the key events of this time period, providing a focus on society in Roman Britain, and offering a thoughtful consideration of the aftermath of Roman rule. In the new edition of this Very Short Introduction, Peter Salway makes a number of essential updates in light of recent research in the area. He looks at issues of ethnicity, 'Britishness', and post-colonialism, provides alternative theories to the end of the Roman period in Britain, and draws parallels between the history of Roman Britain and a wide range of other periods, territories, and themes, including the modern experience of empires and national stereotypes. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The Afterlives of Greek Sculpture is the first comprehensive, historical account of the afterlives of ancient Greek monumental sculptures. Whereas scholars have traditionally focused on the creation of these works, Rachel Kousser instead draws on archaeological and textual sources to analyze the later histories of these sculptures, reconstructing the processes of damage and reparation that characterized the lives of Greek images. Using an approach informed by anthropology and iconoclasm studies, Kousser describes how damage to sculptures took place within a broader cultural context. She also tracks the development of an anti-iconoclastic discourse in Hellenic society from the Persian wars to the death of Cleopatra. Her study offers a fresh perspective on the role of the image in ancient Greece. It also sheds new light on the creation of Hellenic cultural identity and the formation of collective memory in the Classical and Hellenistic eras.

The life cycle of a coin is long. One might even argue that its existence as a coin is only a minor part of the recycling of metal. In the field of archaeology, coin finds are evidence of connections between human beings. Coins were brought from one place to another by someone, with a reason to do so. Any object acquires new properties when moved from one cultural context to another, and the meaning of the Roman coin in the Danish Iron Age context no doubt differed greatly from its original significance. The Roman denarius was meant to be used as a coin in a monetary economy. Having left the area where the denarius was recognized as coin, it assumed new meanings. But, what were those new meanings? How was the denarius perceived in non-Roman communities? Which purposes did the coin serve? This book covers the later part of the Roman coin's existence - its arrival in Bornholm, its use there, and its deposition in and recovery from the soil.

Despite what history has taught us about imperialism's destructive effects on colonial societies, many classicists continue to emphasize disproportionately the civilizing and assimilative nature of the Roman Empire and to hold a generally favorable view of Rome's impact on its subject peoples. "Imperialism, Power, and Identity" boldly challenges this view using insights from postcolonial studies of modern empires to offer a more nuanced understanding of Roman imperialism.

Rejecting outdated notions about Romanization, David Mattingly focuses instead on the concept of identity to reveal a Roman society made up of far-flung populations whose experience of empire varied enormously. He examines the nature of power in Rome and the means by which the Roman state exploited the natural, mercantile, and human resources within its frontiers. Mattingly draws on his own archaeological work in Britain, Jordan, and North Africa and covers a broad range of topics, including sexual relations and violence; census-taking and taxation; mining and pollution; land and labor; and art and iconography. He shows how the lives of those under Rome's dominion were challenged, enhanced, or destroyed by the empire's power, and in doing so he redefines the meaning and significance of Rome in today's debates about globalization, power, and empire.

"Imperialism, Power, and Identity" advances a new agenda for classical studies, one that views Roman rule from the perspective of the ruled and not just the rulers.

In a new preface, Mattingly reflects on some of the reactions prompted by the initial publication of the book.

This volume of essays focuses principally on the collection of books of British and Irish antiquarian scholars held in the Gennadius Library. Collectively, the essays are the product of two thematically-linked conferences: the first of these was held in Athens in June 2010, and was organised by the School of Art History and Cultural Policy, University College Dublin, in collaboration with the Gennadius Library, and graciously hosted by the Irish Institute of Hellenic Studies; the second, held in Dublin in June 2011, was organized by the School of Art History and Cultural Policy, and hosted by the Humanities Institute of Ireland. The major premise explored in the paper sessions of those conferences, and in this volume, concerns the work of some of the most pioneering British and Irish 18th and early 19th century antiquarians, artists, and architects who voyaged into the Mediterranean. The publication of their findings in architectural treatises, travelogues and illustrated books came, in turn, to inform international movements of art and architecture; specifically, the Neoclassical and Greek Revival styles. Collectively, these books capture the allure of the broader Mediterranean world for scholars of antiquity - ever expanding beyond the well-traveled boundaries enjoyed by Grand Tourists - exploring issues such as topography, history, cultural mores, dress and, of course, art and architecture. Print and book culture was at the core of the early modern period, not least in the world of architecture, and the conscious effort to gather and disseminate knowledge of the wider classical world through this medium is remarkable. The significant contribution of British and Irish scholarship to this broader European discourse is here viewed through the lens of the extraordinary book collection held in the Gennadius Library.

Cosa, a small Roman town, has been excavated since 1948 by the American Academy in Rome. This new volume presents the surviving sculpture and furniture in marble and other stones and examines their nature and uses. These artifacts provide an insight into not just life in a small Roman town but also its embellishment mainly from the late Republic and through the early Empire to the time of Hadrian. While public statuary is not well preserved, stone and marble material from the private sphere are well represented; domestic sculpture and furniture from the third century BCE to the first CE form by far the largest category of objects. The presence of these materials in both public and private spheres sheds light on the wealth of the town and individual families. The comparative briefness of Cosa's life means that this material is more easily comprehensible as a whole for the entire town as excavated, compared for instance to the much larger cities of Pompeii and Herculaneum.

In Incidental Archaeologists, Bonnie Effros examines the archaeological contributions of nineteenth-century French military officers, who, raised on classical accounts of warfare and often trained as cartographers, developed an interest in the Roman remains they encountered when commissioned in the colony of Algeria. By linking the study of the Roman past to French triumphant narratives of the conquest and occupation of the Maghreb, Effros demonstrates how Roman archaeology in the forty years following the conquest of the Ottoman Regencies of Algiers and Constantine in the 1830s helped lay the groundwork for the creation of a new identity for French military and civilian settlers. Effros uses France's violent colonial war, its efforts to document the ancient Roman past, and its brutal treatment of the region's Arab and Berber inhabitants to underline the close entanglement of knowledge production with European imperialism. Significantly, Incidental Archaeologists shows how the French experience in Algeria contributed to the professionalization of archaeology in metropolitan France. Effros demonstrates how the archaeological expeditions undertaken by the French in Algeria and the documentation they collected of ancient Roman military accomplishments reflected French confidence that they would learn from Rome's technological accomplishments and succeed, where the Romans had failed, in mastering the region.

This volume presents sculptural finds made by the University of Chicago at Isthmia during their excavations from 1952 to 1967. Sculpture found by the UCLA team in excavations from 1967 onwards are published elsewhere (Isthmia VI). The finds range in date from the seventh century B.C. to third century A.D. but are mostly fragmentary objects of Roman date. The two most important works are the Archaic perirrhanterion (a large shallow bowl) from the sanctuary of Palaimon, and a cult statue group of Amphitrite and Poseidon on a base decorated with reliefs depicting the Calydonian board hunt and the slaughter of the Niobids.

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.

The Roman fort at Bearsden and its annexe, together with areas beyond its defences, were extensively excavated from 1973 to 1982. The report on these excavations was published in 2016. This 'popular' account of the discoveries looks at the material recovered from the site in a different way, examining the process of archaeological excavation, the life of the soldiers at the fort based on the results of the excavation as well as material from elsewhere in the Roman Empire, the presentation and interpretation of the bath-house and latrine, and a discussion of possible future work arising out of the excavation. The excavation report was well illustrated with reconstruction drawings and the process of creating these is also discussed.

Coinage played a central role in the history of the Athenian naval empire of the fifth century BC. It made possible the rise of the empire itself, which was financed through tribute in coinage collected annually from the empire's approximately 200 cities. The empire's downfall was brought about by the wealth in Persian coinage that financed its enemies. This book surveys and illustrates, with nearly 200 examples, the extraordinary variety of silver and gold coinages that were employed in the history of the period, minted by cities within the empire and by those cities and rulers that came into contact with it. It also examines how coins supplement the literary sources and even attest to developments in the monetary history of the period that would otherwise be unknown. This is an accessible introduction to both the history of the Athenian empire and to the use of coins as evidence.

*** Winner of the PROSE Award (2019) for Classics *** This major new work on Roman London brings together the many new discoveries of the last generation and provides a detailed overview of the city from before its foundation in the first century to the fifth century AD. Richard Hingley explores the archaeological and historical evidence for London under the Romans, assessing the city in the context of its province and the wider empire. He explores the multiple functions of Londinium over time, considering economy, industry, trade, status and urban infrastructure, but also looking at how power, status, gender and identity are reflected through the materiality of the terrain and waterscape of the evolving city. A particular focus of the book is the ritual and religious context in which these activities occurred. Hingley looks at how places within the developing urban landscape were inherited and considers how the history and meanings of Londinium built upon earlier associations from its recent and ancient past. As well as drawing together a much-needed synthesis of recent scholarship and material evidence, Hingley offers new perspectives that will inspire future debate and research for years to come. This volume not only provides an accessible introduction for undergraduate students and anyone interested in the ancient city of London, but also an essential account for more advanced students and scholars.

This book was published to coincide with an exhibition mounted in both France and Greece, dedicated to marine representations on vases, and particularly those inspired by mythology. Thanks to the variety of shapes and decorated surfaces found in vases, the art of pottery developed a more extensive repertoire of subjects related to the sea than any other art form. The first part of this book examines forty-two characteristic examples of marine iconography, which come mainly from the collections of the Louvre, though also from those of other museums. These are divided into four groups: marine fauna and seafaring, the deities of the deep, the voyages of gods and heroes who crisscrossed the ocean, and, finally, the miraculous birth of the goddess who emerged from the waves, Aphrodite, born from the foam. The variety and aesthetic quality of marine scenes in vase-painting reveal once more the importance of the sea to Greek civilization. The second part of the book contains more specialist articles on the iconography of the sea, and on various aspects of marine archaeology, contributed by both French and Greek experts in the field. Parallel text Greek and English

This brief guide informs the reader about the collections of the National Archaeological Museum and the wealth and variety of its exhibits, which span the long history of the ancient world. Rather than giving detailed descriptions of the various items on display, it gives general information about all the collections, with an emphasis on the way they are presented in the rooms of the Museum. At the same time it illustrates works which are representative of each collection and which bear witness to the artistic quality and value of the exhibits in the largest and most important museum in Greece.

Gnathia ware is a painted Hellenistic type of ware with yellow, red and white decorations on the black surface of the vessels. Due to a decoration technique simpler than that on the previous Red-figure vases, Gnathia ware became the most widespread type of Hellenistic ware, and also the first type of south Italian ware that was exported in large quantities outside of the main area of production. Gnathia ware takes its name from ancient Gnathia, today Egnazia (a town on the Adriatic coast between Bari and Brindisi) in south-east Italy, where it was first discovered in 1845. The aims of this study are fourfold: to present Gnathia ware on the East Adriatic coast, to define local Issaean Gnathia production from manufacturing to distribution (including the typology of shapes and decorations), to identify other pottery workshops along the East Adriatic coast and, finally to understand the trade and contacts in the Adriatic during the Hellensitic period. Although the aims of the study may seem ambitious, once all of the material was gathered into a single study, it provided sufficient information to set the objective. It is noteworthy that the study presents the current state of research, so additional work needs to be done. However, work on the default task and the information obtained by the analysis of Gnathia and related ware facilitated greater insight into the history of the Adriatic area in the Hellenistic period. Further, the provenance of the material allowed for the reconstruction of contacts in the Adriatic and neighbouring regions. The questions of contacts and trade may seem peripheral to the main objective of the study, i.e., Gnathia and related ware, but they are vital to an understanding of the historical context of this area. So an additional aim of the study is to open up the East Adriatic region to scholars who are studying the history and economy of the Mediterranean basin in the Hellenistic period.

A collection of papers presented to Jeremy Rutter to mark his 65th Birthday. Introduction (James C. Wright); 1) The LH IIIA2-IIIB Transition: The Gurob and Saqqara Evidence Reassessed (David A. Aston); 2) Daskalio (Vathy), Kalymnos: A Late Bronze I Sacred Cave in the East Aegean (Mario Benzi); 3) The Diagonal Line Class Juglets: New Evidence from Hagios Charalambos (Philip P. Betancourt); 4) In Search of the Upper Story of LM I House A.1 at Papadiokampos: An Integrated Architectural and Ceramic Perspective (T.M. Brogan, Ch. Sofianou, and J.E. Morison); 5) Minding the Gaps in Early Helladic Laconia (William Cavanagh and Christopher Mee); 6) Subminoan: A Neglected Phase of the Cretan Pottery Sequence (Anna Lucia D'Agata); 7) Spoons to Fill the Cups (Jeannette Forsen); 8) The Stirrup Jar: Does the West House Evidence Help or Complicate the Problems? (Elizabeth French) ..."

This illustrated study comprises a comprehensive and detailed account of the historical development of Greek military architecture and defensive planning, specifically in Arkadia in the Classical and Hellenistic periods. Employing data gathered from the published literature, and collected during the field reconnaissance of every site, the fortification circuit of each Arkadian polis is explored. In this way, the book provides an accurate chronology for the walls in question; an understanding of the relationship between the fortifications and the local topography; a detailed inventory of all the fortified poleis of Arkadia; a regional synthesis based on this inventory; and the probable historical reasons behind the patterns observed through the regional synthesis. Maher argues that there is no evidence for fortified poleis in Arkadia during the Archaic period. However, when the poleis were eventually fortified in the Classical period, the fact that most appeared in the early fourth century BC, strategically distributed in limited geographic areas, suggests that the larger defensive concerns of the Arkadian League were a factor. Although the defensive responses to innovations in siege warfare and offensive artillery of the Arkadian fortifications follow the same general developments observable in the circuits found throughout the Greek world, there does exist a number of interesting and noteworthy, regionally specific, patterns. Such discoveries validate the methodology employed and clearly demonstrate the value of an exclusively regional focus for shedding light on a number of architectural, topographical, and historic issues.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

In this volume, Philip Kay examines economic change in Rome and Italy between the Second Punic War and the middle of the first century BC. He argues that increased inflows of bullion, in particular silver, combined with an expansion of the availability of credit to produce significant growth in monetary liquidity. This, in turn, stimulated market developments, such as investment farming, trade, construction, and manufacturing, and radically changed the composition and scale of the Roman economy. Using a wide range of evidence and scholarly investigation, Kay demonstrates how Rome, in the second and first centuries BC, became a coherent economic entity experiencing real per capita economic growth. Without an understanding of this economic revolution, the contemporaneous political and cultural changes in Roman society cannot be fully comprehended or explained.

During November and December 2014, Cornwall Archaeological Unit undertook a programme of archaeological excavation in advance of construction of a road corridor to the south of Newquay. Evidence for Middle Bronze Age occupation took the form of a hollow-set roundhouse; however, the majority of the excavated features have been dated to the Iron Age and Roman periods. The area was enclosed as fields associated with extensive settlement activity throughout the last centuries cal BC into the third century AD. The excavations revealed the character of settlement-related activity during the later prehistoric and Roman periods. The evidence strongly suggests growing intensification of agriculture, with ditched fields and enclosures appearing in the landscape from the later Iron Age and into the Roman period. The results shed light on later prehistoric and Roman practices involving the division of the landscape with ditched fields and enclosed buildings. Many of the structures and pits were found to be set within their own ring-ditched enclosures or hollows, and the field system ditches were in some instances marked by 'special' deposits. As has previously been demonstrated for Middle Bronze Age roundhouses, structures could be subject to formal abandonment processes. Gullies and hollows were deliberately infilled, so that they were no longer visible at surface. However, unlike the abandoned Bronze Age roundhouses, the later structures appear to have been flattened and not monumentalized. In other words, buildings could be both etched into and subsequently erased from the landscape and thereby forgotten. This volume takes the opportunity presented by investigations on the Newquay Strategic Road to discuss the complexity of the archaeology, review the evidence for 'special' deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall. Finally, the possible motives which underlie these practices are considered. Includes contributions by Ryan S Smith, Dana Challinor, Julie Jones, Graeme Kirkham, Anna Lawson-Jones, Henrietta Quinnell and Roger Taylor.

Early Renaissance humanists discovered the culture of ancient Greece and Rome mostly through the study of classical manuscripts. Cyriac of Ancona (Ciriaco de' Pizzecolli, 1391-1452), a merchant and diplomat as well as a scholar, was among the first to study the physical remains of the ancient world in person and for that reason is sometimes regarded as the father of classical archaeology. His travel diaries and letters are filled with descriptions of classical sites, drawings of buildings and statues, and copies of hundreds of Latin and Greek inscriptions. Cyriac came to see it as his calling to record the current state of the remains of antiquity and to lobby with local authorities for their preservation, recognizing that archaeological evidence was an irreplaceable complement to the written record.

This volume presents letters and diaries from 1443 to 1449, the period of his final voyages, which took him from Italy to the eastern shore of the Adriatic, the Greek mainland, the Aegean islands, Anatolia and Thrace, Mount Athos, Constantinople, the Cyclades, and Crete. Cyriac's accounts of his travels, with their commentary reflecting his wide-ranging antiquarian, political, religious, and commercial interests, provide a fascinating record of the encounter of the Renaissance world with the legacy of classical antiquity. The Latin texts assembled for this edition have been newly edited and most of them appear here for the first time in English. The edition is enhanced with reproductions of Cyriac's sketches and a map of his travels.

An easy-to-read guide based on excavations conducted under the auspices of the University of Pennsylvania Museum. The book includes contributions by D. Buitron, D. Christou, M. Loulloupis, A. H. S. Megaw, A. Papgeorhiou, S. Sinos and D. Soren. Also included are drawings maps, full-color photographs, and a bibliography. University Museum Monograph, 42

The Dodecanese and the Eastern Aegean Islands in Late Antiquity, AD 300-700 is a regional study of the history, archaeology, and religious profile of the Late Antique Dodecanese (the islands of the south-eastern Aegean, centred on Rhodes), exploring how the spread of Christianity altered these communities and how the prosperity of the eastern Roman Empire, and the new capital in Constantinople, affected their life. Incorporating comparative evidence from the rest of the Aegean islands and both the Greek and Turkish mainlands, the volume analyses material from the whole area as part of a wider system of social and economic relations, political history, and culture. Accompanied by an extensive archaeological gazetteer, it presents the administrative and political history of the islands and considers the written and archaeological evidence for the monotheistic communities of the eastern Aegean, offering a closer examination of the late history of pagan temples and the transition to Christianity. It discusses the settlement and economic history of the islands, focusing on the urban history of Rhodes and Kos, but also on the numerous key non-urban sites from the rest of the islands, in particular the extended ruins of a barely known site located in the small island of Saria, north of Karpathos. The final chapter addresses the seventh century-which saw the destruction of so much of what had been built up in the fourth to sixth centuries-when the islands' societies acquired a new role for the State as naval outposts, functioning as a border zone in the course of the Arab-Byzantine wars.

Figured Tombstones from Macedonia, Fifth-First Century BC brings together for the first time a substantial body of material from ancient Macedonia, comprising stone funerary monuments, be they statues, stelai, or reliefs, which feature figured representations. The volume's geographical focus encompasses what can be referred to as the national territory of the ancient Macedonians, as established largely from the reign of Philip II until the last Antigonids, and extending from the range of Mount Pindos and Lake Lychnitis in the west as far as the Strymon valley and Mount Pangaion in the east. Its broad chronological scope stretches back to prehistoric times, when stone funerary monuments seem to have first appeared in the area, and into the first century AD, when significant changes in the modes which shaped (self-) representation in a funerary context can be traced. However, the volume takes as its main focus the Classical and Hellenistic periods, describing and unravelling the codes which moulded the representation of the dead on tombstones dating from the fifth to the first century BC. Paying close attention to the wealth of information that can be gained through morphological, typological, iconographical, and epigraphic analysis, the volume goes beyond artistic evaluation to consider social history: social and gender roles, social status, cultural identity, regionalism or consciously constructed cosmopolitanism, shifts in religious behaviour, and attitudes towards death and a possible afterlife are all addressed, revealing the ideas that shaped aesthetic predilections and the choice of (self-)representation.

This is the first full study of Roman strigillated sarcophagi, which are the largest group of decorated marble sarcophagi to survive in the city of Rome. Characterized by panels of carved fluting - hence the description 'strigillated', after the curved strigil used by Roman bathers to scrape off oil - and limited figure scenes, they were produced from the mid-second to the early fifth century AD, and thus cover a critical period in Rome, from empire to early Christianity. Roman Strigillated Sarcophagi focuses on their rich potential as an historical source for exploring the social and cultural life of the city in the later empire. The first part of the volume examines aspects of their manufacture, use, and viewing, emphasizing distinctive features. The second part looks at the figured representations carved on the sarcophagi, and at their social significance and creativity, concentrating on how their various arrangements allowed viewers to develop their own interpretations. The subjects represented by the figures and the flexibility with which they might be read, provide invaluable insights into how Romans thought about life and death during these changing times. The final part of the volume surveys how later societies responded to Roman strigillated sarcophagi. From as early as the fifth century AD their distinctive decoration and allusions to the Roman past made them especially attractive for reuse in particular contemporary contexts, notably for elite burials and the decoration of prominent buildings. The motif of curved fluting was also adopted and adapted: it decorated neo-classical memorials to Captain Cook, Napoleon's sister-in-law Christine Boyer, and Penelope Boothby, and its use continues into this century, well over one and a half millennia since it first decorated Roman sarcophagi.