The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

This is the report of the excavation of an enigmatic site in South Gloucestershire, which contained a decorated cellar with a cruciform setting of channels beneath its floor, almost certainly of 'ritual' significance, and a very large bath-house which included a swimming pool some fourteen metres long. Both the cellar and the bath-house had painted wall plaster and the bath-house contained a small area of tessellated floor. No other rooms were decorated in any way. The site dates from the late 1st Century AD and there was no evidence of any earlier activity apart from a number of randomly distributed flints, mainly Mesolithic.

The 1931 excavation season at Olynthus, Greece, ushered a sea change in how archaeologists study material culture-and was the nexus of one of the most egregious (and underreported) cases of plagiarism in the history of classical archaeology. Alan Kaiser draws on the private scrapbook that budding archaeologist Mary Ross Ellingson compiled during that dig, as well as her personal correspondence and materials from major university archives, to paint a fascinating picture of gender, power, and archaeology in the early twentieth century. Using Ellingson's photographs and letters as a guide, Kaiser brings alive the excavations led by David Robinson and recounts how the unearthing of private homes-rather than public spaces-emerged as a means to examine the day-to-day of ancient life in Greece. But as Archaeology, Sexism, and Scandal clearly demonstrates, a darker story lurks beneath the smiling faces and humorous tales: one where Robinson stole Ellingson's words and insights for his own, and where fellow academics were complicit in the theft.

This volume features a group of select peer-reviewed papers by an international group of authors, both younger and senior academics and researchers. It has its origins in a conference held at the National and Kapodistrian University of Athens, which aimed to bring up the frequently-neglected popular cult and other ritual practices in prehistoric and ancient Greece and the eastern Mediterranean. The topics covered by the chapters of the volume include the interplay between elite and popular ritual at cemeteries and peak sanctuaries just before and right after the establishment of the first palaces in Minoan Crete; the use of conical cups in Minoan ritual; the wide sharing of religious and other metaphysical beliefs as expressed in the wall-paintings of Akrotiri on the island of Thera; the significance of open-air sanctuaries, figurines and other informal cult and ritual paraphernalia in the Aegean, Cyprus and the Levant from the late bronze age to the archaic period; the role of figurines and caves in popular cult in the classical period; the practice of cursing in ancient Athens; and the popular element of sports games in ancient Greece.

One of the greatest historians of the twentieth century, Arnaldo Momigliano (1908-1987) is known for his path-breaking studies of ancient Greek and Roman history. The encyclopedic knowledge of the ancient world that Momigliano brought to his work, however, enabled him to make connections between ancient history and the subsequent study of that history. His sweeping vision stretched from antiquity to the present day. In Momigliano and Antiquarianism, Peter N. Miller brings together an international and interdisciplinary group of scholars to provide the first serious study of Momigliano's history of historical scholarship. At its core, this collection is devoted to one of Momigliano's most celebrated subjects the history of antiquarianism, and one of his most audacious claims, that the decay of early modern antiquarianism actually gave birth to the modern cultural sciences - history, sociology, anthropology, art history, archaeology, and history of religion. Filling a gap in the scholarship, this erudite collection will prove fascinating to teachers and students of classics, history, and the human sciences.

The research reported in this monograph follows on directly from the findings that were reported in BAR 492, in which, among many other discoveries, the author recognised that the courses of both Roman Dere Street and Hadrian's Wall had been underpinned by frameworks of long-distance alignments. Stimulated by the detection of several more of these alignments across northern England by another researcher, Robert Entwistle, the author, who is a chartered engineer as well as an archaeologist, seeks to examine why, how, and when such long-distance alignments may have been laid out. Consideration is then given to the processes by which some of these alignments seem subsequently to have been adopted to help set out the courses of Roman roads. These processes are shown, at times, to have been far from straightforward, and this appears to offer an explanation for many of the minor divergences that Roman roads, as built, take from such alignments in practice. The courses of four well-known Roman roads in Northern England are then examined in detail to diagnose the processes by which they are likely to have been planned and laid out. These roads are the Western Main Road from Manchester northwards through the Lune Gorge, the Maiden Way, the network of cross-country roads from Kirkham to Aldborough, and the Devil's Causeway.

The study explores patterns of interconnections between the coastal zone of the Corinthian Gulf and its surrounding hinterlands, between c. 600 and 300 B.C. Archaeological remains point to a substantial expansion in site numbers during this period, and the growth of identifiable central place sites in connection with coast-hinterland routes. Movements through these routes are further traced through both the material record and written sources. Coastal areas acted as important gateways for exchange systems linked to diverse hinterland environments and economies, and interaction patterns emphasise the importance of microregional connectivity in regards to economic and political dynamics.

The present collection refers not only to the remains of the pagan religion of Greeks and Romans, but also to those of Edomites, Nabataeans and Itureans in the Hellenistic and Roman period. Furthermore, it also includes motifs which are found in Jewish archaeological contexts with a pagan content or a mythological origin (such as the Beth She'arim sarcophagi and the synagogue lintels and mosaics), as well as motifs of an obviously mythological origin (such as the widespread use of the vine and the wine motifs) which appear in the mosaic floors of Jewish synagogues and Christian churches.

This study explores the insights into provincial Roman societies that can be gained from the archaeological evidence for burial practice, focused on Britain, drawing on wider work in the archaeology of death. It evaluates the distribution of burial evidence and the factors that condition it, including, it is argued, archaeologically invisible burial continuing from the Iron Age. It reviews the archaeological evidence for cremation rituals and explores how social status was expressed through burial, primarily in case studies from south-east England. Funerary ritual was a dynamic arena for asserting social status throughout the Roman period, taking forms that can be read as both 'traditional' and 'Roman'. The setting of burial is assessed to establish spatial relationships between living and dead in town and country and the distribution of funerary display across the landscape.

This book presents aspects of research on the archaeological investigations at the multi-period site of Priniatikos Pyrgos and surrounding area. Incorporating the Vrokastro Survey Project, the Istron Geoarchaeological Project, the Priniatikos Pyrgos Excavation Project and other researches, this volume presents interdisciplinary case-studies that deal with domestic, technological and mortuary practices at the site and how these relate to settlement and resource exploitation in the surrounding landscape. This is set within its environmental context at the local and regional levels, assessing both long term processes and shorter term events. The visual representation of materials and settlement complexity are approached using a combination of established and novel digital methods.

This volume contains papers presented at the international conference Networks in the Hellenistic world according to the pottery in the Eastern Mediterranean and beyond which took place at the universities of Cologne and Bonn 23rd 26th February 2011. The organizers, all specialists in Hellenistic pottery of different regions in the Eastern Mediterranean, invited participants working from the Adriatic Sea to Asia Minor and up to Central Asia to consider their material according to the common platform of networks and exchange systems. Among the questions addressed by the contributors are: What is the character of the trade relations between political centres? What is the nature of economic development in minor cities and rural areas? Are some regions cut off from trade routes and thus characterised by a more restricted spectrum of local pottery? Which places traded their pottery globally? Whose pottery was copied, and by whom? Can the repertoire of forms reflect the adoption of specific customs?"

The city of Pompeii, or Colonia Cornelia Veneria Pompeiorum, the stage of the action that takes place here, is seen by the author from the perspective of its integration in the macro-economic system of the Roman Empire. The characters that take the centre stage here are slaves, freed slaves and free citizens of low social status, distinguished from others by the place they occupy within relations of oppression and exploitation. In the pages that follow, the author brings the popular Pompeian soul to life, through its manifestations of love, sexuality, anguish and sadness. The work examines particular linguistic expression of popular Latin and, most specifically, through the graffiti written on the walls of a Roman colonial city, rendered there for the attention of the local community.

The central focus of this research (covering the period from the middle of the Second Century BC to the middle or late Second Century AD) concerns the form and function of suburban villas and their meaning within Roman society. The research reveals that these buildings served a unique role within the community, portraying an appearance of leisure and culture to the wider community and yet maintaining an intimate connection with the city centre. For the purpose of this study the region of central Italy has been chosen, concentrating on two regions; the political capital at Rome and the vicinity around the Bay of Naples (the centres of Pompeii, Herculaneum and Stabiae). These sites have been selected because of the wealth of archaeological and literary evidence centred upon this region. The eruption of Mount Vesuvius in AD 79, which covered a wide area, including Pompeii, Herculaneum and Stabiae, has provided a unique location for analysing the architecture, decoration and lifestyles of Roman residences. This region was of great social importance to the political leaders of Rome, allowing an in-depth understanding of the domestic residences of many of the highest political leaders during the period. The literary evidence shows that the regions around Rome and the Bay of Naples had many villas owned by leading Roman citizens, and by examining these structures it is possible to gain a greater understanding of their lifestyles and the social climate within the upper strata of the community.

A catalogue and analysis of over 1000 Roman-period oil lamps from the Holy Land within the collection of the Israel Antiquities Authority. The Roman period in Palestine begins with the conquest of the East by Pompey in 63 BCE - essentially the period representing the continuation of the partial political and cultural annexation of the country to Western civilisation following the earlier arrival of Greek and Hellenistic culture.

This volume combines diverse interests and methodologies with a single purpose: to give an overall picture of the new trends and perspectives currently used in the study of the epoch of Theodosius the Great and his successors, with special emphasis on the dynamics of places, power, belief and learning, and their mutual interdependencies. It is structured in two main sections - Ancient History and Archaeology and Philosophy and Literature. 16 essays in English, 8 in Spanish.

The main aim of this book is to provide a synthesis of all published research on sites of the Urnfield culture (c. 1300 BC - 750 BC) in continental Croatia. Using the basic division into settlements, cemeteries and hoards, the author concentrates on the analysis of the material culture following a typological-comparative method, while in the analysis of the finds from hoards a statistical method was used in order to show frequencies and distribution of certain types of items. Although the available data is scarce and includes a small number of sites that have not been excavated sufficiently, the study tries to obtain as complete a picture on the lifestyle of the people of the Urnfield culture in Croatia as

One Sunday evening in the summer of 2008, while prospecting on commercial land in the vicinity of the village of Warmington, situated on the summit of Edge Hill (south Warwickshire, England), a metal-detectorist saw a small silver disk on the surface. This was followed by the registration of a further two coins by his equipment, then others as he began a methodical survey of the area. After he had alerted the local Warmington Heritage Group to his discovery, the decision was taken to locate and mark the nucleus of the soundings being made and to leave further work to the following day. This revealed a spread of coins, at times up to fifty metres away from the original finds, but it was not till Tuesday that the nucleus itself was excavated, revealing a pot full of unstratified coins. Following cleaning, photographing, and initial identification, the hoard was deposited in the Warwickshire Museum pending arrangement of the necessary inquest in accordance with the Treasure Act. During this period additional coins came to light, bringing the total to 1146 specimens. Chronologically the hoard covers the period from 194/190 BC to AD 64,

This authoritative study covers the period from the eighth century BC, which witnessed the emergence of the Greek city-states, to the conquests of Alexander the Great and the establishment of the Greek monarchies some five centuries later.

This research takes an integrative approach to the study of Hellenistic cult and cultic practices in an important part of western Asia by employing a combination of archaeological, numismatic and historical evidence. Although any thorough investigation of Seleukid religion would prove illuminating in itself, this research uses religion as a lens through which to explore the processes of acculturation and rejection within a colonial context. It discusses the state attitude towards, and manipulation of, both Hellenic and indigenous beliefs and places this within a framework developed out of a series of case studies exploring evidence for religion at a regional level. The study outlines the development of religious practices and expression in the region which formed the birthplace of the modern world's three most influential monotheistic religions.

In 1995, Jeremy B. Rutter presented the pottery of the Fourth Settlement at Lerna in Lerna III: The Pottery of Lerna IV. The present volume is the companion to the Rutter volume, outlining the architectural sequence of the EH III period at the site with descriptions of the major building types and other features, such as hearths, ovens, and bothroi. Careful examination of the individual buildings and their contents constitutes the core of the text. The changing settlement patterns of the site through time are considered, and sources of influences are suggested.

This monograph examines the religious and mythological concepts of Zeus from prehistoric times until the Early Archaic period. The research was performed as an interdisciplinary study involving the evidence of the Homeric poems, archaeology, linguistics, as well as comparative Indo-European material. It is argued that Greek Zeus, as a god with certainly established Indo-European origins, was essentially a god of the open sky and the supposed progenitor of everything, a supreme, but not ruling deity; initially, he must have been distinct from the god of storms, who, for unknown reasons, completely disappeared from Greek religion and mythology by as early as the Late Bronze Age. From the time of Homer, Zeus-Father appeared as a storm-god, the autocratic ruler of the universe, and an offspring of elder deities, on the level of mythology. Such a concept does not correspond to the traditional Indo-European patterns and seems to have been formed under the influence of Near-Eastern concepts of the supreme almighty god, on the one hand, and the Cretan-Minoan concept of a young god/divine child, on the other. However, the Homeric concept of Zeus was adopted by his practising cults much later, only from the Late Archaic period.

This richly illustrated volume discusses the histories of the port city of Butrint, and its intimate connection to the wider conditions of the Adriatic. In so doing it is a reading, and re-reading, of the site that adds significantly to the study of Mediterranean urban history over the longue duree . Firstly, the book proposes a new paradigm for the development-history of Butrint - based on discussions of the latest archaeological, historical and landscape studies from approximately 20 new excavations and surveys, together covering a temporal arch from prehistory to the early modern period. Secondly, it examines how the perception of the city influenced the archaeological methodology of 20th-century studies of the site, where iteration and reversal were often being applied in equal measure. In this it asks important questions on the management of heritage sites and the contemporary role of archaeological practise. Inge Lyse Hansen is Adjunct Professor of Art History at John Cabot University and specialises in the visual and material culture of the Roman world. She has published on portraiture, funerary art and the use of role models and patronage and has edited several archaeological volumes. Richard Hodges is Scientific Director of the Butrint Foundation, a leading medieval archaeologist and the author of more than 20 books. Sarah Leppard has led or participated in more than 15 excavations in eight countries and has managed major excavations at Butrint.

One of the most visited sites in Italy, the Roman Forum is also one of the best-known wonders of the Roman world. Though a highpoint on the tourist route around Rome, for many visitors the site can be a baffling disappointment. Several of the monuments turn out to be nineteenth- or twentieth-century reconstructions, while the rubble and the holes made by archaeologists have an unclear relationship to the standing remains, and, to all but the most skilled Romanists, the Forum is an unfortunate mess. David Watkin sheds completely new light on the Forum, examining the roles of the ancient remains while revealing what exactly the standing structures embody-including the rarely studied medieval, Renaissance, and Baroque churches, as well as the nearby monuments that have important histories of their own. Watkin asks the reader to look through the veneer of archaeology to rediscover the site as it was famous for centuries. This involves offering a remarkable and engaging new vision of a well-visited, if often misunderstood, wonder. It will be enjoyed by readers at home and serve as a guide in the Forum.