This volume addresses the treatment and perception of historic buildings in Imperial Rome, examining the ways in which public monuments were restored in order to develop an understanding of the Roman concept of built heritage. It considers examples from the first century BC to the second century AD, focusing primarily on the six decades between the Great Fire of AD 64 and the AD 120s, which constituted a period of dramatic urban transformation and architectural innovation in Rome. Through a detailed analysis of the ways in which the design, materiality, and appearance of buildings - including the temple of Jupiter Capitolinus and hut of Romulus - developed with successive restorations, the case is made for the existence of a consistent approach to the treatment of historic buildings in this period. This study also explores how changes to particular monuments and to the urban fabric as a whole were received by the people who experienced them first-hand, uncovering attitudes to built heritage in Roman society more widely. By examining descriptions of destruction and restoration in literature of the first and second centuries AD, including the works of Seneca the Younger, Pliny the Elder, Martial, Tacitus, and Plutarch, it forms a picture of the conflicting ways in which Rome's inhabitants responded to the redevelopment of their city. The results provide an alternative way of explaining key interventions in Rome's built environment and challenge the idea that heritage is a purely modern phenomenon.

Combines a personal, historical and archaeological approach to the study of the legion (roughly the first four centuries after Christ) as a whole. Epigraphic and historical evidence is presented for all those individuals known to have served with the Twentieth Legion in their various capacities. Sources are quoted, with translation, for each of these and significant details of the careers discussed.

In this book, Guy D. Middleton explores the fascinating lives of thirty real women of the ancient Mediterranean from the Palaeolithic to the Byzantine era. They include queens and aristocrats, such as the Pharoah Hatshepsut and the Etruscan noblewoman Seianti; Eritha and Karpathia, Bronze Age priestesses from the Aegean; a Pompeiian prostitute called Eutychis; the pagan philosopher Hypatia and the Christian saint Perpetua, from North Africa, as well as women from smaller communities. Middleton uses a wide range of archaeological and historical evidence, including burials and funerary practices, graffiti, inscriptions and painted pottery, handprints, human remains and a variety of historical texts, as well as the latest modern research. His volume weaves together the stories of real women, placing them firmly in the spotlight of history. Engagingly written and up-to-date in its scholarship, Middleton's book offers new insights for students and researchers in Ancient History, Archaeology and Mediterranean Studies, as well as in Women's History.

Pompeii's tragedy is our windfall: an ancient city fully preserved, its urban design and domestic styles speaking across the ages. This richly illustrated book conducts us through the captured wonders of Pompeii, evoking at every turn the life of the city as it was 2,000 years ago. When Vesuvius erupted in 79 A.D. its lava preserved not only the Pompeii of that time but a palimpsest of the city's history, visible traces of the different societies of Pompeii's past. Paul Zanker, a noted authority on Roman art and architecture, disentangles these tantalizing traces to show us the urban images that marked Pompeii's development from country town to Roman imperial city. Exploring Pompeii's public buildings, its streets and gathering places, we witness the impact of religious changes, the renovation of theaters and expansion of athletic facilities, and the influence of elite families on the city's appearance. Through these stages, Zanker adeptly conjures a sense of the political and social meanings in urban planning and public architecture. The private houses of Pompeii prove equally eloquent, their layout, decor, and architectural detail speaking volumes about the life, taste, and desires of their owners. At home or in public, at work or at ease, these Pompeians and their world come alive in Zanker's masterly rendering. A provocative and original reading of material culture, his work is an incomparable introduction to urban life in antiquity.

For a century following the end of the Lamian War in 322 B.C., Athens' harbour at Pireus was almost constantly occupied by a Macedonian garrison. The Macedonian presence dealt a crucial blow to Athenian independence and Athenian democracy, initiating the first in a long and intermittent series of foreign occupations. The twenty-eight papers in this volume are based on an international conference hosted by the University of Athens in May 2001, and focus on various aspects of Athenian art, archaeology and history in the century of Macedonian domination. They consider Athens' new role as a political stepping stone for potential Successors to the throne of Macedon - Cassander, Demetrios Poliorketes and Antigonos Gonatas were each able to secure Macedonia by using Athens as a power base - and the ways in which Athenian culture was affected by the Macedonian presence. They contribute to the ongoing debate about the reasons for the Macedonian ascendancy, the degree of independence accorded Athens by their Macedonian overlords, the third-century archon list, and changes in Athenian art and architecture.

Roman Egypt is a critical area of interdisciplinary research, which has steadily expanded since the 1970s and continues to grow. Egypt played a pivotal role in the Roman empire, not only in terms of political, economic, and military strategies, but also as part of an intricate cultural discourse involving themes that resonate today - east and west, old world and new, acculturation and shifting identities, patterns of language use and religious belief, and the management of agriculture and trade. Roman Egypt was a literal and figurative crossroads shaped by the movement of people, goods, and ideas, and framed by permeable boundaries of self and space. This handbook is unique in drawing together many different strands of research on Roman Egypt, in order to suggest both the state of knowledge in the field and the possibilities for collaborative, synthetic, and interpretive research. Arranged in seven thematic sections, each of which includes essays from a variety of disciplinary vantage points and multiple sources of information, it offers new perspectives from both established and younger scholars, featuring individual essay topics, themes, and intellectual juxtapositions.

The frontiers of the Roman empire together form the largest monument of one of the world's greatest states. They stretch for some 7,500km through 20 countries which encircle the Mediterranean Sea. The remains of these frontiers have been studied by visitors and later by archaeologists for several centuries. Many of the inscriptions and sculpture, weapons, pottery and artefacts created and used by the soldiers and civilians who lived on the frontier can be seen in museums. Equally evocative of the lost might of Rome are the physical remains of the frontiers themselves. The aim of this series of books is not only to inform the interested visitor about the history of the frontiers but to act as a guidebook as well. The province of Dacia had a relatively short life being abandoned due to economic and strategic reasons in the 260s. It was heavily militarized and therefore the role of the army was crucial in Its development and life. The Roman frontier In Dacia combined several elements, each relating to the landscape: there were riverain and mountain borders, some supplemented by linear barriers, and all connected by roads. Everywhere, the complex system of the border consisted primarily of a network of watchtowers, smaller or larger forts and artificial earthen ramparts or stone walls.

The Life and Works of Robert Wood (1717-1771) commemorates the Irish classicist and traveller on the 250th anniversary of his death and provides the general reader with a study that can be regarded as a source book for the fascinating life and career of a much-neglected figure in the realm of Irish eighteenth-century travels and antiquarianism. The book starts by setting the context of eighteenth-century travels to the east and then examines the primary sources emanating from Wood's own eastern voyages, as well as the relevant literary sources available to him before, during, and after his travels. It then provides an extensive and much-needed biographical account of Robert Wood, with particular reference to his Irish and English patrons, before examining the main results of the second tour (1750-1751), namely his three pioneering books: Ruins of Palmyra (1753), Ruins of Balbec (1757), and The Original Genius of Homer (1775). It ends by considering the enormous legacy of Robert Wood, in terms of the popularity of his books; the variety and quality of portraits commissioned by his friends and associates; his contribution to the study of classical literature; his influence on architectural drawing in late eighteenth- and nineteenth-century Europe; and the cultural significance of his work on building design. The text also reflects on the somewhat questionable nature of his works, in terms of the fact that his second voyage of the east, and the entire production of the first two books, were financed by his friend Dawkins, whose wealth derived from a slave plantation in Jamaica.

In 2006, the American School of Classical Studies at Athens celebrates seventy five years of archaeological work in the Athenian Agora, the civic center of classical Athens. Since the first trench was dug on May 25th 1931, excavations have continued in a series of yearly campaigns, only briefly interrupted by the Second World War. The impact of the discoveries made on our understanding of Athenian history and topography is well-documented, but relatively little has been published about the fascinating history of the Agora excavations from the clearing of one of the most densely settled areas of Ottoman Athens at the start of the enterprise to the reconstruction of the Stoa of Attalos twenty five years later to house the finds. This book fills that gap, presenting a pictorial history of the project illustrated with many archival photographs. Rather than taking a simple chronological approach, the authors focus on some of the greatest contributions of the American School's work, such as the reconstruction of the Church of the Holy Apostles from 1954-1956 and the painstaking work involved in re-building the Stoa. Each section of photographs is preceded by an introductory text, and there are a number of maps and diagrams placing the images in context. In modern Greek.

The Hellenistic Period witnessed striking new developments in art, literature and science. This volume addresses a particularly vibrant area of innovation: the study of animals and the natural world. While Aristotle and his followers had revolutionized fields such as zoology and botany during the fourth century BC, these disciplines took on exciting new directions during Hellenistic times. Kings imported exotic species into their royal capitals from faraway lands. Travel writers described unusual creatures that they had never previously encountered. And buyers from a range of social levels chose works of art featuring animals and plants to decorate their palaces, houses and tombs. While textual sources shed some light on these developments, the central premise of Art, Science and the Natural World in the Ancient Mediterranean is that our surviving artistic evidence permits a fuller understanding. Accordingly, the study brings together a rich body of visual material that invites new observations on how and why knowledge of the natural world became so important during this period. It is suggested that this cultural phenomenon affected many different groups in society: from kings in Alexandria and Pergamon to provincial aristocrats in the Levant, and from the Julio-Claudian imperial family to prosperous homeowners in Pompeii. By analysing the works of art produced for these individuals, a vivid picture emerges of this remarkable aspect of ancient culture.

Wroxeter: Ashes under Uricon offers a perspective on how people over time have viewed the abandoned Roman city of Wroxeter in Shropshire. It responds to three main artistic outputs relating to the site: poetry, images and texts. The poets include Wilfred Owen, A.E. Housman and Mary Webb. The writers cover a range of interests relating to the site but include Darwin, Dickens, Rosemary Sutcliff and John Buchan. The artists are perhaps less well-known but include watercolours by Thomas Girtin, archaeological reconstructions by Alan Sorrell and Amedee Forrestier, and paintings by Wroxeter's own resident artist, Thomas Prytherch. Photographs are represented by the work of Francis Bedford and others more closely associated with aerial archaeology such as J.K. St Joseph and Arnold Baker. While the famous names have their value, The book also investigates what locals and visitors thought of the site over time - how they perceived it and have responded to it. It reflects in particular upon how the public and locals responded to the archaeological discoveries on the site and perceived the narratives that were created by the archaeologists working on it. It contends that archaeologists are just as much story-tellers as the writers, poets or artists, although their work is more filtered or controlled, and through these narratives, they inspire others. A further strand to the book is to explore the increasing focus over the past century on the democratisation of access to and understanding of the site, alongside increasing state intervention in its running. This too has had its impact on who visits and what is understood about the site. A short concluding section offers a vision of how the site might develop in the near-future, and how its cultural side might flourish once again.

Images of ancient Sparta have had a major impact on Western thought. From the Renaissance to the French Revolution she was invoked by radical thinkers as a model for the creation of a republican political and social order. Since the 19th century she has typically been viewed as the opposite of advanced liberal and industrial democracies: a forerunner of 20th-century totalitarian and militaristic regimes such as the Third Reich and the Soviet Union. Yet positive images of Sparta remain embedded in contemporary popular media and culture. This is the first book in over 40 years to examine this important subject. Eleven ancient historians and experts in the history of ideas discuss Sparta's changing role in Western thought from medieval Europe to the 21st century, with a special focus on Enlightenment France, Nazi Germany and the USA. The volume also covers new aspects of Sparta's reception not covered in previous work.

This handsome volume describes and illustrates the excavation of an artificial rock shelter in Crete, Greece. Minoan pottery and small finds such as stone tools, loomweights, and ecofactual remains were recovered. The ceramics elucidate the style and chronology of East Cretan White-on-Dark Ware, which dates to the end of the Early Bronze Age.

The festivals of the Athenian sacred calendar constitute a vital key to classical Greek culture and religion. Erika Simon sets out here to explicate those complex and often obscure festivals. By careful marshalling of a variety of proofs from literary, historical, and archaeological sources, she is able to justify some startling conclusions and achieve a comprehensive and truly original synthesis that clarifies, as never before, the probable origins and meanings of the Attic cults.

The frontiers of the Roman empire together form the largest monument of one of the world's greatest states. They stretch for some 7,500km through 20 countries which encircle the Mediterranean Sea. The remains of these frontiers have been studied by visitors and later by archaeologists for several centuries. Many of the inscriptions and sculpture, weapons, pottery and artefacts created and used by the soldiers and civilians who lived on the frontier can be seen in museums. Equally evocative of the lost might of Rome are the physical remains of the frontiers themselves. The aim of this series of books is not only to inform the interested visitor about the history of the frontiers but to act as a guidebook as well. The aim of this publication is not only to inform about historical and archaeological facts on the Limes in Serbia but also to act as a guidebook as well through the Danubian Limes.

Kommos, located on the south coast of Crete, is widely known for its important sanctuary of the Greek period for its earlier role as a major Minoan harbortown. Volumes II and III in this series, dealing with the Minoan pottery, have already been published. Volume I, Part I (1995), offered a general introduction to the site, followed by chapters on the archaeological exploration of the area, its geology, fauna and flora, land use, as well as on the Minoan implements and indsutries. Now Volume I, Part II introduces the Kommos town (Joseph W. Shaw), and analyzes and interprets the houses on the hilltop (Maria C. Shaw and Lucia F. Nixon) and hillside (James C. Wright and John McEnroe). There is a catalog of miscellaneous finds from the houses (Mary K. Dabney, Katherine A. Schwab, Maria C. Shaw, John Bennet, Helene Whittaker, David Reese, and Olga Kryszowska), followed by synthetic chapters on town planning and domesetic architecture (Maria C. Shaw) and site development (Joseph W. Shaw). Combined, the interrelated Kommos volumes present an unusually thorough, interdisciplinary interpretation of a prehistoric site in Greece. An excavation by the University of Toronto and the Royal Ontario Museum under the auspices of the American School of Classical Studies in Athens. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The study of Greek and Roman Art and Architecture has a long history that goes back to the second half of the 18th century and has provided an essential contribution towards the creation and the definition of the wider disciplines of Art History and Architectural History. This venerable tradition and record are in part responsible for the diffused tendency to avoid general discussions addressing the larger theoretical implications, methodologies, and directions of research in the discipline. This attitude is in sharp contrast not only with the wider field of Art History, but also with disciplines that are traditionally associated with the study of Greek and Roman Art and Architecture, like Classics and Classical Archaeology. In recent years, the field has been characterized by an ever-increasing range of approaches, under the influence of various disciplines such as Sociology, Semiotics, Gender Theory, Anthropology, Reception Theory, and Hermeneutics. In light of these recent developments, this Handbook seeks to explore key aspects of Greek and Roman Art and Architecture, and to assess the current state of the discipline. The Handbook includes thirty essays, in addition to the introduction, by an international team of leading senior scholars, who have played a critical role in shaping the field, and by younger scholars, who will express the perspectives of a newer generation. After a framing introduction written by the editor, which compares ancient and modern notions of art and architecture, the Handbook is divided into five sections: Pictures from the Inside, Greek and Roman Art and Architecture in the Making, Ancient Contexts, Post-Antique Contexts, and Approaches. Together, the essays in the volume make for an innovative and important book, one that is certain to find a wide readership.

Before the creation of the Agora as a civic center in the 7th century B.C., the region northwest of the Acropolis was a vast cemetery. Over 150 ancient burial places have been found by excavators, and a few of the more remarkable are described here. These range from a wealthy Mycenaean chamber tomb, filled with the vases and jewelry of a rich noblewoman, to the poignant pithos burial of an infant from around 725 B.C., accompanied by eight tiny vases. As well as describing the assemblages found, the author discusses the symbolism of funeral rites and the information about social status and identity that burials reveal.

More than a century has passed past since German archeologist Heinrich Schliemann discovered the treasures of Bronze Age Mycenae. The richly decorated artifacts of the entombed warriors, whose bodies still lay in their graves, confirmed that Homer's epic "The Iliad" was based upon true events, and that the Achaeans described in his poems probably did exist.
Through a combined study of the mythical tradition, archeological findings, and written sources, this fascinating addition to the Warrior series explores the evolution of warfare in the Bronze Age Greek world. Covering weaponry, clothing, helmets, and body armor, it provides a richly illustrated guide to the warriors who have shone from the pages of Homer's poem for almost three millennia.

Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves - not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and Republic and Empire.

Cicero, and others in the Roman Republic, were masters of both invective and panegyric, two hugely important genres in ancient oratory, which influenced the later theory and practice of rhetoric. The papers in this volume address strategies of vituperation and eulogy within the Republic, and examine the mechanisms and effects of praise and blame.

In Destinations in Mind, Kimberly Cassibry asks how objects depicting different sites helped Romans understand their vast empire. At a time when many cities were written about but only a few were represented in art, four distinct sets of artifacts circulated new information. Engraved silver cups list all the stops from Spanish Cadiz to Rome, while resembling the milestones that helped travelers track their progress. Vivid glass cups represent famous charioteers and gladiators competing in circuses and amphitheaters, and offered virtual experiences of spectacles that were new to many regions. Bronze bowls commemorate forts along Hadrian's Wall with colorful enameling typical of Celtic craftsmanship. Glass bottles display labeled cityscapes of Baiae, a notorious resort, and Puteoli, a busy port, both in the Bay of Naples. These artifacts and their journeys reveal an empire divided not into center and periphery, but connected by roads that did not all lead to Rome. They bear witness to a shared visual culture that was divided not into high and low art, but united by extraordinary craftsmanship. New aspects of globalization are apparent in the multi-lingual placenames that the vessels bear, in the transformed places that they visualize, and in the enriched understanding of the empire's landmarks that they impart. With in-depth case studies, Cassibry argues that the best way to comprehend the Roman Empire is to look closely at objects depicting its fascinating places.

A desire to recreate Minoan palaces, villas, and houses of the Late Bronze Age inspired the author of this book to undertake an eight year research program that has radically modified our conception of the appearance of Cretan dwellings. He not only interprets the use of the rooms that partially survive but reconstructs the guest suites and banquet halls of the vanished upper storeys. Written both as a preparation for a visit to Crete and as an actual guide to the sites," the book is prefaced with an account of the island's geography, history, and culture in antiquity, and packed with illustrations including photographs, plans, reconstructions, and a map of the island showing the sites. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.