This volume traces the lives, health, and diseases of Winchester's inhabitants as seen in their skeletal remains from the mid-third century to the mid-sixteenth century, a period of over 1,300 years. Although the populations of other British urban areas, York and London in particular, have been studied over an extended period, this volume is unique in providing a continuous chronological window, rather than a series of isolated studies. It is particularly notable for the large sample of Anglo-Saxon burials dated to the 8th - 10th centuries, which provide a bridge between the earlier Romano-British material and the later medieval samples. This study includes information on demography, physical characteristics, dental health, disease, and trauma collected from over 2,000 skeletons excavated from the Roman Cemetery at Lankhills and the Anglo-Saxon and medieval cemeteries of the Old and New Minster and Winchester Cathedral, as well as other Early Anglo-Saxon sites in neighbouring areas of Hampshire. The study establishes the underlying continuity of the population in spite of massive culture change between the Roman and Early Saxon periods, and delineates the increasing tendency to rounder skulls seen in the medieval period, a trend which is found in continental Europe at the same time. There were also significant differences through time in disease patterns and trauma. Leprosy, for example, is found only in post-Roman skeletons, while decapitations are seen only in Roman skeletons. Weapons injuries are confined to Anglo-Saxon and medieval individuals, although broken bones were common during the Roman period.

More than a century of archaeological investigation in Portugal has helped to discover, excavate and study many Lusitanian amphorae kiln sites, with their amphorae being widely distributed in Lusitania. These containers were identified in Ostia and Rome from the 1970s and thereafter in many sites around the Mediterranean, but their numbers have always seemed scarce. Were they not being recognized and therefore underestimated? Were they all fish-product amphorae? Did they ever reach a significant market share in the other provinces of Hispania? And what was their contribution to the supply of the city of Rome or to other cities in the centre of the Empire? This collective volume is a contribution to the discussion of these and other questions, and to a better understanding of the production and distribution of Lusitanian amphorae.

Raised to honour Maussolos, a Persian satrap of the 4th century BCE, the Maussolleion in Halikarnassos was renowned throughout the ancient world as one of its Seven Wonders. Pliny the Elder provided a useful description of it several centuries later, but another fourteen passed before the invention of moveable type made his observations available to a wider public. By that time, the monument was probably ruined beyond recognition, and by 1522 the remaining stones had been completely torn down and reused to fortify a nearby castle. Little else was known of the ancient monument until 1857, when C.T. Newton rediscovered the Maussolleion site. He removed what he could find of its sculptures - the source of the monument's original fame - to the British Museum, but while he answered some basic questions of structure, many were left unresolved, and his excavations jumbled much of the remaining materials. The third major contribution to our understanding of the great mausoleum comes from the Danish excavations led by Kristian Jeppesen from 1966 to 1977. The results of these digs are analysed in The Maussolleion at Halikarnassos, of which three volumes form the long-awaited conclusion. In Volume 5, Jeppesen tries to reconcile Pliny's account of the superstructure with recent archaeological finds. The passage in Pliny's Natural History has been corrupted by untold generations of copyists, and reconstructions have focused on producing a grammatically acceptable text, with little regard for consistency and sense. Jeppesen compares variant readings from the 58 known manuscripts and then, using his familiarity with Pliny's style, a knowledge of Greek architecture and a good dose of common sense, he proposes a model that tallies with the new archaeological evidence. The volume concludes with a survey of the architectural fragments held by the British Museum and the Maussolleion Museum in Bodrum.

All the sources categories, epigraphy, literature and archaeology, together with the contributions of contemporary scientific methods form a solid foundation for the purpose of this paper: the study of the military hierarchy in Dacia. The most complex aspect is by far the hierarchy of soldiers. Epigraphic sources provide a rich source of data for Dacia but a less documented aspect is that of promotions and careers. Thus, the understanding of military hierarchy across the Empire is very valuable. Following the obvious hypothesis, that one cannot understand the history of Roman Dacia, unless in the wider context of the Roman Empire, the author attempts to decrypt the multitude of ranks and functions in the career of the solider. Thus, the research has moved from general to particular, starting from literary sources and contemporary monographic studies and reaching the individual epigraphic sources and studies concerned with a certain category of officers or a particular phenomenon found in an inscription. It was necessary to study each category of Roman units because the connections between them are very strong, especially as far as it involves soldiers, personnel and officers as elements of the whole functional entity in the Mediterranean space. For the purpose of systematization, the author chose the classification proposed by Domaszewski, more than 100 years ago, dividing the military ranks into several categories: soldier ranks - immunes and principales, centurions and primipili.

From Zeus and Europa, to Diana, Pan, and Prometheus, the myths of ancient Greece and Rome seem to exert a timeless power over us. But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical myths. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from arabic poetry and Hollywood films, to psychoanalysis, the bible, and New Age spiritualism. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The buildings and artefacts uncovered by Canadian excavations at Stymphalos (1994-2001) shed light on the history and cult of a small sanctuary on the acropolis of the ancient city. The thirteen detailed studies collected in Stymphalos: The Acropolis Sanctuary illuminate a variety of aspects of the site. Epigraphical evidence confirms that both Athena and Eileithyia, goddess of childbirth, were worshipped in the sanctuary between the fourth and second centuries BCE. The temple and service buildings are modest in size and materials, but the temple floor and pillar shrine suggest that certain stones and bedrock outcrops were held as sacred objects. Earrings, finger rings, and other jewelry, along with almost 100 loomweights, indicate that women were prominent in cult observances. Many iron projectile points (arrowheads and catapult bolts) suggest that the sanctuary was destroyed in a violent attack around the mid-second century, possibly by the Romans. A modest sanctuary in a modest Arcadian city-state, the acropolis sanctuary at Stymphalos will be a major point of reference for all archaeologists and historians studying ancient Arcadia and all southern Greece in the future.

The aim of this work was to examine land-use and settlement on the Berkshire Downs from the Bronze Age to the end of the Romano-British period. Earlier research in this region had presented a landscape history that was in contrast to elsewhere on the Wessex chalklands and rather than a land that grew organically over 2.5 millennia, the area is seen as one which was sporadically occupied, worked, and possibly abandoned. In the west of the region late Bronze Age linear ditches mark a major reorganization in the scale of the landscape, but only a small number of contemporary settlements are known, and field systems appear to be absent. This is followed by an apparent hiatus until the establishment of organised farming communities in the Romano-British period engaged in large-scale cereal production. In the east, Segsbury Camp is seen to signal the emergence of early Iron Age occupation into an area of previously unoccupied and unused land, with later settlement on the Downs continuing into the late Iron Age. Beyond this period little is known and the fragmentary field systems in this region remain undated. It is proposed that these interpretations are illusory, created by large-scale Romano-British arable expansion in the west masking earlier occupation, and post Roman land-use in the east destroying upstanding monuments and creating a bias in our interpretation. Today, these former landscapes, some of which survived into the 20th century, are mostly plough-levelled. As such, further understanding lies beyond the limit of many conventional fieldwork methods. A multi-disciplinary approach was used to rebuild this landscape. Aerial transcription from the National Mapping Programme is used to provide a view of the landscape before its destruction through modern agriculture, while maps and documents, lidar, woodland survey, geophysics and metal detected finds are used to create a theoretical account of activity across this region.

There are hundreds of inscriptions to be found on Roman tombstones in museums throughout the country. They tell us a great deal about the Romans in Britain. However, to save space the wording is full of abbreviations and the meaning of the typical inscription is lost on the average museum visitor. But fluency in Latin is not necessary to read inscriptions. By learning a few basic rules and formulae anyone can become proficient at reading the inscription and understanding what it tells us about Roman Britain.

East Macedonia in northern Greece has rich deposits of gold and silver as well as copper and iron ores. The gold and silver were important to Classical Athens and even more so to Alexander the Great's Hellenistic world. Copper was extracted as early as the Late Neolithic, and iron was worked from the Iron Age to Ottoman times. Bringing to life the essential background to this wealth derived from metals, this book looks at the archaeological and archaeometallurgical evidence, some of it very new, for the mining and processing of the ores and the extraction of the metal. The book is written with the visitor to the region very much in mind, taking the reader closer to the landscapes where these practices took place to make sense of `silent landscapes' where so much happened at one time but where nature has now taken over the remains of buildings, installations and heaps of waste rendering them `mute' and meaningless for all but the expert historian of technology. Written by a native of the region who has himself been directly involved in field and laboratory work on ancient metallurgy, this book will raise the profile of this aspect of the region's past as well as the region's great natural beauty.

The five-hundred year occupation of Insula IX at Silchester has yielded a sequence of 87 whetstones, mostly tabular but some bar- or rod-shaped. These are described, illustrated and characterized with the help of thin-section microscopic petrography. The whetstones originated in many geological sources, not all of which can at present be identified. Whetstones from the earliest levels at Silchester are comparatively local in origin (sarsen, ironstone) or were made from discarded, imported milling stones (Quartz Conglomerate, Upper Old Red Sandstone). During the first and second centuries AD substantial number of bar-shaped whetstones manufactured in the Wroxeter manner from sandstones in the Weald Clay Formation (earliest Cretaceous) were imported into Silchester. Almost all the whetstones of the later Roman period are secondary in character produced from discarded roofing tiles of Brownstones (Lower Old Red Sandstone) and Pennant sandstone (later Upper Carboniferous) imported from the West Country. Small numbers of whetstones can be traced to the Portland Group (Upper Jurassic) and to the Lower and Upper Greensand Groups (Lower Cretaceous). The provision of sharpening stones to Silchester as a whole is estimated to run into many thousands.

In the late 4th century AD, the site of Kourion, Cyprus was destroyed by an earthquake that struck with little or no warning, trapping victims and objects where they lay. Although much of the site was reoccupied and rebuilt, some areas were not, thus providing a unique example of a moment truly frozen in time. This work presents the results of a comprehensive study of the architecture, stratigraphy, and material culture assemblage recovered from the Earthquake House, a multi-roomed domestic structure destroyed during this seismic event. The architectural analysis revealed a number of modifications to the structure that increased its overall size and subdivided its internal spaces, although their timing and reasons remain unknown at present. Study of the artifact assemblage provided significant insights into the processes surrounding the use, re-use, and discard of artifacts. This analysis identified numerous behaviors including consumable and non-consumable storage, storage of material for reuse and/or recycling, food preparation, and waste disposal, including a partial reconstruction of the domestic waste stream. This study produced a more nuanced model for understanding the distribution of artifacts in ancient domestic contexts and demonstrates that even in cases of near instantaneous destruction without significant disturbance, a wide variety of variables must be considered when examining the artifacts of domestic assemblages.

This work aimed to study the Roman lamps collected in Alcacova de Santarem. The set is formed by a total of 393 unpublished fragments, although some references to some complete lamps in archaeological reports. Given the high fragmentation of the set, was not easy his classification and interpretation. Chronologically, the lamps was dated between the last quarter of the second century BC and the beginning of the fifth century AD. However, the largest volume of lychnological imports is from the High Empire. After the early second century AD, Scallabis seems to suffer a reduction of economic purchase which may be due to several factors, symptom that also is reflected by the Roman lamps."

The three centuries which followed the conquests of Alexander are perhaps the most thrilling of all periods of ancient history. This was an age of cultural globalization: in the third century BC, a single language carried you from the Rhone to the Indus. A Celt from the lower Danube could serve in the mercenary army of a Macedonian king ruling in Egypt, and a Greek philosopher from Cyprus could compare the religions of the Brahmins and the Jews on the basis of first-hand knowledge of both. Kings from Sicily to Tajikistan struggled to meet the challenges of ruling multi-ethnic states, and Greek city-states came together under the earliest federal governments known to history. The scientists of Ptolemaic Alexandria measured the circumference of the earth, while pioneering Greek argonauts explored the Indian Ocean and the Atlantic coast of Africa. Drawing on inscriptions, papyri, coinage, poetry, art, and archaeology Peter Thonemann opens up the history and culture of the vast Hellenistic world, from the death of Alexander the Great (323 BC) to the Roman conquest of the Ptolemaic kingdom (30 BC).

This is the report of the excavation of an enigmatic site in South Gloucestershire, which contained a decorated cellar with a cruciform setting of channels beneath its floor, almost certainly of 'ritual' significance, and a very large bath-house which included a swimming pool some fourteen metres long. Both the cellar and the bath-house had painted wall plaster and the bath-house contained a small area of tessellated floor. No other rooms were decorated in any way. The site dates from the late 1st Century AD and there was no evidence of any earlier activity apart from a number of randomly distributed flints, mainly Mesolithic.

A large gap exists in the literature of ancient numismatics between general works intended for collectors and highly specialized studies addressed to numismatists. Indeed, there is hardly anything produced by knowledgeable numismatists that is easily accessible to the academic community at large or the interested lay reader. The Oxford Handbook of Greek and Roman Coinage will fill this gap by providing a systematic overview of the major coinages of the classical world. The handbook begins with a general introduction by volume editor William E. Metcalf followed by an article establishing the history and role of scientific analysis in ancient numismatics. The subsequent thirty-two chapters, all written by an international group of distinguished scholars, cover a vast geography and chronology, beginning with the first evidence of coins in Western Asia Minor in the seventh century BCE and continuing up to the transformation of coinage at the end of the Roman Empire. In addition to providing the essential background and current research questions of each of the major coinages, the handbook also includes articles on the application of numismatic evidence to the disciplines of archaeology, economic history, art history, and ancient history. With helpful appendices, a glossary of specialized terms, indices of mints, persons, and general topics, and nearly 900 halftone illustrations, The Oxford Handbook of Greek and Roman Coinage will be an indispensable resource for scholars and students of the classical world, as well as a stimulating reference for collectors and interested lay readers.

The Birth and Development of the Idealized Concept of Arcadia in the Ancient World for the first time brings together all the available evidence for this topic, from the Homeric period to the early Roman Empire, in one place. The evidence is both literary and visual and is considered in a chronological sequence. Thus the reader can follow the blossoming of the Arcadian dream through eight centuries. The ideological, political and philosophical background that forms the basis of this phenomenon is also outlined, and the contributions of poets, historians, philosophers, antiquarians, architects, sculptors and painters are duly considered. The book brings to light a treasure-trove of evidence, both well-known and obscure or fragmentary, filling a significant gap in the scholarly bibliography.

Human remains and burial customs are often considered separately in studies of ancient Greek populations. In this seminal work, Carrie Sulosky Weaver synthesizes skeletal, material, and ritual data to reconstruct the cultural practices of Kamarina, a city-state in Sicily. Using evidence from 258 recovered graves from the Passo Marinaro necropolis (circa the fifth to the third century BCE), Sulosky Weaver suggests that Kamarineans were closely linked to their counterparts in neighboring Greek cities. Evidence of violence, like head trauma and a high young adult mortality rate, indicate exposure to a series of catastrophic events. Other evidence at burial sites allude to Kamarina's mixed ancestry, ethnicity, and social hierarchy. Despite the tumultuous nature of the times, the resulting portrait reveals that Kamarina was a place where individuals of diverse ethnicities and ancestries were united in life and death by shared culture and funerary practices.

Destruction of temples and their transformation into churches are central symbols of late antique change in religious environment, socio-political system, and public perception. Contemporaries were aware of these events' far-reaching symbolic significance and of their immediate impact as demonstrations of political power and religious conviction. Joined in any "temple-destruction" are the meaning of the monument, actions taken, and subsequent literary discourse. Paradigms of perception, specific interests, and forms of expression of quite various protagonists clashed. Archaeologists, historians, and historians of religion illuminate "temple-destruction" from different perspectives, analysing local configurations within larger contexts, both regional and imperial, in order to find an appropriate larger perspective on this phenomenon within the late antique movement "from temple to church".

The study explores patterns of interconnections between the coastal zone of the Corinthian Gulf and its surrounding hinterlands, between c. 600 and 300 B.C. Archaeological remains point to a substantial expansion in site numbers during this period, and the growth of identifiable central place sites in connection with coast-hinterland routes. Movements through these routes are further traced through both the material record and written sources. Coastal areas acted as important gateways for exchange systems linked to diverse hinterland environments and economies, and interaction patterns emphasise the importance of microregional connectivity in regards to economic and political dynamics.

The recent crisis in the world of antiquities collecting has prompted scholars and the general public to pay more attention than ever before to the archaeological findspots and collecting histories of ancient artworks. This new scrutiny is applied to works currently on the market as well as to those acquired since (and despite) the 1970 UNESCO Convention, which aimed to prevent the trafficking in cultural property. When it comes to famous works that have been in major museums for many generations, however, the matter of their origins is rarely considered. Canonical pieces like the Barberini Togatus or the Fonseca bust of a Flavian lady appear in many scholarly studies and virtually every textbook on Roman art. But we have no more certainty about these works' archaeological contexts than we do about those that surface on the market today. This book argues that the current legal and ethical debates over looting, ownership and cultural property have distracted us from the epistemological problems inherent in all (ostensibly) ancient artworks lacking a known findspot, problems that should be of great concern to those who seek to understand the past through its material remains.

These archaeological studies offer to provide an alternative tour through Vesuvian cities. One way to see Pompeii, for example, is via its hydraulic systems, from the higher parts to waterlogged landfills at the mouth of Sarno. They invite you to walk the streets amidst the traces of regulation issued in municipal law and the free initiative of those who built and maintained the sidewalks. The graffiti and paintings allow us to take a tour specially designed to understand the tastes and devotions of the inhabitants of the Vesuvian cities. Thus, disparate themes researched separately may be presented here as a coherent work that initiates the visitor into Vesuvian studies. Each author gives us a particular tour of the specifics of the cities and villages of the Vesuvian area, its story, furniture, findings and the research process that has been developed over many years.

The present collection refers not only to the remains of the pagan religion of Greeks and Romans, but also to those of Edomites, Nabataeans and Itureans in the Hellenistic and Roman period. Furthermore, it also includes motifs which are found in Jewish archaeological contexts with a pagan content or a mythological origin (such as the Beth She'arim sarcophagi and the synagogue lintels and mosaics), as well as motifs of an obviously mythological origin (such as the widespread use of the vine and the wine motifs) which appear in the mosaic floors of Jewish synagogues and Christian churches.