Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves - not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and Republic and Empire.

Building Mid-Republican Rome offers a holistic treatment of the development of the Mid-Republican city from 396 to 168 BCE. As Romans established imperial control over Italy and beyond, the city itself radically transformed from an ambitious central Italian settlement into the capital of the Mediterranean world. Seth Bernard describes this transformation in terms of both new urban architecture, much of it unprecedented in form and extent, and new socioeconomic structures, including slavery, coinage, and market-exchange. These physical and historical developments were closely linked: building the Republican city was expensive, and meeting such costs had significant implications for urban society. Building Mid-Republican Rome brings both architectural and socioeconomic developments into a single account of urban change. Bernard, a specialist in the period's history and archaeology, assembles a wide array of evidence, from literary sources to coins, epigraphy, and especially archaeological remains, revealing the period's importance for the decline of the Roman state's reliance on obligation and dependency and the rise of slavery and an urban labor market. This narrative is told through an investigation of the evolving institutional frameworks shaping the organization of public construction. A quantitative model of the costs of the Republican city walls reconstructs their economic impact. A new account of building technology in the period allows for a better understanding of the social and demographic profile of the city's builders. Building Mid-Republican Rome thus provides an innovative synthesis of a major Western city's spatial and historical aspects, shedding much-needed light on a seminal period in Rome's development.

How do archaeologists and artists reimagine what life was like during the Greek Bronze Age? How do contemporary conditions influence the way we understand the ancient past? This innovative book considers two imaginative restorations of the ancient world that test the boundaries of interpretation and invention by bringing together the discovery of Minoan culture by the British archaeologist Sir Arthur Evans (1851-1941) and the work of the Turner Prize-winning video artist Elizabeth Price (b. 1966). Featured essays examine Evans's interpretation and restoration of the Knossos palace and present fresh photography of Minoan artifacts and archival photographs of the dig alongside beautiful, previously unpublished watercolors and drawings by the archaeological illustrators and restorers who worked on the site: Emile Gillieron pere(1850-1924), Emile Gillieron fils (1885-1939), Piet de Jong (1887-1967), and others. An interview with Price explores how her attraction to the Sir Arthur Evans Archive became the basis for her commissioned video installation at the University of Oxford's Ashmolean Museum and offers insight into her creative practice. Exhibition dates: October 5, 2017-January 7, 2018

Larinum, a pre-Roman town in the modern region of Molise, underwent a unique transition from independence to municipal status when it received Roman citizenship in the 80s BCE shortly after the Social War. Its trajectory during this period illuminates complex processes of cultural, social, and political change associated with the Roman conquest throughout the Italian peninsula in the first millennium BCE. This book uses all the available evidence to create a site biography of Larinum from 400 BCE to 100 CE, with a focus on the urban transformation that occurred there during the Roman conquest. This study is distinctive in utilizing many different types of evidence: literary sources (including the pro Cluentio), settlement patterns, inscriptions, monuments and artifacts. It highlights the importance of local isolated variability in studies of Roman conquest, and provides a narrative that supplements larger works on this theme.

In this book, Guy D. Middleton explores the fascinating lives of thirty real women of the ancient Mediterranean from the Palaeolithic to the Byzantine era. They include queens and aristocrats, such as the Pharoah Hatshepsut and the Etruscan noblewoman Seianti; Eritha and Karpathia, Bronze Age priestesses from the Aegean; a Pompeiian prostitute called Eutychis; the pagan philosopher Hypatia and the Christian saint Perpetua, from North Africa, as well as women from smaller communities. Middleton uses a wide range of archaeological and historical evidence, including burials and funerary practices, graffiti, inscriptions and painted pottery, handprints, human remains and a variety of historical texts, as well as the latest modern research. His volume weaves together the stories of real women, placing them firmly in the spotlight of history. Engagingly written and up-to-date in its scholarship, Middleton's book offers new insights for students and researchers in Ancient History, Archaeology and Mediterranean Studies, as well as in Women's History.

**NOW A HIT STAGE PRODUCTION** Take a journey around the archaeological and cultural remains of Roman Britain with the award-winning author of Greek Myths. This is a book about the encounter with Roman Britain: about what the idea of 'Roman Britain' has meant to those who came after Britain's 400-year stint as province of Rome - from the medieval mythographer-historian Geoffrey of Monmouth to Edward Elgar and W.H. Auden. What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse? Charlotte Higgins has traced these tales by setting out to discover the remains of Roman Britain for herself, sometimes on foot, sometimes in a splendid, though not particularly reliable, VW camper van. Via accounts of some of Britain's most intriguing, and often unjustly overlooked ancient monuments, Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how the Romans first imagined, and wrote, these strange and exotic islands, perched on the edge of the known world, into existence. 'Mesmerising... Sophisticated and passionate' Guardian '[A] lyrical, haunting look at Roman Britain and its echo in our culture' Sunday Times

Even though, at death, identity and social status may undergo major changes, by studying funerary customs we can greatly gain in the understanding of a community's social structure, distribution of wealth and property, and the degree of flexibility or divisiveness in the apportionment of power. With its great regional diversity and variety of community forms and networks, ancient Greece offers a unique context for exploring, through the burial evidence, how communities developed. Mortuary Variability and Social Diversity in Ancient Greece brings together early career scholars working on funerary customs in Greece from the Early Iron Age to the Roman period. Papers present various thematic and interdisciplinary analysis in which funerary contexts provide insights on individuals, social groups and communities. Themes discussed include issues of territoriality, the reconstruction of social roles of particular groups of people, and the impact that major historical events may have had on the way individuals or specific groups of individuals treated their dead.

John J. Dobbins, Professor of Roman Art and Archaeology, taught at the University of Virginia in the Department of Art from 1978 until his retirement in 2019. His legacy of research and pedagogy is explored in A Quaint & Curious Volume: Essays in Honor of John J. Dobbins. Professor Dobbins' research in the field of Roman art and archaeology spans the geographical and chronological limits of the Roman Empire, from Pompeii to Syria, and Etruria to Spain. This volume demonstrates some of his wide-reaching interests, expressed through the research of his former graduate students. Several essays examine the city of Pompeii and cover the topics of masonry analysis, re-examinations of streets and drains, and analyses of the heating capacity of baths in Pompeii. Beyond Pompeii, the archaeological remains of bakeries are employed to elucidate labor specialization in the Late Roman period across the Mediterranean basin. Collaborations between Professor Dobbins and his former students are also explored, including a pioneering online numismatic database and close examination of sculpture and mosaics, including expressions of identity and patronage through case studies of the Ara Pacis and mosaics at Antioch-on-the-Orontes. A Quaint & Curious Volume not only demonstrates John Dobbins' scholarly legacy, but also presents new readings of archaeological data and art, illustrating the impact that one professor can have on the wider field of Roman art and archaeology through the continuing work of his students.

The human race is on a 10,000 year urban adventure. Our ancestors wandered the planet or lived scattered in villages, yet by the end of this century almost all of us will live in cities. But that journey has not been a smooth one and urban civilizations have risen and fallen many times in history. The ruins of many of them still enchant us. This book tells the story of the rise and fall of ancient cities from the end of the Bronze Age to the beginning of the Middle Ages. It is a tale of war and politics, pestilence and famine, triumph and tragedy, by turns both fabulous and squalid. Its focus is on the ancient Mediterranean: Greeks and Romans at the centre, but Phoenicians and Etruscans, Persians, Gauls, and Egyptians all play a part. The story begins with the Greek discovery of much more ancient urban civilizations in Egypt and the Near East, and charts the gradual spread of urbanism to the Atlantic and then the North Sea in the centuries that followed. The ancient Mediterranean, where our story begins, was a harsh environment for urbanism. So how were cities first created, and then sustained for so long, in these apparently unpromising surroundings? How did they feed themselves, where did they find water and building materials, and what did they do with their waste and their dead? Why, in the end, did their rulers give up on them? And what it was like to inhabit urban worlds so unlike our own - cities plunged into darkness every night, cities dominated by the temples of the gods, cities of farmers, cities of slaves, cities of soldiers. Ultimately, the chief characters in the story are the cities themselves. Athens and Sparta, Persepolis and Carthage, Rome and Alexandria: cities that formed great families. Their story encompasses the history of the generations of people who built and inhabited them, whose short lives left behind monuments that have inspired city builders ever since - and whose ruins stand as stark reminders to the 21st century of the perils as well as the potential rewards of an urban existence.

The Roman Town at Silchester, Calleva Atrebatum, was a working archaeological dig - the University of Reading Field School - which took place every summer for eighteen years. Taking advantage of the last opportunity to record 'life on the dig' in 2014, artist Jenny Halstead spent the summer creating and collating material for a beautiful and historic book. Jenny's superior draughtsmanship, her eye for colour and her wide variety of techniques produce evocative, lively images. The resulting book is a fitting and enduring record of this historic episode in the life of an ancient city.

In this book, Ellen Swift uses design theory, previously neglected in Roman archaeology, to investigate Roman artefacts in a new way, making a significant contribution to both Roman social history, and our understanding of the relationships that exist between artefacts and people. Based on extensive data collection and the close study of artefacts from museum collections and archives, the book examines the relationship between artefacts, everyday behaviour, and experience. The concept of 'affordances'-features of an artefact that make possible, and incline users towards, particular uses for functional artefacts-is an important one for the approach taken. This concept is carefully evaluated by considering affordances in relation to other sources of evidence, such as use-wear, archaeological context, the end-products resulting from artefact use, and experimental reconstruction. Artefact types explored in the case studies include locks and keys, pens, shears, glass vessels, dice, boxes, and finger-rings, using material mainly drawn from the north-western Roman provinces, with some material also from Roman Egypt. The book then considers how we can use artefacts to understand particular aspects of Roman behaviour and experience, including discrepant experiences according to factors such as age, social position, and left- or right-handedness, which are fostered through artefact design. The relationship between production and users of artefacts is also explored, investigating what particular production methods make possible in terms of user experience, and also examining production constraints that have unintended consequences for users. The book examines topics such as the perceived agency of objects, differences in social practice across the provinces, cultural change and development in daily practice, and the persistence of tradition and social convention. It shows that design intentions, everyday habits of use, and the constraints of production processes each contribute to the reproduction and transformation of material culture.

Latrinae: Roman Toilets in the Northwestern Provinces of the Roman Empire' presents examples of Roman toilets from a wide area in northwestern Europe comprising Austria, Belgium, Britain, Germany and the Netherlands. Seven papers consider 'typically Roman' stone channel toilets, while five papers discuss the actually much more common wooden toilets of the cesspit type. Some studies concentrate on a single installation, others present a number of installations in their architectural surroundings. In addition, Roman chamber pots, which could be used either solo or in a toilet chair, are presented in two papers. A further paper on stercus, usually connected to latrine duty in the Roman army, questions this interpretation and offers a different meaning of the word. This book is the first collection on Roman toilets of the northwestern provinces, and gives a good overview of the possibilities for human waste removal in Roman times. The volume provides a fascinating introduction to this under-researched group of Roman installations.

The Hippos of Troy: Why Homer Never Talked About a Horse deals with one of the most famous episodes of the whole of Classical mythology, the Wooden Horse of Troy. Thanks to the analysis of words, images and wrecks, the author proposes a new interpretation of what Homer actually intended when he spoke of the hippos used by the Greeks to conquer the city of Troy. The archaeological, iconographic and philological evidence discussed by the author leads to the conclusion that Homer never talked about a giant wooden horse, nor a war machine. In fact, Homer referred to the use of a particular ship type, a merchant ship of Levantine origin in use in the Late Bronze Age/Early Iron Age Mediterranean, used to pay tribute to Levantine kings, as well as to trade precious metal around the Mediterranean coast.

The Afterlives of Greek Sculpture is the first comprehensive, historical account of the afterlives of ancient Greek monumental sculptures. Whereas scholars have traditionally focused on the creation of these works, Rachel Kousser instead draws on archaeological and textual sources to analyze the later histories of these sculptures, reconstructing the processes of damage and reparation that characterized the lives of Greek images. Using an approach informed by anthropology and iconoclasm studies, Kousser describes how damage to sculptures took place within a broader cultural context. She also tracks the development of an anti-iconoclastic discourse in Hellenic society from the Persian wars to the death of Cleopatra. Her study offers a fresh perspective on the role of the image in ancient Greece. It also sheds new light on the creation of Hellenic cultural identity and the formation of collective memory in the Classical and Hellenistic eras.

Gnathia ware is a painted Hellenistic type of ware with yellow, red and white decorations on the black surface of the vessels. Due to a decoration technique simpler than that on the previous Red-figure vases, Gnathia ware became the most widespread type of Hellenistic ware, and also the first type of south Italian ware that was exported in large quantities outside of the main area of production. Gnathia ware takes its name from ancient Gnathia, today Egnazia (a town on the Adriatic coast between Bari and Brindisi) in south-east Italy, where it was first discovered in 1845. The aims of this study are fourfold: to present Gnathia ware on the East Adriatic coast, to define local Issaean Gnathia production from manufacturing to distribution (including the typology of shapes and decorations), to identify other pottery workshops along the East Adriatic coast and, finally to understand the trade and contacts in the Adriatic during the Hellensitic period. Although the aims of the study may seem ambitious, once all of the material was gathered into a single study, it provided sufficient information to set the objective. It is noteworthy that the study presents the current state of research, so additional work needs to be done. However, work on the default task and the information obtained by the analysis of Gnathia and related ware facilitated greater insight into the history of the Adriatic area in the Hellenistic period. Further, the provenance of the material allowed for the reconstruction of contacts in the Adriatic and neighbouring regions. The questions of contacts and trade may seem peripheral to the main objective of the study, i.e., Gnathia and related ware, but they are vital to an understanding of the historical context of this area. So an additional aim of the study is to open up the East Adriatic region to scholars who are studying the history and economy of the Mediterranean basin in the Hellenistic period.

Homer's mythological tales of war and homecoming,the Iliad and the Odyssey, are widely considered to be two of the most influential works in the history of western literature. Yet their author, 'the greatest poet that ever lived' is something of a mystery. By the 6th century BCE, Homer had already become a mythical figure, and today debate continues as to whether he ever existed. In this Very Short Introduction Barbara Graziosi considers Homer's famous works, and their impact on readers throughout the centuries. She shows how the Iliad and the Odyssey benefit from a tradition of reading that spans well over two millennia, stemming from ancient scholars at the library of Alexandria, in the third and second centuries BCE, who wrote some of the first commentaries on the Homeric epics. Summaries of these scholars' notes made their way into the margins of Byzantine manuscripts; from Byzantium the annotated manuscripts travelled to Italy; and the ancient notes finally appeared in the first printed editions of Homer, eventually influencing our interpretation of Homer's work today. Along the way, Homer's works have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Exploring the main literary, historical, cultural, and archaeological issues at the heart of Homer's narratives, Graziosi analyses the enduring appeal of Homer and his iconic works. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. This book was previously published in hardback as Homer.

A collection of papers presented to Jeremy Rutter to mark his 65th Birthday. Introduction (James C. Wright); 1) The LH IIIA2-IIIB Transition: The Gurob and Saqqara Evidence Reassessed (David A. Aston); 2) Daskalio (Vathy), Kalymnos: A Late Bronze I Sacred Cave in the East Aegean (Mario Benzi); 3) The Diagonal Line Class Juglets: New Evidence from Hagios Charalambos (Philip P. Betancourt); 4) In Search of the Upper Story of LM I House A.1 at Papadiokampos: An Integrated Architectural and Ceramic Perspective (T.M. Brogan, Ch. Sofianou, and J.E. Morison); 5) Minding the Gaps in Early Helladic Laconia (William Cavanagh and Christopher Mee); 6) Subminoan: A Neglected Phase of the Cretan Pottery Sequence (Anna Lucia D'Agata); 7) Spoons to Fill the Cups (Jeannette Forsen); 8) The Stirrup Jar: Does the West House Evidence Help or Complicate the Problems? (Elizabeth French) ..."

This illustrated study comprises a comprehensive and detailed account of the historical development of Greek military architecture and defensive planning, specifically in Arkadia in the Classical and Hellenistic periods. Employing data gathered from the published literature, and collected during the field reconnaissance of every site, the fortification circuit of each Arkadian polis is explored. In this way, the book provides an accurate chronology for the walls in question; an understanding of the relationship between the fortifications and the local topography; a detailed inventory of all the fortified poleis of Arkadia; a regional synthesis based on this inventory; and the probable historical reasons behind the patterns observed through the regional synthesis. Maher argues that there is no evidence for fortified poleis in Arkadia during the Archaic period. However, when the poleis were eventually fortified in the Classical period, the fact that most appeared in the early fourth century BC, strategically distributed in limited geographic areas, suggests that the larger defensive concerns of the Arkadian League were a factor. Although the defensive responses to innovations in siege warfare and offensive artillery of the Arkadian fortifications follow the same general developments observable in the circuits found throughout the Greek world, there does exist a number of interesting and noteworthy, regionally specific, patterns. Such discoveries validate the methodology employed and clearly demonstrate the value of an exclusively regional focus for shedding light on a number of architectural, topographical, and historic issues.

This volume offers a comprehensive survey of Roman villas in Italy and the Mediterranean provinces of the Roman Empire, from their origins to the collapse of the Empire. The architecture of villas could be humble or grand, and sometimes luxurious. Villas were most often farms where wine, olive oil, cereals, and manufactured goods, among other products, were produced. They were also venues for hospitality, conversation, and thinking on pagan, and ultimately Christian, themes. Villas spread as the Empire grew. Like towns and cities, they became the means of power and assimilation, just as infrastructure, such as aqueducts and bridges, was transforming the Mediterranean into a Roman sea. The distinctive Roman/Italian villa type was transferred to the provinces, resulting in Mediterranean-wide culture of rural dwelling and work that further unified the Empire.

Despite what history has taught us about imperialism's destructive effects on colonial societies, many classicists continue to emphasize disproportionately the civilizing and assimilative nature of the Roman Empire and to hold a generally favorable view of Rome's impact on its subject peoples. "Imperialism, Power, and Identity" boldly challenges this view using insights from postcolonial studies of modern empires to offer a more nuanced understanding of Roman imperialism.

Rejecting outdated notions about Romanization, David Mattingly focuses instead on the concept of identity to reveal a Roman society made up of far-flung populations whose experience of empire varied enormously. He examines the nature of power in Rome and the means by which the Roman state exploited the natural, mercantile, and human resources within its frontiers. Mattingly draws on his own archaeological work in Britain, Jordan, and North Africa and covers a broad range of topics, including sexual relations and violence; census-taking and taxation; mining and pollution; land and labor; and art and iconography. He shows how the lives of those under Rome's dominion were challenged, enhanced, or destroyed by the empire's power, and in doing so he redefines the meaning and significance of Rome in today's debates about globalization, power, and empire.

"Imperialism, Power, and Identity" advances a new agenda for classical studies, one that views Roman rule from the perspective of the ruled and not just the rulers.

In a new preface, Mattingly reflects on some of the reactions prompted by the initial publication of the book.

During November and December 2014, Cornwall Archaeological Unit undertook a programme of archaeological excavation in advance of construction of a road corridor to the south of Newquay. Evidence for Middle Bronze Age occupation took the form of a hollow-set roundhouse; however, the majority of the excavated features have been dated to the Iron Age and Roman periods. The area was enclosed as fields associated with extensive settlement activity throughout the last centuries cal BC into the third century AD. The excavations revealed the character of settlement-related activity during the later prehistoric and Roman periods. The evidence strongly suggests growing intensification of agriculture, with ditched fields and enclosures appearing in the landscape from the later Iron Age and into the Roman period. The results shed light on later prehistoric and Roman practices involving the division of the landscape with ditched fields and enclosed buildings. Many of the structures and pits were found to be set within their own ring-ditched enclosures or hollows, and the field system ditches were in some instances marked by 'special' deposits. As has previously been demonstrated for Middle Bronze Age roundhouses, structures could be subject to formal abandonment processes. Gullies and hollows were deliberately infilled, so that they were no longer visible at surface. However, unlike the abandoned Bronze Age roundhouses, the later structures appear to have been flattened and not monumentalized. In other words, buildings could be both etched into and subsequently erased from the landscape and thereby forgotten. This volume takes the opportunity presented by investigations on the Newquay Strategic Road to discuss the complexity of the archaeology, review the evidence for 'special' deposits and explore evidence for the deliberate closure of buildings especially in later prehistoric and Roman period Cornwall. Finally, the possible motives which underlie these practices are considered. Includes contributions by Ryan S Smith, Dana Challinor, Julie Jones, Graeme Kirkham, Anna Lawson-Jones, Henrietta Quinnell and Roger Taylor.

When did the Indo-Europeans enter the lands that they occupied during historical times? And, more specifically, when did the Greeks come to Greece? Robert Drews brings together the evidence--historical, linguistic, and archaeological--to tackle these important questions.

Offers up to date full colour maps of the ancient Greek and Roman worlds.

Figured Tombstones from Macedonia, Fifth-First Century BC brings together for the first time a substantial body of material from ancient Macedonia, comprising stone funerary monuments, be they statues, stelai, or reliefs, which feature figured representations. The volume's geographical focus encompasses what can be referred to as the national territory of the ancient Macedonians, as established largely from the reign of Philip II until the last Antigonids, and extending from the range of Mount Pindos and Lake Lychnitis in the west as far as the Strymon valley and Mount Pangaion in the east. Its broad chronological scope stretches back to prehistoric times, when stone funerary monuments seem to have first appeared in the area, and into the first century AD, when significant changes in the modes which shaped (self-) representation in a funerary context can be traced. However, the volume takes as its main focus the Classical and Hellenistic periods, describing and unravelling the codes which moulded the representation of the dead on tombstones dating from the fifth to the first century BC. Paying close attention to the wealth of information that can be gained through morphological, typological, iconographical, and epigraphic analysis, the volume goes beyond artistic evaluation to consider social history: social and gender roles, social status, cultural identity, regionalism or consciously constructed cosmopolitanism, shifts in religious behaviour, and attitudes towards death and a possible afterlife are all addressed, revealing the ideas that shaped aesthetic predilections and the choice of (self-)representation.

The modern Cypriot town of Polis Chrysochous-"City of Gold"-lies above the city of Arsinoe and the earlier city-kingdom of Marion. In 1885 excavators began exploring the extensive cemeteries of these cities. Since 1983 the Princeton Cyprus Expedition has focused on the remains of sanctuaries, public buildings, workshops, and private residences spanning the Geometric through Classical periods of Marion and the Hellenistic through Roman, early Christian, and medieval periods of Arsinoe. Combining archaeological investigation and historical analysis, City of Gold relates the discoveries establishing that these cities had close ties with Greece and with regions from Egypt to Anatolia, findings best represented by the painted vases and terracotta sculptures of Marion and the architecture of Arsinoe. Nearly half of the 110 artifacts included in the catalogue are previously unpublished, and another third are published in detail for the first time. Distributed for the Princeton University Art Museum Exhibition Schedule: Princeton University Art Museum(10/20/12-01/20/13)