C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 2 describes his discovery and excavation of this legendary building.

Adolf Furtw ngler (1853 1907) was a prominent German archaeologist and art historian specialising in classical art. He was appointed assistant Director of the K nigliche Museen zu Berlin in 1880, a position he held until 1894 when he was appointed professor of Classical Archaeology in Munich. He is best known for developing the Kopienkritik approach to studying Roman sculpture, which he introduces in this volume first published in 1885 and translated into English by Eugenie Strong in 1895. Kopienkritik is a methodology which assumes that Roman sculptures are copies of Greek originals, and that by studying the Roman copies the original Greek sculpture can be reconstructed. This approach dominated the study of classical sculpture in the twentieth century and remains influential despite repeated criticism. Furtw ngler compares the styles of known classical Greek sculptors with Roman statues to uncover the original sculptor in this defining example of the Kopienkritic approach.

C. T. Newton (1816 1894) was a British archaeologist whose great interest was in Greek and Roman artefacts. He studied at Christ Church, Oxford, before joining the British Museum as an assistant in the Antiquities Department. Newton left the Museum in 1852 to explore the coasts and islands of Asia Minor, returning in 1861 as Keeper of the Department of Greek and Roman Antiquities. First published in 1865, these volumes contain an account of his travels and archaeological investigations around the Aegean and the coast of Turkey between 1852 and 1859. Using a series of letters written during his travels, Newton describes his archaeological discoveries together with valuable observations on contemporary Greek and Turkish culture. He also provides an account of his excavation of the tomb of Mausolus of Halicarnassus, one of the Seven Wonders of the ancient world. Volume 1, covering 1852 1855, contains descriptions of Athens and the Aegean.

William Martin Leake (1777-1860) was a British military officer and classical scholar specialising in reconstructing the topography of ancient cities. He was a founding member of the Royal Geographical Society and was elected a Fellow of the Royal Society in 1815. After his retirement in 1815 he devoted the rest of his life to topographical and classical studies. First published in 1821, this pioneering volume contains Leake's reconstruction of ancient Athens. Leake analyses and compares ancient descriptions of the city with the archaeological remains as they existed at the time of publication, identifying ancient structures and suggesting where the remains of other buildings may be found by excavation. This book was regarded as authoritative for the structures of ancient Athens for most of the nineteenth century, with Leake's work being influential in shaping perceptions of classical archaeology and historical topography into the twentieth century.

Heinrich Schliemann (1822 1890) published Mycenae, an account of his archaeological excavations of the ancient Greek cities of Mycenae and Tiryns, in 1878. Schliemann's astonishing finds revealed that the cities had a historical reality outside Homeric epic. His excavations uncovered many priceless treasures, most famously the 'death mask of Agamemnon' and the shaft graves, filled with pottery, carved stones, skeletons, gold, jewellery and weaponry. He also uncovered much about the layout and architecture of the two lost cities. The volume is generously illustrated with images of artefacts, maps and charts. It is introduced by W. E. Gladstone, who gave Schliemann the political assistance necessary for the excavations to take place. Schliemann's discoveries were met with wild enthusiasm, and while today his methods of excavation are deplored and many of his conclusions thought to be ill-founded, he is rightly credited with the discovery of the lost and ancient Mycenaean civilisation.

In this book, Gabriele Cifani reconstructs the early economic history of Rome, from the Iron Age to the early Republic. Bringing a multidisciplinary approach to the topic, he argues that the early Roman economy was more diversified than has been previously acknowledged, going well beyond agriculture and pastoralism. Cifani bases his argument on a systematic review of archaeological evidence for production, trade and consumption. He posits that the existence of a network system, based on cultural interaction, social mobility, and trade, connected Rome and central Tyrrhenian Italy to the Mediterranean Basin even in this early period of Rome's history. Moreover, these trade and cultural links existed in parallel to regional, diversified economies, and institutions. Cifani's book thus offers new insights into the economic basis for the rise of Rome, as well as the social structures of Mediterranean Iron Age societies.

Sir William Gell (1777-1836) was a British archaeologist known for his drawings of sites and objects of classical interest. Noting that from the beginning of the excavations at Pompeii in 1748 'to the present day, no [substantial] work has appeared in the English language upon the subject of its domestic antiquities', together with architect and fellow countryman John P. Gandy he first published Pompeiana to help detail important findings that had been made by the excavators in the first two decades of the nineteenth century. To this end they provide historical discussion, analysis, and over 75 plates illustrating various points of archaeological interest including, as their subtitle notes, 'the topography, edifices, and ornaments of Pompeii'. Pompeiana is an important work that helped open the excavations to English readers and created further awareness of the treasures of the doomed city, destroyed by an eruption of Mount Vesuvius in 79 CE.

The secluded sanctuary on the coastal promontory of Ras il-Wardija on the central Mediterranean island of Gozo (near Malta) constitutes another landmark on the religious map of the ancient Mediterranean. Ritual activity at the sanctuary seems to be evidenced from around the 3rd century BC to the 2nd century AD and, possibly, even as late as the 4th century AD. This ritual activity was focused in a small built temple and in a rock-cut cave that seems to have incorporated a built extension in a later stage. But the practised cult or cults were aniconic and remained so largely throughout. This may explain why the sanctuary's excavators did not report any findings of statuettes or any figural images. Contemporaneously, figural images were also venerated on other sites showing that, for a long while, iconism and aniconism co-existed on the Maltese islands. There might have been more than one deity venerated in this sanctuary. Dionysos could have been one of them. But whoever they were, they are likely to have been somehow connected with the sea and / or with a maritime community or communities as the sanctuary itself evidently was.

This book is a companion volume to K. D. White's Agricultural Implements of the Roman World (Cambridge University Press, 1967). He deals here with equipment and instruments which were for the most part used in processing and storage as opposed to cultivation. Each item is described in detail and there are abundant references to sources, literary and archaeological. The volume is amply illustrated. As before, Professor White has unearthed a wealth of information of special value to archaeologists, lexicographers and historians of technology. His discussions of the use made of the articles catalogued have a broader human interest and throw illuminating sidelights on the social and economic life of the Roman world.

Whatever aspect of Athenian culture one examines, whether it be tragedy and comedy, philosophy, vase painting and sculpture, oratory and rhetoric, law and politics, or social and economic life, the picture looks very different after 400 BC from before 400 BC. Scholars who have previously addressed this question have concentrated on particular areas and come up with explanations, often connected with the psychological effect of the Peloponnesian War, which are very unconvincing as explanations for the whole range of change. This book attempts to look at a wide range of evidence for cultural change at Athens and to examine the ways in which the changes may have been coordinated. It is a complement to the examination of the rhetoric of revolution as applied to ancient Greece in Rethinking Revolutions through Ancient Greece (Cambridge, 2006).

The Greeks and Romans in the Black Sea presents the Proceedings of the Sixth International Congress on Black Sea Antiquities, dedicated to the 90th birthday of Prof. Sir John Boardman, President of the Congress since its inception. It was held in Constanta in September 2017 with the same theme as the first of these congresses, which took place just down the coast in Varna 20 years earlier ('the Greeks and Romans in the Black Sea and the importance of the Pontic region for the Graeco-Roman world between the 7th century BC and 5th century AD'), celebrating the work of successive congresses in bringing together scholars and scholarship from Eastern and Western Europe and the extensive progress of 'Black Sea Studies' in the intervening years. Overall, 85 papers were received for publication from authors in Western and Eastern Europe-there is also a full set of the abstracts submitted to the Congress in Appendix 2. As with previous congresses, the work is divided into sections, the largest of which, the fourth, is, following a pattern established with the first congress, devoted to New Excavations and Projects. The opening lectures and various papers in the first sections reflect (on) the '20 years on' in the title. The vast majority of contributions are in English, a handful each in French and German.

Much of our understanding of the origins and early development of the Greek architectural order is based on the writings of ancient authors, such as Virtruvius, and those of modern interpreters. Traditionally, the archaeological evidence has been viewed secondarily and often made to fit within a literary context, despite contradictions that occur. Barbara Barletta s study examines both forms of evidence in an effort to reconcile the two sources, as well as to offer a coherent reconstruction of the origins and early development of the Greek architectural orders. Beginning with the pre-canonical material, she demonstrates that the relatively late emergence of the Doric and Ionic orders arose from contributions of separate regions of the Greek world, rather than a single center. Barletta s reinterpretations of the evidence also assigns greater importance to the often overlooked contributions of Western Greece and the Cycladic Islands."

This book is an account of an almost completely neglected archaeological epic, the uncovering and restoration of all the classical monuments of Rome during the French occupation (1809 14). This was the first large-scale archaeological programme in the city. Based on archives in Rome and Paris, the archaeology of these five years is placed against its essential background: the fate of the monuments since antiquity and the contemporary Napoleonic political and cultural history. Mr Ridley describes the enormously complicated organisation which carried out the work and identifies the leading administrators, archaeologists and architects. The bulk of the work is a detailed account of the excavation and restoration work on the Forum Romanum, the Colosseum and the Forum of Trajan, the main classical monuments. There are numerous illustrations of the monuments both before and after the French intervention, as well as unpublished plans from the archives. There is an extensive specialist index. The book is intended for anyone interested in archaeology, in Napoleonic Europe and above all, in Rome.

In 97 CE Julius Frontinus was appointed by the Emperor Nerva to the post of water commissioner for the city of Rome. In the De Aquaductu Urbis Romae he sets forth his duties, responsibilities and accomplishments during his first year in office. He sketches the history of the aqueducts, furnishes a wealth of technical data and quotes verbatim from legal documents. This edition is the first since 1922 to be based on the single authoritative witness discovered at Monte Cassino in 1429 and is also the first to take into account the idiosyncrasies of its twelfth-century scribe, Peter the Deacon, a man notorious for literary affectations of his own. R. H. Rodgers provides the first full commentary since the early eighteenth century, dividing his attention between text and language on the one hand and content and interpretation on the other.

This book explores how art and material culture were used to construct age, gender and social identity in the Greek Early Iron Age, 1100-700 BCE. Coming between the collapse of the Bronze Age palaces and the creation of Archaic city-states, these four centuries witnessed fundamental cultural developments and political realignments. Whereas previous archaeological research has emphasized class-based aspects of change, this study offers a more comprehensive view of early Greece by recognizing the place of children and women in a warrior-focused society. Combining iconographic analysis, gender theory, mortuary analysis, typological study and object biography, Susan Langdon explores how early figural art was used to mediate critical stages in the life-course of men and women. She shows how an understanding of the artistic and material contexts of social change clarifies the emergence of distinctive gender and class asymmetries that laid the basis for classical Greek society.

The Frontier area of northern England is the most important and reliable source for archaeologists in existence. The perpetuation of the Roman imperial ideal, the survival of classical art and literature, and the spread of the Christian faith depended on the strength of the Empire's frontier and the people who lived there. In Britain these peoples represent nearly 400 years of a cosmopolitan society with the basic elements of a true civilisation. They had greater freedom and security and were more literate and prosperous than at any previous time or for many centuries after. Dr Salway's study of this area is a detailed investigation of the Romanised part of the civilian population to be made. He describes the people themselves and every aspect of their background and way of life, their legal status and their administrative system. He then examines each of the sites individually, making special use of aerial photographs.

This volume includes a detailed illustrated catalogue of the East Greek, Island, and Laconian pottery from the sanctuary. The author uses the data to help establish the chronology for the founding and early development of this important Greek colony.University Museum Monograph 56

The Periegesis Hellados (Description of Greece) by Pausanias is the most important example of non-fictional travel literature in ancient Greek. With this work Professor Hutton examines Pausanias' arrangement and expression of his material and evaluates his authorial choices in light of the contemporary literary currents of the day and in light of the cultural milieu of the Roman empire in the time of Hadrian and the Antonines. The descriptions offered in the Periegesis Hellados are also examined in the context of the archaeological evidence available for the places Pausanias visited. This study reveals Pausanias to be a surprisingly sophisticated literary craftsman and a unique witness to Greek identity at a time when that identity was never more conflicted.

The Antonine Wall lay at the very extremity of the Roman world. For a generation, in the middle of the second century AD, it was the north-west frontier of the Roman empire. Furthermore, it was one of only three "artificial" frontiers along the European boundaries of the empire: the other two are Hadrian's Wall and the German Limes. Although the Antonine Wall fits into the general pattern of Roman frontiers, in many ways it was the most developed frontier in Europe, with certain distinct characteristics. Perhaps of greatest significance is the survival of the collection of Roman military sculpture, the Distance Slabs. These record the lengths constructed by each legion and their relationship to the labour camps allow further conclusions to be made about the work of constructing the Antonine Wall.

The Tabulae Iliacae (Iliac tablets) are a collection of twenty-two miniature marble reliefs from the early Roman Empire; all of them are inscribed in Greek, and most depict the panoramic vistas of Greek Epic. This book brings the tablets to life as never before, revealing the unassuming fragments as among the most sophisticated objects to survive from the ancient Mediterranean world. The Iliad in a Nutshell is not only the first monograph on this material in English (accompanied by a host of new photographs, diagrams, and reconstructions), it also examines the larger cultural and intellectual stakes-both in classical antiquity and beyond. Where modern scholars have usually dismissed the Tabulae Iliacae as secondary 'illustrations' and 'tawdry gewgaws', Michael Squire advances a diametrically opposite thesis: that these epigrammatic tablets synthesize ancient ideas about visual-verbal interaction on the one-hand, and about the art and poetics of scale on the other. By reassessing the artistic and poetic aesthetics of the miniature, Squire's radical new appraisal shows how the tiny tablets encapsulate antiquity's grandest theories of originality, fiction, and replication. The book will be essential reading not just for classical philologists, art historians, and archaeologists, but for anyone interested in the intellectual history of western representation.

Late in August 410, Rome was starving, its residents were turning on one another, and, to make matters worse, the Gothic army camped at Rome's gates was restless. The Gothic commander was Alaric, a Roman general and barbarian chieftain. Leading an army that was short of food and potentially mutinous, sacking Rome was his only way forward. The old heart of Rome's empire fell to a conqueror's sword for the first time in eight hundred years. For three days, Alaric's Goths sacked the eternal city. In the words of a contemporary, the mother of the world had been murdered. Alaric's story is the culmination of a long historical journey by which the Goths came to be a part of the Roman world. Whether as friends or foes of the Roman empire, the Goths and their history are entwined with the larger history of Rome in the third and fourth centuries. Rome's Gothic Wars explains how the Goths came into existence on the margins of the Roman world, how different Gothic groups dealt with the enormous power of Rome just beyond their lands, and how, in two traumatic years, thousands of Goths entered the imperial provinces and destroyed the army that was sent to suppress them, leaving the emperor of the eternal city dead on the field of battle. Unlike other histories of the barbarians, Rome's Gothic Wars shows exactly how and why modern historians understand the Goths the way they do and why our understanding is so controversial. Michael Kulikowski is associate professor of history at the University of Tennessee-Knoxville. A recipient of the Solmsen Fellowship at the Institute for Research in the Humanities at the University of Wisconsin, Madison, he is the author of Late Roman Spain and Its Cities, which was awarded an Honorable Mention in Classics and Archaeology from the Association of American University Presses. His scholarly articles have appeared in Early Medieval Europe, Britannia, Phoenix, and Byzantium, and he has appeared on the History Channel's Barbarians series."

Edward Gibbon laid the fall of the Roman Empire at Christianity's door, suggesting that 'pusillanimous youth preferred the penance of the monastic to the dangers of a military life ... whole legions were buried in these religious sanctuaries'. This surprising study suggests that, far from seeing Christianity as the cause of the fall of the Roman Empire, we should understand the Christianisation of the household as a central Roman survival strategy. By establishing new 'ground rules' for marriage and family life, the Roman Christians of the last century of the Western empire found a way to re-invent the Roman family as a social institution to weather the political, military, and social upheaval of two centuries of invasion and civil war. In doing so, these men and women - both clergy and lay - found themselves changing both what it meant to be Roman, and what it meant to be Christian.

The late sixth century was a period of considerable change in Etruria; this change is traditionally seen as the adoption of superior models from Greece. In a radical re-alignment of agency, this book examines a wide range of Etruscan material culture - mirrors, tombs, sanctuaries, houses and cities - in order to demonstrate the importance of local concerns in the formation of Etruscan material culture. Drawing on recent theoretical developments, the book emphasises the deliberate nature of the smallest of changes in material culture form, and develops the concept of surface as a unifying key to understanding the changes in the ways Etruscans represented themselves in life and death. This concept allows a uniquely holistic approach to the archaeology of Etruscan society and has the potential for other archaeological investigations. The book will interest all scholars and students of classical archaeology.

Names on Terra Sigillata, the product of 40 years of study, records over 5,000 names and some 300,000 stamps and signatures on Terra Sigillata (samian ware) manufactured in the 1st to the 3rd centuries AD in Gaul, the German provinces and Britain. To be published in 10 volumes, the work has been supported by the British Academy and the Arts and Humanities Research Council, the University of Leeds and the University of Reading, and the Roemisch-Germanisches Zentralmuseum. This is the first catalogue of its type to appear since Felix Oswald's Index of Potters' Stamps on Terra Sigillata (`Samian Ware'), published in 1931. The importance of samian as a tool for dating archaeological contexts and the vast increase in samian finds since then has prompted the authors to record the work of the potters in greater detail, illustrating, whenever possible, each individual stamp or signature which the potter used, and enumerating examples of each vessel type on which it appears, together with details of find-spots, repositories and museum accession numbers or excavators' site codes. Dating of the potters' activity is supported, as far as possible, by a discussion of the evidence. This is based on the occurrence of material in historically-dated contexts or on its association with other stamps or signatures dated by this method. The bulk of the material was examined personally by the authors, from kiln sites and occupation sites in France, the Netherlands, Germany, and Britain, but the catalogue also includes published records which they were able to verify, both from those areas and from other parts of the Roman Empire.

What was the impact of Romanisation on non-elite life in central Italy during the late third and second centuries BC? Focusing on the increasing spread of black-gloss pottery across the peninsula, Dr Roth demonstrates the importance of the study of such everyday artefacts as a way of approaching aspects of social history that are otherwise little documented. Placing its subject within the wider debate over cultural identity in the Roman world, the book argues that stylistic changes in such objects of everyday use document the development of new forms of social representation among non-elite groups in Roman Italy. In contrast to previous accounts, the book concludes that, rather than pointing to a loss of regional cultural identities, the ceramic patterns suggest that the Romanisation of Italy provided new material opportunities across the social scale.