Spectacle and Display: A Modern History of Britain's Roman Mosaic Pavements is the first narrative to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention in the literature and provides a compelling insight into the agency of these spectacular remains. Analysis shows how mosaics have influenced and have been instrumental in the commodification of the past, the development of conservation practice and promoting the rise of the archaeologist. 'The most spectacular remains of Roman Britain' is a familiar description applied to the discovery of mosaics floors. They are exceptional symbols of Roman life in the province of Britannia and each new discovery is eagerly reported in the press. Yet one estimate suggested that 75% of all known mosaics from Britain have been lost, and they are commonly displayed out of context, wall mounted as artwork in museums and exhibitions and far from their role as floors. This is a contested narrative in which spectacle and survival, conservation and fine art, ownership and curation provide the discourse and texts of contemporary attitudes.

This is the first integrated study of Greek religion and cults of the Black Sea region, centred upon the Bosporan Kingdom of its northern shores, but with connections and consequences for Greece and much of the Mediterranean world. David Braund explains the cohesive function of key goddesses (Aphrodite Ourania, Artemis Ephesia, Taurian Parthenos, Isis) as it develops from archaic colonization through Athenian imperialism, the Hellenistic world and the Roman Empire in the East down to the Byzantine era. There is a wealth of new and unfamiliar data on all these deities, with multiple consequences for other areas and cults, such as Diana at Aricia, Orthia in Sparta, Argos' irrigation from Egypt, Athens' Aphrodite Ourania and Artemis Tauropolos and more. Greek religion is shown as key to the internal workings of the Bosporan Kingdom, its sense of its landscape and origins and its shifting relationships with the rest of its world.

This book investigates how varying practices of gender shaped people's lives and experiences across the societies of ancient Greece and Rome. Exploring how gender was linked with other socio-political characteristics such as wealth, status, age and life-stage as well as with individual choices, in the very different world of classical antiquity, is fascinating in its own right. But later perceptions of ancient literature and art have profoundly influenced the development of gendered ideologies and hierarchies in the West, and influenced the study of gender itself. Questioning how best to untangle and interpret difficult sources is a key aim. This book exploits a wide range of archaeological, material cultural, visual, spatial, demographic, epigraphical and literary evidence to consider households, families, life-cycles and the engendering of time, legal and political institutions, beliefs about bodies, sex and sexuality, gender and space, the economic implications of engendered practices, and gender in religion and magic.

This is a study of the twelve small gold lamellae from Crete that were tokens for entrance into a golden afterlife: the deceased who were buried or cremated with them believed that they had 'earned Paradise.' The lamellae are placed within the context of a small corpus of similar texts, and published with extensive commentary on their topography, lettering and engraving, dialect and orthography, meter, chronology, and usage. The texts reveal a "hieros logos" whose poetics and rituals are not much different from Homeric rhapsodizing and prophetic discourses. Cretan contexts, both literary and archaeological, are also brought to bear on these incised objects and on the burial custom involved. Finally, this work adduces parallels to the texts on the lamellae from the Byzantine period and modern Greece to illuminate the everlasting and persistent human quest for 'earning Paradise.'

Hercules' Sanctuary in the Quarter of St. Theodore in Pula deals with many aspects of the Roman sanctuary erected at the spring in Pula as well as with objects of cult dated to the Hellenistic period. The site was in use from the late fourth century BC to the fall of the Western Roman Empire, a date that approximately coincides with the demolition of the temple. Research focuses on Roman foundations which trace the ground plan of the temple that was surrounded by portico. Architectural fragments found at the site, as well as those kept in the collection of Pula Museum, were used to form proposals for a hypothetical reconstruction of the temple. The discovery of a relief club is the only reliable link with a particular deity i.e. Hercules. The continuity of the cult of Hercules has been recognised at the spring from the Histrian to Roman periods. Hercules was considered a founder and patron of the Roman colony of Pola. Nearness of the assumed umbilicus of the colony offers additional reasons to reconsider sacred rituals of the foundation of the colony. Traces of ritual desacralization, purification and storing of sacrificial remnants could be recognised at the site. A hypothetical reconstruction of the Roman sanctuary is followed by calculations of construction costs.

What is good luck and what did it mean to the Romans? What connections were there between luck and childbirth, victory in war, or success in business? What did Roman statesmen like Cicero and Caesar think about luck? This volume aims to address these questions by focusing on the Latin goddess Fortuna, one of the better known deities in ancient Italy. The earliest forms of her worship can be traced back to archaic Latium, and though the chronological scope of the discussion presented here covers the archaic age to the late Republic, she was still a widely recognized allegorical figure during the Middle Ages and the Renaissance. The primary reason for Fortuna's longevity is that she was a conceptual deity, symbiotically connected to the concept of chance and good fortune. When communities, individuals, and social groups interacted with the goddess, they were inevitably also interacting with the concept: renegotiating it, enriching it with new meanings, and challenging established associations. All the available literary, epigraphic, and archaeological sources on Fortuna are explored here in depth, including analyses of all the attested sanctuaries of the goddess in Italy, an updated study of inscribed gifts offered to her by a variety of individuals, and discussion of how authors such as Cicero and Caesar wrote about Fortuna, chance, and good luck. This study of the goddess based on conceptual analysis serves to construct a radically new picture of the historical development of this deity in the context of the cultural interactions taking place in ancient Italy, and also suggests a new approach to polytheism based on an exploration of the connection between gods and goddesses and concepts.

Veronique Dasen here examines dwarfs in myth and everyday life in ancient Egypt and Greece. In both cultures physical beauty was highly admired, even to excess. What happened to those whose appearance did not conform to the `ideal proportion'? The spectacular forms of dwarfism were always a focus of interest, and it is the most depicted disorder in antiquity. In this study Dr Dasen brings together for the first time a whole range of mostly unpublished or little known iconographic, epigraphic, literary, and anthropological evidence. She covers areas such as the history of caricature and the portrait; medical history, in particular the development of the perception of congenital disorders; social history; and history of religion, with questions on the magical and ritual efficacy of the malformed in sacred and theatrical contexts. She considers also the complex relations between mythology and ethnography, as shown, for example, in the Greek myth of the Pygmies. This is a fascinating work, with a wealth of insights for anyone interested in the history of medicine or the ancient world.

Are we to believe that Late Minoan Crete was over-run with dancers and bull leapers? As Senta German shows, dancing and bull-leaping were the most prevalent themes of Late Bronze Age glyptic art although, aside from their demonstration of a social and perhaps symbolic activity, they also had a much deeper function in Late Minoan society. German examines archaeological and art-historical evidence and uses it to create a typology of performance art (performativty, performative art and social drama). She questions the role of gender, class and age as social categories within this art and concludes that the seals, as vehicles of the value-laden message of performace at the palaces', were symbolic of power centred around palatial life.

Since the publication of Eliza May Butler's "Tyranny of Greece over Germany" in 1935, the obsession of the German educated elite with the ancient Greeks has become an accepted, if severely underanalyzed, cliche. In "Down from Olympus," Suzanne Marchand attempts to come to grips with German Graecophilia, not as a private passion but as an institutionally generated and preserved cultural trope. The book argues that nineteenth-century philhellenes inherited both an elitist, normative aesthetics and an ascetic, scholarly ethos from their Romantic predecessors; German "neohumanists" promised to reconcile these intellectual commitments, and by so doing, to revitalize education and the arts. Focusing on the history of classical archaeology, Marchand shows how the injunction to imitate Greek art was made the basis for new, state-funded cultural institutions. Tracing interactions between scholars and policymakers that made possible grand-scale cultural feats like the acquisition of the Pergamum Altar, she underscores both the gains in specialized knowledge and the failures in social responsibility that were the distinctive products of German neohumanism.

This book discusses intellectual and institutional aspects of archaeology and philhellenism, giving extensive treatment to the history of prehistorical archaeology and German "orientalism." Marchand traces the history of the study, excavation, and exhibition of Greek art as a means to confront the social, cultural, and political consequences of the specialization of scholarship in the last two centuries."

This book examines Roman funerary material from three Roman cities of the south-western regions of the Roman province of Pannonia (modern-day north-western Croatia): Andautonia (Scitarjevo near Zagreb), Siscia (Sisak), and Aquae Balissae (Daruvar). The material chosen reflects the potential of Roman funerary monuments and gravestones for gaining an insight into the historical, social and psychological aspects of Roman provincial society. It enables a perception of the gradual development of the Romano-Pannonian milieu from the 1st to the 4th centuries in its various social aspects: civilian, military, and religious. Within this frame, the focus is on the interaction between the individual and the community as reflected in monologues or even dialogues between the deceased and the living, conveyed through epitaphs and depictions. The deceased more often than not strove to represent themselves on their monuments in a 'wished-for' rather than a realistic manner. All of the examples illustrated here reflect in one way or another the Roman obsession with the eternal preservation of the deceased's memory. This volume is one of the 'deliverables' (dissemination of the results prevalently among the non-professional readers) of the project entitled: Roman funerary monuments of south-western Pannonia in their material, social, and religious context (IP-2014-09-4632), headed by B. Migotti. Its publication was partly supported by the Croatian Science Foundation.

Epigraphy, or the study of inscriptions, is critical for anyone seeking to understand the Roman world, whether they regard themselves as literary scholars, historians, archaeologists, anthropologists, religious scholars or work in a field that touches on the Roman world from c. 500 BCE to 500 CE and beyond. The Oxford Handbook of Roman Epigraphy is the fullest collection of scholarship on the study and history of Latin epigraphy produced to date. Rather that just a collection of inscriptions, however, this volume seeks to show why inscriptions matter and demonstrate to classicists and ancient historians how to work with the sources. To that end, the 35 chapters, written by senior and rising scholars in Roman history, classics, and epigraphy, cover everything from typograph to the importance of inscriptions for understanding many aspects of Roman culture, from Roman public life, to slavery, to the roles and lives of women, to the military, and to life in the provinces. Students and scholars alike will find the Handbook a crritical tool for expanding their knowledge of the Roman world.

Synthesizing some 30 years of archaeological research in south-east Italy, this book discusses a millennium that witnessed breathtaking changes: the first millennium BC. In nine to ten centuries the Mediterranean societies changed from a great variety of mostly small entities of predominantly tribal nature into the enormous state currently indicated as the Roman Empire. This volume is a case study discussing the pathway to complexity of one of the regions that contributed to the formation of this large state:south-east Italy. It highlights how initially small groups developed into complex societies, how and why these adapted to increasingly wide horizons, and how and why Italic groups and migrants from the eastern Mediterranean interacted and created entirely new social, economic, cultural and physical landscapes. This synthesis is based on research carried out by many Italian archaeologists and by research groups from quite a variety of other countries. Amsterdam Archaeological Studies is a series devoted to the study of past human societies from the prehistory up into modern times, primarily based on the study of archaeological remains. The series will include excavation reports of modern fieldwork; studies of categories of material culture; and synthesising studies with broader images of past societies, thereby contributing to the theoretical and methodological debates in archaeology.

The city of Pompeii has had an enormous impact on Western imaginations since its rediscovery under the ashes of the volcano that destroyed it in 79 CE. In the 250 years since excavations began, Pompeii has helped to bring the ancient world to life for everyone, from music hall audiences to gentleman scholars, and it continues to have an impact on the way in which we think about the past, and the human condition itself. The contributors to this generously illustrated volume, who include the novelist Robert Harris, in a recorded interview, investigate how Pompeii has been used in film, fiction, and art on both sides of the Atlantic over three centuries. They explore the many different ways in which Pompeii inhabits our imaginations: as ghostly relic of human suffering, romantic ruin, model of cultural inspiration, home of a distant, decadent culture, and comforting model for everyday life.

Glassware and Glassworking in Thessaloniki: 1st Century BC - 6th Century AD is a detailed examination of the production of glass and glass vessels in the eastern Mediterranean from the Hellenistic Age to the Early Christian period, analysing production techniques and decoration. The volume establishes the socio-economic framework of glassmaking and glassmakers' social status in the Roman world generally and in Thessaloniki specifically, while identifying probable local products. Presented are all the excavation glass finds from Thessaloniki and its environs found between 1912 and 2002. A typological classification was created for almost 800 objects - which encompass the overwhelming majority of common excavation finds in the Balkans - as well as for the decorative themes that appear on the more valuable pieces. Comparative material from the entire Mediterranean was studied, verified in its entirety through primary publications. A summary of the excavation history of these vessels' find-spots is provided, with details for each excavation, in many cases unpublished and identified through research in the archives of the relevant museums and Ephorates of Antiquities. The uses of glass vessels are presented, and there is discussion and interpretation of the reasons that permitted, or imposed, the choice of glass for their production. The finds are statistically analysed, and a chronological overview examining them century by century on the basis of use and place of production is given. Finally, there is an effort to interpret the data from the study in historical terms, and to incorporate the results into the political-economic evolution of the region's political history. Relatively unfamiliar glassmaking terms are explained in a glossary of glassworking technology and typology terms. The material is fully documented in drawings and photographs, and every object in the catalogue is illustrated. A detailed index of the 602 geographical terms in the work, many unknown, concludes the book.

A Classical Archaeologists's Life: The Story so Far shows that a scholar's life is not all scholarship, though much of this book is devoted to the writing of books and, especially, travel to classical and other lands. Boardman is a Londoner, born in Ilford and attending school in Essex (Chigwell). His teenage years were spent often in air raid shelters rather than with 'mates' (all evacuated). There are distinctive 'aunties', the rituals of daily life in a London suburb. The non-scholarly figures live large in this account of his life, marriage, children, new houses. At Cambridge he learned about classical archaeology as a necessary addition to reading Homer and Demosthenes, even being obliged to recite the latter. And those were the days of Bertrand Russell's lectures in a university reawakening after the war. Thence to the British School at Athens to learn about excavation (Smyrna, Knossos, later Libya). His return from Greece was to Oxford, not Cambridge, at first in the Ashmolean Museum, then as Reader and Professor. A spell in New York gives an account of the city before the troubles, when Petula Clark's Down Town was dominant. There is much here to reflect on university life and teaching, and on the reasons for and problems with the writing of his many books (some 40), with reflection on the university, colleges and their ways. Travels are well documented - a notable trip through Pakistan and China, in Persia, Egypt, Turkey - with comment on what he saw and experienced beyond archaeology. A lecture tour in Australia provides comment beyond the academic. He visited Israel often, lecturing and publishing for the Bible Lands Museum. Several tours in the USA took him to most of their museums and universities as well as many other sights, from glaciers to alligators. This book is a mixture of scholarly reminiscence, reflection on family life, travelogue, and critique of classical scholarship (not all archaeological) worldwide, illustrated with pictures of travels, friends, home life, and, for a historian, a reflection on experiences of over 90 years.

The nature of authority and rulership was a central concern in ancient Greece, where the figure of the king or tyrant and the sovereignty associated with him remained a powerful focus of political and philosophical debate even as Classical Athens developed the world's first democracy. This collection of essays examines the extraordinary role that the concept of tyranny played in the cultural and political imagination of Archaic and Classical Greece through the interdisciplinary perspectives provided by internationally known archaeologists, literary critics, and historians.

The book ranges historically from the Bronze and early Iron Age to the political theorists and commentators of the middle of the fourth century B.C. and generically across tragedy, comedy, historiography, and philosophy. While offering individual and sometimes differing perspectives, the essays tackle several common themes: the construction of authority and of constitutional models, the importance of religion and ritual, the crucial role of wealth, and the autonomy of the individual. Moreover, the essays with an Athenian focus shed new light on the vexed question of whether it was possible for Athenians to think of themselves as tyrannical in any way. As a whole, the collection presents a nuanced survey of how competing ideologies and desires, operating through the complex associations of the image of tyranny, struggled for predominance in ancient cities and their citizens.

Here are over 1,000 pages of authoritative information on the archaeology of Greek and Roman civilization. The sites discussed in the more than 2,800 entries are scattered from Britain to India and from the shores of the Black Sea to the coast of North Africa and up the Nile. They are located on sixteen area maps, keyed to the entries. The entries were written by 375 scholars from sixteen nations, many of whom have worked at the sites they describe. Until now our knowledge of the Classical period has been scattered in hundreds of sources dating from antiquity to our own times. This volume provides essential information on work accomplished, in progress, and still to be undertaken. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The figure Balaam has interested exegetes and scribes for millennia. Jonathan Miles Robker examines the different versions of the literary character Balaam as attested in biblical and epigraphic literature. By contrasting the distinct information about Balaam presented in the various sources (the plaster inscription from De'ir Alla, Numbers 22-24; 31; Deuteronomy 23; Joshua 13; 24; Judges 11; Micah 6; and Nehemiah 13), the author seeks to trace the development of characterizations of Balaam from the oldest available material to the youngest in the Hebrew Bible. In this way, Jonathan Miles Robker advances discourse about the literary and tradition-historical development of the texts that became the Hebrew Bible. Beyond the text of the Hebrew Bible, he also traces the continued development of Balaam's characterization through the texts of Qumran and the New Testament. To this end, the author contributes discussions of the history of religion in Antiquity.

The secluded sanctuary on the coastal promontory of Ras il-Wardija on the central Mediterranean island of Gozo (near Malta) constitutes another landmark on the religious map of the ancient Mediterranean. Ritual activity at the sanctuary seems to be evidenced from around the 3rd century BC to the 2nd century AD and, possibly, even as late as the 4th century AD. This ritual activity was focused in a small built temple and in a rock-cut cave that seems to have incorporated a built extension in a later stage. But the practised cult or cults were aniconic and remained so largely throughout. This may explain why the sanctuary's excavators did not report any findings of statuettes or any figural images. Contemporaneously, figural images were also venerated on other sites showing that, for a long while, iconism and aniconism co-existed on the Maltese islands. There might have been more than one deity venerated in this sanctuary. Dionysos could have been one of them. But whoever they were, they are likely to have been somehow connected with the sea and / or with a maritime community or communities as the sanctuary itself evidently was.

This book examines how Romans used their pottery and the implications of these practices on the archaeological record. It is organized around a flow model for the life cycle of Roman pottery that includes a set of eight distinct practices: manufacture, distribution, prime use, reuse, maintenance, recycling, discard, reclamation. J. Theodore Pena evaluates how these practices operated, how they have shaped the archaeological record, and the implications of these processes on archaeological research through the examination of a wide array of archaeological, textual, representational, and comparative ethnographic evidence. The result is a rich portrayal of the dynamic that shaped the archaeological record of the ancient Romans that will be of interest to archaeologists, ceramicists, and students of material culture."

The themes of sedentarisation, urbanisation and state formation are fundamental ones in the archaeology of many diverse parts of the world but have been little explored in relation to early societies of the Saharan zone. Moreover, the possibility has rarely been considered that the precocious civilisations bordering this vast desert were interconnected by long-range contacts and knowledge networks. The orthodox opinion of many of the key oasis zones within the Sahara is that they were not created before the early medieval period and the Islamic conquest of Mediterranean North Africa. Major claims of this volume are that the ultimate origins of oasis settlements in many parts of the Sahara were considerably earlier, that by the first millennium AD some of these oasis settlements were of a size and complexity to merit the categorisation 'towns' and that a few exceptional examples were focal centres within proto-states or early state-level societies.

Rome and Barbaricum: Contributions to the archaeology and history of interaction in European protohistory asks the following questions: How did the 'Barbarians' influence Roman culture? What did 'Roman-ness' mean in the context of Empire? What did it mean to be Roman and/or 'Barbarian' in different contexts? The papers presented here explore the concepts of Romanisation and of Barbaricum from a multi-disciplinary and comparative standpoint, covering Germania, Dacia, Moesia Inferior, Hispania, and other regions of the Roman Empire. They deal with issues such as conceptual analysis of the term 'barbarian', military and administrative organization, inter-cultural and linguistic relations, numismatics, religion, economy, prosopographic investigations, constructing identities; and they present reflections on the theoretical framework for a new model of Romanisation.

The vast networks of roads throughout the Roman Empire were vital to the expansion of Roman culture, power and influence across the world and one of their principal uses was the transportation of the Legions to strategic bases in the most direct way possible. This book details the planning, construction and maintenance of these road networks, and discusses the different types of Roman road found in areas of Britain, and their many uses. With photographs of surviving roads in Britain and a list of where they are still in use, "Roman Roads" is a perfect introduction to a Roman legacy that exists to this day.

This book reconstructs the pre-Julian calendar of Rome on the basis of epigraphical and literary evidence, and analyzes its relation to the solar and lunar years. Mrs. Michels shows how the varied contents of the calendar were related to the political as well as to the religious life of Rome of the first century B.C. She traces the history of the calendar back to the fifth century, indicating the stages by which a single list of festivals may have developed into the complex document of the late republic. The Roman method of intercalation, the character of the days, and the history of the trinum nundinum are presented in appendices. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Twenty sites were excavated on the route of a National Grid pipeline across Holderness, East Yorkshire. These included an early Mesolithic flint-working area, near Sproatley. In situ deposits of this age are rare, and the site is a significant addition to understanding of the post-glacial development of the wider region. Later phases of this site included possible Bronze Age round barrows and an Iron Age square barrow. Elsewhere on the pipeline route, diagnostic Mesolithic, Neolithic and Bronze Age flints, as well as Bronze Age pottery, provide evidence of activity in these periods. Iron Age remains were found at all of the excavation sites, fourteen of which had ring gullies, interpreted as evidence for roundhouse structures. The frequency with which these settlements occurred is an indication of the density of population in the later Iron Age and the large assemblage of hand-made pottery provides a rich resource for future study. Activity at several of these sites persisted at least into the second or early third centuries AD, while the largest excavation site, at Burton Constable, was re-occupied in the later third century. However, the pottery from the ring gullies was all hand-made, suggesting that roundhouses had ceased to be used by the later first century AD, when the earliest wheel-thrown wares appear. This has implications for understanding of the Iron Age to Roman transition in the region. Late first- or early second-century artefacts from a site at Scorborough Hill, near Weeton, are of particular interest, their nature strongly suggesting an association with the Roman military. With contributions by: Hugo Anderson-Whymark (flint), Kevin Leahy (metal, glass, worked bone), Terry Manby (earlier prehistoric pottery), Chris Cumberpatch (hand-made pottery), Rob Ixer (petrography), Derek Pitman and Roger Doonan (suface residues: ceramics and slag), Ruth Leary (Roman pottery), Felicity Wild (samian ware), Kay Hartley (mortaria), Jane Young with Peter Didsbury (post-Roman pottery), Ruth Shaffrey (worked stone), Lisa Wastling (fired clay), Jennifer Jones (surface residues: fired clay), Katie Keefe and Malin Holst (human bone), Jennifer Wood (animal bone), Don O'Meara (plant macrofossils), Tudur Burke Davies (pollen) and Matt Law (molluscs). Illustrations by: Jacqueline Churchill, Dave Watt and Susan Freebrey